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Posts by Quentin Burgess (167)

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Ontario Music Fund launched to help support and create jobs, and position the province as a leading destination to record and perform

The Ontario Music Fund was officially launched today, which will help support create jobs in Ontario’s music industry, and position the province as a leading destination to record and perform. The announcement was made by the Hon. Michael Chan, Minister of Tourism, Culture, and Sport, at Revolution Recordings studio in Toronto. 

As per the release, the new fund will support Ontario-based music companies and music production and distribution through four streams: 

  • Music Company Development – Helps Ontario-based music companies increase recording, production and marketing, which boosts sales of music and supports job creation.
  • Music Industry Development – Provides support for initiatives such as digital innovation, music training and new approaches to increase home-grown music exports.
  • Music Futures– Helps leverage Ontario’s diverse and emerging music industry by supporting small music companies and artist entrepreneurs, for example those who create music and also handle the business and promotion of their music.
  • Live Music– Helps increase the number of live music events in the province and generates more opportunities for new and emerging local artists — boosting tourism and growing local economies.

“Our government is proud to partner with our music industry through the new Ontario Music Fund that will capitalize on our infrastructure, critical mass and competitive edge to drive economic growth and jobs,” said Minister Chan. “Home to the largest and most diverse music industry in the nation, we are committed to amplifying our success on the world stage and place Ontario on the map as a cultural and creative capital.”

“Music is a superpower that’s primed and ready to perform for Ontario. It’s a smart investment given the globally competitive advantage we have in the recorded and live music sectors,” says Graham Henderson, President of Music Canada. “Research has shown that targeted support for music will pay off with enormous dividends including job growth, increased investment, tourism and the transformation of Ontario into one of the recording capitals of the world. As we in the music community like to say, music can help.”

Applications for the Ontario Music Fund are open now, and can be made through the OMDC Online Application Portal at https://apply.omdc.on.ca/. Applications may be submitted on an ongoing basis until January 31, 2014.

At today’s event, Kim Cooke, owner of Revolution Recordings, introduced Minister Chan, saying it’s “important to acknowledge Minister Chan and his staff. In tough times, with a major workload and competing demands, he has fought hard for the cultural sector and embraced the Ontario Music Fund file with vigour.” OMFCooke

“Ontario has proven itself as a powerhouse competitor with other jurisdictions across a wide range of creative industries. The Ontario Music Fund will help us to build an even stronger music industry in the province and to ensure that our music continues to reach global audiences,” said Kevin Shea, Chair, Ontario Media Development Corporation (OMDC).

OMFShea
Artists Kardinal Offishall and Ladies of the Canyon were on hand for today’s announcement, as well as a wide range of industry stakeholders, including representatives from Music Canada, the Canadian Independent Music Association, The JUNO Awards, Polaris Music Prize, Music Managers Forum, and all of Canada’s major record labels. OMFChanKardinall

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National music organizations join voices to oppose cuts to TDSB music programs

The Coalition for Music Education, Music Canada and MusiCounts believe in the importance of music education for all young people in schools. We are joining our voices together to urge the Toronto District School Board (TDSB) to keep providing a comprehensive education that includes quality music instruction for all students, taught by individuals with a background and training in music. We strongly disagree with any reduction to music in schools and ask – what is the TDSB’s vision and plan to maintain quality music programs in TDSB schools for all students?Research has proven that music education provides far-reaching benefits to the lives of young Canadians, to our communities and to our culture. We believe that decisions minimizing any aspect of the TDSB’s music program will have a long-term negative impact on the lives of Toronto students and on the community.

Music is essential to education and to life.
Music education:

  • teaches students to think creatively and critically,
  • develops skills that are essential in the 21st century workforce,
  • opens students’ minds to diverse perspectives and thinking,
  • bridges languages, cultures and generations,
  • unites us through shared experiences,
  • enriches our sense of beauty and imagination, and
  • supports student success.

