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Under Tariff 8, Barenaked Ladies would need 9,216 plays of “If I Had $1,000,000” to earn enough royalties to buy one box of Kraft Dinner

The Copyright Board of Canada has recently set one of the worst royalty rates in the world to music streaming. It’s called Tariff 8. And it means that musicians around the world will be paid 90% less when their music is streamed by Canadian consumers.

How bad is it? Under the new rates, The Barenaked Ladies would need 9216 plays of their classic song, ‘If I Had $1,000,000’ to earn enough royalties to buy one box of Kraft Dinner, not including the ‘dijon ketchup’ they sing about in the song.

Here’s how many plays an artist would need to buy some of the other items mentioned in the song:

“If I had a million dollars… ” / 1 million dollars = 9.8 billion plays

I’d buy you a house…” / Average price of a single home in Canada: $413,215 = More than 4 billion plays

I’d buy you furniture for your house, (Maybe a nice chesterfield or an ottoman)” / Nice sofa = 16 million plays, matching ottoman = almost 5 million plays

I’d buy you a fur coat (but not a real fur coat that’s cruel)” / Faux Fur Coat = 17 million plays

“I’d buy you an exotic pet (Like a llama or an emu)” / Llama = almost 3 million plays

“We wouldn’t have to eat Kraft Dinner. (But we would eat Kraft Dinner. Of course we would, we’d just eat more.)” / Kraft Dinner = 9216 plays for a box of KD

“I’d buy you a green dress (but not a real green dress, that’s cruel)” / A real green dress (that’s cruel!) = almost 16 million plays

I’d buy you some art (a Picasso or a Garfunkel)” / Picasso recently sold at Sotheby’s for $6.5 million CAD = almost 64 billion plays

 “I’d buy you a monkey (haven’t you always wanted a monkey?)” / (It is illegal to own a monkey in Toronto.)

 “I’d be rich.” / With royalties from the Tariff 8 decision, you would not be rich.


More than seventy Canadian record labels and associations have signed their support for Re:Sound’s Application for Judicial Review of the Copyright Board’s Tariff 8 decision. A growing coalition of artists, labels, industry associations, and music fans are speaking out against the Copyright Board decision; to learn more and to add your voice, Like and Share the I Stand For Music Facebook Page, or tweet using the hashtag #IStand4Music.


Fitz And The Tantrums Presented With Gold Plaques For “The Walker”

On Sunday (July 6, 2014), LA soul revivalists Fitz & The Tantrums were presented with official Music Canada Gold Digital Download award plaques by Warner Music Canada for their song “The Walker”. The track comes off their 2013 album More Than Just A Dream, released in 2013.

The band was presented with their awards before their headlining show at the Danforth Music Hall in Toronto, ON.

Watch the video for “The Walker” below:


The Sheepdogs Presented With Gold Plaques In Toronto

sheepdogsgoldCongratulations to Saskatchewan’s The Sheepdogs, who were presented with their Gold Digital Download plaques for the rock hit “Feeling Good” before their Canada Day show at Toronto’s Echo Beach. The track comes off their 2013 Gold album The Sheepdogs released by Warner Music Canada. The plaques feature custom action figurines of the band members which were designed by Toronto artist Kira Shaimanova and featured in the “Feeling Good” music video.




Canada Day 2014: Free Concerts Across The Country

Happy Canada Day! From coast to coast, we’ve compiled a list of some of the biggest free Canada Day concerts suitable for the whole family. Regardless of where you’re celebrating, don’t forget to bring water, a hat and sunscreen.


Thousands will join together on Parliament Hill to mark Canada’s 147th birthday. This year’s show will feature performances from national favourites like Serena Ryder, Marianas Trench, Whitehorse, French pop sensations Nadja and Daniel Lavoie, singer/impersonator Véronic DiCaire and Brett Kissel, who played the Minister’s Music Night in Ottawa 2013.

Canada Day in the Capital will be televised on CBC at 9 PM ET. The concert will be broadcast in its entirety live on CBC Radio 2 with host Tom Power (Radio 2 Morning) beginning at 8 PM ET. will also stream the concert live starting at 8 PM ET.

