Music Canada


Join Mailing List

Music Canada




VIDEO: Dr. Stacy L. Smith keynotes at the 2018 Global Forum at Canadian Music Week

On May 10, the 2018 Global Forum took place at Canadian Music Week. The annual event, which Music Canada has been presenting for more than a decade, seeks to tackle the most pressing issues in the music industry with a global perspective. This year’s theme was Inclusivity and Accountability: Bringing Measurable Change for the Music Industry and discussions were focused on challenges, solutions, and actions to make the industry more reflective of, and accountable to, the wider community. This includes initiatives to improve representation of all gender identities, ethnicities and sexual orientations across the industry, and to ensure all community members have equitable access to performance and career development opportunities, funding programs, and more.

The forum’s keynote speaker was Dr. Stacy L. Smith of the Annenberg Inclusion Initiative, the leading think tank in the world studying issues of diversity and inequality in entertainment. Dr. Smith is at the forefront of inclusion in the film industry and pioneered the now viral concept of an “inclusion rider.” In 2018, the Annenberg Inclusion Initiative also began to study the music industry and published a preliminary report titled Inclusion in the Recording Studio? During her keynote, Dr.Smith discussed the group’s preliminary findings, next steps, and areas for further research. Watch the full keynote below.

Dr. Smith began with a warning: “I am going to depress you.” Though her keynote described an industry where women and underrepresented groups were sorely lacking in many areas, members of the music industry, and those in other creative fields, were not shocked by the statistics.

One clear feeling among guests was that it’s time for action. Guests were all encouraged by Music Canada to complete an “Inclusion Pledge” detailing a specific action they will take to improve inclusion in their own field. Dr. Smith commented early on how refreshing it was to work with an organization that is committed to ensuring everyone feels they belong. “It’s an honour to be here amongst a group that cares so deeply about this issue,” said Smith.

After thoroughly detailing the problems facing the industry with data and statistics, Dr. Smith concluded by stressing the need for action. “What’s more important I think than the numbers themselves, is the solutions that we will be rolling out based on the data,” she said. “What we plan to do, just like in television, film and digital, is to roll out practical solutions so that the needle will move quickly, so that everyone who has the talent has the ability to participate not only equitably, but in safe work environments, so that they might thrive.”

To keep up with the latest from the Annenberg Inclusion Initiative, visit their website and follow them on Twitter. A selection of photos from the 2018 Global Forum is available on Music Canada’s facebook page.


Panic! At The Disco surprised with Gold plaques in Toronto

Brendon Urie, the creative force behind American dance rock band Panic! At The Disco, paid a visit to Toronto for a stop on the band’s 2018 tour in support of their latest album Pray For The Wicked. Prior to the headlining show at Scotiabank Arena, Urie was surprised by Warner Music Canada with two Gold plaques for 2016 album and title track Death Of A Bachelor, along with its accompanying singles “Victorious,” “Don’t Threaten Me With A Good Time,” “Hallelujah,” “Emperor’s New Clothes,” “LA Devotee.”

These are Panic!’s first certifications in the streaming era, and the first since the Platinum certification of their classic 2005 debut A Fever You Can’t Sweat Out.

Watch the music video for “Death Of A Bachelor” below.


Minister Miranda announces Alberta Music Week and additional funding for Alberta’s music industry

The Government of Alberta has officially declared July 19-26, 2018 the first ever Alberta Music Week. The announcement was made Thursday morning by The Honourable Ricardo Miranda, Minister of Culture and Tourism, at the launch of the weekly Music at McDougall: Summer Concert Series at McDougall Centre in Calgary.

“Alberta is home to some of the best songwriters, music producers and performers in the world,” said Minister Miranda in a release. “Alberta’s recording industry is an important contributor to our culture, as well as our economy, and is something worth celebrating. Alberta Music Week is an opportunity to highlight and discover Alberta musicians and get ready for another music-filled summer.”

Accompanying the declaration of Alberta Music Week was the announcement that $300,000 in additional funding for Alberta’s music industry, which in 2016 contributed more than $300 million to Alberta’s GDP and provided more than 7,300 jobs. The Alberta government will work with music industry leaders in the coming months to determine how the money can best benefit Albertans.

