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Industry News (298)

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2014 Canadian Country Music Awards presented during Canadian Country Music Week in Edmonton, AB

Congratulations to the 2014 Canadian Country Music Association Award winners, which were presented this past weekend during Canadian Country Music Week in Edmonton, AB.

During the Awards broadcast Sunday night, Dean Brody won Album of the Year for ‘Crop Circles’, while Gord Bamford won Single of the Year for ‘When Your Lips Are So Close’, in addition to picking up the Male Artist of the Year Award. Jess Moskaluke won Female Artist of the Year, while Small Town Pistols were recognized as Group or Duo of the Year. Brett Kissel was honoured with the CMT Video of the Year award for ‘3-2-1’, as Tim Hicks won the Rising Star award, and Johnny Reid was the Fans’ Choice Award winner.

Music Canada would like to extend special congratulations to Deane Cameron, who was honoured with the Hank Smith Award of Excellence, which recognizes an individual who has gone above and beyond in contributing his or her time and talents for the advancement of Canadian country music nationally. We would also like to congratulate Beverley Mahood, who received the 2014 Slaight Music Humanitarian Award, as well as Wendell Ferguson, who was the 2014 Artist Inductee to the Canadian Country Music Hall of Fame, and Ron Sakamoto, who was the 2014 Builder Inductee to the Canadian Country Music Hall of Fame.

Congratulations as well to Open Road Recordings, who was named the Record Company of the Year at the CCMA Gala, a category that is proudly sponsored by Music Canada.

For a full list of winners, see the listing on the CCMA website.

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Music Managers Forum Canada Announces New President

Music Managers Forum Canada officially announced their new President Meg Symsyk today. With over a decade of experience as a marketing executive at Universal Music Canada, Symsyk will take over as President of MMF Canada from Rhyna Thomson who is stepping down for professional and personal reasons. Meg Symsyk has been involved wide range of many key artist campaigns including Canadian artists Bryan Adams, Nelly Furtado and Rufus Wainwright and international acts Queens of the Stone Age, Beck, Sheryl Crow, Sting, No Doubt and Gwen Stefani. For the last six years, she has been an integral part of SRO-ANTHEM, a full service management, label & publishing company, working with Rush and Brody Dalle. Meg has also spent the last three years on the MMF Board of Directors.

The full press release can be viewed here.

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2014 Canadian Country Music Association Awards Nominees Announced

Congratulations to the 2014 Canadian Country Music Association Award nominees, which were announced today by the Canadian Country Music Association (CCMA).

Flat Lake, Alberta’s Brett Kissel leads the nominations with eight, including Single of the Year, Album of the Year, and Male Artist of the Year. Dean Brody and Gord Bamford also received several nominations, with six and five nominations each, respectively, while Tim Hicks and Deric Ruttan follow closely behind with four nominations each. The full list of nominees is now available on the CCMA website.

CCMA and broadcast partners CBC and CMT also announced that Juno-Award winner singer-songwriter Jann Arden and CBC-TV’s Gemini-Award winning host and comedian, Rick Mercer, will host the 2014 CCMA Awards Show. The show will be broadcast on Sunday, September 7 on CBC-TV at 8:00 p.m. local time (8:30 NT) with an encore airing on CMT (Canada) at 10:00 p.m.

Music Canada is proud to sponsor the CCMA Record Company of the Year Award. Nominees in that category include:

  • MDM Recordings Inc.
  • Open Road Recordings Inc.
  • Sony Music Entertainment (Canada) Inc.
  • Universal Music Canada
  • Warner Music Canada

In total, 41 CCMA Awards will be given out over four award ceremonies during Country Music Week in Edmonton, Alberta, September 4 – 7. Eight awards will be given out on the 2014 CCMA Awards Show, taking place at Edmonton’s Rexall Place on September 7th.