Canada Day in the Capital will highlight the 100th anniversary of the beginning of the First World War, the 75th anniversary of the beginning of the Second World War, the end of the mission in Afghanistan and the 150th anniversary of the Charlottetown and Québec Conferences, as well as our Canadian Olympic and Paralympic athletes.


Barenaked Ladies, Tegan & Sara will headline a jam-packed day of family-friendly activities at the new Charlottetown Event Grounds. All 10,000 advance free access passes for the PEI 2014 Canada Day Concert have been reserved, but an additional 5,000 free passes will be available on a first-come first-served basis Tuesday at the entrance gates.


From Noon to 6 PM, George St will host a family-friendly Rock & Soul Party, with face painting and balloon making for the kids. The schedule for music is Clean Sheets 1 PM, Chris Kirby & the Marquee AND Billy and the Bruisers 2pm, and The Rogues at 4pm.


Sam Roberts Band will headline a free annual concert at Alderney Landing with July Talk, The Belle Game and local favourite Ben Caplan & The Casual Smokers. The day of activities begins with pancake breakfasts at Grand Parade and Alderney Landing, and the singing of the national anthem from Citadel Hill. There will also be a Tattoo Parade through downtown Halifax, the Maple Lodge Farms Family Fun-Fest on the Halifax Common, and a fireworks show on the harbour at 10 PM.


Bring your family down to Montreal’s Old Port for activity tents, an inflatable village and ceremonial 21-cannon salute. There will also be a concert beginning at 8:30 PM featuring Pascale Picard, Luca “Lazylegz” Patuelli and many more.


Beginning at 5 PM, Mel Lastman Square in North York will host a fun-filled evening of live music and performances. Toronto alt-country singer/songwriter Justin Rutledge will take to the stage at 8 PM to play his Juno award winning catalogue and pay tribute to Canadian legends The Tragically Hip, playing songs off his latest cover album Daredevil. At 9 PM, roots rockers NQ Arbuckle will be performing music from their latest release The Future Happens Anyway with special guests.


Taking Place at The Forks, Winnipeg will have a free Canada Day event featuring 3 stages of Manitoba artists beginning at 1 PM. There are also tons of free activities for the whole family including a museum, obstacle courses and a photo booth.


Labelled “Canadayyc”, Calgary will host a huge all-ages Canada Day bash including live music from Mother Mother and Michael Bernard Fitzgerald on Riverfront stage, First Nations Powwow on Prince’s Island, Living Flag activity, Food Truck Roundup and BassBus at Festival Market, and an amazing Fireworks display presented by Hudson’s Bay. Download the app to make sure you catch everything!


Due to significant rainfall in the month of June, the city of Regina decided to scale back the festivities this year, which unfortunately meant cancelling headliners Big Sugar and Wide Mouth Mason. However, the show will go on, featuring DJ The Beat Attic with Shawn Jobin. An official statement from the Regina Canada Day Committee (RCDC) can be read here.


British Columbia’s largest Canada Day party will be taking place in Surrey with a free all-ages event headlined by Matthew Good. Highlights of the event include a half a million square feet of site area, an expanded Kids Play area, over 100 exhibitors, shooting Star Amusements with superior midway games and rides, and a spectacular fireworks for the grand finale. Gates open at 10 AM and music will be going on all day.


Music Community Pleased with Work Permit Changes for Foreign Artists

Work Permit changes announced yesterday for foreign music artists will dramatically improve the landscape for much of the live music community in Canada for the benefit of venues across the country, artist managers, agents, Canadian record labels, as well as Canadian and foreign artists. These changes were made at the request of Canada’s music community.Effective immediately, all foreign artists performing in time-limited engagements – so, on contract for a tour for instance – and their essential crew – will no longer have to expend the time or the cost to obtain a work permit, regardless of what kind of venue they’re performing in across Canada. If an artist has been hired for a permanent position, however, they will need to go through a different process.

Music Canada, CIMA, CCMIA and CAPACOA and the broader music community applaud these changes, and thank the government and Minister Chris Alexander (Citizenship and Immigration) for supporting the music industry in this regard.


