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Tag archive: Graham Henderson (91)

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Music Canada Congratulates Ontario Chamber of Commerce OBAA 2019 Winners

November 15, 2019, Toronto: Music Canada was honoured to attend the 2019 Ontario Chamber of Commerce gala as a finalist for the Ontario Business Achievement Award (OBAA) for Diversity and Inclusion. This award recognizes business excellence in supporting the creation of diverse and inclusive workplaces.

“Music Canada is honoured to receive recognition as a finalist for the Diversity and Inclusion award from the Ontario Chamber of Commerce,” said Graham Henderson, Music Canada President and CEO. “As a leading voice in the music industry, we believe it’s important to take concrete actions to show our commitment to the principles that define us, and those principles include diversity and inclusivity. We also want to recognize the exceptional work of the award winner Danby Appliances, and all of the incredible OBAA nominees who are each helping to move the needle forward and enrich each of our workplaces, businesses and communities.”

Music Canada brings together the voices of its major record label members, Universal, Sony and Warner, to build a healthier and more robust music ecosystem throughout Canada. A thought-leader within the music ecosystem, Music Canada has taken concrete actions aimed at improving diversity and inclusivity within its governance and initiatives. 

Recent accomplishments by Music Canada include amending its bylaws to allow for two additional seats on its Board, which were filled by independent directors. A Board Diversity Policy was also instituted, which aims for Board composition of at least 40% women. And in 2019, Music Canada created an Advisory Council, comprised of 15 exceptional and passionate individuals from a diverse cross-section of music industry stakeholders with a variety of skills and experience. The Council and Music Canada’s consulting artist advocates continue to provide candid perspectives and insights which shape the organization and its activities. 

In addition, Music Canada seeks opportunities to work with other organizations to promote inclusivity in the music ecosystem. As a partner in the “Allies in Action” event at the 2019 JUNOS Awards, Music Canada showcased initiatives and programs within the music industry that make positive change in relation to diversity, inclusion and safe workplaces.

“Canada is home to some of the best music in the world. It’s truly a privilege that we get to advocate on behalf of the musicians and businesses who create that great music,” said Henderson. “And we believe that it is important that the diversity of the music ecosystem is reflected in our organization and our initiatives. That belief, together with the support of our innovative members, Universal, Sony and Warner, and the efforts of our exceptional staff, is the heart of our success.”

“This recognition is incredibly meaningful, but our work is not done,” said Jackie Dean, Music Canada Chief Operating Officer. “We will continue to advocate for greater representation on boards of directors in our industry and to create opportunities for artists, including those from underrepresented groups, to speak to their experiences.”

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Erica Meekes
Music Canada
emeekes@musiccanada.com
(416) 462-1485

 

About Music Canada
Music Canada is a non-profit trade organization that represents the major record companies in Canada:  Sony Music Entertainment Canada, Universal Music Canada and Warner Music Canada. Music Canada also works with some of the leading independent record labels and distributors, recording studios, live music venues, concert promoters, managers and artists in the promotion and development of the music cluster.

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Music Canada Amplifies the Music Ecosystem at 2019 Symposium

On October 23, Music Canada held its annual Symposium event, highlighting the past year of work to create the conditions for a strong and dynamic music economy in Canada. The event brought together industry champions, thought leaders, artists and advocates to share milestones and to provide a look toward the future. The format of the event aligned with Music Canada’s Strategic Plan, a formal roadmap designed to achieve our goal of creating a marketplace in Canada where artists and the businesses who support them are fairly paid when their work is commercialized. 

This year’s theme, Amplifying the Music Ecosystem, set the stage to deliver the results of Music Canada’s advocacy work over the past year.  CEO and President Graham Henderson opened the event by sharing the impact of the organization’s recent report Closing the Value Gap, launched to a sold-out crowd at the Economic Club of Canada this summer. Henderson outlined how policymakers have come to recognize the existence of the Value Gap and the legislative changes that are needed to fix it. He reaffirmed Music Canada’s commitment, in light of the recent federal election, to working with the government to ensure necessary reforms are considered to address the Value Gap, and to uplift artists and creators.

Henderson welcomed Farah Mohamed as an Independent Director to Music Canada’s Board. An experienced social profit entrepreneur, Mohamed also serves as the Senior Vice President to the Toronto Region Board of Trade, and has held prior roles as the CEO of the Malala Fund and founder of G(irls)20. Along with Jennifer Sloan, who was elected Chair of the Board earlier this year, these additions complement the Board with their incredible experience and insight. 