“Alberta Music Week highlights the vibrancy and activity of the music industry in our province,” said Carly Klassen, Executive Director of Alberta Music. “Alberta artists are creating musical works of a national and international caliber, alongside professionals working in many types of support roles within the industry. We are proud to acknowledge Alberta Music Week and the diverse artists who call Alberta home.”

Alberta’s cultural industries have been identified as a key area to support the government’s economic diversification and job creation priorities.

“Alberta’s cultural industries, including music and sound recording, are significant contributors to our economy, and have tremendous opportunity for growth and economic diversification,” said Minister Miranda. “With this funding, we continue to support that growth, provide jobs to Albertans, and help share our stories and songs with the world.”

Highlights of Alberta Music Week festivals include Interstellar Rodeo in Edmonton (July 20-22), the Stampede Summer Jam in Medicine Hat (July 23) and the Full Throttle Festival in Cold Lake (July 20). The Calgary Folk Music Festival (July 26-29) will close out the week on Prince’s Island.


Music Canada welcomes Pablo Rodriguez as Minister of Heritage; thanks Mélanie Joly for leadership on policies affecting the music sector

Toronto, July 18, 2018: Music Canada welcomes incoming Minister of Canadian Heritage, the Hon. Pablo Rodriguez and thanks the Hon. Mélanie Joly for her efforts in this role following her appointment as Minister of Tourism, Official Languages and La Francophonie. Prime Minister Justin Trudeau announced the changes to his federal cabinet earlier today.

As Minister of Canadian Heritage, Rodriguez will be responsible for implementing the government’s plan to strengthen Canada’s cultural and creative industries, and will be tasked with managing the legislative, regulatory, and Cabinet processes to deliver on the government’s priorities.

“On behalf of Music Canada, I would like to congratulate the Hon. Pablo Rodriguez on his appointment as Minister of Canadian Heritage,” says Graham Henderson, President and CEO of Music Canada. “In this role, he has the opportunity to improve the livelihood of Canadian creators, by creating the conditions for a functioning marketplace where creators receive fair compensation for the use of their work. We look forward to working with Minister Rodriguez to continue to advance policies that support creators and the companies that invest in them.”

Music Canada also extends congratulations to the Hon. Mélanie Joly on her appointment as the Minister of Tourism, Official Languages and La Francophonie, and expresses appreciation for her leadership on key policies affecting Canada’s music sector, including the initiation of a process to reform the Copyright Board of Canada, the launch of the statutory review of the Copyright Act, and the #DigiCanCon consultations.

“During her tenure as Minister of Canadian Heritage, Mélanie Joly advanced key priorities to strengthen Canada’s creative industries and improve the livelihood of Canadian creators,” says Henderson. “Her efforts to improve the regulatory frameworks that affect creators, such as the Copyright Board and the Copyright Act, has begun a process to put creators at the heart of cultural policy. Thank you, Minister Joly, and best wishes in your new role.”

In the music sector, Music Canada has been the lead advocate for practical and forward-looking improvements to Canada’s marketplace, institutions, and legal framework. The most pressing issue for the music sector in Canada, and around the world, is the Value Gap. Defined as “the significant disparity between the value of creative content that is accessed and enjoyed by consumers, and the revenues that are returned to the people and businesses who create it,” the Value Gap threatens the future of Canadian culture by harming creators’ ability to make a living from their work.

Music Canada’s comprehensive report, The Value Gap: Its Origins, Impacts and a Made-in-Canada Approach, provides insights into how policymakers can reverse the Value Gap. The report recommends four steps that could be quickly implemented, and would help creators and harmonize Canadian policy with international standards:

  1. Remove the $1.25 Million Radio Royalty Exemption
  2. Amend the Definition of ‘Sound Recording’ in the Copyright Act
  3. Address the Effects of Safe Harbour Laws and Exceptions in Canada
  4. Private Copying: Renew Support for Music Creators

Each of these recommended changes removes an unfair subsidy, harmonizes the laws within our industries, and brings us to international standards. The report was presented to the Industry, Science and Technology committee as part of the Statutory Review of the Copyright Act, as well as the Canadian Heritage Committee in their study of Remuneration Models for Artists and Creative Industries, where it has been cited by members of the committee as well as several other industry groups appearing as witnesses before the committee.


