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Vancouver City Council to Consider Music Friendly Policies

The Commodore Ballroom
Earlier this week, a motion to explore options for increasing city support for music and musicians was brought before Vancouver’s City Council. The motion was raised by Councillor Heather Deal and was referred to the City’s Standing Committee on Policy and Strategic Priorities.

“Vancouver is home to a vibrant, multicultural music ecology,” the motion reads, calling attention to the numerous musicians, live music venues, independent music producers, and recording studios which call the city home. It also recognizes the recent announcement by the Government of BC which will see $15 million in funding towards the creation of a BC Music Fund.

The motion proposes that city staff explore options which would make the city more music and musician-friendly. These include:

  • creating a working group focused on music,
  • advocating for and supporting music education,
  • exploring a multi-city music alliance with other cities with a strong music community,
  • working with Tourism Vancouver and Business Improvement Areas to identify and support tourism opportunities,
  • seeking further opportunities to leverage city-owned properties for use by artists, including musicians,
  • continuing to reduce unnecessary processes and regulations which affect music production and performance.

The Downtown Vancouver BIA was instrumental in sparking the conversation regarding city music policies, by bringing together Vancouver’s business and music community, as well as City staff and Councillors Elizabeth Ball, Heather Deal, and Adriane Carr, for a discussion on music cities earlier this month. Music Canada’s Graham Henderson spoke at the event regarding the role cities can play in incubating music scenes, and presented findings from Music Canada’s The Mastering of a Music City report, which outlines a roadmap that communities of all sizes can follow to realize the full potential of their music economy, as well as our new report, BC’s Music Sector: From Adversity to Opportunity, which highlights British Columbia’s wealth of talented artists and music assets and the factors that have put these assets at risk.

The report, citing in-depth interviews with more than 100 individuals in BC’s music sector, details the numerous benefits that a vibrant music economy, alongside supportive city policy, can bring. These benefits are not limited to quality of life and cultural development, but include economic diversification, the attraction and retention of talent in other industries, and music tourism.

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Re:Sound to take Tariff 8 ruling to Federal Court of Appeal

Paying artists a fraction of what their music is worth is not okay.

On Wednesday, February 24 our colleagues from Re:Sound will take the Copyright Board’s Tariff 8 ruling to the Federal Court of Appeal as they continue to fight against low streaming royalty rates. The court is judicially reviewing the Copyright Board’s decision from May 2014 that gave artists the incredibly low rate of 0.000102 per play on some digital streaming services.

Tariff 8 is disastrous for two important reasons:

  • The Copyright Board threw out commercially negotiated rates – where the marketplace of ‘willing seller and willing buyer’ decided what was
  • The Copyright Board set a rate approximately 10% of what was freely negotiated in the marketplace and a rate that is less than 10% of comparable US rates.

What does this mean in practical terms?

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Said another way, it means that real people can’t make a living.  The musicians and artists who work every day to make music in Canada are going to be even more impoverished and not paid fairly for the use of their work. According to a study by CIMA, the average income of a Canadian musician is only $7,228 per year from music-related activities.

The reality in the market is that sales of CDs and even downloads are declining, while music streaming is on the rise. That’s why it is so important that artists are fairly compensated for their work in the context of web-based services.

Streaming services demonstrate innovation in the music industry. The music industry is going into new spaces and doing things differently in light of a rapidly changing marketplace. But innovation only goes so far. The Board is at the heart of the problem for music creators.  It continues to set rates based on antiquated ideas that have no place in the current music landscape.

It took them six years to set Tariff 8 and they continue to move at a glacial pace on issues of critical importance to Canada’s economy.  Urgent action is needed to change the Copyright Board.

Tariff 8 sets the standard for streaming rates going forward.  So, while some may argue that services such as CBC Music, Stingray, and Slacker aren’t an artist’s only source of income or that this is only for some streaming services, the rates are appallingly low.

Artists deserve to be fairly compensated for their music. The Tariff 8 decision sends a message that music is not properly valued as a profession here, and this message is completely inconsistent with Canadian values.

The people whom we elect to solve these problems know all about the issues at the Copyright Board.  In 2014, right after the Tariff 8 decision was released, the Standing Committee on Canadian Heritage released a report on the Canadian Music Industry.  In fact, their #1 recommendation in their study was figure out how to make changes to it.