“Music Canada has an important role to play in representing an industry that plays a part in most, if not all, of Canadian’s lives,” said Farah Mohamed.“As an independent Director to Music Canada’s Board, I look forward to supporting their mandate as an agent of change and a thought leader within the music community. I’m excited to be able to work to engage all players across the music industry, from the private sector to government leaders, so that artists from coast to coast to coast and the industry is strong and vibrant for decades to come.” 

NYU Professor Larry S. Miller, Director of the Music Business Program, and host of the popular Musonomics podcast, delivered a keynote address that shared new and compelling information from his recent report Same Heart. New Beat. How Record Labels Amplify Talent in the Modern Music Marketplace, which illustrates how record labels have reinvented themselves to thrive in the era of streaming music. Miller took part in a fireside chat with Graham Henderson and Miranda Mulholland, musician, label owner, music festival founder, and Chair of Music Canada’s Advisory Council. Together, they illustrated how the changing relationship with technology impacts the future sustainability of the industry.

The Symposium included a rousing performance by multi-instrumentalist country singer Emily Reid. Raised in Victoria, B.C., Reid moved to Nashville to study at the prestigious Belmont University, where she immersed herself in Nashville’s Music City culture. Reid signed with Universal Music Canada in 2018, releasing her major label debut EP, Wine, this past summer. She is currently on tour opening for Kip Moore on her home turf in British Columbia, opening shows in Duncan, Victoria, and Nanaimo. 

A fireside chat with Music Canada Chief Operating Officer Jackie Dean, board members Jennifer Sloan and Farah Mohamed, and Susan Marjetti, award-winning journalist and Executive Director of CBC Radio and Audio continued the conversation on the importance of diversity and inclusivity measures across the industry.

Despite distinct backgrounds and experiences, each panelist talked about the power of music to unite people in order to tackle social causes, to overcome challenges, and to promote what makes Canada special at home and abroad.

Graham Henderson presented Gil Moore with this year’s Artist Advocate Award, which recognizes musicians and songwriters for their outstanding advocacy efforts to improve the livelihoods of music creators. 

“I’m very proud to receive this award today,” said Gil Moore. “But awards are not the reason I became an artist advocate – I am an advocate for music because I have seen firsthand how it can change lives. I’ve seen that in my own career as a performer, I’ve seen it with fans who are so passionate about the artists they love, and I’ve seen it with our students at Metalworks, who get into this business and invest in their careers because they love music and they are driven to succeed in this industry. I’ve also seen the way that music can empower a community, create jobs, and drive economic growth – and that is worth advocating for. Thank you to Graham and Music Canada for this recognition, and your continued efforts to grow the music sector.” 

“Gil Moore has put Mississauga’s music scene on the map. We are eternally grateful for his efforts and pride he has brought to our City,” said Mississauga Mayor Bonnie Crombie. “Gil consistently champions the power of music for job creation and growth, and as a member of our Economic Development Advisory Board, he has been instrumental in the creation of the first full-time music industry position at City Hall focused on music sector development.”

Henderson also presented the President’s Award to Susan Marjetti to celebrate her work to support the industry and her deep passion for music that has had an enduring impact on the music ecosystem. “I’m deeply touched by this recognition. Like all of you, music has been such a big part of my life,” said Susan Marjetti. “Music has the power to connect us. To reflect us. To engage and entertain us. It matters deeply. And Canada just wouldn’t be the same without our music and the people who make it. At CBC Music, we aspire to celebrate and honour that every day.”

In a particularly poignant moment, Graham Henderson, Warner Music President Steve Kane, and Universal Music President Jeffrey Remedios held a moving tribute to the late Deane Cameron, former President of EMI Music Canada and a true changemaker who had an indelible effect on our industry. Together, they announced that Music Canada, with the support of our member labels, has created a new MusiCounts scholarship in Cameron’s honour. Reflecting Deane’s long standing support for Indigenous communities and programs, $15,000 has been pledged to ensure that two to three Indigenous youth will receive a MusiCounts Scholarship in 2020. Shane Carter, President of Sony Music Canada, would also have been part of the announcement, but was travelling and unable to attend.