Music Cities Exchange Event a Huge Success


Public and private representatives from six cities gathered on Friday, June 20th to talk about music strategies in an event hosted by Music Canada, 4479, and NXNE. It was a twist on a panel – featuring 19 people in a moderated roundtable discussion in front of an audience. Video is now available, and is embedded below.

The cities represented were: Austin, Chicago, Hamilton, Kitchener, Montreal and Toronto. Kicking off the event, a new animated video was launched that summarizes the Toronto music city campaign led by 4479, and points out some of the best practices contained in Austin, Texas.
The fast-flowing discussion that followed covered a broad range of topics including:

  • regulatory issues,
  • business licensing,
  • music tourism strategies,
  • artist support and promotion,
  • export,
  • music education, and
  • interactions between music and other creative industries.

Moderator Amy Terrill started by asking panelists (listed below) from each city to talk about common themes that appear in their music strategies. For instance, there is generally a strong recognition in each city about the economic value of music with highlights including job creation, tourism, and investment attraction. Many of the cities have established music offices in order to help music businesses and artists navigate city hall.

Support and promotion of artists is also a common theme with city strategies varying from grants in Chicago to a resource centre in Kitchener to live performance opportunities in Austin. Hamilton panelists discussed the value of hosting the 2015 JUNOs in terms of providing performance opportunities for local musicians and bands as part of the festival. Toronto musician Miranda Mulholland provided examples of challenges facing career musicians, urging communities to remember that it is the artists who are at the heart of every music community.

Music tourism was also discussed. Amanda Garcia of Austin described the coordinated effort to promote Austin music on the road and to conventions, including how they work with local agents in programming music at conventions in the city. Dan Seligman of Montreal pointed out that the city, tourism agency and festival presenters work in cooperation to attract music fans to the city and that millions has been invested in the downtown area to support large scale music events. Andrew Weir of Tourism Toronto confirmed that music is a big draw for Toronto.

In the audience were many members of the Toronto Music Industry Advisory Council and guests from each of the 6 cities, as well as Calgary and Banff, Alberta. There was overwhelming support for a repeat of the exchange with Kitchener’s City Councillor Berry Vrbanovic recommending a digital meet-up every quarter!
The panelists were as follows:

  • Stephanie Bergara, Austin Music Division
  • Amanda Garcia, Austin Convention & Visitor’s Bureau
  • Mike Shea, SXSW
  • Chris Brecht, Musician and Austin Independent Radio
  • Dylan Rice, Chicago Music Officer
  • Jacqueline Norton, Hamilton Music and Film Office
  • Tim Potocic, Sonic Unyon Records
  • Carol Kehoe, Hamilton Philharmonic Orchestra
  • Lou Molinaro, This Ain’t Hollywood
  • Councillor Berry Vrbanovic, Kitchener
  • William Muir, The Sound Distillery
  • Silvia Di Donato, Kitchener Manager of Arts & Culture
  • Alysha Brilla, Recording Artist
  • Daniel Seligman, Pop Montreal
  • Miranda Mulholland, Recording Artist
  • Councillor Mike Layton, Toronto
  • Mike Tanner, NXNE
  • Andrew Weir, Tourism Toronto
  • Zaib Shaikh, Toronto Film Commissioner & Director of Entertainment

See some of the discussion from the panel in the video below:


MEDIA ADVISORY: Six music cities to share best practices for music development at Music Cities Exchange during NXNE

Toronto, June 12, 2014: Representatives from six cities who have taken a pro-active approach to developing their music scenes will take part in a Music Cities Exchange during NXNE on Friday, June 20, 2014. Panelists from Toronto, Austin, Hamilton, London, Chicago, Kitchener, and Montreal have been invited to participate in a moderated forum where panelists discuss the steps their city has taken to leverage their respective music scenes and grow opportunities for music development.

The Music Cities Exchange will share best practices, discuss challenges and opportunities facing their respective music communities, and explore the relationship between music and tourism agencies, municipal governments and other sectors.

When: Friday, June 20 @ 2:30 – 4 pm

Where: The Portland Room, The Spoke Club, 600 King St W, Toronto

To arrange interviews with panelists, please contact Quentin Burgess at or 647-981-8410.

This event is proudly sponsored by NXNE, 4479, and Music Canada.