Minister Dion, at the time was so frustrated with the issues at the Copyright Board that he said that there is an urgent need for action and that, “the government and the Board would be perfectly able to fix things in the coming months if they only started now.”

We agree, Minister Dion.  We are supporting Re:Sound this week as they fight the Copyright Board’s Tariff 8 decision which has disastrous implications for the future of music in Canada.

We remain committed to this important issue, and to working with government on fixing the problems at the Copyright Board so this doesn’t happen again.

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Music Canada’s Graham Henderson remarks on ‘BC’s Music Sector – From Adversity to Opportunity’ report

Yesterday, Music Canada President and CEO Graham Henderson unveiled our latest report, BC’s Music Sector – From Adversity to Opportunity, at an event at the historic Warehouse Studios in Vancouver. At the event, Premier Christy Clark announced a $15 million grant towards the creation of a BC Music Fund, which will be administered by Creative BC. The event also included remarks from Jon Garson, President and CEO of the BC Chamber of Commerce, Diamond-certified artist Michael Bublé, and Scott Johnson, Chair of Music BC.

Supporting BC Music

Henderson’s remarks on the BC Music Sector report are available below:

“My name is Graham Henderson, President of Music Canada.

The social media hashtag for this event is #musiccanhelp.

Welcome to the official launch of Music Canada’s study of the music industry in BC which we have titled “From Adversity to Opportunity.” A study perhaps long overdue given the importance of the BC music scene to Canada’s national and international identity.

Now, obviously, based on who is up here on this stage with me, we are here to do more than talk about the realm of possibility…about what could or might happen.

I think we are here to talk about action, about what IS going to happen. But we will need to wait a moment longer to hear about THAT.

Music Canada is a national organization that aspires to be a trusted source, a respected forum and an inspirational advocate for all things music. Our members, Sony, Warner and Universal are the folks who stand behind and funded this research. And we all owe them a debt of thanks for what is a very significant investment.

But it is the music community of BC who supplied the impetus, the motivation and the passion upon which our work was based.

And while the instigators are many, a few do stand out. My dear friend Garth Richardson who literally berated me on FB to stand up for the BC music scene. Bob Deith and Scott Johnson, Rick Baker, Patrick Aldous and the entire team at Music BC who laid so much of the groundwork and who supplied us with local wisdom and know how. Nick Blasko whose advice and connections were indispensable. And, of course Bruce Allen – what can I say – when Bruce Allen starts demanding your attention….well…I think we all know where that leads – ACTION!

So why are we here? We are here because BC has one of the world’s great music scenes. We are here because the people of BC – and its government – care passionately about their music and their artists. But we are also here because this great natural resource is imperiled.

We heard this message loud and clear from the over 100 music community leaders that we interviewed. Their opinions and recommendations form the basis of our report.

The genesis of the idea was simple yet daunting. Why not imagine, why not implement, a provincial programme which would take into account the vast changes that have swept through music’s ecosystem.

To do this requires us to change the way we think about music. In international surveys people repeatedly rank music as one of life’s supreme sources of pleasure and emotional power, says a recent NYT article. But a new MIT study goes further — apparently our brain gives more a specialized treatment to music than it does to speech itself. This clearly underscores the absolutely crucial importance of music education to the growth and development of young minds. Music also has a cohesive, healing potential – a subject which will be celebrated by Music Canada at our upcoming Global Music Forum at CMW in May where we will celebrate the pioneering work of Laura Hasler and Musicians Without Borders.

Musicians without Borders is a global network of musicians and music lovers based in the Netherlands that uses music to heal the wounds of war. They design community music projects around the world that help people deal with trauma, fear, isolation and the effects of conflict.

Music in a very real and meaningful sense can be said to be who we are as a species.

Studies undertaken by Music Canada demonstrate the importance of music to tourism, to education, to the diversification of municipal, provincial and federal economies. Music, as it turns out drives not just our culture, but our economy. We now understand that thriving music scenes attract and retain young, talented workers and the businesses that employ them. Music, in effect, can be the glue that holds communities together.