“We are here to treasure the memory of our absent friend, Deane Cameron,” said Henderson, after quoting Cicero and Thoreau. Both Kane and Remedios spoke passionately about Cameron’s passion for Canadian artists, and of his influence and mentorship on their own careers.

“I can’t think of a better way to honour our friend,” said Kane. “After Deane’s passing, there were a lot of fantastic stories about how he supported and inspired Canadian artists. Equally important was his role in inspiring and in nurturing business and executive talent. And I can say as I look over my shoulder, Jeffrey and I are living, breathing examples of that tutelage and that generosity. This scholarship embodies Deane’s generosity. He was generous with his time, with his wisdom. He challenged us, he taught us. And every day, we try to live up to the bar and example that he set for us.” 

“He brought so many of us up in this business. Leading and guiding, but also nurturing us. Deane was my mentor and he was my biggest champion,” said Remedios. 

“He taught me about making great records, and about breaking acts. He taught me about how to speak hard truths to artists – with respect, and compassion, and with care. I miss him, but he’s never far from my thoughts. I try to live up to the lessons and values that he instilled in me and so many others every day.”

Following the tribute, Miranda Mulholland performed “Ashokan Farewell” on violin in Cameron’s memory, providing a beautiful soundtrack to a moment of reflection.

Jennifer Sloan, Chair of the Music Canada Board of Directors, closed the event with a message on the importance of an industry united, and how collaboration is integral to continue to ensure that the wide range of voices can be amplified, as we strive to continue strengthening the music ecosystem.

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For more information, please contact:

Erica Meekes
Director of Public Relations and Events
emeekes@musiccanada.com
(416) 462-1485

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Mind the (Value) Gap – Miranda Mulholland and Music Canada’s Graham Henderson appear on the Musonomics podcast

On the latest episode of the popular podcast Musonomics, Music Canada President and CEO Graham Henderson, along with Miranda Mulholland, artist, label owner, festival founder and Chair of Music Canada’s Advisory Council, spoke with host Larry Miller about some of the major issues affecting the music industry today.

Musonomics is a twice-monthly podcast about the business of the music and culture industries. Hosted by Larry Miller and produced with support from the NYU Steinhardt Music Business Program, the program uses data, music and interviews with newsmakers and analysts to provide insight into what’s happening now — and what’s coming next in the world of music and beyond. 

In the podcast, Miller explores data contained in IFPI’s recent ‘Music Listening 2019’ report, which provides a comprehensive overview of music consumption trends from around the world. As Miller notes, global music listening continues to rise, with respondents reporting their listening habits being up to 18 hours per week. Engagement with audio streaming services also remains strong, with 64% of all respondents using a streaming service in the past month. 

Troublingly, the report also highlights the growing scale of listening via user-upload services – the greatest contributor to the Value Gap. Indeed, 77% of respondents reported using YouTube for music listening in the last music; globally, on-demand consumption via video streaming totalled 47%, dwarfing paid and ad-supported audio streaming services. The episode, entitled Mind the (Value) Gap, explores this very issue – a phenomenon that IFPI has called the biggest threat to the future sustainability of the music industry. 

During the episode, Henderson touches on the origin of the issue, describing the Value Gap as the result of a failure of legislation to keep pace with the changes in technology. The impact of this phenomenon has created a widening gulf between the growing revenues that platforms and user-upload services like YouTube gain from the existence of music on their services, and the value returned to the artists and labels who created and developed this creative content.

Henderson also outlines how outdated exemptions such as broad safe-harbour laws have prevented copyright creators and owners from being able to ensure that their work is not being commercialized without their consent by digital and online services. Indeed, as Mulholland vividly describes during the episode, no group has been as adversely affected by the Value Gap as artists.

Mulholland goes on to speak about the realities of working as an artist working within a framework where it is almost impossible to obtain fair remuneration for the monetization of one’s work on online platforms such as YouTube. She outlines how exemptions within Canadian copyright legislation has created this system: where musicians are effectively subsidizing technology companies, while – at the same time – receiving royalty payouts that are too meagre to subsist on alone.

To hear the rest of this fascinating discussion, you can find the episode on Apple Podcasts, SoundCloud, and other major podcasting services. 