– 30 –

For more information:

Music Canada Media Contact: Quentin Burgess, 647.981.8410,

NXNE Media Contact: FLIP PUBLICITY Damien Nelson, 416.533.7710 X221,


Artists & Music Companies Support Re:Sound Application for Judicial Review of Copyright Board Tariff 8 Decision



Monday, June 16, 2014 (Toronto, ON)
– We, the undersigned, firmly support Re:Sound’s Application for Judicial Review of the Copyright Board’s Tariff 8 decision setting royalty rates for webcasting services in Canada.

The Tariff 8 decision is a serious setback for the music community in Canada, for artists and the music companies who invest in their careers. The decision discards years of agreements freely negotiated between digital music service providers and the music industry and sets rates for music webstreaming services in Canada that are less than 10% of the rates that the same services pay in the United States and many other countries. The Board set the rates based on what it considered to be “fair and equitable”, but in doing so, discarded existing market rates at which digital music service providers had been operating in Canada.

The Board’s decision comes as the result of an inherently flawed system that lacks clear criteria for rate-setting and allows the Board to reject market rates. The Board had no statutory or regulatory obligation to take into account existing agreements on webcasting royalties that have been successfully negotiated between the music industry and its business partners for these services. The resulting rates ignore international standards that support the growth and development of the industry in the world marketplace. Canada, in fact, stands alone among its major trading partners – including the United States, Australia, the United Kingdom, France and the Netherlands – in its adherence to a mandatory tribunal process that determines royalties without regard for what currently works in the marketplace.

It is clear that a legislative framework that ignores the reality of the marketplace is one that will continue to harm the business climate and create market uncertainty, delaying the entry of new services into the Canadian marketplace. Indeed, many of the Copyright Board’s decisions on major new tariffs have been the subject of Judicial Review by the Federal Court of Appeal, creating years of delay and uncertainty.

From 1999-2012, Canadian recorded music sales decreased by more than 50%. Establishing rates in Canada that are reflective of both market and international rates is critical for Canadian artists whose livelihood depends on earning a decent living wage from their profession, for music companies who actively develop and nurture Canadian talent throughout the world, and for all Canadians who value a healthy and prosperous music industry.

Adagio Music
Alberta Music
Aporia Records
Aqua Sound Entertainment
Association québécoise de l’industrie du disque, du spectacle et de la video (ADISQ)
Awesome Music
Boompa Records
Boonsdale Records
Borealis Records
Canadian Council of Music Industry Associations (CCMIA)
Canadian Federation of Musicians (CFM)
Canadian Independent Music Association (CIMA)
C-Weed Band
Coalition Music
La Compagnie Larivée Cabot Champagne
Cordova Bay Entertainment Group
Crystal Math Music Group
Curve Music
Dare To Care
Dine Alone Records
Disques Artic
Equator Music
File Under:Music
Greg Kavanagh Music
Groundswell Music
Independent Digital Licensing Agency
Instinct Musique
Justin Time Records
Linus Entertainment
Manitoba Music
Maple Music Recordings
MDM Recordings
Mr. Label
Music and Film in Motion
Music BC Industry Association
Music Canada
Music/Musique NB (MNB)
Music Newfoundland & Labrador (Music NL)
Music Nova Scotia
Music Ontario
Music Prince Edward Island
Music Yukon
Nettwerk Music Group
Opak Media
Paper Bag Records
Play Records/Play Digital
Productions Benannah
Royalty Records
Remedy Music
SaskMusic (The Saskatchewan Recording Industry Association)
Secret City Records
Six Shooter Records
Sonic Envy
Sonic Records
Sonic Unyon
Sony Music Entertainment Canada
Sparks Music
Stomp Records
Stony Plain Records
The Children’s Group
Tonic Records
True North Records
Universal Music Canada
URBNET Records
Warner Music Canada
Wax Records



Lisa Fiorilli
(416) 274-2666
Valérie Roy
(514) 842-5147 ext. 290
Kate Ward
Music Canada
(647) 825-5260
Bob D’Eith
(604) 873-1914
Victoria Lord
(416) 484-9047

Release PDF


Standing Committee on Canadian Heritage releases Review of the Canadian Music Industry report