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2014 Polaris Prize Short List Announced

Jay Baruchel announcing the Polaris Prize short list

The short list for the 2014 Polaris Music Prize was announced today at The Carlu in Toronto, ON. The Polaris Music Prize is an annual event that honours the works of Canadian artists over the past year regardless of genre, sales or record label. The Polaris Prize awards gala will take place at The Carlu on September 22 and will be hosted by Canadian actor, writer and producer Jay Baruchel, who was on hand Tuesday to reveal the 10 short list nominees. The gala will be televised and webcasted by AUX, but those wishing to attend will have the chance to purchase tickets in the coming weeks.

Each year, the prize is awarded to one artist voted upon by a panel of selected music critics. After revealing the 2014 long list earlier this June, jurors then resubmitted their top 5 picks, narrowing down the nominees to only 10. In 2006, the first Polaris Music Prize was awarded to Owen Pallett of Final Fantasy for the album He Poos Clouds. Pallett, who has since dropped the Final Fantasy moniker, is nominated once again this year for his album In Conflict. Montreal’s Arcade Fire, who also won the prize in 2011 for The Suburbs, are nominated once again for Reflektor.

The full list of finalists for the 2014 Polaris Music Prize are:

Arcade Fire Reflektor

Basia Bulat Tall Tall Shadow

Drake Nothing Was The Same

Jessy Lanza Pull My Hair Back

Mac Demarco Salad Days

Owen Pallett In Conflict

Shad Flying Colours

Tanya Tagaq Animism

Timber Timbre Hot Dreams

YAMANTAKA//SONIC TITAN UZU

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Deane Cameron to receive the 2014 Hank Smith Award of Excellence at Country Music Week

The Canadian Country Music Association (CCMA) has announced that Deane Cameron will be honoured with the 2014 Hank Smith Award of Excellence, which recognizes an individual who has gone above and beyond their job in contributing his or her time and talents for the advancement of Canadian country music nationally.

“Deane Cameron has left an indelible impact on the Canadian country music industry. His tenacity for finding and mentoring great talent, and ability to stay humble amid successful results speaks to his strengths over a storied career,” said Ron Kitchener, Chair of the CCMA Board of Directors.

As stated in the release, Cameron has played a significant role in the careers of such Canadian artists as Susan Aglukark, Terri Clark, Tom Cochrane, Stompin’ Tom Connors, Rita MacNeil, John McDermott, Anne Murray, The Rankin Family, Johnny Reid, Serena Ryder, Buffy Sainte-Marie and more. Cameron worked his way up through the ranks of the music industry, eventually making history when he became the youngest Canadian President of a major music label in 1988.

“As Canadians, we proudly hold our place as the second most significant supporters and contributors to the global country music business. Past, present and future, the Canadian country music industry is a hotbed of talent,” said Deane Cameron. “I’m grateful to have had the opportunity to work with so many extraordinary artists thus far, and look forward to more exciting things to come. I’m honoured, humbled, and THRILLED to be the recipient of the Hank Smith Award of Excellence.”

Cameron will receive the honour during a private industry event held during Country Music Week, which takes place September 4 – 7 in Edmonton, Alberta.

 

Congratulations, Deane!

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Music Community Pleased with Work Permit Changes for Foreign Artists

Work Permit changes announced yesterday for foreign music artists will dramatically improve the landscape for much of the live music community in Canada for the benefit of venues across the country, artist managers, agents, Canadian record labels, as well as Canadian and foreign artists. These changes were made at the request of Canada’s music community.Effective immediately, all foreign artists performing in time-limited engagements – so, on contract for a tour for instance – and their essential crew – will no longer have to expend the time or the cost to obtain a work permit, regardless of what kind of venue they’re performing in across Canada. If an artist has been hired for a permanent position, however, they will need to go through a different process.

Music Canada, CIMA, CCMIA and CAPACOA and the broader music community applaud these changes, and thank the government and Minister Chris Alexander (Citizenship and Immigration) for supporting the music industry in this regard.

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Standing Committee on Canadian Heritage releases Review of the Canadian Music Industry report

Yesterday, the Standing Committee on Canadian Heritage released its Review of the Canadian Music Industry report, available at http://www.parl.gc.ca/Content/HOC/Committee/412/CHPC/Reports/RP6661036/412_CHPC_Rpt05_PDF/412_CHPC_Rpt05-e.pdf.