Larry Miller will also be delivering a keynote address at Music Canada’s 2019 Symposium, taking place on Wednesday October 23rd. In his address, Miller will share insights from his 2019 report, Same Heart. New Beat. How Record Labels Amplify Talent in the Modern Music Marketplace, which examines the partnerships between record companies and artists. In particular, it outlines the evolution of label efforts to discover and market musical artists; how marketing plans differ and enhance opportunities for artists in a streaming world; the increasing role of data in label strategies; approaches undertaken by labels to build artist branding, and more. Miller will also reconnect with Mulholland and Henderson in a fireside chat following his keynote. 

 

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Graham Henderson releases Music Canada’s Closing the Value Gap report at the Economic Club of Canada

On June 26, in front of a sold out audience at the Economic Club of Canada, Music Canada President and CEO Graham Henderson delivered a keynote address to launch our latest report Closing the Value Gap: How to Fix Safe Harbours & Save the Creative Middle Class.

Henderson’s message was clear – the creative middle class is being eliminated by outdated copyright laws. His speech can be viewed on the Economic Club’s Facebook page, and is embedded below.

In his speech, Henderson shared some of the startling new economic evidence in the report which details the scope of harm done, and confirms that the Value Gap in Canada continues to grow.  

In a series of studies, Dr. George Barker, Visiting Fellow, London School of Economics, and Honorary Associate Professor, Australian National University, has documented that the Value Gap in Canada is significantly larger than previously understood, and that it continues to widen.

Dr. Barker distilled his findings to three key measures:

  • $19.3 billion – the cumulative Canadian recorded music Value Gap over 20 years since 1997
  • $1.6 billion – the music industry Value Gap in Canada in 2017 alone
  • $82 million – the average annual increase in the music industry Value Gap in Canada between 1997 and 2017

After his speech, Henderson was joined on stage by the MP for Toronto-Danforth and Chair of the Standing Committee on Canadian Heritage Julie Dabrusin. As Chair of the Committee, Dabrusin recently released a report, Shifting Paradigms, that recommended to the government a series of actions that would help artists and the creative industries.  Henderson called the report, “a guide to fix the Internet.”

Dabrusin credited artists testimony at the Heritage Committee for the report’s recommendations, and cited Miranda Mulholland’s personal account of how Value Gap has affected her career as a catalyst for her careful consideration of these issues. 

“I think we should give a bit of a shout out to Miranda Mulholland,” said Dabrusin. “… She spoke very, very forcefully about the value gap and where it was most forceful was that it brought up her personal journey, the stories of other artists who she knew. So it wasn’t just a dry, matter of fact on a piece of paper anymore. It was hearing the actual impact that was happening in our communities and young people’s lives. And that was the first time that perhaps I’d even twigged a bit more carefully to those issues.”

Dabrusin also encouraged everyone in the music industry to continue to work together when dealing with the Federal government noting that for the Copyright Act Review, almost all music stakeholders came forward with the music priorities to address the Value Gap. 

Following the event, Henderson has spoken about the urgent need to close the Value Gap in a number of media appearances, including BNN Bloomberg, CP24, the Toronto Sun, and the Wire Report.

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Music Canada’s Graham Henderson to address the Economic Club of Canada on ‘Closing the Value Gap’

On Wednesday, June 26th, Music Canada President and CEO Graham Henderson will deliver a keynote address at the Economic Club of Canada on Closing the Value Gap: How to Fix Safe Harbours & Save the Creative Middle Class.

Music Canada is also pleased to welcome Julie Dabrusin, Member of Parliament for Toronto-Danforth and Chair of the Standing Committee on Canadian Heritage, for a fireside chat about the action that Music Canada is taking on a variety of fronts including diversity and inclusion.

The event description reads: 

In his return to the Economic Club, Music Canada President and CEO Graham Henderson will be releasing Music Canada’s latest report, Closing the Value Gap: How to Fix Safe Harbours and Save the Creative Middle Class.

This new report follows up on Music Canada’s 2017 groundbreaking report, The Value Gap: Its Origins, Impacts and a Made-in-Canada Approach. Since that report, two Parliamentary Committees have reviewed the Copyright Act, governments around the world are identifying the Value Gap and its risk to creative industries, and creators are speaking up to ensure that they are remunerated fairly when their works are commercialized by others.  

Following a speech unveiling the report, Graham Henderson will also discuss the action Music Canada is taking on a variety of fronts including diversity and inclusion to ensure that Music Canada is a leader and agent of change with respect to business and social issues impacting the music community both domestically and internationally.

