Music Canada

Gold/Platinum

Join Mailing List

Music Canada

Gold/Platinum

Tag archive: Secret Path (2)

view

VIDEO: 2017 Global Forum at CMW – Indigenous artists discuss music’s ability to unite, inspire, and heal

On April 20, 2017, JUNO and Polaris Prize winning experimental vocalist Tanya Tagaq delivered a brilliant and emotional keynote during the 2017 Global Forum at Canadian Music Week. Following her keynote, Tanya joined acclaimed Canadian musicians Susan Aglukark and Bear Witness of A Tribe Called Red, as well as Mike Downie, co-founder of the Secret Path project and the Gord Downie and Chanie Wenjack Fund, for a panel discussion moderated by John Kim Bell. The profound, honest, and moving discussion covered a wide range of topics such as culture, identity, residential schools, reconciliation, and the responsibility and pressure Indigenous artists feel to assume activist roles.

Before Tanya’s keynote, the Global Forum began with a stunning performance by Hamilton-based experimental trip-hop artist IsKwé, a welcome from Music Canada’s President and CEO Graham Henderson, and opening remarks from Arif Virani, Parliamentary Secretary to the Minister of Canadian Heritage (Multiculturalism) and Member of Parliament for Parkdale-High Park.

For more than a decade Music Canada has been proud to sponsor the Global Forum at Canadian Music Week, which brings together Canadian music professionals and international delegates for a networking breakfast and discussion. Over the last few years the Global Forum’s theme has been “music can help,” and in 2017 the focus shifted from a global outlook to an inward exploration of the role music has played for Indigenous musicians in Canada, bridging cultural divides and bringing national attention to Indigenous issues.

Watch the full video of the Global Forum panel discussion below.

Quoted

Susan Aglukark on the role music has played in her life:

The thing that music and art has done for me over the last twenty five years; it’s opened up this place and space where all opinions, thoughts, cultures, everything matters. Everything is a part of recovering and building bridges.

Bear Witness on visibility of Indigenous artists in mainstream culture:

We always get asked all these things about Indigenous issues, and it’s such a broad thing in trying to figure out what to talk about, and I kind of decided that in the kind of work I’m doing, the thing I can affect most is visibility and how I present myself to the world and how I want to be seen. And that’s something that goes back to how I grew up. We were actually talking before we came out about seeing a poster of you (John Kim Bell) that was up in a high school guidance office, or something like that. Seeing that poster was a huge inspiration for me. Because it was that idea of seeing an Indigenous person who was visible, who was getting recognition for excellence in their craft. I come from a long line of Indigenous artists and I’m probably the most visible out of any of them. By far not the most talented. So that idea that there’s been all of these talented Indigenous artists, generations of them, that have gone unnoticed, and to be noticed meant to give up your Indigeneity often. It’s a really new thing for us to be up here, representing the way that we all are.

Tanya Tagaq on identity in her music:

There shouldn’t be pressure culturally for us to get out of a box, stay in a box, or anything. We’re allowed to be what we want to be – cultural freedom – that’s what I want. And I don’t expect people to comprehend or even enjoy my music, because I was born and raised up there, but yeah I went to residential school for high school, and since we started touring I’m really into going to contemporary art galleries and I like applying concept to pieces. I like contemporary music. I like noise music. I love Cindy Sherman. Anish Kapoor is one of my favourite artists. So why is it that, because I’m an Inuk, what I’m doing in a contemporary sense is applied to this pan-Inuit concept? I think it’s total bullshit, and that I’m allowed to be free and do what I want and not bear the burden of people saying I’m a traditional artist, cause I’m not.

Mike Downie on Secret Path and using the platform music and fame provides to draw attention to social and political issues:

Our feeling was – maybe this can be an on-ramp for people to learn more, because the stories keep coming and they get a lot darker than a little boy by himself on the tracks. And so, I think we did feel like there was an opportunity to use this story to get it out to not just Gord’s fans, but to the country, and also I think, just come with a message too that if you’re coming to this now, it’s OK, but keep coming, don’t turn away, and keep following that path.

Bear Witness on the sense of responsibility Indigenous artists feel:

As Indigenous artists we take on a lot of responsibility to represent and speak about Indigenous issues, especially when we’re using our culture in our work. And one of the things you (John Kim Bell) said right away was that feeling of responsibility, that this isn’t a choice, this is something that we have to do. That filled me with so much confidence and so much happiness to hear you say that, because I say that all the time, to feel that there’s other artists who’ve gone through those same feelings.”