It is this aspect which is attracting the attention of Chambers of Commerce across the country, including our friends at the BC Chamber of Commerce, the “Voice of Business” in BC. We are so thankful to have the endorsement and support of the BC Chamber and it is a sign of the importance of music to the economy that Jon Garson is here and that the Chamber has partnered with us in this launch.

Our report has collected a wealth of wisdom from the people of BC. From those inside the music industry and in government itself. The report was in effect a collaborative effort with the government of BC. They were excited by what we were telling them and we were urged to press on and come up with recommendations.

Embracing our recommendations would help BC to:

  • Create and retain jobs
  • Grow and diversify the economy
  • Attract foreign direct investment
  • Build more vibrant music scenes
  • Boost tourism development
  • Attract talent to other sectors like the digital arts
  • And contribute to cultural and artistic growth

We argue that BC does not just need a fund, BC needs a Music Strategy. BC needs to brand itself nationally and internationally as the music mecca that it is. BC needs to provide the policy framework to offer a turbo boost to that which it already has.

Our recommendations in this report are tailored to the specific needs of BC and are designed to position the province to compete in an increasingly global marketplace while also creating more opportunities for emerging BC artists to succeed and earn a living from their music.

We suggest in this report that a $15 million investment will produce an estimated total GDP impact of $73 million for BC’s economy.

Additionally, further red tape reductions would boost music activity relating to venues and festivals throughout the province.

Importantly, we believe more focus and funding on music education is a linchpin to this strategy. And in this regard our discussions with Minister Bernier have been fantastically encouraging.

Surely all of this suggests that music deserves special attention from policy makers. Surely you would think governments should respond to these new ways of understanding the importance of music. Surely governments should act! But, oh! People will tell you that governments do not move at the speed of business. That they are incapable of nimbly responding to the rapidly changing environment. That the bureaucracy of government is impenetrable – change takes years.

Well…..they are WRONG!! At least in the case of BC. At every point, our message has been embraced with enthusiasm by the government of BC and in particular by the Premier. We have received valuable guidance and advice. All of which has led to to where we are right now. Trembling in anticipation of what the Premier is about to tell us!

Now, before I turn the podium over to Jon Garson, President of the BC Chamber of Commerce who will introduce the person everyone REALLY wants to hear from, there is someone else I must acknowledge. And he is not here today only because he is performing a sold out show tonight in New York. And that is Bryan Adams.

From the first moment that Bruce Allen put me in touch with Bryan, it was clear that this was a cause he would embrace wholeheartedly. He has been a passionate supporter of our work and I can say without a hint of exaggeration that his involvement was pivotal. Bryan flew in especially to attend our reception at the Museum in Victoria. In addition to speaking, folks who were there will recall that he doubled as Jesse Roper’s guitar tech when a microphone failed. But what he said there I think reflects what this all about.

This is not about preserving the past, or even the now. This is about the future. Young musicians, he said, face a very different reality. There was a system, a “ladder”, if you will, that yesterday’s aspiring young musicians were able to ascend. Well that world has vanished and businesses, governments, and yes fans, need to think about how we can all work together to create a more congenial, and yes, PROFITABLE environment for our musicians. They must be able to earn a decent living as professionals. If music is one of life’s supreme sources of pleasure and emotional power, then we should all honour and support those who create it.

And with that said I will turn the podium over to Jon Garson who will introduce the premier.”

 

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Premier Clark announces new $15M BC Music Fund

Today we thank Premier Clark and the Government of British Columbia on their announcement to dedicate a $15 million grant to support the creation of a BC Music Fund as part of a comprehensive strategy to protect and promote the province’s music industry.

“This is an historic day for the province,” says Graham Henderson, President & CEO of Music Canada. “The creation of a BC Music Fund as part of a fulsome strategy to strengthen the province’s music industry, will enhance BC’s competitiveness as a location for the production and presentation of music. The BC Music Fund will help music businesses produce, distribute, promote, and stage the province’s emerging and well-known artists. It will allow the province to retain its deep inventory of talented music professionals, and create new opportunities for jobs and investment, contributing to a more diversified economy.”