The event runs from 11:30am to 1:30pm at the Fairmont Royal York Hotel in Toronto. To purchase tickets, please visit the Economic Club of Canada’s website.

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Music Canada and IAEL to present discussion on ‘Addressing the Value Gap’ at Midem

Today, the term “Value Gap” – the disparity between the value of creative content accessed by consumers and the revenues returned to the people and businesses who create it – is an integral part of the lexicon in discussions of copyright law and creative content. And there is growing sentiment around the world that the time has come to correct the flaws underlying it. At this event, presented by Music Canada and the International Association of Entertainment Lawyers (IAEL), Music Canada President and CEO Graham Henderson will share highlights from an upcoming report that examines the developing recognition of the Value Gap and why policymakers should act with a sense of urgency to address it.

Music Canada’s 2017 report, The Value Gap: Its Origins, Impacts and a Made-in-Canada Approach, played a foundational role in shifting views on the Value Gap. Since its publication two years ago, a great deal has occurred to advance understanding of the issue. This includes new economic analysis that has definitively evaluated the size of the Value Gap and identified its sources, and Parliamentary hearings in Canada in which the Value Gap dominated the proceedings and where numerous stakeholders presented an overwhelming body of evidence demonstrating its impacts.

Henderson will summarize key insights from the upcoming report, including how record labels continue to play a vitally important role in the music ecosystem through their investments in A&R and marketing, and their commitment to licensing new and innovative digital music services. He will also describe how a lack of transparency on the part of user-upload services like YouTube, as to how much copyright content they exploit and how much compensation is paid to creators, makes it harder to address the Value Gap.  The detrimental impact of this lack of transparency is further exacerbated by a broken copyright framework caused by overly broad and ill-defined safe harbours, which have allowed these platforms to commercialize music for massive profits, while passing a mere pittance onto creators.

The voices of artists have been central to validating the Value Gap and illuminating its detrimental effects. One artist in particular, Canadian musician and record label owner Miranda Mulholland, has played a key role. With great clarity and passion, Mulholland has persuasively conveyed how exemptions in out-of-date copyright legislation have impaired her career, and how artists can play a central role in establishing a sustainable and functioning marketplace.

In her return to MIDEM, Mulholland will recap her path to advocacy. She will outline how fellow creators can help establish a sustainable and functioning marketplace, describing her own journey as an artist advocate. Mulholland will also take the stage with Andrew Penner, her musical partner in the band Harrow Fair, to perform their unique blend of folk, country and garage rock music.

Jeff Liebenson, President of the International Association of Entertainment Lawyers (IAEL), will conclude the event by previewing IAEL’s upcoming book, “Keeping it Honest: Transparency in the Entertainment Industry” ahead of its official launch following the session.

 

Speakers:

Graham Henderson – President and CEO, Music Canada
Miranda Mulholland – Musician, President of Roaring Girl Records, and Music Festival Founder
Jeff Liebenson, Liebenson Law, President of the International Association of Entertainment Lawyers (IAEL)

Performance by: Harrow Fair

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Release: Music Canada Announces New Executive Team Appointments

Restructuring, in concert with other recent initiatives, positions Music Canada to deliver on its new three-year strategic plan

Jackie Dean, newly-appointed Chief Operating Officer, Music Canada

Toronto, March 28, 2019:  Music Canada today announced the appointment of Jackie Dean to the newly created position of Chief Operating Officer and the promotion of two other senior team members to the organization’s executive team.

The appointments, in concert with recently announced changes to Music Canada’s Board of Directors and the creation of an Advisory Council, position the association to deliver on its new three-year strategic plan. Objectives set out in the plan include contributing to the enhancement of Canada’s music ecosystem; ensuring Music Canada is a great place to work for its talented and engaged team; and returning demonstrable value to its members while advancing their interests.

These actions are the product of a comprehensive governance review which, in addition to the new Advisory Council, has resulted in changes to Music Canada’s bylaws; the implementation of a diversity policy; and the addition of two new independent member positions to the Board of Directors, with the representation of women on the Board increased to 40 percent.

“The new appointments represent another important step in implementing the conclusions of our 2018 governance review,” says Graham Henderson, President and CEO, Music Canada. “They demonstrate our commitment to promoting equity, diversity and inclusion, and to meeting our goals for accountability and transparency. The result is a streamlined organizational structure that positions us to achieve the objectives set by our Board.”