The Coalition for Music Education annually celebrates the importance of learning music in our schools
through a national event titled Music Monday. This year’s Showcase Concert in Toronto included a live
link with Commander Hadfield in the International Space Station, who said, “Everybody should be
learning music. Music opens doors. And music stimulates the brain. Music helps organize and even
wire your brain…Music education is really important in life. It’s a wonderful and applicable skill that
only makes you a more capable human – We should all learn music.”

Music Canada has identified music education as one of five critical components for the development of the music industry in Canada and points out that the recently announced Ontario Music Fund (OMF) sends a clear message from the government that it values the contributions of the music community and that it thinks music is a sound investment. “There is vast evidence that music education contributes to the broader development of young minds and more well-rounded citizens,” says Graham Henderson, President of Music Canada. “Music is a great equalizer, bridging all cultures, and languages.”

MusiCounts is helping keep music alive in our schools. This year MusiCounts awarded over $1 million in grants and scholarships to schools and communities in Canada. MusiCounts’ mission is to ensure that children in Canada, regardless of socio-economic circumstances or cultural background, have access to a music program through their school. “Every child deserves the opportunity to experience and benefit from playing an instrument.” says Allan Reid, Director, MusiCounts. “Music can and does change lives.”

We urge decision-makers to maintain quality music programs in the TDSB.

About the Coalition for Music Education:
The Coalition for Music Education works to raise awareness and understanding of the role music education plays in Canadian Culture, and to promote the benefits music education brings to young people.
We envision Canada as a country where the lives of all children are enriched by quality school music programs, and where their active participation in music is valued and supported in our communities.

For more information about the Coalition, please visit MusicMakesUs.

For more information contact:
Holly Nimmons, Executive Director
(416) 371-6486 | holly@musicmakesus.ca

About Music Canada:
Music Canada is a non-profit trade organization founded in 1964 that promotes the interests of its members as well as their partners, the artists. Music Canada is a passionate advocate for music and those who create it. Music Canada also works closely with recording studios, live music venues, concert promoters and managers in the promotion and development of the music cluster.
For more information about Music Canada, please visit Music Canada

For more information, contact:
Amy Terrill, Vice-President, Public Affairs
(416) 967-7272 ext 103 | aterrill@musiccanada.com

About MusiCounts:
MusiCounts, Canada’s music education charity associated with The Canadian Academy of Recording Arts and Sciences (CARAS), is helping to keep music alive in schools across Canada. MusiCounts’ mission is to ensure that children in Canada, regardless of socio-economic circumstances or cultural
background, have access to a music program through their school. MusiCounts includes Band Aid musical instrument grants, the MusiCounts Teacher of the Year Award, Scholarships, and other music education initiatives.

For more information about MusiCounts, please visit MusiCounts

For more information, contact:
Allan Reid, Director
(416) 485-3135 ext 228 | allan@musicounts.ca

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Media Advisory: Toronto music campaign to be launched at NXNE

Toronto, June 11, 2013: A campaign to position Toronto as one of the greatest music cities in the world will be launched at NXNE just one year after the concept was first discussed at the event. A study comparing Toronto to Austin Texas was released at NXNE by Music Canada in 2012 recommending, among other things, an industry-led initiative to brand the city’s music scene.

That brand will be revealed on June 13 by a panel consisting of:

Graham Henderson, Music Canada
Josh Colle, Toronto City Councillor
Mike Tanner, NXNE
Jesse Kumagai, The Corporation of Massey Hall and Roy Thomson Hall
Andrew Weir, Tourism Toronto

The Toronto music city campaign will activate artists, industry supporters, and fans of the Toronto music community in order to create more awareness about Toronto’s music scene, more opportunities for live music in Toronto and a more music-friendly City Hall.

When: Thursday, June 13 @ 4:15 pm
Where: NXNE Interactive, The Hyatt Regency, 370 King Street West, Room: Regency D

To arrange interviews, please contact Amy Terrill at aterrill@musiccanada.com or 416-967-7272 x 103.

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For more information:

Music Canada Media Contact: Amy Terrill 647-963-6044 aterrill@musiccanada.com 647-963-6044

NXNE Media Contact FLIP PUBLICITY Damien Nelson 416.533.7710 X221 damien@flip-publicity.com

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Global Forum 2013: Brand Supported Piracy with David Lowery, Chris Ruen, and Chris Castle

Writer and musician David Lowery and Author Chris Ruen do not shy away from identifying major companies that support the pirate sites that damage creators every day by distributing unlicensed copies of music and movies.