Premier Christy Clark announced the $15 million grant as part of the launch of Music Canada’s report, BC’s Music Sector: From Adversity to Opportunity, at Vancouver’s Warehouse Studios. The event also included remarks by Michael Bublé, Jon Garson, President & CEO of the BC Chamber of Commerce and Scott Johnson, Chair of Music BC.

“B.C. is one of Canada’s leading centres for music with talented musicians in every corner of the province,” says Premier Clark. “Our record labels, recording studios, concert venues and music festivals draw people from all over the province, the country and the world. Music develops culture, promotes talent and diversifies our strong and growing economy.”

BC’s Music Sector: From Adversity to Opportunity was prepared by Music Canada after interviews and consultations with more than 100 individuals in BC’s music sector, the broader business community, municipal and provincial governments, provincial agencies, and community leaders.

The report highlights British Columbia’s wealth of music talent and the factors that have put these assets at risk. The report encourages decisive action on the part of the provincial government, municipalities, and music stakeholders to put BC’s music sector firmly back on the map and secure the benefits it can generate.

“The landscape and culture in BC has always been a huge catalyst in my creative process,” says Ryan Guldemond of Mother Mother who performed at the event. “It’s where we came together as a band, and where we’ve cultivated our creative community. There is an incredible wealth of talent here, and until now, the resources and infrastructure haven’t been able to properly support and elevate the art that is constantly being created. It’s incredibly heartening to see the powers that be sit up and take notice of the cultural and economic benefit the BC music industry provides for our province. Dedicating more resources to this sector will have a lasting positive impact on our cultural landscape.”

BC’s Music Sector: From Adversity to Opportunity is available at https://musiccanada.com/resources/research/bcs-music-sector-from-adversity-to-opportunity.

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Three Canadian artists included in IFPI’s Top 10 Global Recording Artists 2015 list

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International music trade body IFPI has announced their list of 2015’s top global recording artists, and Canadian artists Justin Bieber, Drake, and The Weeknd make up three of the top 10 positions. The multi-Platinum Canadian artists dominated Billboard’s US Hot 100, and charts worldwide, in 2015 with hits like “What Do You Mean?”, “Hotline Bling”, and “I Can’t Feel My Face”. In Canada, Drake’s album If You’re Reading This It’s Too Late and The Weeknd’s Beauty Behind The Madness were certified Platinum, while Justin Bieber’s Purpose was certified Triple Platinum.

UK singer/songwriter Adele was announced as the recipient of 2015’s Global Recording Artist of the Year award, following the success of her chart-topping third album 25. The album’s lead single, “Hello”, was number 1 in more than 30 countries worldwide and has been certified 6X Platinum in Canada since its release. 25 was officially certified Diamond in Canada, selling over 800,000 copies since its November 2015 release.

Adele is the third recipient of the award, which reflects an artist’s worldwide popularity across physical formats, downloads and on-demand streams. Last year’s winner Taylor Swift lands at #3 in 2015, while 2013 winners One Direction move to #5.

The full top 10 list can be viewed below and visit IFPI’s release for more information about the award.

 TOP 10 GLOBAL RECORDING ARTISTS 2015

1 Adele
2 Ed Sheeran
3 Taylor Swift
4 Justin Bieber
5 One Direction
6 Coldplay
7 Maroon 5
8 Sam Smith
9 Drake
10 The Weeknd
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2016 JUNO Award nominees announced

JUNO nominee Scott Helman performing his Gold-certified song “Bungalow”

The nominees for the 2016 JUNO Awards were announced today by The Canadian Academy of Recording Arts and Sciences (CARAS) at a press conference at The Phoenix Concert Theatre in Toronto.

Celebrating its 45th year, the JUNO Awards broadcast will take place in Calgary, AB, on Sunday, April 3, 2016, with scheduled performances from 2016 JUNO nominees The Weeknd, Alessia Cara, Shawn Mendes, Dean Brody, and Canadian Music Hall of Fame inductee Bryan Adams. Singer/songwriter and 2016 JUNO nominee Scott Helman closed out the event, which also included a performance by Calgary hip hop artist Transit.

