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Industry News (298)

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Jeffrey Remedios Named President and CEO of Universal Music Canada, Randy Lennox Departs for Bell Media

The Canadian music industry has seen a major development today with the change in leadership at Universal Music Canada.

Randy Lennox has been appointed the President of Entertainment & Broadcasting at Bell Media. Having most recently served as the President and CEO of Universal Music Canada, Randy will bring more than 25 years of music industry experience to this newly-created position at Bell Media, where he will oversee all English and French radio and local television broadcasting and their associated digital assets.  Randy leaves behind a deep legacy in the Canadian music industry, having influenced the careers of hundreds of artists and countless music professionals.

Jeffrey Remedios will begin his position as Universal Music Canada’s President and CEO effective September 21. Jeffrey co-founded Arts & Crafts in 2003, and has created an impressive global operation with offices in Toronto, L.A, and Mexico City. He also serves as the Chairman of FACTOR, and volunteers on many boards of directors. Prior to Arts & Crafts, Jeffrey worked at Virgin Music Canada (later EMI Music Canada), working in both Media & Artist Relations and Digital Marketing, and later rising to Director of National Promotion. Jeffrey is a passionate supporter of Toronto’s local music scene.

“I have had the pleasure of working with Randy for many years: first at Universal Music, and most recently as one of our members at Music Canada. He is an experienced and passionate industry leader, whose years of experience and innovative thinking will him make a powerful addition to Bell Media’s senior leadership team. We are excited about his new path, and thrilled to begin working with his successor, Jeffrey Remedios. Jeffrey is a real powerhouse. From co-founding Arts & Crafts to creating the Field Trip festival, his dedication to artists and the music-business is without peer. It’s an exciting time for our industry,” says Graham Henderson, President of Music Canada.

For the full release from CNW, click here.

For the full release from Bell Media, click here.

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Skrillex Partners With Bridges For Music To Donate Equipment To Canadian Youth Centres

Platinum-certified recording artist Skrillex has announced a partnership with non-profit organization Bridges For Music for for his Full Flex Express cross-Canada train tour, which kicks off July 8 at Ottawa’s Bluesfest. On each stop of the tour, Skrillex will donate two CDJ 2000s and one DJM 900 mixer to a local youth organisation and provide a short a demo for the kids on how to use the gear. The electronic musician will also lead a “behind the scenes” tour during sound check. A portion of all proceeds from ticket sales will be donated to Bridges for Music’s fund for the construction of the Langa Music School in South Africa. Bridges For Music is also offering exclusive VIP packages and prizes for those who donate through their Urgency Network crowd-funding page.

A list of the local youth organisations supported with this campaign can be viewed below.

July 8th Ottawa Dover Court Community Center
July 9th Quebec Ampli de Quebec
July 10th Montreal Head and Hands 
July 11th Toronto The Remix Project 
July 14th Winnipeg Manitoba Conservatory
July 15th Saskatoon Saskatoon Downtown Youth Centre
July 17th Calgary TBD
July 19th Pemberton Pemberton Arts & Cultural Council

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Graham Henderson on Taylor Swift, Apple, and the Canadian music industry

Music Canada applauds Apple Music’s decision to reconsider its earlier plans to not pay artists during its three-month free trial period, and we commend Taylor Swift for standing up for artists. In an open letter to Apple that she released on June 22, she writes that she wanted to speak up not for herself, but for “the new artist or band that has just released their first single and will not be paid for its success. This is about the young songwriter who just got his or her first cut and thought that the royalties from that would get them out of debt. This is about the producer who works tirelessly to innovate and create, just like the innovators and creators at Apple are pioneering in their field… but will not get paid for a quarter of a year’s worth of plays on his or her songs.”

The decision comes after major backlash over the deal both in Canada and abroad, with many independent labels and advocacy groups speaking against Apple.

Yesterday, Music Canada President Graham Henderson appeared on BNN, the Sandie Ronaldo show and CTV’s national news to discuss how this decision will impact Canadian consumers, artists, and the digital music industry as a whole.

Apple’s ‘Swift’ action a step towards bringing back middle class musicians
BNN, June 22 2015

 

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City of London seeking applications for Music Industry Development Officer position

The City of London has issued a job posting for a Music Industry Development Officer, working in the City Manager’s Community & Economic Innovation division.

“The Music Industry Development Officer is responsible for working with the Music Industry Resource Committee composed of representatives from: the City of London, Tourism London Inc. and the London Arts Council on implementation of the London Music Strategy,” reads the position’s Summary of Duties. “Specifically, the Music Industry Development Officer works towards advancing the eleven (11) Key Priorities from the London Music Strategy. The advancing of each of these Key Priorities may involve several organizations, including many community partners.”