Yesterday, the Standing Committee on Canadian Heritage released its Review of the Canadian Music Industry report, available at

Music Canada applauds the Committee for its comprehensive study of Canada’s music industry, and thanks the Committee members for their care in considering testimony from witnesses across many different facets of Canada’s music industry. The Committee held 14 meetings on the study, hearing from 82 witnesses and receiving 15 briefs. This process allowed the Committee to hear from stakeholders from areas that they may normally have less opportunity to interact with, such as music education and music tourism.The Committee report focuses on five themes:

  • Digital distribution and streaming
  • Music education
  • Music tourism
  • Current funding – future investment
  • FACTOR/Musicaction

The report gives an overview of the current state of the Canadian music industry, summarizes witness testimony on the five themes, and considers outcomes proposed by witnesses on each theme.

The report provides the government with ten recommendations for strengthening its support for the Canadian music industry:

  1. The Committee recommends that the Government of Canada examine the time that it takes for decisions to be rendered by the Copyright Board of Canada ahead of the upcoming review of the Copyright Act so that any changes could be considered by the Copyright Board of Canada as soon as possible.
  2. The Committee recommends that the Government of Canada work with provincial authorities and other stakeholders to improve the musical knowledge and skills of Canadians.
  3. The Committee recommends that the Government of Canada work with stakeholders in order to launch an information campaign on the actual cost of creating music, the negative impacts of illegal downloading and the importance of respecting the intellectual property of music creators, with an outcome of assisting the music industry in terms of improved measures and initiatives related to these issues, including preventing piracy.
  4. The Committee recommends that the Government of Canada work with stakeholders from the Canadian music industry and the Canadian tourism industry to make music tourism in Canada a focus of marketing campaigns.
  5. The Committee recommends that the Government of Canada study the economic impact of introducing a tax credit to support the Canadian music industry, taking inspiration, if needed, from those granted to the film and television industries.
  6. The Committee recommends that the Government of Canada undertake a study of the impact of digital technology on the Canadian music industry and on government funding programs.
  7. The Committee recommends that the Department of Canadian Heritage ensure that the various components of the Canada Music Fund reflect the changes in Canada’s music industry, including potential new sources of funding from the private sector, with special attention given to creators, entrepreneurs and independent producers.
  8. The Committee recommends that the administration of the Music Entrepreneur Component of the Canada Music Fund be transferred from the Department of Canadian Heritage to a new third-party organization(s) based on the model of FACTOR and Musicaction.
  9. The Committee recommends that the Department of Canadian Heritage ensure that the general public and recipients are aware that FACTOR and Musicaction funding is made on behalf of the Government of Canada.
  10. The Committee recommends that the Government of Canada give the Canadian Radio-television and Telecommunications Commission the capacity to enforce the requirement for the private broadcasters to pay, in a timely manner, the required annual contribution for Canadian content development

It is positive that the Committee recommends the government examine the time it takes for decisions to be rendered by the Copyright Board of Canada ahead of the upcoming review of the Copyright Act. Numerous witnesses, including Music Canada, identified the length of time for decisions to be rendered by the Board as a cause of uncertainty in the legal landscape and a deterrent to progress. As the report notes, a dozen witnesses identified insufficient resources as a reason the rate-setting process is so lengthy. We support providing the Copyright Board with the proper tools, personnel and financing to function more as a business development office, as well as Parliament allowing rights holders and digital services to do deals directly at fair market value.

We are very pleased to see the Committee recognize the importance of music education to all Canadians. As the report notes, the positive effects of music education came up repeatedly during the Committee’s study, with several witnesses urging support for music education as it fosters critical thinking, imagination, self-esteem, and self-discipline, assets which are useful in an economy based on information technology and communications. It is gratifying to see our Next Big Bang report cited on this point in the report.

We are supportive of the Committee’s recommendation that the government work with stakeholders to develop information campaigns on the value of music, the negative impacts of illegal downloading, and the importance of respecting the intellectual property rights of creators. We would be very happy to work with the government in developing these campaigns.