For more information:
Quentin Burgess, Music Canada
+1 (647) 981-8410

About Music Canada
Music Canada is a non-profit trade organization that represents the major record companies in Canada: Sony Music Entertainment Canada, Universal Music Canada and Warner Music Canada. Music Canada also works with some of the leading independent record labels and distributors, recording studios, live music venues, concert promoters, managers and artists in the promotion and development of the music cluster. For more on Music Canada, please visit


Music Canada souhaite la bienvenue au nouveau ministre du Patrimoine canadien Pablo Rodriguez et remercie Mélanie Joly de son leadership en matière de politiques affectant le secteur de la musique

Toronto, le 18 juillet 2018 : Music Canada souhaite la bienvenue au nouveau ministre du Patrimoine canadien, l’honorable Pablo Rodriguez, et remercie l’honorable Mélanie Joly de ses réalisations comme ancienne titulaire de ce poste alors qu’elle est désormais chargée du ministère du Tourisme, des Langues officielles et de la Francophonie. Ces changements ont été annoncés plus tôt aujourd’hui par le Premier ministre Justin Trudeau.

Comme ministre du Patrimoine canadien, M. Rodriguez aura la responsabilité de la mise en œuvre du plan conçu par le gouvernement pour consolider les industries culturelles et créatives du Canada en plus de la gestion des processus législatifs, réglementaires et ministériels permettant de répondre aux priorités du gouvernement.

« Au nom de Music Canada, je tiens à féliciter l’honorable Pablo Rodriguez de sa nomination au poste de ministre du Patrimoine canadien », a déclaré Graham Henderson, président et chef de la direction de Music Canada. « Le nouveau ministre aura la possibilité d’améliorer les moyens de subsistance des créateurs canadiens en créant les conditions nécessaires à l’existence d’un marché fonctionnel où les créateurs toucheront une rémunération équitable pour l’utilisation de leurs œuvres. Nous sommes impatients de collaborer avec le ministre Rodriguez à l’avancement de politiques qui soutiennent les créateurs et les entreprises qui investissent dans leurs carrières. »

Music Canada tient également à féliciter l’honorable Mélanie Joly de sa nomination comme ministre du Tourisme, des Langues officielles et de la Francophonie et à la remercier de son leadership concernant certaines politiques clés affectant le secteur de la musique au Canada, notamment la mise en place d’un processus de réforme de la Commission du droit d’auteur du Canada, le lancement de l’Examen prévu par la loi de la Loi sur le droit d’auteur et celui des consultations #verslenumérique.

« Durant son mandat comme ministre du Patrimoine canadien, Mélanie Joly a fait avancer des priorités clés visant à consolider les industries créatives du Canada et à améliorer les moyens d’existence des créateurs canadiens », a déclaré M. Henderson. « Les efforts qu’elle a déployés pour faire améliorer les cadres réglementaires affectant les créateurs, qu’il s’agisse de la Commission du droit d’auteur ou de la Loi sur le droit d’auteur, ont mis en branle un processus visant à mettre les créateurs au cœur de la politique culturelle. Merci, Madame la ministre Joly, et bonne chance dans vos nouvelles fonctions. »

Dans le secteur musical, Music Canada est le chef de file de la défense d’améliorations pratiques axées sur l’avenir à apporter au marché, aux institutions et au cadre juridique du Canada. Le problème le plus urgent, pour le secteur musical canadien comme pour celui du reste du monde, est celui de l’écart de valeur. Défini comme étant « la disparité significative qui existe entre la valeur du contenu créatif que les consommateurs consultent et apprécient et celle des revenus qui sont transmis aux individus et aux entreprises qui l’ont inventé », l’écart de valeur menace l’avenir de la culture canadienne en réduisant la capacité des créateurs de vivre de leurs œuvres.

