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Music Canada’s 2014 Annual General Meeting

The Lula Lounge in Toronto played host to Music Canada’s 2014 Annual General Meeting on September 10th, with more than 150 representatives from our member labels and industry partners in attendance.

The event began with a State of the Industry conversation between acclaimed record producer Bob Ezrin and Music Canada President Graham Henderson. Much of the discussion focused on the Copyright Board of Canada’s recent decision on Re:Sound’s Tariff 8, which sets appallingly low royalty rates for non-interactive and semi-interactive webcast services. Re:Sound has since filed an application for Judicial Review of the Board’s decision, and a coalition of more than 70 music organizations released a joint statement in support of Re:Sound’s Application for Judicial Review.

EzrinHenderson
Mr. Ezrin spoke passionately of the importance of “one voice” in opposition to the Tariff 8 decision. “We need, somehow, as an industry… as one business… get together quickly and get to Ottawa and fight this tariff…. Because this is truly the beginning of an end.”

I Stand For Music was created as a space for the industry and fans to amplify their voices in opposition to the Tariff 8 decision, and to show their support for recorded music and Canada’s music community.
Following the discussion with Ezrin, Henderson described what’s on the horizon for Music Canada. In addition to the battle over Tariff 8, Henderson revealed plans for Music Canada Live that will soon represent the live music community. “The vision for the association is that is truly national in scope, representing all sizes of live music companies, for profit and not-for-profit, in all corners of the country,” said Henderson. “It’s going to identify common issues, and create a strong, collective voice to ensure the live music community is well represented when decisions are made at all levels of government, and that is unprecedented.”

Henderson also shared that Music Canada is undertaking an economic impact study of Ontario’s live music sector in conjunction with the Ontario Media Development Corporation. “We expect this to be as vital to the debate as our economic impact study of the recording industry has been,” said Henderson.

Henderson also spoke of OntarioLiveMusic.ca, a live music portal developed by Music Canada, under contract with the Ontario government, which profiles Ontario as a destination for music tourism. Music Canada’s work on Toronto as a music city will continue under the 4479 Toronto brand, as well as on the Music City Alliance with Austin, Texas. Henderson also touched on a new partnership with the National Music Centre in Calgary, AB, in the development of a study on leveraging Calgary’s music sector for economic development.

Graham
Next, Music Canada’s Amy Terrill moderated a ‘New Directions’ panel, featuring a conversation with old friends in new positions in the industry, including Melanie Hurley from Canada’s Walk of Fame, Allan Reid from the Canadian Academy of Recorded Arts and Sciences (CARAS), Rick Fenton from Music Ontario, and Zaib Shaikh from the City of Toronto.

Allan Reid spoke of CARAS’ expanded emphasis on artist development, noting that as MusiCounts does great work at the very beginnings of a music career, and the JUNOs celebrate them at the pinnacle of their success, CARAS sees room to expand to help artists in the middle ground.

Rick Fenton told the audience that Music Ontario is developing a market access program, as well as creating a physical and virtual resource centre to help “artists affect change with a common voice,” on issues like Tariff 8 and more.

Melanie Hurley shared that as Canada’s Walk of Fame is preparing for its 5th annual festival later this month, her next priority is to continue to develop partnerships with Toronto and Ontario, and expand the Walk of Fame brand. “Our first initiative is to celebrate, and the second is to inspire future generations,” said Hurley. “And I think that’s where we can really take off, where we can expand and look at doing scholarships and partnerships, and bring in people to talk to the next generation.”

Zaib Shaikh spoke of Toronto’s strength in both economics and culture, and shared information on recent developments at the City of Toronto’s Economic Development & Culture division, which has grown to 30 employees, and will soon add a Music Sector Development officer, whom Shaikh said should be in place by the beginning of October. “I’m looking forward to Toronto being seen as a leader in what we can do with entertainment, and obviously music is a key cornerstone in that,” said Shaikh.
Panel
The meeting closed out with a special performance by Shawn Hook, who performed two new songs from his upcoming album, including the new single ‘Million Ways’.