Tourism London shared news of the job position this past weekend on Twitter:

The position marks another step forward in the London’s Music Strategy, which was developed by London’s Music Industry Development Task Force in 2014. Earlier this month, the strategy was advanced with the announcement that the iconic downtown building at 182 Dundas St., home to Nash Jewellers for nearly a century, would be repurposed to accelerate London’s music sector. The project, dubbed The London Music Division, is proposed to act as a collective centralized resource for the commercial music sector, featuring a Music Incubator, the London Music Hall of Fame, and a future Music Office.

If you are interested in the Music Industry Development Officer position or know someone else who might be interested, please visit https://careers2.hiredesk.net/viewjobs/JobDetail.asp?Comp=CityofLondon&sPERS_ID=&TP_ID=1&JB_ID=&PROJ_ID={C346BDCC-9CA8-4708-9456-9846226C9DF3}&LAN=en-US&BackUrl=ViewJobs/Default.asp for more information.

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Canadian Artists Battle Aliens In New Video Game

LOUD on Planet X is a new arcade-style music game currently seeking funding by Toronto-based multimedia studio Pop Sandbox. The game features some of Canada’s biggest artists like Tegan & Sara, Lights, Metz, July Talk & Purity Ring as playable characters in the quirky Planet X universe. In the game, players battle through a mid-show alien attack by tapping to the music and using speakers, strobe lights, fog machines, amplifiers, bouncers and custom special attacks to ward off the hordes of invaders.

Pop Sandbox is aiming for a Fall 2015 release with an initial launch on the Playstation Networks, Steam (PC) and iOS/Android devices. While support from the Ontario Media Development Corporation and FACTOR did help with early development costs, the project does have a $100,000 budget shortfall which the development team hopes will be raised through Kickstarter.  Backers of the Kickstarter campaign will help secure more music for the game and include more platforms like Nintendo Wii U and Xbox One. Rewards for pledges include signed characters prints of the bands, a personal avatar in the first level of the game and a 7″ vinyl of the game’s instrumental music by members of Broken Social Scene and F*cked Up.

The Kickstarter campaign for Loud On Planet X is currently live and approaching it’s first goal of $50,000. Learn more about the project in the video below and help save Planet X!

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Canadian Music Industry Hall of Fame Inductees Steve Kane and Cowboy Junkies Recognized at Queen’s Park

This morning, 2015 Canadian Music Industry Hall of Fame inductees Steve Kane and Cowboy Junkies were recognized at a breakfast event at Queen’s Park, which was well attended by more than thirty Members of Provincial Parliament from all three parties.

IMG_2395 Premier Kathleen Wynne dropped by the 2015 Canadian Music Industry Hall of Fame breakfast to honour the new inductees Cowboy Junkies and Steve Kane, President of Warner Music Canada.

IMG_2432 Premier Kathleen Wynne dropped by the 2015 Canadian Music Industry Hall of Fame breakfast to honour the new inductees Cowboy Junkies and Steve Kane, President of Warner Music Canada.

Amy Terrill, Music Canada’s VP of Public Affairs, provided welcoming remarks, commending the Ontario government for extending the Ontario Music Fund in the provincial budget last month, and reiterating Music Canada members’ commitment to continue to use the Fund to drive investment and job creation in Ontario’s music sector.

The Hon. Michael Coteau, Minister of Tourism, Culture and Sport, also spoke at the event, noting that Ontario generates more than 80 per cent of Canada’s total recording industry revenue, which is a competitive advantage for the province.

IMG_2424 Premier Kathleen Wynne dropped by the 2015 Canadian Music Industry Hall of Fame breakfast to honour the new inductees Cowboy Junkies and Steve Kane, President of Warner Music Canada.
After the event, Steve Kane and Cowboy Junkies’ Margo Timmins and Michael Timmins sat in the gallery of the legislature for Question Period, where they were introduced in statements by Sophie Kiwala, MPP, Kingston and the Islands, and Bill Walker, MPP, Bruce-Grey-Owen Sound.