Intitulé L’Écart de valeur : ses origines, ses impacts et une démarche faite au Canada, le rapport exhaustif préparé par Music Canada décrit les solutions auxquelles peuvent recourir les décideurs politiques canadiens pour remédier à l’écart de valeur. Le rapport recommande quatre étapes qui pourraient être rapidement mises en œuvre pour aider à harmoniser la politique canadienne avec les normes internationales :

  1. Éliminer l’exemption de redevances de 1,25 million $ de la radio commerciale
  2. Modifier la définition d’« enregistrement sonore » dans la Loi sur le droit d’auteur
  3. Régler la question des effets des lois sur les exemptions de responsabilité et les exceptions au Canada
  4. Copie privée : rétablir le soutien aux créateurs de musique

Chaque modification recommandée vise à faire disparaître une subvention injuste, à harmoniser les lois gouvernant nos industries et à nous permettre de nous conformer aux normes internationales. Le rapport a été présenté devant le Comité de l’industrie, des sciences et de la technologie dans le cadre de l’Examen prévu par la loi de la Loi sur le droit d’auteur ainsi que devant le Comité permanent du patrimoine canadien dans le cadre de son étude de Modèles de rémunération pour les artistes et les créateurs, où Music Canada a été cité par les membres du comité ainsi que par plusieurs regroupements de l’industrie invités à témoigner.


Pour de plus amples renseignements :
Quentin Burgess, Music Canada
+1 (647) 981-8410


Au sujet de Music Canada

Music Canada est une association professionnelle à but non lucratif qui représente les grandes maisons de disques au Canada, notamment Sony Music Entertainment Canada, Universal Music Canada et Warner Music Canada. Music Canada collabore également à la promotion et au développement du secteur musical en collaboration avec de nombreux chefs de file de l’industrie musicale indépendante – étiquettes et distributeurs de disques, studios d’enregistrement, salles de spectacles, diffuseurs de concerts, gérants et artistes. Pour en savoir plus sur Music Canada, veuillez vous rendre sur


Polaris Music Prize reveals 2018 Short List


The ten album Short List for the 2018 Polaris Music Prize was announced earlier today at CBC headquarters in Toronto. CBC Music Morning host and Polaris juror Raina Douris, who will host the 2018 Polaris Music Prize Gala, announced this year’s list alongside Polaris founder and Executive Director Steve Jordan.

The 2018 Polaris Music Prize Short List is:

  • Alvvays – Antisocialites
  • Jean-Michel Blais – Dans ma main
  • Daniel Caesar – Freudian
  • Jeremy Dutcher – Wolastoqiyik Lintuwakonawa
  • Pierre Kwenders – MAKANDA at the End of Space, the Beginning of Time
  • Hubert Lenoir – Darlène
  • Partner – In Search Of Lost Time
  • Snotty Nose Rez Kids – The Average Savage
  • U.S. Girls – In A Poem Unlimited
  • Weaves – Wide Open

The annual Polaris Music Prize recognizes excellence in Canadian music based solely on artistic merit, judged by a panel of music critics, with no regard for sales, popularity, or genre. This year’s winning artist will be awarded a $50,000 prize, while the nine other acts on the Short list will receive $3,000 each courtesy of Slaight Music. The winning album will be announced at the Polaris Gala at The Carlu in Toronto on September 17, and will also be live streamed by CBC Music.

The 2018 Polaris Music Prize Short List reveal can we viewed below.


City of Vancouver approves measures to help boost music industry and creative sectors

On July 10th, Vancouver’s City Council voted to take steps towards implementing measures that better support the city’s music ecosystem. Council came to a unanimous decision to approve a grant of $400,000 to help provide funding for “Vancouver-based music-focused projects,” as well as to enhance the growth of accessible, vibrant cultural spaces within the city.

The approved recommendations arose from two reports presented to Council that provided policy suggestions for additional support for the city’s music community and industry: the Vancouver Music Strategy Interim Report and Making Space for Arts and Culture: 2018 Cultural Infrastructure Plan.

“Vancouver’s vibrant, diverse arts and culture community puts us on the map as a city with a thriving creative scene,” said Mayor Gregor Robertson in a media release. “These actions will crank up support for our growing arts and culture community, create and preserve important spaces, and focus the city on ensuring that creative people are able to stay and build a future in Vancouver.”

One of the report’s key recommendations that was approved is the establishment of a temporary full-time staff position within the City that will act as a resource and advocate for the music community, and be responsible for facilitating the completion of the final Vancouver Music Strategy report. Of the total $400,000 grant amount, $100,00 will be allocated towards supporting this staff position.

