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Tag archive: CMW 2018 (6)

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Music Cities Summit 2018: ‘How Public Spaces Can Contribute to Scenes and Strategies’

On Saturday May 12th, Music Canada held its third annual international Music Cities summit The Mastering of a Music City during Canadian Music Week. City professionals, policy-makers, industry executives, and music community members all gathered to discuss topics related to the value of music, its economic impact, and its relationship to innovative city planning and creative entrepreneurship. Click here to view more recaps from the summit.

The last panel of the day was Making Space in the Public Realm: How Public Spaces Can Contribute to Scenes and Strategies. It examined how cities are utilizing publicly-owned buildings to create partnerships and develop initiatives with the music community. Business and community leaders from Denver, Seattle, Vancouver and Montreal discussed how public facilities can work in collaboration with their local music scene, and touched on issues like how to avoid competition with the private sector.

The panel was moderated by Farzaneh Hemmasi, Assistant Professor of Music & Ethnomusicology at the University of Toronto. Panelists included: Catherine Planet, Artist & Founder of La Chasse-Balcon; Dawn Ibey, Vancouver Public Library; Ismael Guerrero, Executive Director of the Denver Housing Authority, and; Tom Mara, Executive Director, KEXP.

The discussion kicked off with Catherine Planet providing some background on La Chasse-Balcon (founded in 2014), a series of music events with the mission of bringing neighbours together in residential areas. She discussed how her time spent living in Louisiana had a profound impact and inspired her to create an initiative that celebrates the musical vivacity of her hometown of Montreal once she returned.

Planet also touched on how these types of events help blur the lines between what is perceived as solely public and private spaces, and highlighted how a balcony can act as a symbolic bridge that enables these two spaces to become connected. Through La Chasse Balcon, free outdoor concerts are staged on balconies in different neighborhoods and have the surrounding community and crowds join in the festivities.

The panel then moved on to Dawn Ibey, who spoke about the role that libraries can play in building a vibrant Music City. She discussed how one of the core business activities of the Vancouver Public Library is to ensure free public programming for adults and children, with programs that support music creation, music education, as well as the staging of performances.

Ibey highlighted some of the major accomplishments of the Vancouver Public Library, such as the partnership with Sun Life Financial in 2016 to establish the city’s first musical instrument lending library. She discussed how public libraries should be included in the development of music strategies, as they contribute towards achieving some of the essential elements featured in The Mastering of a Music City report.

Next, Ismael Guerrero spoke about the Denver Housing Authority (DHA) and the impact that arts and music can have in addressing community justice issues. Through partnerships with community organizations as well as private sector initiatives, the DHA has taken steps to rebuild neighborhoods and modernize housing with a focus on building vibrant, mixed-income communities.

Guerrero touched on some of the other social entrepreneurial ventures the DHA has undertaken in recent years that are guided by a community-led, and sometimes, arts-centric framework and priorities. With investments supporting community organizations like Youth on Record, the establishment of community hubs have helped establish spaces where marginalized youth can create art and music.

The final panelist Tom Mara spoke about KEXP, a public radio, listener-supported station and non-profit arts organization in Seattle. Mara discussed the ‘music discovery-centred’ mission of KEXP to design their programming and initiatives in a way that supports music lovers, artists, and the wider arts community.

Mara touched on how one of the key commitments of KEXP is to support live music in Seattle, and highlighted how the organization stages around 300 live music performances every year at their facility. This exciting achievement was partly made possible through a partnership with the City of Seattle that enables KEXP to receive a favorable lease rate on their property, and is a key example of the different kinds of cross-sector collaboration that can exist.

The panelists went on to discuss several different topics and reflected on the unique opportunities that public facilities can provide, and that are currently not being leveraged.

To listen to the full discussion, you can watch the video below.

 

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Music Cities Summit 2018: ‘A Case Study On Cultural Heritage, Economic Development and Audience Development in New Orleans’ Panel Discussion

Grant W. Martin Photography

On Saturday May 12th, Music Canada held its third annual international Music Cities summit The Mastering of a Music City during Canadian Music Week. City professionals, policy-makers, industry executives, and music community members all gathered to discuss topics related to the value of music, its economic impact, and its relationship to innovative city planning and creative entrepreneurship. Click here to view more recaps from the summit. 