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For more photos from the event, see the album on our Facebook page.

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2014 Canadian Country Music Awards presented during Canadian Country Music Week in Edmonton, AB

Congratulations to the 2014 Canadian Country Music Association Award winners, which were presented this past weekend during Canadian Country Music Week in Edmonton, AB.

During the Awards broadcast Sunday night, Dean Brody won Album of the Year for ‘Crop Circles’, while Gord Bamford won Single of the Year for ‘When Your Lips Are So Close’, in addition to picking up the Male Artist of the Year Award. Jess Moskaluke won Female Artist of the Year, while Small Town Pistols were recognized as Group or Duo of the Year. Brett Kissel was honoured with the CMT Video of the Year award for ‘3-2-1’, as Tim Hicks won the Rising Star award, and Johnny Reid was the Fans’ Choice Award winner.

Music Canada would like to extend special congratulations to Deane Cameron, who was honoured with the Hank Smith Award of Excellence, which recognizes an individual who has gone above and beyond in contributing his or her time and talents for the advancement of Canadian country music nationally. We would also like to congratulate Beverley Mahood, who received the 2014 Slaight Music Humanitarian Award, as well as Wendell Ferguson, who was the 2014 Artist Inductee to the Canadian Country Music Hall of Fame, and Ron Sakamoto, who was the 2014 Builder Inductee to the Canadian Country Music Hall of Fame.

Congratulations as well to Open Road Recordings, who was named the Record Company of the Year at the CCMA Gala, a category that is proudly sponsored by Music Canada.

For a full list of winners, see the listing on the CCMA website.

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4th Edition Of “It’s Your Shot” Songwriting & Artist Development Competition Kicking Off Sept. 1

On September 1st, Slaight Music and Warner Music Canada will kickoff It’s Your Shot 4 Canadian songwriting and artist development competition. The contest, which is open to all musical genres, encourages artists to submit a song and/or video to www.itsyourshot.ca for a chance to win a Grand Prize valued at $50,000.

Each year, Slaight Music – a company focused on discovering, developing, inspiring and supporting Canadian recording artists – partners with one of Canada’s major record labels to support this initiative.  The winning artist this year will receive distribution, radio promotion, publicity, and marketing support via Warner Music Canada, along with a professional photo session, a professionally written biography, the development of an artist website, social network pages and an opportunity to perform at a high-profile musical event in 2015.

Derrick Ross, President of Slaight Music comments, “Every year the It’s Your Shot competition highlights the fact that Canada produces many of the most creative and talented musicians in the world.  Winning this competition is a giant step towards a successful musical career for any emerging artist and we can’t wait to hear what the entrants to It’s Your Shot 4 bring this year!”

Past winners of the competition include: Liz Coyles (2011) who had a Top 20 hit with her debut single “Butterflies”; Hamilton’s Thought Beneath Film (2012), currently writing their sophomore album; and 20 year-old Jill Godin (2013), from Saint John, NB, who is currently in the studio adding the finishing touches to  her debut single and EP  that are due for release via Universal Music Canada in early 2015.  “Most other music contests offer money, but with It’s Your Shot, the money goes toward real artist development and comes with a team dedicated to launching a career”, Jill says.

The contest will run from September 1st to October 31st with the winning submission announced on December 15th.

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Canada’s Copyright Board Tariff 8 Decision Devalues Music as a Profession, Suggests Music is Worth 900% More in the U.S.

On May 16, 2014, the Copyright Board of Canada issued its decision setting rates for Re:Sound’s Tariff 8 – Non-Interactive & Semi-Interactive Webcasts, 2009-2012.

The Tariff 8 decision is a serious insult to Canada’s musicians because it sets the world’s worst royalty rates for non-interactive (e.g. CBC Music) and semi-interactive (i.e. Songza and Pandora) music streaming.

As noted previously, the new rates certified by the Board amount to about 10% of what digital services companies have been paying in Canada and less than 10% of what those same services pay in the United States.