Other proposed future measures include the development of a Music Office and the creation of a Music Advisory Council. These policy measures echo those recommended in Music Canada’s groundbreaking 2015 report, The Mastering of a Music City.

Also included in the Music Strategy interim report were the findings of the recently released Vancouver Music Ecosystem Study, facilitated by the Music BC Industry Association, Creative BC, Sound Diplomacy, and other key partners.

Some of the study’s key findings include:

  • Economic Impact: the economic impact of music in Vancouver is over $690 million (per year).
  • Employment: the music ecosystem supports a total of 14,540 jobs, including 7,945 direct music jobs in Vancouver for musicians, venues, festivals, music publishers, music teachers, studios & sound engineers, managers and labels, and music press and marketing.
  • Income/Wages: the employment impact of Vancouver’s music industry is over $520M annually.

Read the full Vancouver Music Ecosystem report here.



Greta Van Fleet receive first career Gold plaques in Toronto

Michigan-bred four piece rock band Greta Van Fleet were surprised with Canadian Gold award plaques by Universal Music Canada ahead of their two-night sold out run at Toronto’s REBEL nightclub. The plaques commemorate the band’s first ever Gold certifications of their debut album From The Fires and its single “Highway Tune.”

Prior to their shows in Toronto, the band opened for the Foo Fighters at Ottawa’s RBC Bluesfest and Quebec City’s Festival d’été. They will return to Canada in September for a run of shows in Vancouver, Calgary, and Edmonton.

Watch the music video for “Highway Tune” below.


Toronto Music Advisory Council highlights key milestones at last meeting of the term

The Toronto Music Advisory Council’s (TMAC) final meeting of the year took place on June 20th, 2018. Committee members discussed a variety of critical issues and developments, with the Working Groups providing progress updates on a number of their agenda items.

TMAC Co-Chairs City Councillor Josh Colle and Spencer Sutherland also presented a written summary of TMAC’s key milestones during the meeting, emphasizing the accomplishments that helped achieve the committee’s priority items.

Key highlights of the summary document are featured below.

Creating opportunities to support local musicians: major accomplishments include initiatives like Arts/Music in the Parks; the Toronto Music Directory; the YYZ Live series; and City Hall Live. Several pilot programs are still yet to be launched, as they are pending official Council approval. Some of the most notable include a pilot program regarding musician loading zones, tour bus parking, and an entertainment zone study.

Addressing regulatory burdens of music venues: this includes policies that aim to streamline regulations and permit processes or remove unnecessary bureaucratic hurdles for venues and spaces.  One of the early major accomplishments was eliminating the enforcement against music venues for illegal postering in 2015. Additionally, TMAC has played an important role in the development of various ongoing noise bylaw-related initiatives at the City of Toronto, such as the development of a Terms of Reference for Noise Impact Studies for new developments within 120 metres of existing live music venues.

Measures to protect music venues: TMAC has long advocated for the development of policies that protect existing music venues, such as the establishment of a live music venue certification program and the proposed creation of tax benefits for local live venues.

However, one of TMAC’s major accomplishments was its role in endorsing the adoption of a version of the “Agent of Change” principle in Toronto. This principle has now been adopted and is a culmination of several recent decisions at City Hall.

Arising from PG29.4 TO Core: Downtown Plan Official Plan Amendment, the proposed measures are intended to encourage the retention of live music venues, by:

  • Ensuring that live music venues can continue to function without noise-related impact on new residential development, meaning that:
    • New live music venues located within Mixed Use Areas 1, 2, 3, 4 and Regeneration Areas will be designed and constructed to minimize noise from the premises and provide acoustic attenuation measures that would protect residential uses; and
    • New mixed-use developments located within Mixed Use Areas 1, 2, 3, 4 and Regeneration Areas will be designed and constructed to include acoustic attenuation measures on-site, or within the building design, to mitigate noise levels from adjacent indoor live music venues and from outdoor live music venues.
  • Requring an advisory to be implemented for newly developed residential units within 120 meters of a live music venue.

Supporting the development of a robust night-time economy: TMAC has advocated for the City of Toronto to take steps towards establishing measures to support live venues and other night-time operators. One of the major accomplishments is the implementation of an 18-month nightlife economy study, led by the Responsible Hospitality Institute.