The New Orleans: A Case Study on Cultural Heritage, Economic Development and Audience Development in NOLA panel examined the role that non-profit institutions have played in promoting historical and cultural preservation within the city. Panelists discussed how their organizations work to support the broader cultural ecosystem in New Orleans and advocate for a dynamic, creative city.

The panel was moderated by Ashlye Keaton, co-founder of The ELLA Project. Panelists included: Chief Howard Miller, President of the New Orleans Mardi Gras Indian Council; Jordan Hirsch, A Closer Walk with the Ponderosa Stomp Foundation; and Melanie Merz, WWOZ 90.7 FM.

The discussion kicked off with a presentation from Melanie Merz on the significance of the non-profit community radio station WWOZ to New Orleans and the city’s vast musical community. Merz touched on the history of the station and its development into a cultural institution within NOLA.

She discussed how WWOZ came to specialize in music that represents the city’s cultural heritage, and detailed how the station became known for its support of local artists and musicians. Merz also touched on how WWOZ has become praised for its location broadcasts of live music events within the city, such as the annual New Orleans Jazz & Heritage Festival.

The panel then moved on to the next speaker Chief Howard Miller, who spoke about the history of the Mardi Gras Indians and their impact on the city’s Mardi Gras rituals and celebrations. Chief Miller recounted his experience growing up in the tribe, and detailed the extensive nine-month long process of creating hand-sewn, intricate suits for the parade each year.

Chief Miller went on to discuss the challenges faced by the Mardi Gras Indians in their fight to have their intellectual and creative ownership of their suits be legally recognized. Every year at the parade, photographs are taken of the Indians in their elaborate suits, which are then commercially sold in the forms of images, posters, as well as in magazines, books or art galleries. The heart of the issue is that these individuals are profiting off the community’s cultural and artistic creations without the Mardi Gras Indians being financially compensated for the use of their likeness.

Along with the legal assistance of Ashlye Keaton, Chief Miller successfully registered the first Indian Mardi Gras suit with the United States Copyright Office in 2010, under the basis of it being recognized as an artistic work (a sculpture), and not a piece of clothing.

The final panelist Jordan Hirsch discussed the significance of the project  A Closer Walk, an interactive map of New Orleans’ music history sites. A Closer Walk (ACW) project and site is presented by WWOZ New Orleans, the Ponderosa Stomp Foundation, along with 3 other sponsors. The project aims to highlight the numerous musical sites that the city has to offer, and in particular, bring to light some of the sites that have remained unmarked or unrecognized.

Hirsch highlighted how ACW is a first-of-its-kind collaboration that features historical experts and music specialists drawing from extensive archival footage and chronicles, from both privately and publicly owned collections. The website currently has features on 104 landmarks, but the ultimate goal is to present 300 landmarks on the map in honor of New Orleans’ tricentennial in 2018.

The panelists went on to discuss several different topics and reflect on the city’s rich musical history, and how this musical legacy can be protected and promoted to a wider audience.

Watch a video of the full discussion below, and stay tuned next week for a recap of another exciting panel.

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Music Cities Summit 2018: ‘Celebrity Music Cities’ Panel Recap

On Saturday, May 12th, Music Canada held its third annual international Music Cities summit The Mastering of a Music City during Canadian Music Week 2018. Conference delegates, policy-makers, urban planners, and music community members all gathered to discuss topics related to the value of music, its economic impact, and its relationship to innovative city planning and creative entrepreneurship. Click here to view more recaps of panels from the summit. 

The morning featured a panel entitled Celebrity Music Cities: How Cities With Global Reputations Tackle Challenge and Leverage Noteworthiness. The panel examined how cities with a rich musical history approach the current challenges facing their music ecosystems, and how that reputation can either be a benefit or a hindrance.

