Music Canada would like to congratulate all of the nominees at the 40th ADISQ Gala, which took place Sunday night at Salle Wilfrid-Pelletier in Montreal’s Place des Arts. 11 Félix trophies were handed out at the Gala, which was hosted by comedian Louis-José Houde, while 20 more were awarded on Wednesday, October 24 at the ADISQ Industry Gala.
The evening featured performances by 2Frères, Andréanne A. Malette, Isabelle Boulay, Ludovick Bourgeois, Roxane Bruneau, Galaxie, Lydia Képinski, Pierre Lapointe, Hubert Lenoir, Loud and Tire le coyote. To celebrate the 40th edition of the Gala, Mario Pelchat, Martine St. Clair, Guylaine Tanguay and Maxime Landry performed a medley of the top songs from the previous 39 years. As well, multi-Platinum rock band Harmonium were honoured with a star-studded musical tribute by by Marie-Pierre Arthur, Philippe Brach, Catherine Major, Patrice Michaud, Ariane Moffatt and Yann Perreau, accompanied by the Orchestre symphonique de Montréal.
Hubert Lenoir, the 24-year-old breakthrough artist from Quebec City, took home a leading three awards from Sunday’s Gala. Lenoir was also nominated for the country’s top album at the 2018 Polaris Music Prize for his Félix-winning debut album Darlène.
Congratulations to ADISQ on 40 dynamic years of supporting, promoting, and celebrating Quebec’s music industry. The full list of winners from Sunday’s Gala can be viewed below.
Album of the Year – Adult Contemporary La science du coeur – Pierre Lapointe
Album of the Year – Hip-Hop Une année record – Loud
Album of the Year – Pop Darlène – Hubert Lenoir
New Artist of the Year
Concert of the Year – Singer-songwriter Le silence des troupeaux – Philippe Brach
Concert of the Year – Performer Demain matin, Montréal m’attend – Artistes variés
Composer of the Year
Philippe Brach/Philippe Brach, La Controverse pour Le silence des troupeaux, Philippe Brach
Group or duo of the Year
Female Artist of the Year
Male Artist of the Year
Song of the Year Fille de personne II – Hubert Lenoir
On Saturday May 12th, Music Canada held its third annual international Music Cities summit The Mastering of a Music City during Canadian Music Week. City professionals, policy-makers, industry executives, and music community members all gathered to discuss topics related to the value of music, its economic impact, and its relationship to innovative city planning and creative entrepreneurship.Click hereto view more recaps from the summit.
The last panel of the day was Making Space in the Public Realm: How Public Spaces Can Contribute to Scenes and Strategies. It examined how cities are utilizing publicly-owned buildings to create partnerships and develop initiatives with the music community. Business and community leaders from Denver, Seattle, Vancouver and Montreal discussed how public facilities can work in collaboration with their local music scene, and touched on issues like how to avoid competition with the private sector.
The panel was moderated by Farzaneh Hemmasi, Assistant Professor of Music & Ethnomusicology at the University of Toronto. Panelists included: Catherine Planet, Artist & Founder of La Chasse-Balcon; Dawn Ibey, Vancouver Public Library; Ismael Guerrero, Executive Director of the Denver Housing Authority, and; Tom Mara, Executive Director, KEXP.
Final panel of 2018 #MusicCities Summit, “Making Space in the Public Realm: How Public Spaces Can Contribute to Scenes and Strategies,” ft. reps from Montreal, Vancouver, Toronto, Denver, & Seattle. #CMW2018pic.twitter.com/ajTAhFgNJn
The discussion kicked off with Catherine Planet providing some background on La Chasse-Balcon (founded in 2014), a series of music events with the mission of bringing neighbours together in residential areas. She discussed how her time spent living in Louisiana had a profound impact and inspired her to create an initiative that celebrates the musical vivacity of her hometown of Montreal once she returned.
Planet also touched on how these types of events help blur the lines between what is perceived as solely public and private spaces, and highlighted how a balcony can act as a symbolic bridge that enables these two spaces to become connected. Through La Chasse Balcon, free outdoor concerts are staged on balconies in different neighborhoods and have the surrounding community and crowds join in the festivities.