Music Canada is proud to return as sponsor of the Album of the Year award, which includes nominees:

  • The Weeknd – Beauty Behind The Madness
  • Shawn Mendes – Handwritten
  • Justin Bieber – Purpose
  • Jean Leloup – À Paradis City
  • Drake – If You’re Reading This It’s Too Late

“Music Canada is proud to work alongside record labels who invest in great Canadian talent by helping them create an album, develop as artists, and build a passionate fan base,” says Graham Henderson, President of Music Canada. “This kind of support gives Canadian artists what it takes to not only break into the international market – but as we saw in 2015 – rule it.”

JUNOs/CARAS President Alan Reid provided opening remarks and thanked Calgary for allowing the 45th JUNOs to be apart of the city’s Year Of Music festivities, which celebrates the opening of the National Music Centre, the anniversaries of Calgary Philharmonic Orchestra and Sled Island and much more. “Things out west haven’t exactly been easy in Alberta and I just want to thank Mayor Nenshi as well as the people of Calgary for recognizing how important music can be to a city and for making 2016 the Year Of Music.”

Leading up to the broadcast, Calgary will host JUNO Week March 28 – April 3, 2016, featuring events like the JUNO Cup, JUNO Fan Fare presented by HMV, JUNO Songwriters’ Circle co-presented by SOCAN & Yamaha Canada Music and the two-day music celebration JUNOFest.

Fans will be able to vote for their favourite artist in the JUNO Fan Choice Awards presented by TD. Voting is open now through April 3 at junofanchoice.ca and through Twitter using their favourite artists JUNO hashtag.

The full list of nominees for the 2016 JUNO Awards can be viewed here.

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Vance Joy presented with Platinum plaque for debut LP

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Australian singer-songwriter Vance Joy was presented with a Platinum award plaque by Warner Music Canada for his debut album Dream Your Life Away. The presentation happened last night in Toronto before his second sold out show at Toronto’s legendary Massey Hall on The Fire And The Flood tour.

The lengthy North American winter tour has lead to sold-out concerts across Canada in Edmonton, Calgary, Winnipeg, Kelowna and back-to-back nights in Vancouver.  Vance Joy will play three concerts in Montreal beginning tonight, after which he will continue east across Quebec before arriving in Halifax for two more sold-out dates February 7 & 8. All shows have been supported by Canadian indie rock band Reuben And The Dark.

“Riptide”, the breakout single from the album, has been certified 4X Platinum in Canada, while the single “Mess Is Mine” has been certified Gold.

 

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Ottawa’s MEGAPHONO to feature Music Cities panel

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From February 2-5, 2016, Ottawa will host the 2nd annual MEGAPHONO music festival, showcasing the nation’s capital’s burgeoning music scene to fans and industry professionals alike. The festival will feature a packed schedule of club gigs, free shows in the Centretown & Hintonburg neighbourhoods, and daily panel discussions beginning February 3.

On Thursday February 4, the Ottawa Music Industry Coalition (OMIC) presents the panel In Search Of The Music City: What Does Local Business Have To Gain? at Live On Elgin (230 Elgin, 2nd Floor). The discussion will be moderated by Music Canada Live‘s Erin Benjamin and will feature panelists Mark Garner (Downtown Yonge BIA), Councillor Jeff Leiper (City of Ottawa), Amy Terrill (Music Canada) and Tim Potocic (Sonic Unyon / Supercrawl).

The discussion comes at a crucial point in Ottawa’s push towards growing its thriving music scene, an effort panelist Councillor Jeff Leiper has shown favourable support for. At MEGAPHONO 2015, festival director and Kelp Records’ Jon Bartlett revealed the Ottawa music report Connecting Ottawa Music: A Profile of Ottawa’s Music Industries.

“It’s an exciting time to be working in music in Ottawa,” said Jon Bartlett at the report’s launch. “It’s like nothing I’ve felt in 15 years of living here. We are in the middle of a musical boom here in Ottawa.”

Also in 2015, Music Canada released its Live Music Measures Up report analyzing the economic impact of live music in Ontario, as well as the report The Mastering Of A Music City.

Panel attendance is open to delegate pass holders and MEGAPHONO artists. Delegate badges are still available for $100, as well as general festival passes for $50.

