Music Canada

Gold/Platinum

Join Mailing List

Music Canada

Gold/Platinum

News Release (85)

view

British Columbia music community celebrates new music fund, AMPLIFY BC

Vancouver, March 22, 2018: Music BC and Music Canada today applaud the Government of British Columbia’s announcement of a new music fund for the province called AMPLIFY BC. Administered through Creative BC, the new Fund will provide much-needed support for the development of BC artists and musicians, music companies, skills development and live music production, stimulating economic growth and activity in the sector.

“Music Canada would like to applaud the Government of BC and Minister Beare for this important investment which demonstrates their confidence in the music sector,” says Amy Terrill, Executive Vice President of Music Canada. “The intense interest in the former BC Music Fund’s suite of programs underscores that BC is home to a vibrant, diverse and engaged music community ready to take their songs and businesses to the next level. With this new investment BC will continue to benefit from leveraged private and other government dollars, and ensure the BC music sector remains competitive with other jurisdictions.”

The announcement was made during JUNOs Week, as the Canadian music industry was congregated in Vancouver for the 47th annual JUNO Awards, celebrating excellence in Canadian music while also showcasing Vancouver, and the province’s music sector to the rest of the country.

“This is a great day for the province’s music scene allowing us to build on the momentum of the last two years,” says Alex Grigg, Executive Director of Music BC. “In this time, our industry has focused on helping BC artists develop their careers and showcase their talent around the world, boost business in BC studios, create greater opportunities for live music performances that bolster activity in our communities, and facilitate professional development so that we can build a stronger, more sustainable industry. On behalf of the staff, board of directors and the BC music industry we extend our gratitude to the Government of BC and Minister Beare for their continued support and investment into the BC Music sector.”

Music BC and Music Canada would also like to thank all members of the BC music community who participated in the effort to secure provincial funding and shared their insights, experiences and success stories. The one-year investment of $7.5 million will contribute to BC’s strong and vibrant communities and also benefit BC tourism, arts and creative industries, and small business development.

-30-

 

For more information:

Corey Poole, Music Canada
cpoole@musiccanada.com
(647) 808-7359

Neesha Hothi, Music BC
nh@neeshcommunications.ca
(604) 715-6057

 

About Music Canada
Music Canada is a non-profit trade organization that represents the major record companies in Canada: Sony Music Entertainment Canada, Universal Music Canada and Warner Music Canada. Music Canada also works with some of the leading independent record labels and distributors, recording studios, live music venues, concert promoters, managers and artists in the promotion and development of the music cluster. For more on Music Canada, please visit www.musiccanada.com

About Music BC
Music BC Industry Association is a not for profit association serving the for profit and non-profit music industry, including artists from all genres, industry professionals, service providers, studios, promoters, venues, festivals, producers, agents, managers and educational institutions. For more on Music BC, please visit www.musicbc.org

Comments
view

Music Canada applauds 2018 Federal Budget

Music Canada is pleased to see that the 2018 federal budget, which was tabled yesterday in the House of Commons by Minister of Finance Bill Morneau, further illustrates the Government’s commitment to reforming the Copyright Board of Canada.

Budget 2018 advances the Government’s Intellectual Property Strategy, as well as outlines measures to modernize Canada’s regulatory frameworks. Recognizing the need to promote efficient and predictable regulation within these frameworks, the Budget proposes support for the Government to “pursue a regulatory reform agenda focused on supporting innovation and business investment.” The Budget also correctly states that for “Canadian companies to grow and thrive in the global marketplace, they also need a competitive and predictable business environment that supports investment.”

In the music sector, this is particularly true at the Copyright Board. The rates set by the Board directly impact the value of music, and the ability for creators and labels to commercialize their work and investment. Music Canada has been a lead advocate for reforming the Copyright Board. We participated in both the Senate hearings on the Copyright Board, and the Standing Committee on Canadian Heritage’s Review of the Canadian Music Industry, appearing as a key stakeholder in favour of full and meaningful reforms. Music Canada’s Graham Henderson also raised the issue in a recent Policy Options op-ed, and cited the need for reform of the Copyright Board as a first priority for government to modernize in a speech before the Economic Club of Canada.