During the event, several MPPs took the opportunity to pose for photos with the inductees, which were shared on Twitter:

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Update: Artists react to proposal to extend the term for copyright of sound recordings in Canada to 70 years

Budget 2015, announced on April 21, 2015, committed to extend the term of copyright for sound recordings in Canada to 70 years from 50 years. This is what some artists have had to say in reaction to the news:

“I applaud the efforts of our Government to extend the copyright protection term for our recording artists. It is only fair that they continue to reap the rewards of their creative works well into their dotage, when they need it most.”
– Anne Murray

 

“Thank you for recognizing all that the performers and producers put into creating music and their continued need to be recognized for that effort 70 years later. The government’s Budget 2015 amending the term of copyright is very much appreciated in the music community.”
– Alex Lifeson (Rush)

 

“As a Canadian band, we appreciate that our government recognizes the cultural and economic value in musical recordings, and has protected that value by extending the copyright term of those involved in producing these records.”
– Arkells

 

“The extension of the copyright protection for sound recordings has been long overdue in Canada. I beseech the Canadian government to do the right thing by their recording artists and bring our country up to the seventy year rule that most of the world has adopted. Why should Canada be the only country among our trading partners to lag behind? Our music has enriched the cultural landscape both here and abroad, and we the copyright holders of our albums should be fairly compensated. Thank you!”
– Liona Boyd

 

“I’ve been making music since the early 1970s. Term extension is a huge relief – in just a few short years I thought I would start to see copies of my work and no revenue. Not anymore, thank you PM Harper.”
– Myles Goodwyn

 

“It’s great that Canada has extended the copyright term to align with our international trading partners. This will allow labels to continue to invest in new Canadian artists.”
– Ladies of the Canyon

 

“Thank you PM Harper for recognizing the importance of extending copyright protection to recordings to 70 years, which will allow continued re-investment in the next generation of artists.”
– Brett Kissel


“Term extension is music to my ears and the ears of so many creators in Canada. Thank you.”

– Kim Mitchell

 

“By extending the term of copyright to match our major trading partners, the Canadian government is adding incentive for companies to invest in more Canadian recordings, which will help artists, and everyone in the recording ecosystem.”
– Miranda Mulholland


“Thank you to the federal government for encouraging more investment in Canadian artists and recordings by extending our term of copyright.”

– Brad Roberts (Crash Test Dummies)

 

“We’re glad to see Canada extend our length of copyright protection to terms consistent with other artists in other countries.”
– The Sheepdogs


“Canadian artists create music that is world-renowned and stacks up next to our counterparts from around the world – I’m thankful to the government that our Copyright laws now also stack up to our global counterparts.”

– The Tenors

 

“It is great to see Canada extend our copyright term to match our international counterparts, thank you for caring about the economic contribution music makes to Canada.”
– Tom Cochrane


“I’m still releasing albums but my fans love my older songs. Thanks to the federal government for the recent legislation. Its passage will make sure the sun doesn’t go down on my early songs.”

– Gordon Lightfoot


“As a member of the vast community of Canadian recording artists and labels, I am deeply grateful to this government for taking the initiative to bring even more of our copyright regulations in line with the rest of the world and other cultural industries such as publishing. The creativity which goes into a given performance and the recording process and arrangements should not be undervalued in the ultimate success of a composition. The copyright principle is an essential ingredient in a business model which should allow all creative participants to see a fair return on their investment of time, money, experience and education in the development of their career and product.”

– Loreena McKennitt


“PM Harper – you’ve made Canada’s music, and music industry, competitive with the rest of the world, thank you.”

– Toronto Symphony Orchestra

 

“As artists, ownership of our music is almost like a retirement plan. It is great to see that by extending Canada’s copyright term, the government is protecting that investment”
– Triumph


“Thanks for term extension PM Harper, you really are taking care of business.”

– Randy Bachman

 

“The world has changed since our original copyright laws were drafted. Every piece of music is, at least theoretically, with us forever. Extending the copyright term is an eminently sensible response to this new situation, and a welcome one!”
– Bruce Cockburn

 

“In just a few short years, songs we recorded in the late 1960s will no longer have copyright protection in Canada. Many of us in our 70’s and 80’s depend on income from these songs for our livelihood. We would deeply appreciate any adjustment that would avert a financial disaster in our lives.”
– Leonard Cohen

 

“We are thankful to the government for extending the commercial life of our music.”
– Cowboy Junkies

 

“I support extending the length of copyright for sound recordings in Canada to 70 years.  The copyright of a creative work should not expire in the lifetime of an author.”
– Jim Cuddy (Blue Rodeo)

 

“I’m glad that Canada has extended our copyright term, so we can continue to use the proceeds from classic Canadian recordings to invest in great Canadian talent.”
– Kardinal Offishall


“It is great to hear that Canada has extended our length of copyright for music recordings, which will help our songs maintain their value for years to come.”

