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Tag archive: Bill C-11 (3)

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Music Canada files submission with the CRTC in response to its contribution framework consultations to implement Bill C-11

Today, Music Canada filed our submission to the Canadian Radio-Television and Telecommunications Commission (CRTC) for its “Call For Comments: The Path Forward – Working towards a modernized regulatory framework regarding contributions to support Canadian and Indigenous content.” 

For more than five decades, Canada’s commercial radio regulatory framework has been integral to the success of our music industry. But today, music fans overwhelmingly discover and listen to Canadian artists on streaming platforms. This new reality necessitates a new regulatory framework. With this call for comments, the CRTC requested that industry weigh in on this new framework for contributions – both financial and otherwise – that traditional and online broadcasters will be required to make to support Canadian and Indigenous content. 

As outlined in our submission, Music Canada, alongside our major label members – Universal Music Canada, Sony Music Entertainment Canada and Warner Music Canada – strongly believe this is a once-in-a-generation opportunity to leverage the power of streaming to create new and meaningful opportunities for Canadian artists and the businesses that invest in them. 

To do so, we offered the below guiding principles to the CRTC: 

  1. Policies for the promotion and discovery of music must not restrict user choice on streaming platforms. If this new regulatory framework impedes the listening experience, users will be driven to unlicensed music and VPNs. Infringing services don’t pay artists. If we drive listeners to illegitimate sources, that outcome will fly in the face of everything that the Broadcasting Act sets out to achieve. 
  2. Contribution requirements must not drive out industry investments by platforms. In recent years, the largest music streaming platforms have increased their presence and investments in Canada, creating meaningful impacts on artists and domestic music companies. Financial contribution obligations must not disincentivize and potentially jeopardize these investments. Instead, we have an opportunity here to help grow investments. 
  3. This new framework offers an opportunity to examine our funding programs and how to best support and grow our domestic marketplace. A review of existing funds along with consideration of independent new funds for music (with new eligibility and criteria) will help ensure that we not only build measurable commercial success and export opportunities for Canadian artists, but that we also support diverse voices and emerging talent. 

To read Music Canada’s entire submission, click here.

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Passage of Bill C-11 Vital Building Block for Music Community

Toronto, July 3, 2012: With the Royal Assent of Bill C-11, The Copyright Modernization Act, Canada joins a long list of countries that recognize the importance of protecting intellectual property in the digital environment.“We never doubted that we would see this day but it has been a long road, in particular for creators, whose livelihoods have been deeply eroded by piracy. We commend the government and Canadian Heritage Minister James Moore in particular, for their tenacity in pursuing a modern copyright framework and legislation that will enable Canada to ratify the World Intellectual Property Organization Internet Treaties,” says Graham Henderson, President of Music Canada. “Utilizing the tools provided by this legislation, in conjunction with our efforts to ensure consumers have various legal digital services to choose from in Canada, we will now turn our attention to rebuilding the marketplace for recorded music.”

An economic impact study on the recording industry in Canada, recently prepared by PricewaterhouseCoopers (PwC) and published by Music Canada, demonstrates that while digital sales of recorded music have grown in the past five years, they have not offset the drop in total sales. Despite the contraction though, the study points out that the recording industry remains an important economic generator for Canada.

“Major and independent music companies, not to mention the broader music community, support thousands of high-paying jobs across Canada and represent one of Canada’s most successful exports, making copyright protection a good investment for Canadians,” says Henderson.

Graham Henderson testified before the Senate Committee on Banking, Trade and Commerce on June 26, 2012 regarding Bill C-11, and previously testified before the legislative committee reviewing Bill C-32 along with artists Loreena McKennitt and Maia Davies and representatives of the Canadian Independent Music Association and the Canadian Council of Music Industry Associations.

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For more information:
Amy Terrill – Vice President Public Affairs, Music Canada
aterrill@musiccanada.com 647-963-6044

Music Canada is a non-profit trade organization that represents the major music companies in Canada, namely EMI Music Canada, Sony Music Entertainment Canada, Universal Music Canada and Warner Music Canada. Music Canada also provides membership benefits to some of the leading independent record labels and distributors. Its members are engaged in all aspects of the recording industry, including the manufacture, production, promotion and distribution of music.

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Music Canada Supports Referral of C-11 to Committee

Toronto, February 8, 2012: Music Canada is pleased to see 2nd reading on Bill C-11, The Copyright Modernization Act, drawing to a close so that the Bill can proceed to a Legislative Committee for review.

“Copyright reform has been discussed for well over a decade in Canada, with draft legislation put forward by not one, but two governments. The discussion has featured mammoth and unprecedented public consultations, town halls, round tables, submissions and testimony by hundreds of witnesses, many representing thousands of Canadians. And in this Parliamentary session we have heard from dozens of speakers. All this while jobs are lost and careers are damaged, some beyond repair. It is time to deal with this issue in committee where the important work will take place to refine the Bill in order to ensure it meets the government’s objectives of protecting creative industries, combating piracy and encouraging productivity and innovation in Canada’s vital creative sector,” says Graham Henderson, President of Music Canada. “We look forward to a post enactment world, when the creative community can focus on rebuilding the marketplace, and when it will become clear that reports of the impending death of the internet were greatly exaggerated.”

Music Canada, formerly known as the Canadian Recording Industry Association, appeared before the legislative committee reviewing Bill C-32 along with artists Loreena McKennitt and Maia Davies and representatives of the Canadian Independent Music Association and the Canadian Council of Music Industry Associations.

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