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Posts by Quentin Burgess (200)

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National music organizations join voices to oppose cuts to VSB music programs

National music organizations join voices to oppose cuts to VSB music programs

The Coalition for Music Education, Music Canada and MusiCounts believe in the importance of music education for all young people in schools. We are joining our voices together to urge the Vancouver School Board (VSB) to withdraw the proposal to cut elementary band and strings programs. Don’t take instruments out of the hands of children. Keep providing a comprehensive education that includes quality music instruction for all students, taught by individuals with a background and training in music. Music is not an expendable area of study. We strongly disagree with any reduction to music in schools and ask – what is the VSB’s vision and plan to maintain quality music programs in VSB schools for all students?

Research has proven that music education provides far-reaching benefits to the lives of young Canadians, to our communities and to our culture. We believe that decisions minimizing any aspect of the VSB’s music program will have a long-term negative impact on the lives of Vancouver students and on the community.

 

Music is essential to education and to life.

Music education:

  • teaches students to think creatively and critically,
  • develops skills that are essential in the 21st century workforce,
  • opens students’ minds to diverse perspectives and thinking,
  • bridges languages, cultures and generations,
  • unites us through shared experiences,
  • enriches our sense of beauty and imagination, and
  • supports student success.

 

The Coalition for Music Education annually celebrates the importance of learning music in our schools through a national event titled Music Monday. Last year’s Showcase Concert included a live link with Commander Hadfield in the International Space Station and this year’s Showcase will include a special event in Vancouver. “Everybody should be learning music. Music opens doors. And music stimulates the brain. Music helps organize and even wire your brain…Music education is really important in life. It’s a wonderful and applicable skill that only makes you a more capable human – We should all learn music.” – Chris Hadfield

Music Canada has identified music education as one of five critical components for the development of the music industry in Canada and an essential stimulant for a vibrant music scene which leads to great community impacts including increased tourism, job growth and business investment. “ There is vast evidence that music education contributes to the broader development of young minds and more well-rounded citizens,” says Graham Henderson, President of Music Canada. “Music is a great equalizer, bridging all cultures, and languages.”

MusiCounts is helping keep music alive in our schools. MusiCounts has awarded nearly $7 million in grants and scholarships to schools and communities in Canada. MusiCounts’ mission is to ensure that children in Canada, regardless of socio-economic circumstances or cultural background, have access to a music program through their school. “Every child deserves the opportunity to experience and benefit from playing an instrument.” says Allan Reid, Director, MusiCounts “Music can and does change lives.”

We urge decision-makers to maintain elementary band and strings programs in the VSB.

About the Coalition for Music Education:

The Coalition for Music Education works to raise awareness and understanding of the role music education plays in Canadian Culture, and to promote the benefits music education brings to young people. We envision Canada as a country where the lives of all children are enriched by quality school music programs, and where their active participation in music is valued and supported in our communities.

For more information about the Coalition, please visitMusicMakesUs

 

For more information contact:

Holly Nimmons, Executive Director
(416) 371-6486 | holly@musicmakesus.ca

About Music Canada:

Music Canada is a non-profit trade organization founded in 1964 that promotes the interests of its members as well as their partners, the artists. Music Canada is a passionate advocate for music and those who create it. Music Canada also works closely with recording studios, live music venues, concert promoters, awards programs and managers in the promotion and development of the music cluster.

For more information about Music Canada, please visitMusic Canada

For more information, contact:

Amy Terrill, Vice-President, Public Affairs
(647) 963-6044 | aterrill@musiccanada.com

 

 

About MusiCounts:

MusiCounts, Canada’s music education charity associated with The Canadian Academy of Recording Arts and Sciences (CARAS), is helping to keep music alive in schools across Canada. MusiCounts’ mission is to ensure that children in Canada, regardless of socio-economic circumstances or cultural background, have access to a music program through their school. MusiCounts includes Band Aid musical instrument grants, the MusiCounts Teacher of the Year Award, Scholarships, and other music education initiatives.