On March 22, 2013 at Canadian Music Week’s Global Forum, the pair will discuss brand-sponsored piracy, a practice whereby Fortune 500 companies, whether knowingly or unknowingly, purchase advertising inventory from illegal sites. Advertising revenues keep these sites in business while ad agencies, exchanges and networks also make money in the process. The only ones left without compensation are the artists, songwriters and filmmakers.

David Lowery of the bands Cracker and Camper Van Beethoven, has emerged as one of the strongest artist advocates through his contributions to the blog, The Trichordist. The blog has begun a “name and shame” campaign which identifies major brands that are supporting piracy by placing ads on illegal sites.

Chris Ruen, whose essays and criticism have appeared in The New York Times, Slate, The New York Press and Stereogum, recently published his first book, Freeloading: How Our Insatiable Appetite For Free Content Is Starving Creativity.

First brought to the attention of CMW delegates in 2011 by indie filmmaker Ellen Seidler, brand-sponsored piracy will be discussed during the Global Forum Networking Breakfast, a ticketed event, with moderator Chris Castle. David Lowery and Chris Ruen will be available for one-on-one interviews upon request.

For ticket and registration details, please visit www.cmw.net, or visit the registration office onsite at the Toronto Marriott Downtown Eaton Centre Hotel during posted hours.

The Global Forum is sponsored by Music Canada.

Update: Video from the Global Forum is now available below:

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Ontario Arts Council releases comprehensive profile of Ontario’s Arts and Culture Tourists and Their Economic Impact

Today, the Ontario Arts Council (OAC) released the Ontario Arts and Culture Tourism Profile, a report conducted by Research Resolutions & Consulting Ltd. and commissioned by the OAC. The report provides a comprehensive profile of Ontario’s arts and culture tourists and their economic impact. 

The report finds that 9.5 million overnight tourists participated in arts and culture activities in 2010, representing over one fifth of the 42.8 million overnight trips to Ontario that year. Of those 9.5 million arts and culture tourists, 66% were Canadian, 23% were American, and 1.1 million were from overseas. Arts and culture was a major draw for international tourists, with arts and culture tourists representing 39% of all American overnight visitors to Ontario in 2010, while 63% of tourists from overseas took part in arts and culture activity while visiting Ontario. 

The OAC report shows that arts and culture tourism has a significant economic impact in Ontario, with arts/culture tourist spending generating $3.7 billion in GDP in Ontario in 2010, supporting 67,000 jobs and $2.4 billion in wages and generating $1.7 billion in taxes for all levels of government. 

For more than 44% of the 20.8 million North Americans travelling to Ontario, at least one arts and culture activity was the main reason for their trip. 

Music was a major driver of Ontario tourism, as 6.5 million North American tourists took in music performances including classic, jazz, opera, popular/rock ‘n roll and country while visiting the province, making up approximately 31% of all North American tourists to Ontario. Music performances were the largest tourism driver among all Arts activities, with more attending concerts than theatre, art galleries, or ballet.

Of the 6.5 million tourists who attended music performances in Ontario, 44% of them said that the concert was their primary reason for traveling to Ontario, comprising a total of 2.9 million tourists who said that a concert was their main reason for traveling to Ontario.

The report also found that Arts festivals such as international film festivals, music, and/or literary festivals, drew 3.8 million tourists to Ontario. Music festivals were by far the biggest draw among Arts festivals, attracting 54% of these fans. The report says that “apart from music festivals, theatre is the only arts/culture trip driver to attract at least one third of group members (37%).”
While taking in arts and cultural activities, Ontario’s North American tourists also participate in many other types of activities during their trip, with 84% of them also participating in Outdoor experiences such as a nature park, and 75% of these tourists adding Shopping as part of their trip.