The Committee’s recommendation that the government work with stakeholders from Canada’s music and tourism industries to make music tourism in Canada a focus of marketing campaigns is a very positive step. This study allowed the Committee to hear of the opportunities in music tourism from stakeholders such as North by Northeast, Live Nation Canada, and Ticketmaster Canada, all of who identified the enormous potential for in Canada’s live music sector. As well, the Committee heard from the Canadian Tourism Commission, who identified music as an important part of its marketing and tourism offerings, and the Tourism Industry Association of Canada, who remarked that music and culture are “leading drivers for American visitation.”

We are very pleased to see the Committee recommend the study of introducing a tax credit to support the music industry, taking inspiration, if needed from the existing tax credit system for film and television industries. The development of artists is a form of R&D and is deserving of public support, similar to the tax credits available in other R&D-intensive industries.

The Committee requests that the government table a comprehensive response to the Report.

The report has the support of the three main parties, with some additional recommendations made by the New Democratic Party and the Liberal Party. In particular, the Liberal complementary report suggests more comprehensive changes to Copyright Board based on testimony from witnesses.

Music Canada urges the government to support the findings of the report and looks forward to working with the government on implementing its recommendations.


The Standing Committee on Canadian Heritage – Review of the Canadian Music Industry

The Standing Committee on Canadian Heritage has undertaken a Review of the Canadian Music Industry, following an approved motion at the Committee on December 5, 2013, where “it was agreed, — That, pursuant to S.O. 108(2) the Committee undertake a review of the Canadian music industry… in order to:

a) inform Committee members of the details and impacts of the government support on Canadian music, as well as the creators and entrepreneurs who create and distribute music in Canada;

b) determine how funding is allocated;

c) to establish whether the government support is meeting the objectives laid out for it, and to make recommendations to the government on how it might strengthen support for Canadian music, and report its findings to the House.”



Music Canada is looking forward for an opportunity to address the committee on themes as explored in The Next Big Bang, A New Direction for Music in Canada.

For reference, links to witness appearances and transcripts are below, and we will update this page following future appearances.

Past Meetings:

March 4, 2014:
Department of Canadian Heritage: Jean-François Bernier, Director General, Cultural Industries; Sophie Couture, Director, Music Policy and Programs.
Audio streams

March 25, 2014:
Society for Reproduction Rights of Authors, Composers and Publishers in Canada
: Alain Lauzon, General Manager.
Connect Music Licensing: Victoria Shepherd, Executive Director.
Alliance of Canadian Cinema, Television and Radio Artists: Brad Keenan, Director, Recording Artists’ Collecting Society; David Faber, Canadian Musician, Faber Drive .
Association québécoise de l’industrie du disque, du spectacle et de la vidéo (ADISQ) : Solange Drouin, Vice-President of Public Affairs and Executive Director.
Canadian Independent Music Association: Stuart Johnston, President; Shauna de Cartier, Chair.
Music BC Industry Association: Robert D’Eith, Executive Director.
Audio streams

March 27, 2014:
Canadian Music Publishers Association: Elisabeth Bihl, Executive Director; Jodie Ferneyhough, President.
Society of Composers, Authors and Music Publishers of Canada: Gilles Daigle, General Counsel and Head of Legal Services.
Professional Music Publishers’ Association: David Murphy, President.
Library and Archives of Canada: Hervé Déry, Acting Librarian and Archivist of Canada, Office of the Librarian and Archivist of Canada; Cecilia Muir, Chief Operating Officer, Office of the Chief Operating Officer.
Canadian Radio-television and Telecommunications Commission: Scott Hutton, Executive Director, Broadcasting; Annie Laflamme, Director, Radio Policy and Applications.
Audio Streams

April 1, 2014
Alliance nationale de l’industrie musicale
: Natalie Bernardin, President; Benoit Henry, Chief Executive Officer.
Songwriters Association of Canada: Greg Johnston, Vice-President; Jean-Robert Bisaillon, Vice-President.
Gospel Music Association of Canada: Martin Smith, President. Shawn Cooper, President and Co-Founder.
SiriusXM Canada: Andréanne Sasseville, Director, Canadian Content Development and Industry Relations; Paul Cunningham, Vice-President.
Songza: Vanessa Thomas, Managing Director, Canada.
Audio streams

