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Posts by Corey Poole (105)

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Ian MacKay re-appointed as President of Re:Sound

MacKayIan MacKay has been unanimously re-appointed as President by Re:Sound’s Board of Directors, extending his term to 2020.

Ian’s work at Re:Sound has been invaluable in ensuring music creators in Canada are compensated for the use of their recordings. According to a Re:Sound release, core revenues have more than doubled under Ian’s tenure as President. Recently, Re:Sound’s Project Revelation, undertaken with CONNECT Music Licensing, led to an increase of $1.2 million annually for CONNECT’s rights holder members, among other benefits.

“I am honoured and excited to be leading Re:Sound into the next chapter” said MacKay in a press release. “We have a truly great team here – people who live and breathe that everything we do must be for the music creators we represent. With the strong support of the Board, I look forward to working with the Re:Sound team to continue to build an even stronger organization – championing music creators rights and combining an entrepreneurial spirit with a passion for efficiency and transparency. In today’s changing music industry, standing still is not an option. We must always move forward.”

Music Canada would like to congratulate Ian on his re-appointment, and wish him success as he continues to represent rights holders with the passion, energy and commitment for which he has become known.

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Music Canada’s Graham Henderson will discuss Music Cities at Amped Up in San Antonio

Amped UpOn September 6, Music Canada’s President & CEO, Graham Henderson, will be discussing Music Cities at Amped Up, presented by Centro San Antonio. The music-focused event will dig into what makes San Antonio’s musical landscape unique, and in addition to Graham’s keynote address, will feature music leaders from local venues, non-profits and, of course, musicians, breaking down San Antonio’s music economy and community. There will also be live performances, including a collaboration between city leaders and artists. Amped Up is happening at the Juarez Plaza, La Villita from 6-9pm.

What can a business development association do to help local music businesses and musicians? What can the community do to help the music economy flourish? These are the questions Graham will explore as he speaks to findings from Music Canada and IFPI’s report The Mastering of a Music City, an award-winning roadmap for communities of all sizes who are trying to realize the full potential of their music economy.

Centro San Antonio is committed to fostering a vibrant and prosperous downtown that benefits the entire San Antonio community. Their mission is “to be an advocate for downtown businesses and property owners, a catalyst for economic improvement in the inner core and a thought leader on important community issues.”

Tickets can be purchased here.

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CBC will broadcast The Tragically Hip’s final Man Machine Poem Tour performance on August 20

tragically-hip-screening-on-cbcThe Tragically Hip, one of Canada’s most beloved bands, and recipients of multiple Diamond, Platinum and Gold certifications, conclude their Man Machine Poem Tour this Saturday in the band’s hometown of Kingston, ON. The CBC has announced that it will be broadcasting the August 20 show live from the Rogers K-Rock Centre (located at 1 The Tragically Hip Way) across its television, radio and digital platforms.

A listing of CBC’s broadcast channels showing the concert is available here. The broadcast starts with a pre-show at 8pm EST and The Tragically Hip will begin promptly at 8:30pm EST.

Communities and businesses across Canada, as well as the US and UK, have organized viewing events for Saturday’s show. The CBC has compiled a list of places where fans can watch the live broadcast. Many viewing events are encouraging attendees to donate to cancer research foundations, including the Gord Downie Fund for Brain Cancer Research at Sunnybrook Health Sciences Centre in Toronto.

In a touching tribute, staff from Sunnybrook filmed a performance of The Hip classic “Courage” as a thank you to Gord, the band, and everyone who has donated to the Gord Downie Fund for Brain Cancer Research.

In an interview with the CBC, Gord Downie’s chief oncologist, Dr. James Perry, thanked fans for all of their fundraising efforts following Downie’s decision to make his diagnosis public. “I’m really thankful to all of the folks from all of the cities on the tour so far that have held fundraising events outside the venues — you know, house parties, all kinds of things have been going on.” He reportedly likened the response to the Ice Bucket Challenge of 2014 supporting ALS research.

Donations can be made to the Gord Downie Fund for Brain Cancer Research by following this linkhttps://donate.sunnybrook.ca/braincancerresearch

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BreakOut West 2016 festival lineup announced

On August 9, BreakOut West held a press conference at The Exchange in Regina, SK, to announce the 2016 festival lineup. Saskatchewan recording artist Blake Berglund was on hand for the announcement, and performed a few songs for the crowd and those watching via live-stream.

This year’s festival runs from October 13-16 in eleven venues in Regina, and features emerging talent from western Canada from multiple genres. The festival kicks off with the Western Canadian Music Awards show on October 13 at Casino Regina. This year, many Western Canadian Music Awards will also be presented at the festival showcases, extending the excitement of the awards show throughout the weekend.