The Music Performance tourist group had the highest proportion of younger tourists (18 – 34 years) among all groups surveyed, with 36% of respondents in the younger age range, compared to 30% in the tourism market as a whole. 
The report also shows that the value of arts and culture overnight tourists is high, with arts and culture tourists outspending typical overnight tourists in Ontario by nearly two-to-one, spending $667 per trip in Ontario, compared to $374 spent by the typical overnight tourist.

The economic benefits of arts and culture tourists reach many other sectors, the report shows: 

  • Arts and culture tourists contributed $1.1 billion to the lodging sector, close to two-fifths of all spending on lodging by overnight tourists during the year (38%)
  • Arts and culture overnight tourists spent $1.1 billion on food and beverages, making up one-third of all overnight spending by overnight tourists (34%)
  • Arts and culture overnight tourists contributed $0.6 billion to the retail sector, or two-fifths of all spending by overnight tourists in Ontario (43%)
  • Over half of all spending by overnight tourists in Ontario came from arts and culture tourists (51%), who contributed $0.5 billion

In an OAC release, Michael Chan, Minister of Tourism, Culture and Sport said “Cultural tourism is a powerful force that is transforming global travel and trends. Our diverse arts, culture and heritage has helped us attract visitors from within our borders and beyond to explore and experience our exciting province. Our government is committed to evolving our tourism strategy to align with our cultural assets – for example, harnessing live music experiences that will drive our economy and firmly place Ontario on the international map as a premier cultural travel destination.”

“The conclusions that can be drawn from this ground-breaking study confirm that the instincts and vision of Minister Michael Chan are bang on,” said Graham Henderson, President of Music Canada. “Despite the fact that music tourism has never been seriously promoted in Ontario in its history, among ALL arts activities, music remains the largest driver of tourism. It is also worth noting that music is an essential underpinning for cultural events perhaps not categorized as a music event; Toronto’s Caribbean Carnival, for example. We might also have regard to the category of “Arts Festivals.” Within this category, music festivals outclass all other sectors by a substantial margin.

And this is all without a PLAN or any focus. As our Austin study has shown, when a city or state puts its mind to it and develops a strategy, great things happen. In 5 short years, the economic impact of music in Austin jumped from $616 million to $1.3 billion. Fortunately, that is all about to change for Ontario, and the music community eagerly awaits the announcement by Minister Chan tomorrow at the Horseshoe.”

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Music Canada Congratulates Toronto Mayor Rob Ford on Successful Chicago Delegation

TORONTO, 20 September 2012 /CNW/ – As the Team Toronto Business Mission to Chicago concluded, Music Canada praised Mayor Rob Ford for leading this important mission to help improve relations and foster opportunities between the two cities.

“Mayor Ford and his colleagues have brought together a talented and dynamic delegation of business and civic leaders who will help to foster the next generation of investments between Toronto and Chicago,” said Graham Henderson, President of Music Canada. “We are keenly aware of the unique challenges facing Toronto businesses and, on behalf of our members who employ hundreds of Torontonians, we are grateful for the opportunity to help protect jobs and foster economic growth in our city.”

Toronto is home to one of the largest and most vibrant music clusters in the world including major and independent music companies, talented artists and musicians from every genre, world-class recording studios and some of the greatest live music venues. From iconic spots like the Horseshoe Tavern to hugely successful Molson Amphitheatre, Toronto is host to live music every day of the week. And two of Toronto’s studios were listed among the top ten recording spaces in the world in 2011 by Mix Magazine. Music Canada’s Vice President Public Affairs participated in the mission.

“Now more than ever, in light of worldwide economic challenges, we need a focus on creating jobs and fostering economic development in Toronto,” said Henderson. “We are proud to have been part of the Mayor’s mission to Chicago and look forward to finding new opportunities to grow Toronto’s economy and keep our city moving in the right direction.”

Music Canada is a non-profit trade organization that represents the major music companies in Canada, namely EMI Music Canada, Sony Music Entertainment Canada, Universal Music Canada and Warner Music Canada. Its members are engaged in all aspects of the recording industry, including the manufacture, production, promotion and distribution of music.