Promoting Toronto internationally and fostering alliances with global music cities: notable accomplishments in this arena include the successful development of recurring initiatives, such as the Tale of Two Cities event series; an Austin-Toronto Music Business Summit that took place in 2016, with a new summit in development for late 2018; a series of SXSW activations between 2015 to 2018, and more.


The full summary document of TMAC’s accomplishments can be found here.


Music Cities Summit 2018: ‘How Public Spaces Can Contribute to Scenes and Strategies’

On Saturday May 12th, Music Canada held its third annual international Music Cities summit The Mastering of a Music City during Canadian Music Week. City professionals, policy-makers, industry executives, and music community members all gathered to discuss topics related to the value of music, its economic impact, and its relationship to innovative city planning and creative entrepreneurship. Click here to view more recaps from the summit.

The last panel of the day was Making Space in the Public Realm: How Public Spaces Can Contribute to Scenes and Strategies. It examined how cities are utilizing publicly-owned buildings to create partnerships and develop initiatives with the music community. Business and community leaders from Denver, Seattle, Vancouver and Montreal discussed how public facilities can work in collaboration with their local music scene, and touched on issues like how to avoid competition with the private sector.

The panel was moderated by Farzaneh Hemmasi, Assistant Professor of Music & Ethnomusicology at the University of Toronto. Panelists included: Catherine Planet, Artist & Founder of La Chasse-Balcon; Dawn Ibey, Vancouver Public Library; Ismael Guerrero, Executive Director of the Denver Housing Authority, and; Tom Mara, Executive Director, KEXP.

The discussion kicked off with Catherine Planet providing some background on La Chasse-Balcon (founded in 2014), a series of music events with the mission of bringing neighbours together in residential areas. She discussed how her time spent living in Louisiana had a profound impact and inspired her to create an initiative that celebrates the musical vivacity of her hometown of Montreal once she returned.

Planet also touched on how these types of events help blur the lines between what is perceived as solely public and private spaces, and highlighted how a balcony can act as a symbolic bridge that enables these two spaces to become connected. Through La Chasse Balcon, free outdoor concerts are staged on balconies in different neighborhoods and have the surrounding community and crowds join in the festivities.

The panel then moved on to Dawn Ibey, who spoke about the role that libraries can play in building a vibrant Music City. She discussed how one of the core business activities of the Vancouver Public Library is to ensure free public programming for adults and children, with programs that support music creation, music education, as well as the staging of performances.

Ibey highlighted some of the major accomplishments of the Vancouver Public Library, such as the partnership with Sun Life Financial in 2016 to establish the city’s first musical instrument lending library. She discussed how public libraries should be included in the development of music strategies, as they contribute towards achieving some of the essential elements featured in The Mastering of a Music City report.

Next, Ismael Guerrero spoke about the Denver Housing Authority (DHA) and the impact that arts and music can have in addressing community justice issues. Through partnerships with community organizations as well as private sector initiatives, the DHA has taken steps to rebuild neighborhoods and modernize housing with a focus on building vibrant, mixed-income communities.

Guerrero touched on some of the other social entrepreneurial ventures the DHA has undertaken in recent years that are guided by a community-led, and sometimes, arts-centric framework and priorities. With investments supporting community organizations like Youth on Record, the establishment of community hubs have helped establish spaces where marginalized youth can create art and music.

The final panelist Tom Mara spoke about KEXP, a public radio, listener-supported station and non-profit arts organization in Seattle. Mara discussed the ‘music discovery-centred’ mission of KEXP to design their programming and initiatives in a way that supports music lovers, artists, and the wider arts community.

Mara touched on how one of the key commitments of KEXP is to support live music in Seattle, and highlighted how the organization stages around 300 live music performances every year at their facility. This exciting achievement was partly made possible through a partnership with the City of Seattle that enables KEXP to receive a favorable lease rate on their property, and is a key example of the different kinds of cross-sector collaboration that can exist.

The panelists went on to discuss several different topics and reflected on the unique opportunities that public facilities can provide, and that are currently not being leveraged.

To listen to the full discussion, you can watch the video below.


Page 3 of 6212345...Last »

This website made possible with the support of the Ontario Media Development Corporation.