April 8, 2014

Canadian Academy of Recording Arts and Sciences:
Allan Reid, Director, MusiCounts
As individuals: Brett Kissel; Louis O’Reilly, Manager, O’Reilly International Inc.
Re:Sound Music Licensing Company: Ian MacKay, President
Avalanche Productions and Sound Publishing: Sébastien Nasra, President-Founder, M for Montreal – Mundial Montreal
Artisti and Union des artistes: Richard Petit; Annie Morin, Director
Audio streams

April 10, 2014
Société professionnelle des auteurs et des compositeurs du Québec: Pierre-Daniel Rheault, Chief Executive Officer
Canadian Federation of Musicians: Mark Tetreault, Director of Symphonic Services
Guilde des musiciens et musiciennes du Québec: Luc Fortin, President
North by Northeast (NXNE): Mike Tanner, Director of Operations
Live Nation Canada: Riley O’Connor, Chairman; Ken Craig, Promoter
Ticketmaster Canada: Patti-Anne Tarlton, Chief Operating Officer
Audio streams

April 29, 2014
Cerberus Management and Consulting: Brian Hetherman, President
Quebecor Media Inc.: J. Serge Sasseville, Vice-President, Corporate and Institutional Affairs; Christian Breton, Vice-President, Music sector, Groupe Archambault
Polaris Music Prize: Steve Jordan, Founder and Executive Director
RBC Ottawa Bluesfest: Mark Monahan, Executive Director
Canadian Tourism Commission: Greg Klassen, President and Chief Executive Officer
Tourism Industry Association of Canada: David F. Goldstein, President and Chief Executive Officer
Audio stream

May 1, 2014
Institut de la statistique du Québec:
Dominique Jutras, Director, Observatoire de la culture et des communications; Claude Fortier, Project Manager, Observatoire de la culture et des communications
Warner Music Canada:
Steven Kane, President
Nettwerk Music Group:
Simon Mortimer-Lamb, President and Chief Operating Officer
L’Équipe Spectra:
François Bissoondoyal, Director, Label; Roseline Rico, Vice-President, Governmental Affairs
Coup de coeur francophone:
Alain Chartrand, Executive and Artistic Director
Lula Lounge:
Jose Ortega, Co-Artistic Director, Lula Music and Arts Centre; Tracy Jenkins, Executive and Co-Artistic Director, Lula Music and Arts Centre
Notice of meeting
Audio stream

May 6, 2014
Canadian Independent Recording Artists’ Association: Zachary Leighton, Executive Director; Gregg Terrence, President
National Music Centre:
Andrew Mosker, President and Chief Executive Officer
Stingray Digital:
Eric Albert, Executive Vice-President; Mathieu Peloquin, Senior Vice-President Marketing and Communications
Google Canada:
Jason Kee, Counsel, Public Policy and Government Relations
Justin Erdman, Managing Director, Canada
Notice of meeting
Audio stream

May 8, 2014
Quinlan Road Limited:
Loreena McKennitt, President; As individuals, Jim Vallance, Paul Hoffert
Mo’fat Management:
Stéphanie Moffatt, President; Mylène Fortier, Director, Marketing
Music NB
: Jean Surette, Executive Director; Richard Hornsby, Director of Music, University of New Brunswick
Manitoba Music:
Stephen Carroll, Board Member
Notice of meeting

Audio stream

May 13, 2014

Foundation Assisting Canadian Talent on Recordings (FACTOR):
Susan Wheeler, Chair; Duncan McKie, President; Allison Outhit, Vice-President, Operation
Fondation Musicaction: Pierre Rodrigue, Chairman of the Board of Directors, Louise Chenail, Chief Executive Officer
Fonds RadioStar: François Bissoondoyal, Chairman of the Board of Directors; Louise Chenail, Chief Executive Officer
Music Canada: Graham Henderson, President
Radio Starmaker Fund: Sylvie Courtemanche, Chair of the Board; Chip Sutherland, Executive Director; Alan Doyle, Member of the Board
Canadian Music Week: Neill Dixon, President
Notice of meeting
Video stream

May 15, 2014

Drafting Instructions for a Report
Notice of meeting
Video stream


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