For further information:
Amy Terrill – Vice President Public Affairs, Music Canada
aterrill@musiccanada.com 647-963-6044

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Music Canada Proud to Support 30th Annual Canadian Country Music Association Industry Awards

Saskatoon, September 8, 2012: Music Canada is pleased to sponsor the Record Company of the Year Award at the 30th Annual Canadian Country Music Association Industry Awards.

“As Canada’s country music community comes together to celebrate exceptional artists and their industry partners, Music Canada is proud to sponsor the Record Company of the Year Award because behind every artist is a team of people who, for the love of music, work together to capture the attention of music fans around the world,” says Graham Henderson, President of Music Canada.

The Record Company of the Year Award will be presented at the CCMA’s Industry Awards gala at TCU Place in Saskatoon on Saturday, September 8th.

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For more information:

Amy Terrill – Vice President Public Affairs, Music Canada
aterrill@musiccanada.com 647-963-6044

Music Canada is a non-profit trade organization that represents the major record labels in Canada, namely EMI Music Canada, Sony Music Entertainment Canada, Universal Music Canada and Warner Music Canada. Music Canada also provides certain membership benefits to some of the leading independent record labels and distributors. Its members are engaged in all aspects of the recording industry, including the manufacture, production, promotion and distribution of music.

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Make Music Part of the Ontario Place Revitalization

On February 1, 2012, the Government of Ontario announced plans to revitalize Ontario Place to make it a ‘must visit’ destination and landmark for Ontario families and tourists from around the world. The government of Ontario is seeking public input on how to revitalize Ontario Place: Music Canada is promoting the idea of putting an outdoor green space for live music at the location.

Why?

Live Music Generates Jobs and Spending in Toronto
  • Total economic impact of sound recording industry in Canada: $455.2 million with much of that in Toronto (Economic Impact Analysis of the Sound Recording Industry in Canada, PwC)
  • 2011 TD Toronto Jazz Festival generated total economic impact of $22.7 M
    • 298 full time equivalent jobs
    • 1/3 attendees live beyond 40 km radius of city
  • 40th anniversary JUNOs in Toronto had an estimated economic impact of $14.1M
  • NxNE generates more than $47M annually in economic impact to City of Toronto
Live Music is One of Toronto’s Key Assets
  • 4th highest ratio of music establishments per 100,000 residents in North America (Martin Prosperity Insights) with incredible indoor venues of all sizes including: The Horseshoe Tavern, Phoenix, The Sound Academy, Queen Elizabeth Theatre, Massey Hall and the Air Canada Centre

However, Toronto lacks a key component: a viable downtown outdoor green space for live music.

Ontario Place can build on the success of the Amphitheatre to fill the gap.

Why Ontario Place?
  • The Amphitheatre is one of the few success stories in the park in the last decade
  • Experience shows that there is the market for a permanent outdoor venue
  • Toronto’s current assets do not have permanent facilities that include concession areas, backline, fencing and lighting
How to Help:

Add a comment on the Ontario Place Revitalization site to urge the government to develop a viable downtown outdoor green space for live music!

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Music Canada Statement on Comprehensive Economic and Trade Agreement

Toronto, April 27, 2012: Music Canada commends the Government of Canada for its continued commitment to conclude negotiations with the European Union on the Comprehensive Economic and Trade Agreement (CETA) that includes provisions that put Canada on equal footing with Europe in respect to the protection of intellectual property.“A Canada-EU trade agreement that meets world standards in IP protection will create a level playing field that is absolutely crucial in today’s digital environment. CETA will help stimulate the market for creative and cultural goods and benefit the hundreds of thousands of Canadians employed in the creative economy,” says Graham Henderson, President of Music Canada.Music Canada encourages Minister Fast to conclude this bold trade agreement with the EU.

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Toronto Digital Music Company Mediazoic Announces Licensing Deal with AVLA

Toronto Digital Music Company Mediazoic Announces Licensing Deal with AVLA
Comprehensive deal covers internet streaming of music from Universal, Warner, Sony, EMI, and more than 1000 independent labels

Toronto, January 24, 2012: Toronto-based digital music company Mediazoic today announced a deal with the AVLA (Audio-Video Licensing Agency), which will allow Mediazoic’s internet radio network to carry the music catalogues of more than 1000 record companies representing the majority of all sound recordings and music videos produced and/or distributed in Canada.