Music Canada applauds the Committee for its comprehensive study of Canada’s music industry, and thanks the Committee members for their care in considering testimony from witnesses across many different facets of Canada’s music industry. The Committee held 14 meetings on the study, hearing from 82 witnesses and receiving 15 briefs. This process allowed the Committee to hear from stakeholders from areas that they may normally have less opportunity to interact with, such as music education and music tourism.The Committee report focuses on five themes:

  • Digital distribution and streaming
  • Music education
  • Music tourism
  • Current funding – future investment
  • FACTOR/Musicaction

The report gives an overview of the current state of the Canadian music industry, summarizes witness testimony on the five themes, and considers outcomes proposed by witnesses on each theme.

The report provides the government with ten recommendations for strengthening its support for the Canadian music industry:

  1. The Committee recommends that the Government of Canada examine the time that it takes for decisions to be rendered by the Copyright Board of Canada ahead of the upcoming review of the Copyright Act so that any changes could be considered by the Copyright Board of Canada as soon as possible.
  2. The Committee recommends that the Government of Canada work with provincial authorities and other stakeholders to improve the musical knowledge and skills of Canadians.
  3. The Committee recommends that the Government of Canada work with stakeholders in order to launch an information campaign on the actual cost of creating music, the negative impacts of illegal downloading and the importance of respecting the intellectual property of music creators, with an outcome of assisting the music industry in terms of improved measures and initiatives related to these issues, including preventing piracy.
  4. The Committee recommends that the Government of Canada work with stakeholders from the Canadian music industry and the Canadian tourism industry to make music tourism in Canada a focus of marketing campaigns.
  5. The Committee recommends that the Government of Canada study the economic impact of introducing a tax credit to support the Canadian music industry, taking inspiration, if needed, from those granted to the film and television industries.
  6. The Committee recommends that the Government of Canada undertake a study of the impact of digital technology on the Canadian music industry and on government funding programs.
  7. The Committee recommends that the Department of Canadian Heritage ensure that the various components of the Canada Music Fund reflect the changes in Canada’s music industry, including potential new sources of funding from the private sector, with special attention given to creators, entrepreneurs and independent producers.
  8. The Committee recommends that the administration of the Music Entrepreneur Component of the Canada Music Fund be transferred from the Department of Canadian Heritage to a new third-party organization(s) based on the model of FACTOR and Musicaction.
  9. The Committee recommends that the Department of Canadian Heritage ensure that the general public and recipients are aware that FACTOR and Musicaction funding is made on behalf of the Government of Canada.
  10. The Committee recommends that the Government of Canada give the Canadian Radio-television and Telecommunications Commission the capacity to enforce the requirement for the private broadcasters to pay, in a timely manner, the required annual contribution for Canadian content development

It is positive that the Committee recommends the government examine the time it takes for decisions to be rendered by the Copyright Board of Canada ahead of the upcoming review of the Copyright Act. Numerous witnesses, including Music Canada, identified the length of time for decisions to be rendered by the Board as a cause of uncertainty in the legal landscape and a deterrent to progress. As the report notes, a dozen witnesses identified insufficient resources as a reason the rate-setting process is so lengthy. We support providing the Copyright Board with the proper tools, personnel and financing to function more as a business development office, as well as Parliament allowing rights holders and digital services to do deals directly at fair market value.

We are very pleased to see the Committee recognize the importance of music education to all Canadians. As the report notes, the positive effects of music education came up repeatedly during the Committee’s study, with several witnesses urging support for music education as it fosters critical thinking, imagination, self-esteem, and self-discipline, assets which are useful in an economy based on information technology and communications. It is gratifying to see our Next Big Bang report cited on this point in the report.

We are supportive of the Committee’s recommendation that the government work with stakeholders to develop information campaigns on the value of music, the negative impacts of illegal downloading, and the importance of respecting the intellectual property rights of creators. We would be very happy to work with the government in developing these campaigns.