“Reforming the Copyright Board of Canada has for years been a top priority for creators and the businesses that support them,” says Music Canada President & CEO Graham Henderson. “Music Canada extends our appreciation to the Government, particularly Ministers Bains and Joly, for taking the next step in modernizing this institution, which is vital for Canada’s cultural industries.”

Budget 2018 is great news for a more timely, efficient, and predictable Copyright Board. We look forward to working with Ministers Navdeep Bains and Mélanie Joly to make this a reality.

Comments
view

Music Canada now curates Gold/Platinum playlists on Apple Music

Toronto, Feb. 27, 2018: Music Canada today announced it is curating music through its new profile on Apple Music. The popular Gold/Platinum certification and awards program joins a growing roster of curators on the service, which includes a variety of media publications, lifestyle brands, festivals, and record labels, including Music Canada member organizations Universal Music Canada, Warner Music Canada, Sony Music Canada, 604 Records, Last Gang, and Cadence Music.

Music fans can follow the Gold/Platinum Canada curator channel through the Playlists section of Apple Music. Five unique playlists are available upon launch, including Gold In Canada which is updated every Thursday with 50 of the latest singles that have the coveted Gold certification, as well as 2017: Year-End Recap, which features more than 300 songs newly certified in 2017.

There are three new all-Canadian playlists available now on Apple Music:

  • Canada Rocks The 2000s – a selection of Canadian rock and alternative hits certified by Music Canada that filled the airwaves and our portable music players in the Aughts;
  • Canada Vibes – a timeline of Gold/Platinum-certified Canadian hip-hop, rap, and R&B;
  • Forty 45s – a collection of past Canadian hits, originally certified by Music Canada as Physical Vinyl or CD Singles.

Music Canada first began accepting on-demand streaming data towards Gold/Platinum certifications with the launch of the Single Award in 2016. In the summer of 2017, Music Canada updated the guidelines for the historic Album Award to begin including Stream Equivalent Albums (SEA) and Track Equivalent Albums (TEA).

Check out Music Canada’s Gold/Platinum playlists on Apple Music here.

Follow Gold/Platinum Canada on Twitter, Facebook, and Instagram to stay up-to-date with the latest certification announcements, award plaque presentations and playlist additions.

For more information:
Bram Gonshor, Music Canada
bgonshor@musiccanada.com
(416) 967-7272 x 0

Comments
view

Music Canada applauds Ministers Bains and Joly for initiating the statutory review of Copyright Act

Toronto, Dec 13, 2017: Music Canada applauds today’s announcement by The Honourable Navdeep Bains, Minister of Innovation, Science and Economic Development, in conjunction with The Honourable Mélanie Joly, Minister of Canadian Heritage, regarding the review of the Copyright Act, to be conducted by the Standing Committee on Industry, Science and Technology.

“I applaud Minister Bains and Minister Joly for initiating this review of the Copyright Act,” says Graham Henderson, President and CEO of Music Canada. “Music creators, and all creators who depend on copyright, deserve a Copyright Act that protects their rights when their works are commercialized by others. This is our chance to address the Value Gap threatening the livelihood of Canadian creators and the future of Canadian culture.”

Music Canada recently examined the significant changes in business models that are impacting the value chains for copyrighted content in our report, The Value Gap: Its Origins, Impacts and a Made-in-Canada Approach.

“A modern copyright framework containing strong IP and copyright provisions is essential for an effective marketplace for music creators,” says Artist Advocate Miranda Mulholland. “This Copyright Act review is an important first step in ensuring artists and labels are able to earn a fair market value for their work. Canadian creators have been eagerly awaiting this review.”

Music Canada looks forward to participating in the process to ensure that creators are fairly compensated for the use of their works under the revised Act.

Adds Henderson, “We must ensure this review yields meaningful results.”