In The Rambler by Graham Henderson: Tariff 8 decision establishes “10% of Nothing Rates”, Music Canada President Graham Henderson poses the rhetorical question:  “Do Canadian plumbers get paid wages equivalent to 10% of American plumbers? Teachers? Auto workers? Farmers? Who? What profession receives compensation in Canada for their labour that is equal to 10% of the wages paid across the border?”

The answer, obviously, is nobody.

In fact, on closer examination, the answer is that in each of those professions, Canadians – on average – happen to earn MORE than their U.S. counterparts.

Plumbers
Median Annual Salary according to payscale.com
Canada = $57,950
U.S. = $48,632

Professors
Median Annual Salary for a “Professor, Postsecondary/Higher Education” according to payscale.com
Canada = $91,550
U.S. = $83,801

Auto Workers
Median Annual Salary of “Assembly Line Worker, Automotive” according to payscale.com
Canada = $50,565
U.S. = $32,150

Farmers
Median Annual Salary according to payscale.com
Canada = $42,000
U.S. = $32,030

Despite the absurdity of a Canadian earning less than 10% of what his or her counterpart south of the border earns for the same job, the Copyright Board of Canada has decided that professional musicians should get paid 90% less for certain types of music streaming.  Some people may argue that Tariff 8 isn’t an artist’s only source of income.  But the reality is that for these types of services (CBC Music, Stingray, Songza, etc.), Tariff 8 royalties are the only guaranteed source of income for a performer.  Artists deserve to be fairly compensated for their music.  The Tariff 8 decision sends a message that music is not valued as a profession here, and this message is completely inconsistent with Canadian values.  The Canadian government – who did not create this problem – should step in and take the necessary steps to fix Tariff 8 so Canada is not offside with royalty rates in the United States and around the world.

Send a copy of I Stand for Music’s Open Letter to Industry Minister James Moore to show your support for Canada’s music community.

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Kongos Presented With Double Platinum Plaques For Hit Single “Come With Me Now”

kongosdoubleplatFollowing their opening set for Kings Of Leon on Tuesday in Toronto, Sony Music Canada surprised South African alternative-rock group Kongos with Double Platinum award plaques for their breakthrough track “Come With Me Now”. The song, which has gained steady airplay on multiple radio formats across the country, comes off their 2014 album Lunatic. “Come With Me Now” lands at #13 this week after 26 weeks on the Canadian Top Digital Tracks chart.

Watch the video for “Come With Me Now” below.

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Global News Halifax: Tariff 8 cuts affect East Coast musicians

Earlier this week, East Coast Music Association Executive Director Andy McLean and artist and producer Daniel Ledwell spoke with Global Morning News Halifax about the Copyright Board of Canada’s Tariff 8 decision. The rates set by the Copyright Board are approximately 10% of the rates negotiated by Re:Sound in its direct agreements with digital services, and less than 10% of the comparable U.S. rates.

“We’re trying to get the Copyright Board to re-evaluate the decision that they made in the light of the fact that people are standing here saying, ‘this is ridiculous,'” said McLean. “It sends a really wrong message, it’s the worst possible rate in the world. There’s no other country that devalues it’s musicians like Canada does. And we have the greatest musicians in the world here.”

The full segment is now available on the Global News website, and is embedded below.

A growing coalition of artists, labels, industry associations, and music fans are speaking out against the Copyright Board decision; to learn more and to add your voice, Like and Share the I Stand For Music Facebook Page, or tweet using the hashtag #IStand4Music.

For more information on the Tariff 8 decision, see our Backgrounder.

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Music Canada’s Graham Henderson discusses Tariff 8 on Newstalk1010’s In The Studio

Last month, Music Canada President Graham Henderson joined Bob Reid and Blair Packham on Newstalk1010’s In The Studio to discuss the Copyright Board of Canada’s recent decision on Tariff 8. The rates set by the Copyright Board are approximately 10% of the rates negotiated by Re:Sound in its direct agreements with digital services, and less than 10% of the comparable U.S. rates.

