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Tag archive: Music Canada AGM (2)

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Music Canada’s 2015 Annual General Meeting

Music Canada was thrilled to welcome many of our members, friends, and industry partners to our 2015 Annual General Meeting, held on September 24, 2015, at the Lula Lounge in Toronto.

Among the program highlights, the AGM featured a conversation with Toronto Mayor John Tory and Music Canada President & CEO Graham Henderson. Entitled ‘Toronto’s Music City – View from the Top’, the discussion centred on Toronto’s role and reputation as a Music City, and how the City, community, and local music industry can continue to foster this reputation.

John Tory - Graham Henderson

Video: Toronto’s Music City – View from the Top: in conversation with Mayor John Tory

For more on Tory’s remarks, visit our blog.

Next, Henderson delivered the Year-In-Review, which underlined the importance of collaboration and partnership within our industry.

After noting the growth in Canada’s digital music market, helped by the launch of new streaming entrants in the market, Henderson highlighted the Ontario Music Fund, which was made permanent in Ontario’s most recent budget bill. “Thank you Premier Wynne and Minister Coteau for seeing the economic value in Ontario’s booming music sector,” said Henderson. The success of the Ontario Music Fund has sparked interest across the country, explained Henderson, pointing to the Fertile Ground report commissioned by the National Music Centre and completed by Music Canada last fall, which provides recommendations for leveraging the potential of Alberta’s music sector. Henderson then announced that Music Canada is undertaking a study on British Columbia to make similar recommendations to their provincial government.

At the federal level, Henderson noted a major win in the budget bill with term extension for sound recordings. Noting that these recordings would otherwise fall into the public domain during the artists’ lifetime, the unprecedented success on term extension brought Canada in line with international standards.

Henderson also congratulated the Unison Benevolent Fund on reaching their $1 million fundraising target this year, making the fund operational. Music Canada is proud as an organization, along with our label members, for the role we played in investing $250,000 for the fund. Henderson then recognized our matching partner, Slaight Music.

Graham Speaking

Video: 2015 Year In Review

Continuing on the Music Cities theme, the AGM featured a panel entitled ‘Music City Strategies from the Ground Up’ with three panelists from across Canada who shared insight to the strategies and programs they are using to grow the music sector in their home regions.

Moderated by Amy Terrill, Music Canada’s VP of Public Affairs, the panel featured:

  • Andrew Vincent, a singer-songwriter, researcher, and creative consultant from Ottawa, ON. He is the co-author of Connecting Ottawa Music, an Ontario Music Fund-supported project profiling Ottawa’s music industries that was released in Spring 2015. He is currently serving as the interim Executive Director of the newly formed Ottawa Music Industry Coalition, a not-for-profit dedicated to promoting growth in the city’s music industries.
  • Mark Garner, Executive Director for the Downtown Yonge Business Improvement Area in downtown Toronto. Over the past decade he has increasingly focused on the revitalization and development of urban downtowns, playing an integral role in catalyzing on economics, neighbourhoods, social innovation and incubators. The DYBIA boasts a Music Strategy that looks at the deep history of music in downtown Toronto, programming His ideas and approach have been acknowledged by numerous awards and by being emulated in other communities.
  • Thom Bennett, a professional musician/producer/recordist/instructor based in Edmonton.  He performs regularly around Western Canada and beyond with a plethora of artists including A/B trio, MIXTAPE, Ann Vriend, Jesse Peters and dozens of other artists. When not maintaining his busy gigging schedule he splits his time between producing and engineering records for local artists at Sanctuary Studios, session studio work, accompaniment work, teaching and composing music.  Thom has created the ELM (Edmonton Live Music) Initiative involving with the support and help of key stakeholders in government and the music industry in Edmonton.  Its aim is to reinvigorate Edmonton’s live music scene through an innovative economic stimulus plan that involves the Alberta Gaming and Liquor Commission.

Music Cities panel

Video: ‘Music City Strategies from the Ground Up’ panel

Following the panel, Henderson introduced a new tradition at the Music Canada AGM with the creation of the President’s Award, which recognizes an organization or individual outside the music industry that has had a significant impact on the music industry. The inaugural recipient of the award was Mark Garner of the Downtown Yonge BIA, which has created an action plan to stimulate music performance, creation, education and celebration in the downtown core of the city. Their music strategy builds on the rich music history in downtown Yonge in order to create an environment where music can succeed now and in the future.

For more on the President’s Award, visit our blog.

To close out the day, Warner Music Canada President Steve Kane introduced Modern Space, a five-piece Toronto-based band that recently signed with Warner Music Canada. The band delivered a high energy performance of songs from their upcoming debut EP.

Modern Space

For more photos from the Annual General Meeting, visit our photo album on Facebook.

We were thrilled to welcome many of Music Canada’s members, friends, and industry partners to our 2015 Annual General…

Posted by Music Canada on Thursday, September 24, 2015

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Toronto Mayor John Tory speaks at 2015 Music Canada Annual General Meeting

Yesterday we had the pleasure of not only coming together with our peers in the industry for the Music Canada AGM, but to host a number of wonderful speakers on the subject of Music Cities. Since the release of our report The Mastering of a Music City in June 2015, we have passionately pursued this subject around the world, learning from our colleagues in more than 40 cities. Yesterday it was especially special to talk about what Toronto is doing at home, with our own “music-friendly mayor” and champion of the music city: Mayor John Tory.

John Tory - Graham Henderson

In last year’s municipal election, Mayor Tory had a music platform that included tourism, enhanced live performances and festivals, and a standalone music office. Now, nine-months into his term, many of those things have become a reality in a short period of time. In a candid conversation with Music Canada President and CEO Graham Henderson, Mayor Tory spoke about the strides we’ve made so far, what’s next, and what inspires him in his vision of a music city.

We asked whether he remained optimistic about continuing to see this music platform develop – he looked to his trip to Austin, saying: “I stand here more committed because I’ve now seen another place where they made this a success – and we aren’t going to be Austin. We’re different. But I’m encouraged…and I think we’ve got to put our energy…with perhaps getting some more help behind making some of this stuff happen.”

Looking at Austin, he realized that “when the city is fully committed to all aspects of music, and the performance of music, and to the attraction of musicians to the city…they got great things done…It had gigantic economic benefits for the city that went way beyond the jobs created by the music industry and spoke to the whole question of the attraction of global companies, technology companies and so on.”

This is a vision he has for Toronto: seeing the same kind of support rallied around music in the same way as we have done for film for the past 30 years.

According to the Mayor, “we have all of the ingredients here” to build this. He elaborated, saying that the music industry is further ahead of where film was 30 years ago, but that we haven’t yet fully pulled together the industry and the infrastructure. He committed support from the government, saying they could provide support “by way of helping to make opportunities available, helping to showcase, helping to facilitate things, helping to modernize regulations, and secondly, helping by sort of getting out of the way.” In recognizing the ongoing struggle against bureaucratic red tape, he said “if you’re really committed to being a music city, you have to put your money where your mouth is.”

His determination was clear – “I’m very determined at the end of 4 years…when my term happens to be up, that we can look back and say: we actually got something done here, moving us towards what we are in film, and what we can be for sure in music…It starts with yes, the regulatory framework that is better defined and better accommodating of music, but it also starts with an administration that…says we’re going to find a way to say yes as opposed to automatically saying no. And I think that’s going to be big and…start to come next year with the plans people have to do bigger things. They’re going to be a little bolder because we’ve got to be bolder, we have to find places to do bigger and more things…it’s all part of building a great city.”

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