-30-


For more information:
Corey Poole, Music Canada
cpoole@musiccanada.com
+1 (647) 808-7359

About Music Canada
Music Canada is a non-profit trade organization that represents the major record companies in Canada: Sony Music Entertainment Canada, Universal Music Canada and Warner Music Canada. Music Canada also works with some of the leading independent record labels and distributors, recording studios, live music venues, concert promoters, managers and artists in the promotion and development of the music cluster. For more on Music Canada, please visit www.musiccanada.com

Comments
view

Breakthrough collaboration between Bell Media, Music Canada and Re:Sound creates international gold standard with music creators at its heart

 

Toronto, Dec 6, 2017: Advancements in cross-platform reporting have ushered in a new era of cooperation between Canada’s music and media industries. Developed by Bell Media, Music Canada and Re:Sound, the new process aligns terrestrial broadcast data with digital, ensuring all music industry stakeholders are served with efficiency, transparency, and accountability, while setting a new industry standard for data reporting. With this game-changing initiative by Bell Media, the automation of the existing music content distribution tool allows the industry to streamline sound recording data within the Canadian music ecosystem.

The new system is part of an ongoing project to develop administrative efficiencies by Music Canada and Re:Sound. Through consolidating multiple data sets, maximizing the use of ISRC (International Standard Recording Codes), and other improvements, the project has so far resulted in faster payouts and 28% more revenue for major labels and members of CIMA (the Canadian Independent Music Association).

Beginning with a successful pilot program of the new system by Toronto’s 104.5 CHUM FM in early 2017, Bell Media radio stations are now tracking complete sound recording data including ISRC automatically on new tracks from major record labels and independent label partners. With the elimination of manual processes, the new reporting system has resulted in cleaner data, which significantly benefits all rights holders in the Canadian music industry including artists, background musicians, songwriters, and music publishers, through organizations (SOCAN, CMRRA, SODRAC, etc.) relying on broadcast data to get royalties to rights holders.

“I commend Bell Media, and specifically Randy Lennox, for showing remarkable leadership on this project,” says Graham Henderson, President and CEO of Music Canada. “Thanks to this collaboration, achievements in data efficiency from projects completed by the major record companies and Re:Sound will now yield even greater results, generating savings throughout the royalty chain, while resulting in more dollars in the pockets of creators.”

“As someone with love for Canada’s music industry, I am thrilled by the results of this project,” said Randy Lennox, President, Bell Media. “When Music Canada’s Graham Henderson approached us to help resolve what has been a longstanding issue within Canada’s music industry, it was an easy decision to lend Bell Media’s resources and expertise. The automation of the tracking process establishes international best practices that benefit creators while making the entire system considerably more efficient.”

“At Re:Sound, we only exist for the artists and sound recording owners we represent,” says Ian MacKay, President of Re:Sound. “Ensuring that the absolute best quality data flows through the entire music ecosystem is a huge step forward for rights holders, and will help us (and other organizations) to ensure that we pay the right people as quickly and efficiently as possible. We couldn’t have done this without the strong leadership of Bell Media and Music Canada.”

 

-30-

 

For more information:

Siobhan Özege, Re:Sound
sozege@resound.ca
+1 (416) 968-8870 ext 369

Corey Poole, Music Canada
cpoole@musiccanada.com
+1 (647) 808-7359

Renee Dupuis-Macht, Bell Media
Renee.dupuismacht@bellmedia.ca
+1 (416) 384-3154

 

About Re:Sound
Re:Sound is the Canadian not-for-profit music licensing company dedicated to obtaining fair compensation for artists and record companies for their performance rights.  Re:Sound advocates for music creators, educates music users, licenses businesses and distributes public performance and broadcast royalties to creators – all to help build a thriving and sustainable music industry in Canada. For more on Re:Sound Music Licensing, please visit www.resound.ca

 

About Music Canada
Music Canada is a non-profit trade organization that represents the major record companies in Canada: Sony Music Entertainment Canada, Universal Music Canada and Warner Music Canada. Music Canada also works with some of the leading independent record labels and distributors, recording studios, live music venues, concert promoters, managers and artists in the promotion and development of the music cluster. For more on Music Canada, please visit www.musiccanada.com