Tanya Tagaq on the way art affects collective consciousness and politics:

Our cultural climate is dictated by the individual and then by the school of fish that we are, so there’s a collective social consciousness that’s being affected by art right now, by people waking up, so I think that the way the government is going to change is by every single one of us taking the opportunity to learn and understand and cry out. I remember growing up it was still bad to be gay, and now you’re an idiot if you’re a homophobe, right? So I’m hoping that with all of us working together we’ll force the hand of the government into making it easier for us and I think it’s up to the youth to pick up the mantle and it’s up to every single one of us to bear some of the weight because it’s a little bit unfair for the people that are already hurting to have to bear the additional pressure, and that’s why I’m so appreciative of what you (Mike and Gord Downie) have done in your work.

Photos

Comments
view

Music Canada at Canadian Music Week 2017

Canadian Music Week 2017 kicks off Tuesday, April 18, for a week of unforgettable shows across Toronto, along with dozens of panels and workshops scheduled at the Sheraton Centre. Music Canada is thrilled to join the festivities as a supporting sponsor, with members of our organization appearing on several panels throughout the festival.

We’ve outlined our participation in the list below:

WEDNESDAY, APRIL 19, 2017

Richard Pfohl, General Counsel to Music Canada, will join Mitch Glazer (RIAA), Martin Ajdari (Ministry of Culture, France), Gilles Daigle (SOCAN), and Casey Chisick (Cassels Brock & Blackwell LLP) for the CMW Copyright Summit, moderated by Emmanuel Legrand (Music Week). Richard’s expertise in the subject of copyright law comes at a crucial time, as the push towards legislation supporting creators continues to take steam with initiatives like Focus On Creators.

The Copyright Summit at Canadian Music Week runs noon to 12:50pm at Sheraton Hall A/B

THURSDAY, APRIL 20, 2017

Graham Henderson providing remarks at CMW Global Forum 2015

Music has the ability to bridge cultural and social divides, and at this year’s Global Forum, Indigenous artists will discuss the power of music and its ability to unite, inspire, and heal.

Sponsored by Music Canada, the panel will feature a keynote by Polaris-winning throat singer Tanya Tagaq, who will join a panel with JUNO-winning artists Susan Aglukark, and Bear Witness of A Tribe Called Red.

The panel will be moderated by conductor and advocate John Kim Bell, and the event will feature a performance by experimental R&B artist isKwe.

Gord Downie’s brother, Mike Downie, co-creator of album and graphic novel Secret Path, will also join the panel to discuss the multimedia project on the devastating legacy of residential schools.

The CMW Global Forum Networking Breakfast is invite only, and will run 8:45am – 11:00am at Osgoode Ballroom East.

FRIDAY, APRIL 21, 2017

Amy Terrill at inaugural Music Cities Summit, 2016

Music Canada’s Executive Vice President, Amy Terrill, will host the second CMW Music Cities Summit, an all-day event that will explore in-depth the relationship between creative city planning, quality-of-life, and the music industry.

The event was inspired first by Music Canada’s report on Toronto’s 2012 Music City initiative with Austin, and directly by Music Canada and IFPI’s internationally-acclaimed report The Mastering of a Music City, Key Elements, Effective Strategies and Why it’s Worth Pursuing.

Toronto Mayor John Tory will appear at the summit for the second year in a row, sitting in on the Music City Leader’s Panel along with Albuquerque Mayor Richard J. Berry, former Nashville Mayor Karl Dean, Filippo del Corno (Milan, Italy), Maria Claudia Lopez Sorzano (Bogota, Colombia) and Manon Gauthier (Montreal). Several members of the Toronto Music Advisory Council will also participate in the summit, including council co-chair Andreas Kalogiannides, who will join the Music Ecosystem Panel, and Councillor Josh Colle, who will moderate the panel How To Work With The Development Community.

Registration for the summit is still open.

At 1:50pm, Music Canada’s President & CEO Graham Henderson will provide the keynote at a panel titled “How Significant is the ‘Value Gap’ and How Can It Be Fixed?” in Sheraton Hall C. Panelists include Eddie Schwartz (President Emeritus, Songwriters Association of Canada), Neville Quinlan, MD (Peermusic Canada, Canadian Music Publishers Association), and Suzanne Combo (CEO, Guilde des Artistes de la Musique, France).

Canadian Music Week has provided a convenient Music City guide for music fans who are new to the city, and the full schedule of music is now available.

Comments

This website made possible with the support of the Ontario Media Development Corporation.