– Serena Ryder

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Record Store Day 2015

On the morning of Saturday April 18, vinyl lovers across the globe will rise early in hopes to snag some great deals and exclusive titles from their local independent record shops. Now in its 8th year, Record Store Day is an annual tradition for the modern vinyl fanatic and record shop appreciator who understand the importance these stores have for the neighbourhoods they reside in.

“I believe that the power of the record store to inspire is still alive and well, and that their importance to our next generation of musicians is crucial,” says Dave Grohl, 2015 Record Story Day Ambassador.

While it remains a niche part of the global recording industry, vinyl sales continue to rise as more music listeners become invested once again in the format. According to a new IFPI report, the Canadian vinyl market grew by 30.4% in 2014, generating over $9.2 Million (US) and placing Canada 7th on the list of Top 10 markets.

A list of Canadian record stores participating in Record Store Day can be found their website, as well as the full list of the exclusive titles you can try to get your hands on. Some Canadian titles that are exclusive to Record Store Day include:

Neko Case – Fox Confessor Brings The Flood (LP)

Comeback Kid – Rain City Sessions (10″ Coloured LP)

Death From Above 1979 – Trainwreck (10-inch picture disc, 500 copies)

Tess Parks & Anton Newcombe – Cocaine Cat (10″ Picture Disc)

Sloan – Alternates (12″ Coloured Vinyl)

Happy hunting!

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Digital Music Report 2015 released by IFPI

Today, the IFPI released the Digital Music Report 2015, which provides an extensive overview of the global digital music sector, including international market figures, market trends, and worldwide bestsellers information. The report notes that globally, digital music revenues matched physical format sales for the first time in 2014. Digital revenues rose 6.9% to US $6.9 Billion, representing 46% of all global music sales and underlying the industry’s transition over recent years. Overall global revenues fell slightly (0.4%) in 2014, to US $14.97 Billion.

Digital-Music-Report-2015The IFPI says the Digital Music Report shows an industry in continued transition, with consumers embracing music streaming and subscription models. Subscription revenues rose sharply in 2014, growing by 39%, which offset an 8% decline in digital download sales to grow overall digital revenues to US$6.85 billion. The number of paying users of subscription services increased by 46.4%, to an estimated 41 million people worldwide. Subscription services are now a major part of the industry’s portfolio of businesses, making up 23% of the digital market and generating US$1.6 Billion in trade revenues.

“The recorded music business has always led the way for creative industries in the digital world,” said Frances Moore, chief executive of IFPI. “That leadership continues today as the music industry’s digital revolution continues through new phases, driven by the consumer’s desire for access to, rather than ownership of, music. It is a reflection of how much we have adapted that digital revenues today are, for the first time, on a par with physical. The headline statistics of 2014 speak for themselves, with overall revenues still largely flat, down by 0.4 per cent. Music companies are charting a path to sustainable year-on-year growth. That path was never going to be straight, but we are making great strides along it, embracing new models, licensing, investing and improving consumer choice.”

Key trends highlighted in the report includes the increased consumer engagement with licensed digital services, based on a new research study undertaken by Ipsos across 13 of the world’s leading music markets, including Canada. The Ipsos research found that the rise of streaming is driven in large part by young consumers, and that there is substantial untapped potential for growth in paid subscriptions.

The report also notes that bundling partnerships between telecom and digital music companies are becoming standard in markets across the globe, and are playing a significant role in the growth in emerging markets. The report notes that services are also increasingly tailoring their payment models to reach various segments of the market, citing MTV Trax, which offers users in the UK access to 100 songs for £1 per week, ranging to Deezer Elite, which specializes in high quality audio for $20 per month.

The report also addresses the “value gap” in the digital music market, noting the market distortion caused by the way some digital services circumvent normal music licensing rules. The IFPI illustrates this by comparing the share of revenue rightsholders derive from services like Spotify and Deezer to those derived from platforms like YouTube and Dailymotion. The report estimates that music subscription services have 41 million paying subscribers and more than 100 million “freemium” users globally, which generated US$1.6 Billion in rightsholder revenues in 2014. By comparison, YouTube alone has more than one billion monthly users and is considered one of the most popular access routes to music, and yet generated just US$641 million for rightsholders in the same time period.

