Music Canada

Gold/Platinum

Join Mailing List

Music Canada

Gold/Platinum

 Music Canada

Tag archive: Toronto (27)

view

Music March For Music Therapy returns to Toronto for fifth year

Music Canada is proud to return as a sponsor for the 5th Annual Music March for Music Therapy in Toronto on Sunday, March 4, 2018, in support of the Canadian Music Therapy Trust Fund in partnership with the Canadian Association of Music Therapists.

The march will take place along Bloor Street West, which is a new route for the annual family-focused march. Participants will depart from the Music Therapy Center (1175 Bloor St. W) at noon and will end at Lee’s Palace (529 Bloor St. W) around 1:15pm, where amazing entertainment, delicious food, fun activities, and tons of auction prizes await.

This year’s fundraising goal has been set to $25,000 in honour of the charity’s 25th anniversary, which works to enhance our communities by providing accessible music therapy to our nation’s most vulnerable and underserved populations.

The march is free to attend, while the after party at Lee’s Palace will be $25 at door unless the attendee has made a fundraising page. Those who would like to donate to the fund but cannot attend the event can do so at the same page. Stay tuned to the Facebook event page for more information on the afternoon, including the reveal of this year’s musical ambassadors and performers!

Comments
view

Making the most of Toronto’s UNESCO Designation

Toronto joined an exclusive club made up of 180 cities worldwide last week when the City of Toronto and the Canadian Commission for UNESCO (United Nations Educational, Scientific and Cultural Organization) announced that Toronto has been designated a UNESCO Creative City of Media Arts. While there may not have been much media coverage of the pronouncement, the city’s creative industries ought to be paying attention.

This makes Toronto one of the first cities in Canada to join the network, which was started in 2004 and includes designations for Media Arts, Music, Film, Gastronomy, Literature, Design and Crafts and Folk Art.  Toronto’s designation of Media Arts is an attempt to capture the city’s achievements in not one, but several disciplines: “film, music, digital media and forms of cultural expression using technology”.

Few people in Canada may be familiar with UNESCO’s Creative City Network and are perhaps more familiar with its historical site designations or research.  This is not a surprise as North America has been relatively slower to join this party.  In fact, despite much attention given to Music Cities in North America, including many cities that build their brand on the artform, the first UNESCO City of Music in North America (Kansas City) has only just now been designated.

The international recognition of Toronto’s creative sector efforts is cause for celebration.  However, the designation should not be seen as the finish line, but as a springboard for further action. Based on our worldwide scan of Music City strategies, it is clear that the UNESCO designation has the potential of falling into the category of a public relations exercise.  But only if we let it.

In some cities, the designation has mobilized a comprehensive program for the promotion, protection and growth of the creative industry for which it is earned.  The UNESCO designation has, in other cases, ensured sustained political leadership on creative industry development and investment.  The network itself has afforded some cities with practical sharing of knowledge and best practices.

Toronto’s entire music community – including artists and industry – has an opportunity to make sure that the UNESCO designation has meaning.  We can leverage the UNESCO designation to secure an ongoing commitment to our music strategy and key priorities like venue sustainability, regulatory red tape reduction, livability for artists and musicians and access to spaces and places for the creation, rehearsal and production of music.  We can also use it to reinforce music’s equal standing alongside our partners in film and digital media.

UNESCO’s Creative City Network is definitely what we make it.   Let’s take ownership of this opportunity, and prove what we already know: Toronto can be the greatest Music City in the world.  We define it, and now we have another tool to help us build it.

 

UNESCO’s Creative Cities Network promotes cooperation between global cities that place creativity and cultural industries at the heart of their development plans.

Comments
view

Arcade Fire ‘infinitely content’ with latest Canadian Platinum plaques

Photo credit: Sony Music Canada

Montreal-based indie rockers Arcade Fire closed the North American leg of Infinite Content tour, which found the band perform in-the-round at more than two dozen arenas across the continent, with two shows last weekend at Toronto’s Air Canada Centre. Prior to the shows, the band were surprised with Platinum award plaques for their fifth studio album, Everything Now, by Sony Music Canada.