 

About Bell Media
Bell Media is Canada’s leading content creation company with premier assets in television, radio, out-of-home advertising, and digital media. Bell Media owns 30 local television stations led by CTV, Canada’s highest-rated television network; 30 specialty channels, including TSN and RDS, and four pay TV services, including The Movie Network and Super Écran. Bell Media is also Canada’s largest radio broadcaster, with 215 music channels including 105 licensed radio stations in 54 markets across the country, all part of the iHeartRadio brand and streaming service. Bell Media owns Astral Out of Home with a network of more than 30,000 advertising faces in British Columbia, Alberta, Ontario, Québec, and Nova Scotia. Bell Media also operates more than 200 websites; delivers TV Everywhere with its CraveTV and GO video streaming services; operates multi-channel network Much Digital Studios; produces live theatrical shows via its partnership with Iconic Entertainment Studios; and owns Dome Productions Inc., a multi-platform production company. Bell Media is part of BCE Inc. (TSX, NYSE: BCE), Canada’s largest communications company. For more on Bell Media, please visit www.bellmedia.ca.

Comments
view

Media Advisory: Where would Google be without creators and the distortion of copyright protections?

Toronto, Nov. 2, 2017: In a ground-breaking report, Music Canada, a national trade organization, documents the scale of harm being caused by the Value Gap – defined as the significant disparity between the value of creative content that is accessed, particularly through user upload content services like YouTube, and the revenues returned to the people and businesses who create it.

“This is the story you will not hear from Google,” says Graham Henderson, President and CEO of Music Canada.  “YouTube would never have emerged as the largest music service without distorting the use of safe harbour protections in copyright law that were created to protect ‘mere conduits’ or ‘dumb pipes.’  We now know that today’s digital platforms are the smartest pipes that have ever been imagined.”

Creators and governments around the world are taking notice, and taking action. In Canada, thousands of musicians, authors, poets, visual artists, playwrights and other members of the creative class, have urged the Canadian government to address the Value Gap in a campaign called Focus On Creators.

The Value Gap: Its Origins, Impacts and a Made-in-Canada Approach is available for download at https://musiccanada.com/resources/research/the-value-gap-report/.

Interviews are available at request.

– 30 –

For more information please contact:

Corey Poole
Communications Coordinator
Music Canada
647-808-7359

Comments
view

Music Canada calls on the Government of Canada to take steps to address the Value Gap in new, first-of-its-kind report

At its annual general meeting, Playback 2017, Music Canada today released The Value Gap: Its Origins, Impacts and a Made-in-Canada Approach, the first comprehensive collection of information about the Value Gap, and the solutions available to Canadian policy makers.

The Value Gap is defined as the significant disparity between the value of creative content that is accessed and enjoyed by consumers, and the revenues that are returned to the people and businesses who create it.

“The Value Gap challenges the livelihood and sustainability of an entire global social class, and threatens the future of Canadian culture,” says Graham Henderson, President and CEO of Music Canada. “Our creative industries and the Government of Canada need to come together to acknowledge that the problem facing our creators is real, that the landscape has dramatically changed, and that we need to adapt our rules and regulations before full-time creativity becomes a thing of the past.”

At the heart of the Value Gap for music is misapplied and outdated “safe harbour” provisions in copyright law, which result in creators having to forego copyright royalty payments to which they should be entitled, and amount to a system of subsidies to other industries.

Creators and governments around the world are taking notice, and taking action. The European Commission has pinpointed the Value Gap as the cause of a marketplace that isn’t functioning properly, and acknowledged that a legislative fix is needed. Hundreds of thousands of U.S. music creators have agreed that the safe harbour provisions in the Digital Millennium Copyright Act need to be changed.

In Canada, thousands of musicians, authors, poets, visual artists, playwrights and other members of the creative class, have urged The Honourable Mélanie Joly, Minister of Canadian Heritage, to put creators at the heart of future policy in a campaign called Focus On Creators.