Henderson added, “The changes will also help Music Canada to achieve our goal of enhancing Canada’s music ecosystem in concert with our partners in the music community.”

In her new role, Dean, along with other members of the leadership team, will support Henderson in executing the organization’s strategic plan and driving its research, advocacy and community leadership activities.  

Dean joined Music Canada in June 2002 as Chief Financial Officer on a part-time basis, and will now be full-time in her new role. During this same period of time, she also served as COO of The Canadian Academy of Recording Arts and Sciences/The JUNO Awards & MusiCounts, helping to build the four pillars of the organization’s mandate to Educate, Develop, Celebrate and Honour Canadian artists.

In addition to Dean’s appointment, Patrick Rogers has been promoted to Vice President, Corporate Affairs. Rogers joined Music Canada in May 2016 as Director, Regulatory Affairs, and in his new role, will lead Music Canada’s public policy and communications teams. Sarah Hashem has been appointed Vice President, Strategic Initiatives. Hashem joined Music Canada in June 2018 as Managing Director of the association’s Three Rs Music Program, and will now lead initiatives focusing on specific areas of the music community ecosystem including artist entrepreneur programs and Music City strategies.

“Music Canada has the right leadership, a strong team and an effective organizational structure to achieve the goals we have set for the next three years,” says Jennifer Sloan, Chair of Music Canada’s Board of Directors. “I am confident that their efforts will advance the interests of our members and the broader music community in Canada.”

Allan Reid, President and CEO, CARAS, The JUNO Awards and MusiCounts, remarked, “I thank Jackie for her tremendous contributions to our organization. CARAS, the JUNOS, MusiCounts and Canada’s music community have all benefited from Jackie’s leadership for more than 16 years. I look forward to working with her and strengthening our partnership with Music Canada as she begins a new leadership role in our industry.”

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For more information:
Corey Poole, Music Canada
cpoole@musiccanada.com
+1 (647) 808-7359

About Music Canada

Music Canada is a non-profit trade organization that represents the major record companies in Canada:  Sony Music Entertainment Canada, Universal Music Canada and Warner Music Canada. Music Canada also works with some of the leading independent record labels and distributors, recording studios, live music venues, concert promoters, managers and artists in the promotion and development of the music cluster.

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Music Canada and IFPI to present ‘An industry transformed: securing sustainable growth for today’s digital music industry’ in Geneva

On Friday, April 5 in Geneva, Switzerland, Music Canada and IFPI will co-present an event titled ‘An industry transformed: securing sustainable growth for today’s digital music industry.’ The event will take place during a gathering of the Standing Committee on Copyright and Related Rights (SCCR) convened by the World Intellectual Property Organization (WIPO). An industry transformed will feature the following speakers:

  • Larry S. Miller – Clinical Associate Professor and Director, Music Business Program, NYU Steinhardt School of Culture, Education, and Human Development
  • Graham Henderson – President and CEO, Music Canada
  • Miranda Mulholland – Musician, President of Roaring Girl Records, and Music Festival Founder

SCCR delegates will be presented with key global and regional data from the IFPI Global Music Report (which will be published globally during the week of the SCCR), insights into the partnerships between record companies and artists, and some key challenges to ensuring the sustainable and balanced development of digital music markets around the world.

Next, Graham Henderson will share highlights from Music Canada’s upcoming report on the discrepancy between the value of music accessed by consumers and the revenues returned to the artists and businesses who create it. The report outlines how Canada’s music community has overcome initial skepticism regarding the existence of this discrepancy, known as the Value Gap, and its causes. It examines the key arguments and evidence that have led to widespread acknowledgement of the discrepancy in Canada, and presents a road map to help build a stronger music ecosystem for artists and labels around the world.

Musician, label owner, and music festival founder Miranda Mulholland will close out the event with remarks explaining how weak copyright legislation has impaired her career. She will also reflect on the value of record labels in the modern music marketplace, and will demonstrate how artists can help establish a sustainable and functioning marketplace, outlining her own journey as an artist advocate.

Mulholland will then take the stage with Andrew Penner, her musical partner in the band Harrow Fair, to perform their unique blend of folk, country and garage rock music.