For more information about MusiCounts, please visitMusiCounts

For more information, contact:

Allan Reid, Director
(416) 485-3135 ext 228 | allan@musicounts.ca

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Music Monday 2014: On May 5th, join the Canada-wide celebration of music in our lives & schools

On Monday, May 5, 2014, join the Canada-wide celebration of music when schools and communities from coast to coast unite in singing and performing the Music Monday theme song ‘I.S.S. (Is Somebody Singing.’ This year, Music Monday celebrates its 10th anniversary with a live webcast of simultaneous events happening across the country, concluding with a synchronized performance of ‘I.S.S. (Is Somebody Singing’ with former Canadian Space Agency astronaut Chris Hadfield and Maestro Bramwell Tovey of the Vancouver Symphony Orchestra.

Music MondayMusic-Monday-Poster-ENG-JPG is an initiative of Music Makes Us: Coalition for Music Education, a national advocacy organization promoting quality music education for all young people. The annual event takes place on the first Monday in May, with the goal of celebrating the galvanizing power of music in Canada and demonstrating how that power is rooted in school music programs. Each year, hundreds of thousands of Canadians take part in the event through their schools and communities; last year’s event engaged approximately one million people in Canada and abroad.

The Coalition for Music Education expects this year’s Music Monday to have record numbers of participants, with confirmed events happening in St. John’s, NL, Halifax, NS, Charlottetown, PEI, Toronto, ON, Winnipeg, MB, Edmonton, AB, Vancouver, BC, Whitehorse, YT, Ottawa, ON, Montreal, QC, and more cities and towns across Canada.

To get involved with Music Monday, download the Participation Toolkit, and register your event online. To find an event happening in your area, search the Music Monday Map, which already dotted with events from coast to coast.

To prepare for sing-along, download the arrangements for ‘ISS – Is Somebody Singing’: there are vocal lead sheets as well as scores for bands, drumlines, ensembles, guitar, steel pans, strings, and much more. There are also translations available for the song in eleven different languages, including American Sign Language, Cree, Dutch, French, Gaelic, German, Inuktitut, Italian, Japanese, Ojibway, Russian, and Spanish.

The Coalition for Music Education is also looking for youth reporters to cover Music Monday 2014, and has launched a new essay contest to find thirteen students from across Canada, who will represent their province as a Music Monday Roving Youth Reporter and be given the opportunity to interview a prominent Canadian on the subject of music and music education.

In the above video, Commander Hadfield articulates why music education is so important:

“I bought my first record at about nine or ten years old, and listening to music introduced me to cultures and people who were different than I was. And learning to play the guitar taught me to improvise and to be creative, and to be able to be play with a group. And practicing on that guitar, that taught me self-discipline. And these were all fundamental skills that I have used throughout my career. And that’s why I can confidently say that music helped me be a better astronaut.”

Music education is a key priority of Music Canada as one of our five strategies in The Next Big Bang report, which recommends that given the strong evidence that music education prepares workers who are more creative, better problem-solvers, and possess soft skills that are critical in the digital economy, as well as the correlation between music scenes and tech clusters, governments should invest more in music education and should consider music scenes as a tool for economic development.

For more information on Music Monday, visit http://www.musicmonday.ca/, and connect with them on Facebook and Twitter for future updates.

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Music Canada pleased to welcome 604 Records as a new member

Music Canada is pleased to welcome 604 Records, based in Vancouver, BC, as a new member.

604 Records was founded by Nickelback singer Chad Kroeger and attorney Jonathan Simkin in 2002, and twelve years later, the label has established a solid track record of releasing Platinum-selling albums from a variety of genres.

The 604 roster includes Platinum-certified rockers Theory of A Deadman and My Darkest Days, as well as top selling pop rock artists Marianas Trench, Faber Drive, and pop superstar Carly Rae Jepsen.