The Committee’s recommendation that the government work with stakeholders from Canada’s music and tourism industries to make music tourism in Canada a focus of marketing campaigns is a very positive step. This study allowed the Committee to hear of the opportunities in music tourism from stakeholders such as North by Northeast, Live Nation Canada, and Ticketmaster Canada, all of who identified the enormous potential for in Canada’s live music sector. As well, the Committee heard from the Canadian Tourism Commission, who identified music as an important part of its marketing and tourism offerings, and the Tourism Industry Association of Canada, who remarked that music and culture are “leading drivers for American visitation.”

We are very pleased to see the Committee recommend the study of introducing a tax credit to support the music industry, taking inspiration, if needed from the existing tax credit system for film and television industries. The development of artists is a form of R&D and is deserving of public support, similar to the tax credits available in other R&D-intensive industries.

The Committee requests that the government table a comprehensive response to the Report.

The report has the support of the three main parties, with some additional recommendations made by the New Democratic Party and the Liberal Party. In particular, the Liberal complementary report suggests more comprehensive changes to Copyright Board based on testimony from witnesses.

Music Canada urges the government to support the findings of the report and looks forward to working with the government on implementing its recommendations.

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Ontario Music Fund launched to help support and create jobs, and position the province as a leading destination to record and perform

The Ontario Music Fund was officially launched today, which will help support create jobs in Ontario’s music industry, and position the province as a leading destination to record and perform. The announcement was made by the Hon. Michael Chan, Minister of Tourism, Culture, and Sport, at Revolution Recordings studio in Toronto. 

As per the release, the new fund will support Ontario-based music companies and music production and distribution through four streams: 

  • Music Company Development – Helps Ontario-based music companies increase recording, production and marketing, which boosts sales of music and supports job creation.
  • Music Industry Development – Provides support for initiatives such as digital innovation, music training and new approaches to increase home-grown music exports.
  • Music Futures– Helps leverage Ontario’s diverse and emerging music industry by supporting small music companies and artist entrepreneurs, for example those who create music and also handle the business and promotion of their music.
  • Live Music– Helps increase the number of live music events in the province and generates more opportunities for new and emerging local artists — boosting tourism and growing local economies.

“Our government is proud to partner with our music industry through the new Ontario Music Fund that will capitalize on our infrastructure, critical mass and competitive edge to drive economic growth and jobs,” said Minister Chan. “Home to the largest and most diverse music industry in the nation, we are committed to amplifying our success on the world stage and place Ontario on the map as a cultural and creative capital.”

“Music is a superpower that’s primed and ready to perform for Ontario. It’s a smart investment given the globally competitive advantage we have in the recorded and live music sectors,” says Graham Henderson, President of Music Canada. “Research has shown that targeted support for music will pay off with enormous dividends including job growth, increased investment, tourism and the transformation of Ontario into one of the recording capitals of the world. As we in the music community like to say, music can help.”

Applications for the Ontario Music Fund are open now, and can be made through the OMDC Online Application Portal at https://apply.omdc.on.ca/. Applications may be submitted on an ongoing basis until January 31, 2014.

At today’s event, Kim Cooke, owner of Revolution Recordings, introduced Minister Chan, saying it’s “important to acknowledge Minister Chan and his staff. In tough times, with a major workload and competing demands, he has fought hard for the cultural sector and embraced the Ontario Music Fund file with vigour.” OMFCooke

“Ontario has proven itself as a powerhouse competitor with other jurisdictions across a wide range of creative industries. The Ontario Music Fund will help us to build an even stronger music industry in the province and to ensure that our music continues to reach global audiences,” said Kevin Shea, Chair, Ontario Media Development Corporation (OMDC).

OMFShea
Artists Kardinal Offishall and Ladies of the Canyon were on hand for today’s announcement, as well as a wide range of industry stakeholders, including representatives from Music Canada, the Canadian Independent Music Association, The JUNO Awards, Polaris Music Prize, Music Managers Forum, and all of Canada’s major record labels. OMFChanKardinall

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