Music Canada is a proud sponsor of this year’s festival. See the festival flyer below for more BreakOut West 2016 info. A full list of performers can be found here.

Festival wristbands grant access to all festival events, pending venue capacity, and can be purchased in Regina at X-Ray Records, Rebellion Brewing, and Coda Clothing. Tickets for the awards show must be purchased separately, and are available here.

Watch for keynote speakers, conference info, and additional announcements from BreakOut West in the coming weeks. The latest information will be available on www.BreakOutWest.ca

BreakOut West Poster

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imagineNATIVE and Slaight Music partner to create Bull’s Eye Indigenous music talent search

Bull's EyeOn July 19, imagineNATIVE announced that it had partnered with Slaight Music for Bull’s Eye, a new Indigenous music talent search. According to a release, Bull’s Eye “seeks to nurture Canada’s newest music talent with unprecedented opportunities, including a $10,000 cash award, to turn their talent into a career.”

Canada’s aspiring Indigenous musicians are encouraged to submit a track of their original work through the Bull’s Eye website. Applications are open until August 31. If selected, finalists will be promoted through imagineNATIVE’s social networks leading up to the 17th annual imagineNATIVE Film + Media Arts Festival, happening October 19-23, 2016. During the week of the festival, the final nominees will be announced, and the Bull’s Eye contest winner will be awarded at THE BEAT, imagineNATIVE’s annual music showcase.

In addition to promotional opportunities, the Bull’s Eye winner will receive $10,000 towards the production of the artist’s first official music video, and the chance to travel with imagineNATIVE’s annual Film + Video Tour in 2017, to promote the video to Indigenous communities across Canada. The winner will also receive professional recording sessions with an established Canadian producer for up to three original tracks.

“Slaight Music is proud to support and evolve its partnership with imagineNATIVE in 2016 with Bull’s Eye which will give new Indigenous music artists across Canada unprecedented access and resources to showcase their talent and turn their artistic passion into a career. We are very excited to partner with imagineNATIVE on this unique initiative,” said Derrick Ross, President of Slaight Music, in the Bull’s Eye release.

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Sylvie Forbin appointed as Deputy Director General, Copyright and Creative Industries Sector at WIPO

Sylvie Forbin has been appointed Deputy Director General, Copyright and Creative Industries Sector at the World Intellectual Property Organization (WIPO) by Director General Francis Gurry.

WIPO received a total of 301 applications for the position, and just over a quarter were submitted by women candidates. Applications also varied geographically, coming from candidates in Africa, Asia and the Pacific, Europe, Latin America and the Caribbean, the Middle East, and North America.

According to a WIPO release, six candidates were invited for a one-day in-depth interview and assessment, and all six candidates also met with Director General Francis Gurry to evaluate their technical expertise in March of 2016.

The term of office for Sylvie Forbin is proposed to begin September 18, 2016, and expire September 30, 2020.

Ms. Forbin is a national of France, and brings extensive experience in copyright, especially music copyright, having served as the General Manager of Eureka Audiovisual in Brussels, and most recently as Senior Vice President for Public and European Affairs at VIVENDI in Paris. She is also a veteran diplomat with experience as Vice Cultural Counsellor at the French Embassy in Rome, Counsellor at the Permanent Representation of France to the European Union and Head of Communications and Press Services at the French Embassy in Beijing.

Music Canada would like to congratulate Sylvie Forbin on her appointment, and wish her success in this important role.

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Music Canada voted onto IFPI’s Main Board

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Graham Henderson, President & CEO of Music Canada

Graham Henderson, President & CEO of Music Canada, has been voted onto the Main Board of IFPI, the organization that represents the recording industry worldwide. This marks the first time a representative from Canada has held a position on the Main Board. In addition, Music Canada now has a seat on IFPI’s ILC (International Legal Committee), a group of leading legal experts from IFPI and its member organizations.

IFPI (International Federation for the Phonographic Industry) represents the interests of the recording industry worldwide. IFPI’s mission is to promote the value of recorded music, campaign for record producer rights and expand the commercial uses of recorded music in all its member markets. Its membership comprises around 1,300 major and independent music companies in 62 countries.

The Main Board provides direction and guidance from leading global organizations, markets and music companies to steer IFPI’s priorities. Currently, the Main Board is comprised of representatives from major and independent labels, as well as regional and national trade associations.

“I am honoured that Music Canada will have the opportunity to represent Canada’s music labels on an international level,” says Graham Henderson. “As the music industry continues to adapt alongside new technology, I am proud that Music Canada will be able to collaborate with international colleagues on issues of crucial importance to artists and rights holders worldwide.”

According to Canada’s Department of Heritage, Canada is the third largest exporter of musical talent in the world.