The discussion was moderated by Lynn Ross, who works as a Cultural Planner at the City of Vancouver. Panelists included: Adrian Tonon, City of Detroit; Toronto City Councillor Josh Colle; Lawrence “Boo” Mitchell, Owner/Manager of a prominent record label in Memphis, Tennessee; Omar Lozano from Visit Austin, Austin Tourism.

The conversation kicked off with a discussion of some of the major challenges facing each of the panelists’ cities. Councillor Josh Colle touched on the exciting growth of Toronto as a Music City, but highlighted how this rapid growth puts pressure on every aspect of the music industry – particularly for venue owners and artists who face barriers to affordability and livability.

Adrian Tonon went on to discuss how the economic crisis that plagued the City of Detroit for the last several decades meant that music, film, and other cultural services were delegated to lesser priorities. But the city has been making recent steps towards a strong recovery, and Tonon described how his work leading the Mayor’s Film, Music and Night Time Economy initiatives have helped contribute to the development of the city’s thriving arts and culture scene.

The panel also touched on the role celebrity artists can play in building up and promoting their city on a global stage. Lawrence “Boo” Mitchell highlighted the deep, rich musical history of Memphis that produced legendary icons like Elvis Presley and Johnny Cash. Mitchell discussed the importance of not just promoting the biggest names, but to instead use that as a foundation and work towards embracing some of the newer artists whose musical catalogue could also put Memphis on the map.

Councillor Colle went on to reflect on the importance of artists like Drake and The Weeknd, who have become de-facto Toronto ambassadors, and whose success shined a light on youth hip hop scenes that were quietly thriving in cities across Canada.

Another major topic of discussion was the important relationship between city government and music stakeholder groups in the journey to develop their Music City. Detroit’s Adrian Tonon highlighted how critical it was from the city side to ensure all the key players who had been previously working in silos were brought together to have a seat at the table, and in turn, collectively strive towards implementing the city’s strategic music priorities.

Omar Lozano also touched on the uniquely important role that non-profits play in Austin. Organizations like Austin Music People and the Austin Music Venue Alliance have worked with the municipal government on various initiatives, and more broadly, are continuing to make important strides towards progressive change.

Watch a video of the full discussion below, and stay tuned next week for a recap of another panel from the summit.

 

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Music Cities Summit 2018: ‘Music Officers Meet their Match’ Panel Recap

Grant W. Martin Photography

On Saturday May 12th, Music Canada held its third annual international Music Cities Summit The Mastering of a Music City during Canadian Music Week 2018. City professionals, policy-makers, industry executives, and music community members all gathered to discuss topics related to the value of music, its economic impact, and its relationship to innovative city planning and creative entrepreneurship. Click here to view more recaps of panels from the summit. 

The morning kicked off with a panel discussion between Seattle, WA’s Kate Becker and London, ON’s Cory Crossman, two Music Officers doing exciting work to build up their Music City. The topic centered around exploring their methods of turning music strategies into concrete results, and learning about different approaches they used to address common barriers and problems.

The Music Officers began the conversation discussing the importance of developing a comprehensive music strategy that allows for flexible planning and policy-making. Cory Crossman, London’s Music Industry Development Officer, touched on the importance of branding when developing a profile as a Music City. He highlighted how the city’s path to promoting a ‘rock and roll revitalization’ in London was a key component of their approach and direction.

Crossman also discussed the growing economic and cultural impact of music tourism for a city. Events like the Jack Richardson London Music Week, Jack Richardson Music Hall Of Fame, and the upcoming 2019 JUNO Awards have greatly contributed towards elevating London’s brand as a Music City attraction.

Kate Becker, Director of Seattle’s Office of Film and Music followed up with touching on some of Seattle’s major music accomplishments. Some of the most notable milestones include an annual City of Music Career Day (now in its seventh year) and the Sea-Tac Airport “Experience the City of Music” initiative, a public-private partnership that features local musicians playing throughout the airport and exciting overhead announcements by renowned Seattle artists, such as Macklemore.

The Music Officers also discussed the importance of ensuring an adherence to safety principles and conditions at music venues or events. Becker reflected on an example in 2015 where the city was faced with a troubling spike in incidences of drug-related issues at Electronic Dance Music (EDM) festivals and clubs. To address this, she implemented an approach that incorporated the input and participation of all the important players in this issue: promoters, venue owners, medics, harm-reduction experts, and more.