The panel then moved on to Dawn Ibey, who spoke about the role that libraries can play in building a vibrant Music City. She discussed how one of the core business activities of the Vancouver Public Library is to ensure free public programming for adults and children, with programs that support music creation, music education, as well as the staging of performances.
Ibey highlighted some of the major accomplishments of the Vancouver Public Library, such as the partnership with Sun Life Financial in 2016 to establish the city’s first musical instrument lending library. She discussed how public libraries should be included in the development of music strategies, as they contribute towards achieving some of the essential elements featured in The Mastering of a Music City report.
Next, Ismael Guerrero spoke about the Denver Housing Authority (DHA) and the impact that arts and music can have in addressing community justice issues. Through partnerships with community organizations as well as private sector initiatives, the DHA has taken steps to rebuild neighborhoods and modernize housing with a focus on building vibrant, mixed-income communities.
Guerrero touched on some of the other social entrepreneurial ventures the DHA has undertaken in recent years that are guided by a community-led, and sometimes, arts-centric framework and priorities. With investments supporting community organizations like Youth on Record, the establishment of community hubs have helped establish spaces where marginalized youth can create art and music.
The final panelist Tom Mara spoke about KEXP, a public radio, listener-supported station and non-profit arts organization in Seattle. Mara discussed the ‘music discovery-centred’ mission of KEXP to design their programming and initiatives in a way that supports music lovers, artists, and the wider arts community.
Mara touched on how one of the key commitments of KEXP is to support live music in Seattle, and highlighted how the organization stages around 300 live music performances every year at their facility. This exciting achievement was partly made possible through a partnership with the City of Seattle that enables KEXP to receive a favorable lease rate on their property, and is a key example of the different kinds of cross-sector collaboration that can exist.
The panelists went on to discuss several different topics and reflected on the unique opportunities that public facilities can provide, and that are currently not being leveraged.
To listen to the full discussion, you can watch the video below.
UK rock trio Muse were in Toronto over the weekend kicking off a Canadian leg of their world tour in support of their 2015 album Drones. Prior to their Air Canada Centre concert on January 16, the band were presented with Platinum award plaques for Drones by Warner Music Canada. It is the fourth Canadian Platinum album certification for the band, joining 2006’s Black Holes And Revelations, 2009’s The Resistance and 2012’s The 2nd Law.
Muse will play Quebec City tonight, followed by 2 nights at the Bell Centre in Montreal January 20-21. Judging by their Instagram posted below, the band is certainly making the best of the winter months in Canada!
During a two-night stop in Montreal, QC on his headlining North American tour, Belgian singer Stromae was presented with a custom Platinum plaque by DEP Distribution for his 2013 album Racine carrée. The crossover francophone pop star performed September 28 & 29 at at Montreal’s Bell Centre and earlier in the week at Toronto’s Echo Beach on September 26,
On June 26, in front of a sold out audience at the @economicclubca, Music Canada President & CEO Graham Henderson delivered a keynote address to launch our latest report Closing the Value Gap: How to Fix Safe Harbours & Save the Creative Middle Class. https://t.co/uqqWC5BzUM
"In Hell I'll Be In Good Company," the breakthrough single from Regina, Saskatchewan's @TheDeadSouth4, is officially their first #GoldinCanada certification! The song can be found on their 2014 debut studio album Good Company.
Congratulations to all of the 2019 @PolarisPrize #ShortList artists! The winning album will be determined at the Polaris Music Prize Gala on September 16 at The Carlu in Toronto, and will be live-streamed on @CBCMusic. https://t.co/6cbRs3hMq2 #Polaris2019
“The reality is the framework is broken and we need to fix it.” - @MiraMulholland shares her perspective as an artist living in the Value Gap in today’s @TorontoStar: https://t.co/2hVjx2n3gl We are very fortunate to have her as Chair of the Music Canada Advisory Council.
Music Canada’s @GFHenderson appeared on The Lawyer Life Podcast this week, where he discussed practicing with a revolutionary spirit with hosts Mike Anderson & Darlene Tonelli (a valued member of our Advisory Council) - listen in at https://t.co/hurZ4lCpp7
The @Canadian_Live Music Association, @cityofhamilton, @cityoftoronto and Nordicity are studying the benefits & financial health of music venues. Do you host live music in either of these cities? The survey isopen until July 19: https://t.co/OQQBDMuyld #livemusic