The Value Gap: Its Origins, Impacts and a Made-in-Canada Approach provides important insights into how policy makers can reverse the Value Gap. For instance, the Canadian Copyright Act contains provisions that allow and, in some cases, even encourage the commercialization of creators’ work without the need for proper remuneration, undercutting one of its overarching principles: to ensure that creators receive a just reward for the use of their works.

To address these inequities, the federal government should take the following actions:

  1. Focus on the Effects of Safe Harbour Laws and Exceptions

The Canadian government should, like its international counterparts, review and address safe harbour laws and exceptions, and their subsequent misapplication by some technology companies, as well as the cross-subsidies that have been added to the Copyright Act.

  1. Canada’s Creative Industries are Asking for Meaningful Reforms

During the mandated five-year review of the Copyright Act slated to begin in late 2017, the government should review the Act for instances that allow others to commercialize creative works without properly remunerating artists, and end these cross-subsidies.

  1. Remove the $1.25 Million Radio Royalty Exemption

Since 1997, commercial radio stations have only been required to pay $100 in performance royalties on their first $1.25 million advertising revenue. This exemption should be eliminated. It amounts to a subsidy being paid by artists to large vertically-integrated media companies.

  1. Amend the Definition of Sound Recording

In the Copyright Act, recorded music is actually not considered a ‘sound recording’ (and thus not entitled to royalties) when it is included in a TV or film soundtrack. The definition should be changed to allow performers and creators of recorded music to collect royalties when music is part of a TV/film soundtrack.

The full report can be downloaded at this link.

 

 

Music Canada demande au gouvernement du Canada de prendre des mesures pour remédier à l’écart de valeur dans un nouveau rapport pas comme les autres

Dans le cadre de son assemblée générale annuelle intitulée Playback 2017, Music Canada a annoncé aujourd’hui le lancement de L’Écart de valeur : ses origines, ses impacts et une démarche faite au Canada, le premier recueil de renseignements exhaustifs sur l’écart de valeur et les solutions qui sont à la portée des décideurs politiques canadiens pour y remédier.

L’écart de valeur se définit comme l’importante disparité qui existe entre la valeur du contenu créatif que les consommateurs consultent et apprécient, et les revenus qui sont réacheminés vers les personnes et les entreprises qui l’ont créé.

« L’écart de valeur menace le gagne-pain et la durabilité de toute une classe sociale à travers le monde et met en péril l’avenir de la culture canadienne », soutient Graham Henderson, président et chef de la direction de Music Canada. « Nos industries créatives et le gouvernement du Canada doivent s’unir pour reconnaître que le problème auquel sont confrontés nos créateurs est bien réel, que le paysage a profondément évolué et que nous devons adapter nos règles et règlements avant que la créativité à temps plein ne devienne chose du passé. »

L’écart de valeur tient essentiellement à l’application erronée de dispositions dépassées de la législation sur le droit d’auteur en matière d’exemptions de responsabilité (les safe harbours de la loi américaine) qui forcent les créateurs à sacrifier des redevances auxquelles ils devraient avoir droit, ce qui revient à un système de subventions accordées à d’autres industries.

Les créateurs et les gouvernements du monde entier réagissent et passent à l’action. La Commission européenne a identifié l’écart de valeur comme étant la cause du dysfonctionnement du marché, et elle a reconnu qu’une correction législative s’impose. Des centaines de milliers de créateurs de musique américains s’entendent pour réclamer la modification des exemptions de responsabilité de la loi américaine sur le droit d’auteur, le Digital Millennium Copyright Act.

Au Canada, des milliers de musiciens, auteurs, poètes, artistes visuels, dramaturges et autres membres de la classe créative ont instamment prié l’honorable Mélanie Joly, ministre du Patrimoine canadien, de mettre les créateurs au cœur de la future politique culturelle dans le cadre d’une campagne nommée Pleins feux sur les créateurs.