In particular, the Office of Film + Music collaborated with the city to host an annual ‘Music Safety Summit’ (now in its 4th year) that serves as a crucial public forum for key actors to work together towards progressive and effective solutions. Becker highlighted how this collaborative approach serves as a model that her office tries to utilize to address different situations that arise.

Becker and Crossman also touched on the critical importance of demonstrating the economic value of music to a city. Crossman credited the London Live Music Census as a major factor in gaining city and political support for the music strategy, and mentioned taking inspiration from Becker’s approach by ensuring that economic impact was measured and incorporated into policy-making. Becker agreed, and discussed how a 2008 economic impact study on Seattle’s music scene was the driving force behind the Office of Film + Music being established.

Prior to taking questions from audience members, Becker and Crossman ended their discussion with a reflection on the importance of audience development, and ensuring that the fans and public are properly engaged and connected.

Watch a video of the full discussion below, and stay tuned next week for a recap of another exciting panel.

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Video: Amy Terrill’s Opening Remarks at 2018 Music Cities Summit

On Saturday May 12th, Music Canada launched its new report Keys to a Music City: Examining the Merits of Music Offices, Boards and Night Mayors at the third annual Mastering of a Music City Music Cities Summit during Canadian Music Week.

Executive Vice President Amy Terrill discussed the report during her opening remarks at the summit, and touched on some key highlights and takeaways.

This report serves as a follow-up to Music Canada’s groundbreaking 2015 study The Mastering of a Music City, which the summit was named after. Keys to a Music City draws on in-depth interviews with practitioners in 17 cities globally, and analyzes some of the most common structures utilized by municipalities to develop and implement their music strategies and policies.

The report examines the various ways that music officers, music advisory boards, arms-length music organizations, and Night Mayors are used in different jurisdictions, and provides important insights into the functions, advantages, and limitations of these models.

In her remarks, Terrill highlighted how Keys to a Music City offers a guide to both city officials and community members on how they can play an important role in building their Music City. The report also provides insights and answers to some of their most pressing and relevant questions.

Watch Amy Terrill’s full opening remarks below, and stay tuned to our blog for more coverage from the Music Cities Summit in the coming weeks.

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CMW 2018 announces Hall Of Fame inductees at Canadian Music & Broadcast Industry Awards

Canadian Music Week has announced the first round of 2018 inductions to the Canadian Music & Broadcast Industry Hall of Fame, who will be honoured at the Canadian Music & Broadcast Industry Awards Gala Dinner on Thursday, May 10, at Rebel Nightclub in Toronto.

This week, CMW announced David Farrell, who has covered the music industry for over four decades with his publications The Record and website FYI Music News, will be one of this year’s inductees. In addition to his industry coverage, Farrell is also credited as one of the founders of the festival and conference, which is now in its 36th year.

“David has always had a strong voice in the music industry, especially when it comes to delivering to the latest and most important news, says CMW President Neill Dixon. “I am very excited and honoured that David is being inducted into the 2018 Canadian Music Industry Awards Hall of Fame at CMW, the event that he helped start.”

“Being honoured by my peers in this way is beyond anything I could or would have asked for, and I’m grateful for those who have appreciated what I have done,” says Farrell. “It’s wonderful to be rewarded with an acknowledgement that my crazy life has, after all, meant something to the community that I’ve tried – for all these years – to serve in a meaningful, consistent way.”

In September, CMW announced Montreal radio DJ Robert “TooTall” Wagenaar as the first inductee for 2018, who retired from the mic after 40 years at CHOM 97.7 FM. To celebrate his career and Hall Of Fame induction, CHOM threw a retirement party for the “Made In Canada” host at Montreal’s Club Soda, featuring performances from Sam Roberts, The Pursuit Of Happiness, and video tributes from Alex Lifeson, Tom Cochrane, Blondie, Raine Maida, DMC, Gil Moore, and Prime Minister Justin Trudeau.

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