Based out of a radio and record production studio in downtown Toronto, Mediazoic makes software that allows both individuals and commercial organizations to create, customize and curate their own internet radio stations. The system keeps track of all “listens” throughout the network, allowing royalties to be paid not only to the creators and rights holders of the music, but also to other stakeholders in the music ecosystem.

Current station hosts on the Canadian-owned-and-operated internet radio network include renowned deejay Alan Cross, iconic Toronto live music venue Hugh’s Room, annual music festival Indie Week, and local hip hop MC and artist MC FÜBB.

Cross, whose Weekly Top 11 show is unveiled every Friday on the network, has high praise for what Mediazoic’s unique take on internet radio has done for him. “Mediazoic’s resources have been a big help to my website, driving both traffic and time spent.” he enthuses, “Everyone should give the company a look.”

The network also has several radio shows in development, which will benefit from the wide range of music that this deal opens for Mediazoic and its listeners. One such show is hosted by established music journalist Karen Bliss, who will be resurrecting her popular interview show Lowdown, a one-hour comprehensive “this is your life” type show. Lowdown, Bliss’s music industry brand, has appeared in all kind of incarnations: a Canadian music industry column, an online radio show, a TV segment on Inside Jam, a TV show on Bite TV, and a music seminar. Through these formats, she has covered hundreds of artists, including Avril Lavigne, Billy Talent, Nelly Furtado and Sum 41.

“Our listeners know that every one of our stations has been playing great music since our launch last year.” says Mediazoic founder Greg Nisbet, “but let’s face it, now that our station hosts can throw a bit of Joni Mitchell, K’naan or Leonard Cohen into the mix, the listener experience is going to get a whole lot better. Our aim has always been to capture some of the magic that happens between people when great music is created and heard, and spread that magic across the digital realm, so we’re really excited about all of the wonderful collaborations that this deal will allow us to explore.”

“We’re pleased to work with Mediazoic, which will ensure that all of our members, whether they represent emerging or established artists, benefit equally from “plays” on this innovative new network,” says Graham Henderson, President of AVLA and Music Canada.

The deal between Mediazoic and AVLA covers reproduction rights. Mediazoic is also working with Re:Sound, the Canadian not-for-profit music licensing company that licenses recorded music for public performance, broadcast and new media to cover performance rights. “We’re always happy to work with innovative companies like Mediazoic to ensure that music creators are fairly compensated within emerging business models.” said Ian MacKay, Re:Sound’s President.

About Mediazoic
Mediazoic is a next-generation music and media organization, based in Toronto, whose mission is to bring together like-minded people, both digitally and physically, with outstanding, highly curated content. Mediazoic’s growing network of operations includes Internet radio stations, live events, content development and licensing, and infrastructure for artist publicity and promotion. www.mediazoic.com

About AVLA
The AVLA Audio-Video Licensing Agency (AVLA) represents nearly 1000 major and independent record companies and other copyright owners, including many independent artists. Our members own or control the copyright in the vast majority of all sound recordings produced and distributed in Canada. We license the broadcasting and reproduction of our members’ audio and video recordings in Canada. www.avla.ca

About Re:Sound
Re:Sound Music Licensing Company is the Canadian not-for-profit music licensing company dedicated to obtaining fair compensation for artists and record companies for their performance rights. On behalf of its members, representing thousands of artists and record companies, Re:Sound licenses recorded music for public performance, broadcast and new media. All of the
money collected by Re:Sound is distributed to our members, less only our actual costs. Created in 1997 (as NRCC), our member organisations are ACTRA RACS, ARTISTI, MROC, AVLA and SOPROQ. For more information, please visit us at www.resound.ca.

Contact Info:

Greg Nisbet, Mediazoic
647-294-0153
gregn@mediazoic.com

Amy Terrill, AVLA
(416) 922-8727
aterrill@avla.ca

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