“The value gap is a fundamental flaw in our industry’s landscape which sees digital platforms such as Dailymotion and YouTube taking advantage of exemptions from copyright laws that simply should not apply to them,” said the IFPI’s Frances Moore. “Laws that were designed to exempt passive hosting companies from liability in the early days of the internet – so-called ‘safe harbours’ – should never be allowed to exempt active digital music services from having to fairly negotiate licences with rights holders. There should be clarification of the application of ‘safe harbours’ to make it explicit that services that distribute and monetise music should not benefit from them.”

The Digital Music Report also covers plans for Global Release Day, which is the industry’s decision to synchronize the release schedule for all markets, allowing consumers to access new music on the same day worldwide. Beginning July 10, 2015, Friday will become the new release day, reducing the risk of piracy by shortening the release gap between markets, and providing new marketing opportunities for record labels over the weekend.

The report also examines music’s impact in the wider economy, with data illustrating the effect of record companies’ investment in artists. The recording industry invested US$4.3 billion in 2013, which, at more than 15% of industry revenues, is a larger share than other sectors like leisure (6.3%) and automobiles (4.2%). This investment is a catalyst for economic activity, said Max Lousada, chairman and CEO of Warner Music UK. “As an industry we make financial investments in our arts that have a ripple effect on the wider economy, whether that is driving new and innovative businesses or creating work for all the specialists that work to develop and sustain artists’ careers from producers, graphic designers and stylists to lawyers and accountants.”

The report looks at the role of music in driving tourism, citing the experience from Austin, Texas, and research from Toronto and the United Kingdom. Music is also a major driver of activity on social media, as the report notes that seven of the ten most-followed people on Twitter are musicians, and nine of the top ten most-watched YouTube videos are music related.

The report also profiles industry efforts to counter piracy, which continues to be a massive problem for the music industry. Research by Ipsos shows that most consumers recognize digital piracy is harmful and should be addressed by governments and intermediaries. 52% of respondents in Ipsos’ survey agreed that downloading or streaming without the copyright owner’s permission was theft. 53% of respondents agreed that licensed services should appear above pirate sites in search engine results, and 52% agreed that companies should not advertise on pirate sites. The report identifies major brands found to be continuing to advertise on egregious pirate sites, which drives revenue for the pirate site and advertisers, but while those who create the music involved receive nothing.

In the global charts, the soundtrack to the motion picture Frozen was the top-selling album internationally, while Pharrell Williams’ Happy was the top-selling digital single. Taylor Swift received the IFPI’s Global Recording Artist Award in 2014, as the most popular artist across formats ranging from CD sales to YouTube views.

To view the full report, visit http://ifpi.org/digital-music-report.php.

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Ontario Government announces recipients of the second year of the Ontario Music Fund

Today, the Hon. Premier Kathleen Wynne announced the 2014-15 Ontario Music Fund recipients, with 123 recipients receiving more than $14 million in grants in the second year of the program. The fund, which is administered by the Ontario Media Development Corporation (OMDC), supports music entrepreneurs, record labels, managers, agents, industry trade associations, and training institutions across Ontario.

Premier Wynne made the announcement at Coalition Music in Scarborough, where she highlighted the music sector’s value to the Ontario economy and stated “music makes the earth move for Ontario.” The press release notes that the recorded music industry generates more than $429 million in revenue in Ontario annually, and that support from the first year of the Ontario Music Fund helped create or retain 2,000 jobs and produced $24 million in additional revenue for music-related businesses in Ontario.

“By establishing Ontario as one of the leading destinations in North America to record and perform, we are supporting the music companies, artists and cultural institutions that bring our sound to the world, boosting a vibrant and important industry, and helping to create good jobs,” said Premier Wynne in the release.

The Hon. Michael Coteau, Minister of Tourism, Culture and Sport, and The Hon. Brad Duguid, Ministry of Economic Development, Employment and Infrastructure, also spoke at the event, which featured music performances by The Good Lovelies and Myles Castello.

“By investing in the music sector through initiatives like the Ontario Music Fund, our government has ensured that Ontario remains Canada’s top jurisdiction for making, producing and performing music, said Minister Coteau. “I’m proud that Ontario continues to be one of the most diverse music sectors in the world and a place where artists can grow and thrive right here at home.”

“The Ontario Music Fund has positively changed the landscape for music, and signals that the Government of Ontario agrees that music is a good investment for this province; in fact, that it is one of our competitive advantages,” said Graham Henderson, President of Music Canada. “We commend the Government of Ontario for creating the conditions that encourage the private sector to invest in music in order to create jobs and stimulate growth.”

For further information on the Ontario Music Fund, visit the OMDC’s website at http://www.omdc.on.ca/music/the_ontario_music_fund.htm.

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