Everything Now is the bands fourth Canadian Platinum certification, joining their landmark 2003 debut Funeral, 2010’s Double Platinum album The Suburbs, and 2013’s Triple Platinum two-disc set Reflektor. 

The video for the album’s title track can be viewed below.

 

Comments
view

Toronto Live Music Industry Forum to focus on venue sustainability

On Monday, November 13, Toronto Music Advisory Council (TMAC) chairs Jeff Cohen (Collective Concerts) and Jesse Kumagai (Live Nation) will moderate an open discussion about the most pressing issues facing live music venues in Toronto, focusing on ongoing venue sustainability and potential revenue growth.

This panel will explore traditional spaces and business models, while a later session will focus on the challenges facing DIY spaces.

In 2016, Toronto City Council unanimously approved TMAC’s Toronto Music Strategy, which aims to guide the short and long-term growth of Toronto’s music sector. Following a public consultation, the music strategy identified six major strategic areas for TMAC and the City of Toronto to focus on for supporting and growing Toronto’s music sector, with many of the key principles from the report expected to be discussed at the November 13 event.

The live music industry forum will run from 4-6pm at Lula Lounge (1585 Dundas St. W), and is open to all live music industry professionals, venue owners and operators, musicians, agents, touring professionals, city councillors and officials. If you are interested in attending the discussion, you can RSVP through the Facebook event or by e-mailing info@lula.ca.

 

Comments
view

ATX6 return to Toronto for Indie Week 2017

Toronto is gearing up for Indie Week Canada, with over two hundred acts set to play in more than twenty venues across the city from November 7 – 12, 2017.

On Friday, November 10, six unique and diverse artists will play The Dakota Tavern (249 Ossington Ave.) as part of Project ATX6 – a music export and documentary film production that selects six Austin, TX musicians annually to showcase at international music festivals in France, Germany, England, Japan, and Canada.

The ATX6 first traveled to Toronto in 2014 for the North By Northeast festival following the world’s first Music City Alliance signing between the two cities. The ATX6 have since returned to Toronto for the last four years, teaming up with local musicians to support the travelling artists as their backing band. Since 2014, the ATX6 have played venues in Kensington Market, Queen West, and even helped launched Downtown Yonge BIA’s Play The Parks 2015 season with a free showcase in Trinity Square.

Now its fourth year, the 2017 class of the AT6 will feature Taylor Wilkins (Otis The Destroyer), Sisi Berry (Torino Black), Lindsey Verrill (Little Mazarn), Acey Monaro (Go Fever), Mobley, and Corey Baum (Croy and the Boys). Each musician will perform individual sets of original music from their Austin-based bands. As with previous years, the artists will be accompanied by a film crew who will be documenting the group’s travels for a web series, directed and produced by the project’s founder Chris Brecht.

In addition to their Dakota Tavern showcase, the ATX will also play The Cameron House (408 Queen St. W) on Saturday, November 11, at 6pm. Visit the ATX6 website for more information about this year’s group, and you can buy tickets for the shows or festival wristbands at Indie Week’s website.

Comments
view

Polyphonic Ground seeks input on diversity in Toronto’s live music industry

On July 19, a new initiative called Polyphonic Ground was announced, with the aim of strengthening Toronto’s culturally-diverse music industry. The initiative is spearheaded by Small World Music, and is composed of 12 Toronto live music presenters: Ashkenaz Foundation, Batuki Music Society, Good Kind Productions, iNative, Link Music Lab, Lula Music & Arts Centre, MonstrARTity Creative Community, Music Africa, Revolutions Per Minute, Small World Music Society, Uma Nota Culture, and World Fiddle Day Toronto. The collective plans to foster engagement with a monthly collaborative concert series and diverse professional development programming.

In partnership with Music Ontario, City Hall Live, Cultural Pluralism in the Arts Movement Ontario (CPAMO) and Music Canada Live, Polyphonic Ground will be hosting a series of conversations about diversity in the live music industry. To inform these conversations, and ensure as many voices as possible are heard, Polyphonic Ground has launched an online survey.