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London’s Music City Initiative Highlighted in 2016 State of the City Address

Yesterday, London Mayor Matt Brown delivered his 2016 State of the City address to the London Chamber of Commerce, which outlined a number of initiatives aimed at moving London forward.

Among the initiatives aimed at benefiting London’s culture and tourism sector, Mayor Brown cited the City of London’s Music Strategy.

“We set a goal to become a Music City and this began to take shape in a big way this year,” said Brown. “To lead the way, the City of London developed a Music Strategy that will make London a Music City and a music attraction.”

The event kicked off with a performance from Canadian country music artists Autumn Hill, a nod to Country Music Week and the Canadian Country Music Association Awards, which London will host for the first time this fall. The pair of events are expected to directly benefit the local economy with the booking of approximately 2,000 hotel room nights and an anticipated economic impact of $6-8 million dollars. The CCMA & JUNO nominated duo performed acoustic versions of their hits ‘Anything At All’ and ‘Blame’, which were a highlight for many in attendance.

 

https://twitter.com/allysoneckel/status/691994938884636672

Mayor Brown also referenced live music in regard to plans to reinvigorate London’s downtown core. The Downtown Plan builds on the success of previous investments in Budweiser Gardens, the Covent Garden Market, and Central Library, and looks to make downtown London “an irresistible destination and an exciting place to live,” said Brown.

“It’s time for Dundas Street to become Dundas Place – a transformational project that will see the creation of a flexible street between Wellington Street and the Thames River,” said Brown. “A space for cars during the day and a people-first space on evenings and weekends; a place to stroll, shop, or visit with friends. A place to be entertained, a place where services spill out onto the street and we can enjoy live music, culture and great food.”

With the execution of the London Music Strategy, including the hiring of a Music Industry Development Officer, the launch of the London Music Division incubator, and creation of the Music Industry Development Task Force, London is showing that a targeted music strategy and coordinated efforts can pay dividends for a city looking to draw tourists, create jobs, and enhance local quality of life.

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East Coast Music Association reveals 2016 Awards nominees

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The East Coast Music Association (ECMA) Awards will return to Sydney, NS, this spring as part of the 2016 Eastlink East Coast Music Week (ECMW), happening April 13 through 17. Today, the ECMA announced nominees and performers for the 2016 Awards show, which takes place Thursday, April 14, at Centre 200, and will be hosted by Ashley MacIsaac and Heather Rankin.

“We are thrilled to announce this year’s East Coast Music Awards nominees, which once again demonstrates the incredible musical talent coming out of our region right now,” said Andy McLean, ECMA Executive Director in a release. “Adding to the excitement is the first round of East Coast Music Week (ECMW) showcasing acts, which features both upcoming and established musicians, as well as the diverse styles and sounds that the East Coast is known for. With a wide array of events happening at iconic venues throughout Sydney, and our Industry Conference taking place at the Membertou Trade & Convention Centre, the 28th edition of ECMW will truly be a memorable event!”

Leading the list of nominees with seven nominations is indie rock band Hey Rosetta!. Folk singer/songwriter Jenn Grant earned six nods, while Amelia Curran and Fortunate Ones both earned five. From now until March 16, 2016 at 5pm AST, fans can visit the Cape Breton Post website to vote once a day for the East Coast Music Awards Fans’ Choice Entertainer of the Year and Fans’ Choice Video of the Year.

In addition to the Awards Show, East Coast Music Week will feature an industry conference and a number of showcase performances. An estimated 500 musicians are expected to take part, in addition to more than 1,000 industry professionals.  Approximately 13,000 people are expected to attend all of the ECMW events, which McLean says will drive approximately $3 million in the local economic impact.

The ECMA and TD are also encouraging Nova Scotia high school students to show their musical talent through the Music Moves Me contest. Students can enter by posting a video of themselves on YouTube performing an original or cover song  and sharing it using the #TDMusic and #ECMW2016 hashtags. The winner receives $1,000 for their school’s music program, two passes to the ECMW Awards Show along with return travel and overnight accommodations. The winner is also invited to perform their song as part of the TD Pop-Up Concert at Sydney’s Mayflower Mall on Saturday, April 16, 2016.

Tickets and passes for the ECMA 2016 Award Show and ECMW Festival are on sale now.

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