“This is a problem that actually can be fixed by the Government of Canada,” said Henderson. “Because it’s Government of Canada who sets the rules by which something like the Copyright Board decides how rates will or won’t be set. And it would be very helpful, we think, if the Government of Canada could step in, take recognizance of the ludicrousness of this decision, and maybe help us try and fix it.”

The full segment is now available on Soundcloud, and is embedded below:

A growing coalition of artists, labels, industry associations, and music fans are speaking out against the Copyright Board decision; to learn more and to add your voice, Like and Share the I Stand For Music Facebook Page, or tweet using the hashtag #IStand4Music.

For more information on the Tariff 8 decision, see our Backgrounder.

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Ontario Place Revitalization Plans Include Expansion of Live Music Options

Today, Michael Coteau, Ontario’s Minister of Tourism, Culture and Sport, announced the government’s plan to revitalize Ontario Place into a vibrant waterfront destination.

As per the release, the revitalized Ontario Place will offer public access to a spectacular part of Toronto and a mix of outdoor and indoor features, including the “expansion of live music options that will include continuing performances at the Molson Canadian Amphitheatre, as well as exploring options to bring live music acts to the site year-round.”

“Our government is committed to ensuring the future of Ontario Place continues to be a place for people of all ages to enjoy in every season,” said Minister Coteau. “Ontarians have said they want year-round public access, a continuation of the rich legacy of live music and a desire for an innovative destination that unites land and water — we listened and we are moving forward. Our bold new vision for Ontario Place revitalization will deliver on expectations and ensure the public interest is protected.”

Music Canada had advocated for making music a part of the Ontario Place revitalization, and promoted the idea of putting an outdoor green space for live music at the location during the consultation process.

In July 2012, the Minister’s Advisory Panel on Ontario Place Revitalization released a report containing 18 recommendations on how to transform Ontario Place, stating “music should continue to be a defining element of the site and its attractions.”

The report recommends: “Ontario Place should have a venue – like the original Forum – for a range of cultural activities, from concerts and theatre, to performances, festivals and community events. The new venue should be designed to operate year-round.” The report also recommends Ontario Place look at a range of entertainment and cultural activities to add vibrancy to the community and to offset operating costs.

As the Canadian Press reports, construction on the first phase of the revitalization, a new park and waterfront trail, will begin in the next few months, and is expected to open in 2016.

For more information, visit the Ministry of Tourism, Culture, and Sport’s Ontario Place Revitalization page.

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Handout photo via Ministry of Tourism, Culture and Sport

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Bruno Mars Presented With Custom 3D Canadian Gold/Platinum Award Plaque

brunomarsgoldplat

Prior to his headlining concert at Toronto, ON’s Air Canada Centre, Warner Music Canada recording artist Bruno Mars was presented with a unique 3D Canadian certifications plaque for the titles listed below. Yes, blue and red glasses are required for the full pop-out effect – how cool is that?

The titles featured on the award plaque are:

ALBUMS

Doo-Wops & Hooligans – 3X Platinum

Unorthodox Jukebox – 3X Platinum

TRACKS

Grenade – 6X Platinum

Just The Way You Are – 6X Platinum

The Lazy Song – 4X Platinum

Marry You – 3X Platinum

It Will Rain – 3X Platinum

Locked Out Of Heaven – 5X Platinum

When I Was Your Man – 4X Platinum

Treasure – 2X Platinum

Gorilla – Gold

Young Girls – Gold

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Nico & Vinz Presented With Platinum Awards For Summer Hit “Am I Wrong”

nicovinzawardDuring a press tour in Toronto this week, Norwegian duo Nico & Vinz were presented with their official Canadian award plaques commemorating the Platinum certification of their breakthrough track “Am I Wrong” (Warner Music Canada). After becoming one of the most Shazamed artists worldwide, the duo kicked off a North American summer tour opening for multi-Platinum recording artist Bruno Mars. Nico & Vinz also recently performed the summer 2014 hit on The Tonight Show with Jimmy Fallon and Jimmy Kimmel Live.

Watch the video for “Am I Wrong” below and click here to download the track.

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