The survey states:

The lack of gender and cultural diversity reflected by the larger Toronto music industry has been a hot topic of late. Ad hoc conversations around these issues have taken place at recent panels and forums focused on topics such as venue closures, noise bylaws, the media etc. However, there have been few opportunities to deal with these issues head on and explore how inequities can be addressed.

Have your say and help shape these important conversations. The survey closes Friday, August 11th at 5pm.

Complete Polyphonic Ground’s Diversity & Live Music Conversation Series Survey.

For more information on Polyphonic Ground, check out the press release and follow their Twitter and Facebook pages.

Comments
view

City of Toronto expands support for Toronto’s music community with City Hall Live

Hannah Shira Naiman performing at Nathan Phillips Square

Music Canada, in partnership with TD Bank Group, is proud to return as sponsor of City Hall Live, formerly known as Live From City Hall.

The program will expand this year to include new collaborations with local venues, events, presenters and musicians. This past weekend, City Hall Live presented eight artists performing at 159 Manning Ave as part of Doors Open Toronto. Today, City Hall Live is presenting performances by Toronto artists Ammoye and Charmie as part of the pre-Lulaworld 2017 festivities at Lulu Lounge following a 6:30pm panel discussion on diversity and live music in the media. More collaborations will be announced in the coming weeks.

“This series provides performance opportunities, information sessions and discussions that we hope will inform and empower Toronto’s talented music community,” said Mayor John Tory in a City release. “By bringing City Hall Live directly to artists and their communities, the series is now more accessible and can have greater impact.”

Lunchtime concerts under the City Hall Live banner will return to Nathan Phillips Square this summer, happening every Wednesday from 12:30-1:30pm (July 19 – August 30).

City Hall Live will also bring a larger focus this year on panel discussions and other learning opportunities for the music community.

“City Hall Live provides new opportunities for Toronto musicians and is one of many City initiatives aimed at making Toronto a more music and musician friendly city,” said Councillor Josh Colle, Chair of the Toronto Music Advisory Council.

Artists can submit applications to perform at City Hall Live and other events, as well as submit music for the City’s Music 311 playlist at toronto.ca/music.

More information on 2017 performances and panels will be announced soon at toronto.ca/music.

Comments
view

Government of Canada to provide $8.3 million in funding towards Massey Hall revitalization

Left to right: The Honourable Melanie Joly, Melissa McClelland and Luke Doucet (Whitehorse), Jim Cuddy, Deane Cameron, Adam Vaughan

The Honourable Mélanie Joly, Minister of Canadian Heritage, was in Toronto Friday to announce The Corporation of Massey Hall and Roy Thomson Hall as a recipient of the Canada Cultural Spaces Fund. The Government of Canada will provide $8,330,000 to assist with the revitalization of the legendary Massey Hall, which will improve its accessibility, technical infrastructure and presentation environment.

“We are thrilled that the Government of Canada is investing in Massey Hall’s future through the Canada Cultural Spaces Fund,” said Deane Cameron, President and Chief Executive Officer, The Corporation of Massey Hall & Roy Thomson Hall. “This funding will help set the stage for the completion of the Massey Hall Revitalization Project to ensure that Massey Hall remains a home to showcase and cultivate our future leaders in arts, culture and beyond.”

A rendering of the completed Massey Hall exterior revitalization (photo: Cicada Design for Kuwabara Payne McKenna Blumberg Architects)

The Canada Cultural Spaces Fund launched in 2001 and receives an average of 137 applications each year. As of March 31, 2016, the fund has invested approximately $410 million in 1,381 projects in every province and territory.

“Investing in Canada’s cultural sector helps create jobs for the middle class, strengthens the economy, and ensures that Canada’s unique perspective is shared with the world,” said Minister Joly.