The label’s latest releases include Dallas Smith’s Tipping Point, whose single was certified Gold in January 2014, the JUNO-nominated Small Town Pistols’ self-titled debut album, and a deluxe edition re-issue of Marianas Trench’s Platinum-certified ‘Ever After.’

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Jeff Kula of Winnipeg’s River East Collegiate honoured with MusiCounts’ Teacher of the Year Award

Congratulations to Jeff Kula of Winnipeg’s River East Collegiate, who was honoured with MusiCounts’ Teacher of the Year Award yesterday in recognition of his passion and dedication to music education.

The MusiCounts Teacher of the Year Award recognizes the incredible, dedicated and hard-working music teachers in Canada who encourage music education for many young Canadians.

“Each year we receive a number of nominations on behalf of teachers who impact school communities across Canada,” says Allan Reid, Director, MusiCounts. “Choosing the one recipient of this annual award is never easy, but Jeff Kula’s commitment to his students and how he goes above and beyond the call of duty of a music teacher exemplifies the reason that we established this award to begin with.”

Gord Bamford, who is nominated for The JUNO Awards Country Album of the Year, was on hand to present the award at a surprise presentation at Kula’s school. This year’s award is sponsored by Gord Bamford Charitable Foundation, who also committed an additional $100,000 to MusiCounts over the next three years.

“If I wouldn’t have started music at a young age, and started in school, I probably wouldn’t be where I’m at today,” says Bamford. “It creates dreams. It’s a dream I eventually started chasing, and it’s come true for me. It all started in grade four and I have my teacher to thank for that. I want to make a difference, and giving back is the most rewarding thing that I’ve been able to do.”

Check out the video of River East Collegiate’s reaction to the news, care of CTV Winnipeg.

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Digital Music Report 2014 released by the IFPI

DMR14 largeToday, the IFPI released the Digital Music Report 2014, which provides a comprehensive overview of today’s global digital music sector, including statistics on international markets, developments in the licensed online marketplace, and industry efforts to tackle online piracy.

The IFPI says that despite positive growth in most markets, overall global music trade revenues fell by 3.9% in 2013, to US$15.0 billion. This was heavily influenced by a drop of 16.7% in Japan, which accounts for more than one fifth of global revenues. Excluding Japan, the overall global recorded music market was generally flat, declining by 0.1% in 2013.

This report highlights the growth in music subscription services, which helped drive growth in most major markets in 2013, as revenues from subscription services grew by 51%, helping global digital revenues grow by 4.3%. Global revenues from streaming and subscription services topped the US$1 billion mark for the first time in 2013.

Digital downloads and physical formats remain an important revenue stream for the global recorded music industry, as downloads account for 67% of digital revenues, and physical product sales account for more than half (51.4%) of all global revenues.

Performance rights revenue, generated from broadcast, internet radio, and venues, saw strong growth in 2013, as performance rights income to record companies reached US$1.1 billion, an increase of 19% over 2012. Income from synchronization deals, where music is placed in film, television, or advertisements, declined by 3.4% in 2013, now accounting for 2.1% of total industry revenue, the report states.

The report includes the IFPI’s Global Recording Artist Chart, which measures the popularity of an artist across an array of channels, including digital downloads, streaming services, and physical format sales. One Direction topped the chart in its first year of being tabulated, while Burnaby, British Columbia’s Michael Bublé achieved the #9 position.

The report also profiles how record labels utilize the digital world in promoting artist releases, with features on innovative promotional campaigns, including:

  • Sony Music Entertainment’s global campaign for Daft Punk – Random Access Memories , which coordinated physical advertisements like billboards with television ad buys and digital teaser videos to achieve the robot duo’s vision of a global album release
  • Universal Music Group International’s campaign with Avicii, which partnered with Ericsson to create a ‘crowd sourced’ hit song, and later unveiled the album as a live performance at the Ultra Music Festival, helping Avicii grow from a club DJ to a global superstar
  • Warner Music Nashville/Atlantic Records’ innovative ‘Youtube Orchestra’ campaign with Hunter Hayes, which enlisted a range of ‘Youtube Stars’ to post their own versions of his song, Everybody’s Got Somebody But Me, with Hayes and Justin Mraz creating a mashup of the videos in a one-shot music video
  • Passenger’s partnership with German indie label Embassy of Music, which worked with Sony Music Netherlands to campaign in the smaller Dutch radio market to establish a foothold on the airwaves
  • Katy Perry’s PRISM campaign, in which Capitol Music Group developed multiple promotional campaigns for the album’s various singles, including international events in Canada, Australia, France, Germany, Italy, and Japan

To view the full report, visit http://www.ifpi.org/digital-music-report.php.

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Royal Wood performs songs from his new album, ‘The Burning Bright’, at Music Canada office

After a culmination of five weeks spent writing in his ancestral home of Ireland, and, for the first time, Los Angeles, it only seemed appropriate to have the JUNO nominated Royal Wood stop by the Music Canada office mid St. Patrick’s Day celebrations for a performance. RW4

Royal played a set of songs from his newest album, The Burning Bright, which debuts tomorrow on iTunes. A few dozen festive people, including neighbours from the Liberty Village business community, had the opportunity to take in the set which included “It’s Only Love”, “Forever And Ever”, and “City Lights”, all of which are featured on The Burning Bright album. Our thanks to Charlotte Thompson of Red Umbrella PR as well, who handles publicity and proposed the performance, as well as Stature Films for putting together this live performance video.

RW2

Royal Wood’s EP record, The Burning Bright, has been said to capture his truest, most confident musical voice even as it chronicles an extraordinary year of tumult, travel and personal discovery. With a record so personal, and a product of multiple worlds, the anticipation of tomorrows release is high.

The Burning Bright is available now at MapleMusic.com.

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Musicounts announces 2013-2014 Band Aid Grant recipients with help from Classified & David Myles

Today, Musicounts announced the 2013-2014 recipients of their Band Aid Grant program at Jean Vanier Catholic Secondary School (JVCSS) in Scarborough, ON, which is one of 70 schools from across Canada who will receive a grant to support school music programs. This year, the Band Aid Grant program is awarding more than $600,000 in funds as part of Musicounts’ mission to ensure that children in Canada, regardless of socio-economic circumstances or cultural background, have access to a music program through their school.

Music Canada and our members Sony Music Canada, Universal Music Canada, and Warner Music Canada are proud supporters of the Band Aid Grant program. This is the second year of Music Canada’s partnership with Musicounts, following last year’s pledge of $250,000 over the next three years, which supports music education programs in schools in Toronto and across the country.

“Music education is a gift that keeps on giving – from the obvious benefit of inspiring our future generation of musicians, some of whom will go on to become ambassadors for Canada around the world, to preparing students for careers in a variety of disciplines including technology and science, to instilling respect in the creative process,” said Music Canada Vice President of Public Affairs Amy Terrill. “Music education is as important as the three R’s and we are proud to do a small part to ensure it remains a priority.”

The celebration was hosted by East Coast Music Award winner Kim Stockwood, and featured a terrific performance by the Jean Vanier Catholic Secondary School band, as well as a surprise performance by JUNO Award winners Classified and David Myles.

ClassDavidsized

Classified and David Myles performed their hit songs “3 Foot Tall,” “So Blind” and “Inner Ninja” before revealing the instruments JVCSS are receiving as part of their $10,000 Band Aid Grant. The instruments will allow JVCSS and their musical instructor Michael Fanning to extend its popular music program to 75 additional students next year.

BandAidsized

For more photos from today’s event, view the album on our Facebook page.

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Meredith Shaw performs at Music Canada office

Thanks to Meredith Shaw for visiting and performing at the Music Canada office today! Meredith played a short set of songs from her new EP, ‘Hardest Goodbye,’ including the title track and ‘Slide.’ A few dozen people took in the mid-afternoon set including our neighbours from the Liberty Village business community. Our thanks to Charlotte Thompson of Red Umbrella PR as well, who handles publicity for Shaw and suggested the performance.