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Creative BC launches Sound Recording Pilot Program

The first program of the $15 million, provincially supported, BC Music Fund, has officially launched. The Sound Recording Pilot Program is designed to support long term sustainability of British Columbia’s sound recording industry, and to help support BC studios in attracting Canadian and international business.

Administration of the BC Music Fund is being carried out by Creative BC, who will announce additional programs on October 18, 2016, to compliment the four streams the Fund aims to support and promote. Those streams are music company development, live music performance, distant location tour/export market development, and industry development. To date, no grants have been distributed.

“British Columbia has become a hub for creation and innovation, and we are proud of the musical talent and technical expertise we have in our province,” said Shirley Bond, Minister of Jobs, Tourism and Skills Training in a release. “Creative BC’s Sound Recording Pilot Program, funded as part of the BC Music Fund, will help increase sound recording activity in our province, and encourage more artists to produce their work here in British Columbia.”

The sound recording program will aid record labels, or other eligible applicants, by allowing them to recuperate 50% of expenditures associated with recording activities up to a maximum of $75,000. Eligible sound recording projects must have a budget of $3,000 or higher.

The Sound Recording Pilot Program has a total budget of $500,000, and applications will be evaluated on a first come, first served basis until the budget is fully committed, or until November 30, 2016. At that point, Creative BC will reassess the structure of the program.

Creative BC is holding information sessions on the program on August 10 and August 11. Interested applicants are invited to attend the sessions in Vancouver to learn more about the application process and the BC Music Fund. Transcripts of the sessions will be made available on Creative BC’s website for those unable to attend.

Interested parties are also invited to provide feedback though the BC Music Fund Pilot Program Survey. The survey will help Creative BC assess the program’s overall benefit to the community, and provide insights for the development of additional future programs to support the BC music sector.

Creative BC has also set up a BC Music Fund mailing list to keep the industry informed with news about the fund’s progress and additional programs.

The BC Music Fund was announced by Premier Christy Clark last February, during a release event for Music Canada’s report BC’s Music Sector – From Adversity to Opportunity. The report encouraged decisive action from the provincial government, municipalities and stakeholders to put BC’s music sector firmly back on the map and secure the benefits it can generate, and it is very encouraging to see that action take shape with the launch of the Sound Recording Pilot Program.

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Music Canada’s Amy Terrill discusses the recent isoHunt settlement on Roundhouse radio

Music Canada’s Executive Vice President, Amy Terrill, appeared on Vancouver’s Roundhouse radio 98.3 to discuss the recent settlement reached between isoHunt and Canadian and international music companies. This settlement ends litigation originally filed in 2010, and isoHunt has agreed to a court order finding them liable for infringing the rights of music companies in their recordings.

The discussion begins at the 31:25 mark. Listen here: http://cirh.streamon.fm/listen-pl-4015

For music fans and consumers, this settlement is a step forward towards a thriving legitimate online music marketplace. For those who build businesses by enabling copyright infringement, this settlement sends a message that they will face legal consequences for their actions.

Amy affirmed that the industry must remain vigilant on the legal side, but she stressed the need to work very closely with all of the legal services that are providing fantastic options for consumers. Canada is home to a vast array of legal digital services that support artists and labels.

In addition to the isoHunt settlement, Amy discussed the evolving forms of music piracy like stream-ripping, and how internet service providers can help combat copyright infringement. She also touched on copyright modernization, and the upcoming review of Canadian copyright laws in 2017.

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CONNECT announces increased royalties for Canadian music labels

CONNECT Music Licensing has announced that an efficiency project undertaken with Re:Sound Music Licensing has resulted in increased royalty payments for Canadian rights holders.

Data improvement and other efficiencies have led to an increase of CAD$1.2 million annually for CONNECT’s members, who range in size from major record labels to artist-owned imprints.

Improvements in data streams provided by CONNECT’s members, and the creation of a single repertoire database have also freed up an additional CAD$1 million in accelerated royalty payments for labels and another CAD$1 million to the performers on recordings through Re:Sound’s member organizations ACTRA RACS, MROC and ARTISTI.

“The increased royalties are particularly notable as they result from our drive to improve royalty collection in line with international best practices, as opposed to adding revenues from a new music service or higher tariff award from the Copyright Board,” said Graham Henderson, President of CONNECT Music Licensing, in the release. “Organizations like CONNECT and Re:Sound exist only to serve rights holders, and today we have delivered on that promise.”

Royalty distributions, as a result of this project, will also happen faster on ongoing basis. Depending on the tariff, payout timelines have been accelerated by 1-6 months, a CONNECT rep told Billboard.

Reaction from Canada’s major labels acknowledged their contribution through data stream improvements:

Members of Canada’s music industry also shared the positive news:

Coverage of the increase in royalties for Canadian rights holders has also been featured in Canadian Musician and FYI Music News.

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