L’Écart de valeur : ses origines, ses impacts et une démarche faite au Canada apporte un éclairage important sur les mesures que les décideurs politiques peuvent  prendre pour inverser l’écart de valeur. La Loi sur le droit d’auteur du Canada, par exemple, contient des dispositions qui permettent, et même encouragent dans certains cas, la commercialisation des œuvres des créateurs sans l’obligation de leur accorder une rémunération équitable, ce qui va à l’encontre d’un de ses principes fondamentaux : assurer que les créateurs reçoivent une juste récompense pour l’utilisation de leurs œuvres.

Le gouvernement fédéral devrait prendre les mesures suivantes pour remédier à ces inégalités :

  1. Se concentrer sur les effets des lois et des exceptions en matière d’exemption de responsabilité

À l’instar de ses homologues internationaux, le gouvernement du Canada devrait examiner et réviser les lois et exceptions en matière d’exonération de responsabilité, leur application erronée par certaines entreprises spécialisées dans la technologue et les pratiques d’interfinancement qui ont été ajoutées à la Loi sur le droit d’auteur.

  1. Les industries créatives canadiennes réclament des réformes authentiques

Lors de l’examen quinquennal de la Loi sur le droit d’auteur qui doit débuter à la fin de 2017, le gouvernement devrait étudier l’ensemble des dispositions permettant à des tiers de commercialiser des œuvres créatives sans rémunérer équitablement les artistes, et ce, en plus de mettre fin à l’interfinancement.

  1. Éliminer l’exemption de redevances de 1,25 million $ de la radio commerciale

Depuis 1997, les stations de radio commerciales ne versent qu’une redevance nominale de 100 $ sur la partie de leurs recettes publicitaires annuelles qui ne dépasse pas 1,25 million $. Cette exemption devrait être éliminée. Elle revient à une subvention faite par les artistes à de vastes entreprises médiatiques verticalement intégrées.

  1. Modifier la définition d’« enregistrement sonore »

Dans la Loi sur le droit d’auteur, la musique enregistrée n’est pas reconnue comme étant un « enregistrement sonore » (et n’ouvre donc pas droit à rémunération) lorsqu’elle fait partie de la bande sonore d’une œuvre télévisuelle ou cinématographique. La définition devrait être modifiée pour permettre aux artistes-interprètes et aux créateurs de musique enregistrée de toucher des redevances lorsque leur musique fait partie de la bande sonore d’une œuvre télévisuelle ou cinématographique.

On peut télécharger le rapport intégral à ce lien.

 

Comments
view

Music Canada applauds the Government of Canada for initiating consultations on Copyright Board of Canada reform

August 9, 2017, Toronto:  Music Canada applauds today’s announcement by The Honourable Navdeep Bains, Minister of Innovation, Science and Economic Development, in conjunction with The Honourable Mélanie Joly, Minister of Canadian Heritage, that the government has launched a consultation process to reform the Copyright Board of Canada. The consultations will run until September 29, and will seek public feedback on ideas to make the Copyright Board’s processes more transparent and more efficient.

“Music Canada applauds Minister Bains and Minister Joly for beginning these consultations on Copyright Board reform,” says Graham Henderson, President and CEO of Music Canada. “The time is right to modernize the Board, which will better support music creators and advance Canada’s innovation agenda. A more efficient and predictable regulatory environment will help spur growth for Canada’s cultural industries and the creative class.”

Music Canada has been a lead advocate for change at the Copyright Board. Music Canada participated in both the Senate hearings on the Copyright Board, and the Standing Committee on Canadian Heritage’s Review of the Canadian Music Industry, appearing as a key stakeholder witness in favour of full and meaningful reforms. Graham Henderson also raised the issue in a recent Policy Options op-ed, and cited the repair of the Copyright Board as first priority for government to modernize in a speech before the Economic Club of Canada.

Today’s announcement follows the release of a 2016 report by the Standing Senate Committee on Banking, Trade and Commerce titled Copyright Board: A Rationale for Urgent Review. The thorough and comprehensive report concluded that the Board is “dated, dysfunctional and in dire need of reform.”