 

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WATCH: Board Chair Jennifer M. Sloan unveils Music Canada’s new Advisory Council

On March 15 at the 2019 JUNO Awards Chair’s Reception, Music Canada President and CEO Graham Henderson officially introduced Jennifer M. Sloan, the association’s new independent Chair of the Music Canada Board of Directors. In Sloan’s first public remarks as Chair, she unveiled Music Canada’s new 15-member Advisory Council.

The Council is comprised of exceptional and passionate individuals representing diverse ethno-cultural backgrounds, sexual identities, and geographic regions – reflecting Canada’s vibrant and diverse music community. The Council will evaluate Music Canada’s progress against the stated goals and objectives in the association’s strategic plan. The Council will also advise Music Canada on its programs, activities and research to support the organization in its mandate as an agent of change and thought leader in the music community.

Watch Sloan’s remarks in full below.

For more information on Jennifer Sloan’s appointment to the Music Canada Board of Directors, as well as Music Canada’s new Advisory Council, see our media release.

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Release: Music Canada announces new Board Chair and Advisory Council at 2019 JUNO Awards Chair’s Reception

The appointment of independent board Chair Jennifer M. Sloan and new 15-member Advisory Council reflect the findings of a comprehensive organizational review

Newly appointed Chair of the Music Canada Board of Directors Jennifer M. Sloan unveils Music Canada’s new Advisory Council at the 2019 JUNO Awards Chair’s Reception (Photo Credit: Ryan Bolton)

March 15, 2019, London, ON: At the 2019 JUNO Awards Chair’s Reception in London, Ontario, Music Canada announced key actions resulting from a comprehensive organizational review. Focusing on Board diversity and governance practices, the extensive review was commissioned to provide recommendations on ways Music Canada could demonstrate leadership in inclusion and good governance.

The first action stemming from the review was the addition of two new independent member positions to Music Canada’s Board of Directors, increasing the representation of women on the Board to 40 percent.

At the Chair’s Reception, Music Canada President and CEO Graham Henderson announced another important step: the appointment of Jennifer M. Sloan as the new independent Chair of the association’s Board. As Vice President, Public Policy at Mastercard Canada, Sloan brings outstanding expertise in corporate governance, finance and accountability, and government relations.

“I’m pleased to be joining Music Canada at this pivotal time, as the organization heads down a new and exciting path,” says Sloan. “We’re working to ensure a balance of skills, experience, knowledge and perspectives are represented in our governance and activities. The changes announced today will strengthen Music Canada in promoting the interests of our members and their partners, the artists, and to realize our vision for all Canadians to appreciate the power and value of music.”

In her first public remarks as Music Canada’s new Board Chair, Sloan unveiled another outcome of the association’s organizational review, the new Music Canada Advisory Council.

Reporting directly to the President and CEO, the Advisory Council is comprised of 15 exceptional and passionate individuals representing diverse ethno-cultural backgrounds, sexual identities, and geographic regions – reflecting Canada’s vibrant and diverse music community. The Council will evaluate Music Canada’s progress against the stated goals and objectives in the association’s strategic plan. The Council will also advise Music Canada on its programs, activities and research to support the organization in its mandate as an agent of change and thought leader in the music community.

The Music Canada Advisory Council members are:

  • Heather Bambrick
  • Steve Bellamy
  • Josh Colle
  • Nick Davis
  • ShoShona Kish
  • Amanda Martinez
  • Miranda Mulholland
  • Errol Nazareth
  • Alicia Rose
  • Mike Schroeder
  • Alka Sharma
  • Eon Sinclair
  • Darlene Tonelli
  • Chris Topping
  • Charlie Wall-Andrews

“The changes announced today are designed to ensure our leadership is guided by a broad spectrum of voices representing the exquisite mosaic that is our music community,” says Henderson. “I’m excited to welcome Jennifer Sloan and our new Advisory Council members to Music Canada to help us build a more robust music ecosystem. With the support of our members, Sony, Universal, and Warner, we are committed to reflecting the communities in which we live and work, and to fostering an environment in which music businesses can thrive, and artists can prosper.”

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For more information:
Corey Poole, Music Canada
cpoole@musiccanada.com
+1 (647) 808-7359

 

About Music Canada
Music Canada is a non-profit trade organization that represents the major record companies in Canada:  Sony Music Entertainment Canada, Universal Music Canada and Warner Music Canada. Music Canada also works with some of the leading independent record labels and distributors, recording studios, live music venues, concert promoters, managers and artists in the promotion and development of the music cluster.

 

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