Also in attendance at the announcement was Spadina-Fort York MP Adam Vaughan, and musician Jim Cuddy of Blue Rodeo, who spoke to his experiences playing the infamous stage and the impact the venue has had on the City of Toronto. Joly also spoke to the venue’s presence in Toronto during her address, deeming it a “right of passage” for musicians from all over the world who grace its stage. Toronto-based duo Whitehorse closed out the event with a captivating performance.

Massey Hall opened in 1894, and the last major renovation occurred in occurred in 1948. Phase 2 planning of the revitalization is underway, and construction is set to complete in 2021.

Comments
view

Lukas Graham presented with Gold/Platinum award plaques in Toronto

Lukas Graham recieving their Gold/Platinum awards in Toronto. (Photo courtesy of Warner Music Canada)

Grammy-nominated Danish group Lukas Graham were in Toronto Wednesday amidst their North American tour for a highly anticipated show at REBEL (formerly Sound Academy). As the band pointed out during their performance, the show was the second largest in North America during this tour.

Prior to taking the stage, the group, fronted by lead songwriter Lukas Graham Forchhammer, were presented with a 6X Platinum plaque by Warner Music Canada for their breakout hit “7 Years.” The group was also presented with a Gold plaque for “Mama Said.” Both tracks can be found on Lukas Graham’s self-titled 2015 sophomore album.

The video for “Mama Said” can be viewed below.

Comments
view

Toronto’s music community discusses building a Music City in NOW Magazine cover story

nowtorontomusiccity

NOW Magazine’s October 13, 2016 cover, featuring Alaska B. of Yamantaka // Sonic Titan.

Last week, NOW Magazine’s cover story, entitled “Dreaming of Music City,” featured interviews with ten members of Toronto’s local music community including artists, promoters, producers, record label owners, and music festival operators. They were asked about their experiences and the challenges they see for Toronto in becoming a world-renowned Music City.

The article highlights several important issues, including: the safety of musicians (and audiences) who belong to marginalized groups, affordable housing for musicians and artists, music industry-community collaboration, and music venue accessibility. Government funding, entertainment districts, and the use of public space for music are also discussed as policies for the city’s consideration.

Since the release of The Mastering of a Music City report in Summer 2015—a report which serves as a roadmap for cities seeking to grow their music communities and become Music Cities with vibrant, actively promoted music economies—Music Canada has travelled to music events and policy conferences around the world to share Music City best practices and strategies.

Our report touched on some of the issues presented in the recent NOW Magazine article, but a lot has happened in Music Cities development in the last year that may inspire solutions to many of the concerns expressed by Toronto’s music community:

  • Affordable housing and the threat of gentrification are issues for artists in most major cities. A few years ago, Nashville, Tennessee recognized this and the City collaborated with the Music City Music Council and members of the arts community to create an arts-focused affordable apartment residence called Ryman Lofts. The residence offers affordable housing in the city specifically for artists.
  • The city of Aarhus, Denmark has Music City aspirations. MONO, an organization for active rhythmic musicians in the city, operates a professional development and gathering space where artists can rent rehearsal facilities, a concert venue, attend workshops, record music, store their music gear, and network with others in the community. MONO has 40 rooms and is used by over 120 bands.
  • In Fort Collins, Colorado, private investment from the Bohemian Foundation and community organization led to the creation of The Music District. The Music District is a collection of five buildings which have been (and are still in the process of being) converted into a music hub. Artists can reserve or rent rehearsal spaces, attend music workshops, rent and service equipment, and practice their performances all within the facility.
  • Bogota, Columbia is a leader in using music to activate parks and public spaces. The city’s al Parque festivals are supported by the Ministry of Culture and various arts organizations. Throughout the city, throughout the year, and all for free, Bogota draws hundreds of thousands of music fans to its public parks where local, national, and international artists of all genres play for massive audiences.

It is important to recognize, as the authors of the NOW Magazine article do, the progress that the City of Toronto has made towards its Music City goals: the signing and meeting of the Austin-Toronto Music City Alliance, the creation of the Toronto Music Advisory Council, council’s adoption of the Toronto Music Strategy. The experiences and perspectives of the music community are critical to the growth of the Music City project, and this kind of discussion is an important part of the process.

Comments