During the Senate committee hearings that led to the report, stakeholder and expert witnesses all identified the lack of timely decision-making as the biggest challenge in relation to the Board, and there was wide-spread consensus on the need for urgent, meaningful reform. The Senate report notes that, “On average, the Board may take between 3.5 and 7 years to make a final decision, the result of which is uncertainty and diminished economic activity within Canada’s cultural sector.”

Music Canada looks forward to continuing to work with government on this timely file to develop a regulatory framework for the Board that fosters innovation so that our cultural industries can thrive.

̶   Ends  ̶

 

For more information:

Corey Poole, Music Canada
cpoole@musiccanada.com
+1 (647) 808-7359

 

About Music Canada

Music Canada is a non-profit trade organization that represents the major record companies in Canada:  Sony Music Entertainment Canada, Universal Music Canada and Warner Music Canada.  Music Canada also works with some of the leading independent record labels and distributors, recording studios, live music venues, concert promoters, managers and artists in the promotion and development of the music cluster.

 

Comments
view

Music Canada applauds Supreme Court of Canada decision confirming that Internet intermediaries can be ordered to deindex illegal sites worldwide

June 28, 2017, Toronto:  Music Canada welcomes today’s landmark Supreme Court of Canada decision in Equustek Solutions v. Google upholding a ruling that Google can no longer provide search results anywhere in the world that point to a website that unlawfully sells the intellectual property of another company. Music Canada joined several other creative industry associations as interveners supporting Equustek in the case.

The case establishes principles that will guide the responsibilities of Internet intermediaries to reduce or eliminate harms amplified by their activities.  In the case, Google admitted that it employs a team of more than 40 employees to remove search results to material that offend its company policies, but resisted a court order compelling it to do the same with respect to sites trafficking in goods created from stolen trade secrets.

The Supreme Court ordered Google to stop directing people to the illegal sites.  It rejected Google’s approach of only de-listing individual pages within sites, which a lower court described as promoting a “Whack-A-Mole” approach to online infringement. It also rejected Google’s claim that, as a non-party, it was “immune” to court orders. It concluded that Google was “the determinative player in allowing the harm to occur” and suggested it had a “duty to assist the person wronged”.

Importantly, today’s decision also ensured that the order applies worldwide and across all of Google’s search engines, a crucial development given that the Internet has largely dissolved boundaries between countries and allowed virtual wrongdoers to move from jurisdiction to jurisdiction in search of the weakest enforcement setting.

In particular, the Supreme Court emphasized:

“The problem in this case is occurring online and globally. The Internet has no borders – its natural habitat is global. The only way to ensure the interlocutory injunction [order] attained its objective was to have it apply where Google operates – globally.”

The only way to protect the plaintiff was to prevent the search results from being displayed where they do the most harm: on Google’s global search results.

Last, the Supreme Court concluded that freedom of expression concerns raised by Google and its supportive interveners were at best theoretical. The speech contained on the sites did not engage any freedom of expression values, but rather violated multiple court orders. The Supreme Court found that “most countries will likely recognize… the selling of pirated products as a legal wrong” and that freedom of expression does not require Google to engage in “the facilitation of the unlawful sale of goods.”

Music Canada, together with the International Federation of the Phonographic Industry (IFPI), has been actively involved in this case since it was first appealed to the British Columbia Court of Appeal. Both the Supreme Court and the British Columbia Court of Appeal referred to their assistance in rendering their decisions.

“Today’s decision confirms that online service providers cannot turn a blind eye to illegal activity that they facilitate; on the contrary, they have an affirmative duty to take steps to prevent the Internet from becoming a black market,” said Graham Henderson, President and CEO of Music Canada. “This is welcome news for creators of all stripes who rely on the Internet as their primary market and for whom illegal online activity can instantly wipe out careers and destroy investment in new releases. Today’s decision provides a vital remedy to address illegal online activities and enforce the rights of creators.”

̶   Ends  ̶

 

For more information:

Corey Poole, Music Canada
cpoole@musiccanada.com
+1 (647) 808-7359

About Music Canada

Music Canada is a non-profit trade organization that represents the major record companies in Canada:  Sony Music Entertainment Canada, Universal Music Canada and Warner Music Canada.  Music Canada also works with some of the leading independent record labels and distributors, recording studios, live music venues, concert promoters, managers and artists in the promotion and development of the music cluster.