‘Hardest Goodbye’ is Meredith’s second EP in a series of three 3-song EP recordings, and was released just yesterday via eOne Music Canada. The EP was produced by John-Angus Macdonald of the multi-platinum certified band The Trews, and follows 2013’s release of ‘Trouble,’ which was produced by acclaimed artist Joel Plaskett.

Meredith will be performing at her Toronto release party tomorrow night (Thursday, March 6th) at The Cameron House at 408 Queen St. West, which will also feature a performance by Andrew Austin. The show begins at 8pm, admission is $10 at the door.
You can also catch her on Canada AM tomorrow morning, when she’ll play ‘Hardest Goodbye’ on the AM Soundstage.

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OMDC announces key dates for Ontario Music Fund program Years 2 and 3

The Ontario Media Development Corporation (OMDC) has announced the key dates for years 2 and 3 of the Ontario Music Fund.

As per the release, application launch dates, deadlines, and funding decisions timelines for the four streams of the Ontario Music Fund are as follows:

Music Company Development:
Year 2 (2014 – 15)

  • Application launch: Early April 2014
  • Deadline: May 30, 2014
  • Activity period: July 1, 2014 -July 31, 2015
  • Funding decisions: Early September, 2014

Year 3 (2015-16)

  • Application launch: Mid-March, 2015
  • Deadline: May 15, 2015
  • Activity period: July 1, 2015 –July 31, 2016
  • Funding decisions: Mid-September, 2015

Music Industry Development:
Year 2 (2014-15)

  • Application launch: Early May, 2014
  • Deadline: December 31, 2014
  • Activity period: April 1, 2014–May 31, 2015
  • Funding decisions: ongoing to late January/Early February, 2015

Year 3 (2015 – 16)

  • Application launch: Early March, 2015
  • Deadline: December 31, 2015
  • Activity period: April 1, 2015 – May 31, 2016
  • Funding decisions: ongoing to late January/Early February, 2016

Live Music:
Year 2 (2014 – 15)

  • Application launch: Mid – April 2014
  • Deadline: June 16, 2014
  • Activity period: August 1, 2014 – August 31, 2015
  • Funding decisions: Mid – September, 2014

Year 3 (2015 – 16)

  • Application launch: Early March, 2015
  • Deadline: April 30, 2015
  • Activity period: July 1, 2015 –August 31, 2016
  • Funding decisions: End of July, 2015

Music Futures:
Year 2 (2014 – 15)

  • Application launch: Early May 2014
  • Deadline: June 30, 2014
  • Activity period: May1, 2014 –May 1, 2015
  • Funding decisions: Late September, 2014

Year 3 (2015 – 16)

  • Application launch: Mid – March, 2015
  • Deadline: May 29, 2015
  • Activity period: April 1, 2015 –April 1, 2016
  • Funding decisions: Early September, 2015

For further information on the Ontario Music Fund, visit the OMDC’s website at http://www.omdc.on.ca/music/the_ontario_music_fund.htm.

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Music Remains – A Recorded Music Rube Goldberg Machine

The IFPI has released a new film called Music Remains that illustrates that throughout all of the technological changes in our industry, there has been one constant: the music.

Shot at historic Abbey Roads studios, this compelling 90 second video features a Rube Goldberg machine showing various recorded music technologies.

Launched today, MusicRemains.org features the video, a ‘making of’ documentary, and lyrics of the rap in the video.

“The idea was to convey the message that, while technology may be continuously changing, recorded music is always at the centre of people’s lives”, says creative director Steve Milbourne. “At the same time, we wanted to it to be a very personal story. Pepstar’s lyrics are about key experiences – from the meeting of our parents to childhood memories, first girlfriends and family tragedy.”

Check out the video and feel free to share it using the hashtag #MusicRemains.

 

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