Comments
view

Music is back on Parliament Hill as Scott Helman, Vincent Vallières take the stage at Capital Beat with special guest speaker The Honourable Mélanie Joly, Minister of Canadian Heritage

OTTAWA, May 16, 2017:  Music Canada and Quebecor, as presenting sponsors, are excited to bring an intimate celebration of some of Canada’s best music and artists back to Parliament Hill on Tuesday, May 16, 2017. Also sponsored by TD Bank Group and Stingray Digital, Capital Beat will bring together parliamentarians, Hill staff and media for a non-partisan evening designed to celebrate Canadian music among Ottawa’s most important decision-makers. Capital Beat’s previous incarnation, Minister’s Music Night, was named by Maclean’s Magazine as one of the five events that matter most to Ottawa’s power brokers.

The event will take place in The Studio at the National Arts Centre (1 Elgin Street) and will include performances by Scott Helman and Vincent Vallières, as well as special guest speaker The Honourable Mélanie Joly, Minister of Canadian Heritage.

Following the breakout success of his debut Augusta EP in 2014, which includes the Platinum Single “Bungalow,” Scott Helman has just released his first full-length album Hôtel de Ville on Warner Music Canada and is currently on tour supporting his first single “Kinda Complicated.”

Sherbrooke’s own Vincent Vallières is a staple of the Quebec music scene. His 2009 album Le Monde tourne fort earned a Platinum certification, on the strength of his hit single On va s’aimer encore, which became an instant classic. Three years after Fabriquer l’aube, which earned a Gold certification, Vincent Vallières came out with his seventh album in March of this year, Le temps des vivants, whose first single “Bad Luck” is currently sitting atop the radio charts.

The two headliners will perform 45 minute sets followed by an afterparty at the National Arts Centre with music curated by DJ del Pilar.

“I’m so pleased that we are able to bring this intimate celebration of music back to Parliament Hill with a brand-new look,” said Amy Terrill, Executive Vice President of Music Canada. “Music is an essential part of Canada’s national identity and a significant economic contributor. Capital Beat is an incredible way to emphasize the value of music and the importance of Canada’s music creators.”

“It is both a pleasure and an honour for Québecor to help foster an exchange between artists, politicians and industry people but, most of all, we are happy to bring these remarkable musical talents to the attention of our nation’s parliamentarians,” said J.Serge Sasseville, Québecor’s Senior Vice President, Corporate and Institutional Affairs.

Capital Beat is an invitation only event. For more information or to RSVP, visit www.capitalbeat.ca.

̶   Ends  ̶

For more information:

Corey Poole, Music Canada
cpoole@musiccanada.com
+1 (647) 808-7359

Hugo Delaney, Québecor
hugo.delaney@quebecor.com
+1 (514) 463-5880

 

About Music Canada

Music Canada is a non-profit trade organization that represents the major record companies in Canada, namely Sony Music Entertainment Canada, Universal Music Canada and Warner Music Canada.  Music Canada also works with some of the leading independent record labels and distributors, recording studios, live music venues, concert promoters, managers and artists in the promotion and development of the music cluster.

About Quebecor

Quebecor, a Canadian leader in telecommunications, entertainment, news media and culture, is one of the best-performing integrated communications companies in the industry. Driven by their determination to deliver the best possible customer experience, all of Quebecor’s subsidiaries and brands are differentiated by their high-quality, multiplatform, convergent products and services.

Quebecor (TSX: QBR.A, QBR.B) is headquartered in Québec. It holds an 81.07% interest in Quebecor Media, which employs more than 10,000 people in Canada.

A family business founded in 1950, Quebecor is strongly committed to the community. Every year, it actively supports more than 400 organizations working in the vital fields of culture, health, education, the environment and entrepreneurship.

Comments
Page 1 of 912345...Last »

This website made possible with the support of the Ontario Media Development Corporation.