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Industry News (298)

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Music Canada’s Amy Terrill appointed to Canadian Music Week 2017 Co-Chair Committee

Amy Terrill, Music Canada’s Executive Vice President, has been appointed to Canadian Music Week’s (CMW) 2017 Co-Chair Committee. The seven-member committee is made up of music industry veterans representing the publishing, broadcasting, live music, music technology, agent, and label sectors.

The committee members are:

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“I’m in such great company on CMW’s Co-Chair Committee – what an honour!  CMW and Music Canada have forged a very successful relationship over the years which has included putting together some very inspiring programming.  I am excited to build on this partnership in 2017 in my role on the Co-Chair committee,” says Terrill.

For more than a decade, Music Canada has sponsored CMW’s Global Forum Networking Breakfast, an annual event that brings the global music community together to discuss topics affecting the industry. In 2016, the Global Forum recognized individuals and organizations who are using music to make the world a better place. Laura Hassler, Founder and Director of Musicians without Borders, delivered a terrific keynote address titled “War Divides, Music Connects: Using Rock for Reconciliation.”

During 2016’s conference, Music Canada, IFPI and CMW presented a day-long international creative economy summit inspired by, and named after, Music Canada and IFPI’s pivotal report, The Mastering of a Music City. The summit featured speakers and music cities experts from Canada, the US, UK, Germany and Denmark. Austin, Texas was a focal point of the summit, and the report, due to its incredible music economy, where music tourism accounts for almost half of their US$1.6 billion economic output. Toronto and Austin formed a Music City Alliance in 2013 to promote mutual growth opportunities between governments and industry.

CMW 2017 will run from April 18-22 and over 800 bands will perform at more than 40 venues in downtown Toronto. The festival will also host the first Austin-Toronto showcase, featuring premier talent from both cities. The showcase is an outcome of an Austin-Toronto Alliance Summit, where industry leaders met in Toronto in June of 2016.

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Music Canada unveils Music Cities Toolkit at Canadian Chamber of Commerce AGM

gh-screen150 representatives from chambers of commerce across the country took part in a Music Cities workshop conducted by Graham Henderson yesterday at the Canadian Chamber of Commerce (CCC) Annual General Meeting in Regina.

Henderson unveiled a Music Cities toolkit that Music Canada custom-built for the CCC’s network of over 450 chambers of commerce and boards of trade, in all regions of the country.

The toolkit was designed to provide chambers of commerce with a roadmap and guide to activate the power of music in their communities.  It describes potential roles for the chamber as follows:

  1. Catalyst – as the leading voice of business, acting to enhance economic prosperity and quality of life, the chamber can act as a catalyst to stimulate the Music City discussion
  2. Advocate – convene a music policy task force to identify municipal policies and regulations that are hampering the creation, production and promotion of music
  3. Operator – develop a proposal for the chamber to act as a music office/officer
  4. Trainer – provide training to entrepreneurs within the music community
  5. Promoter – host and amplify music events, celebrate the music history in your community

The toolkit builds on the global success of Music Canada’s report The Mastering of a Music City, Key Elements, Effective Strategies and Why it’s Worth Pursuing.

“We are so pleased that Music Canada has partnered with us and shared their excellent work in this space with the chamber network as a tried and tested economic development tool,” said Perrin Beatty, President and CEO of the Canadian Chamber of Commerce.

“We are extremely pleased to be able to work with the Canadian Chamber of Commerce whose pan-Canadian network makes it an ideal partner to spread the thinking behind and the benefits of adopting the Music Cities model for your community,” said Graham Henderson.

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music-cities-toolkit-cover-2The Music Cities Toolkit is available here.

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Minister Joly launches consultations on ‘Canadian Content in a Digital World’

The Honourable Mélanie Joly, Minister of Canadian Heritage, has announced the beginning of consultations on Canadian Content in a Digital World. The consultation functions as a review of the Heritage department’s cultural funding programs and regulatory structures (Joly has repeated that “everything is on the table” in this review) and will seek to determine how the government should support the creation, discovery, and export of Canadian content.

The new consultation was preceded by a summer-long pre-consultation which was completed by nearly 10,000 Canadians. This pre-consultation was used to shape the current consultation, which, according to its guiding principles, will:

  • Focus on respecting citizen choice and supporting creators in making great, compelling content;
  • Reflect Canada’s incredible diversity in the content that is produced and support the production of news information and local content that is credible and reliable; and,
  • Drive social and economic innovation by forging strong links between creativity, economic growth and social resilience.

According to the ministry’s release, Minister Joly will host in-person discussions with representatives from a variety of cultural sectors across the country to receive comments on topics covered by the consultation. Canadians will also have the opportunity to comment on social media and through discussions within their own communities.

For artists and musicians—and all creators—these consultations represent an opportunity to make their voices heard. You can participate in the consultation online here.

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New global consumer research by IFPI includes Canadian figures

ifpi-ipsos-report-smallToday, IFPI released new consumer research from Ipsos that provides insights into music consumption trends around the world.  Ipsos studied thirteen markets, including Canada.  Internet users aged 13 to 64 were asked to comment on how they engage with music.

According to this research, Canada stands out as lagging behind other major markets in the consumption of music and adoption of paid services. However, 2015 sales stats released by Music Canada in April show explosive growth in premium subscription services, largely as a result of new entrants into the Canadian market.

The full global report and summary are easily accessed on the IFPI site.

Here are the key global highlights according to IFPI with Canadian comparisons:

“Paid audio streaming is growing: 71 per cent of internet users aged 16-64 access licensed music. Paid audio streaming services are growing in popularity, especially among under 25s. One-third of 16-24 year olds now pay for an audio streaming service.”

In Canada, only 2/3 (64%) of internet users engage with licensed music.

Audio streaming consumption continues to lag behind in Canada where only 27% of consumers are using audio streaming services, indicating an opportunity for significant further growth.  However, 11% are paying for it (as opposed to using free audio streaming services) which is up from 2015 (9%), a 22% increase.  Globally, the 2016 numbers are 37% and 18% respectively.

Markets like Mexico (64%) and Sweden (61%) stand out as leading the conversion to audio streaming, and in each of these 4 in 10 consumers are paying for streaming.

“YouTube is the most used music service: 82 per cent of all YouTube visitors use it for music. More people use YouTube to consume music they already know than to discover new content.”

Not unlike other markets, YouTube usage is very high in Canada.  86% of internet users in Canada used YouTube in the last 6 months for any content with 76% reporting using it for music related content.  Most of those users (85%) accessed YouTube for music they already know, rather than to discover new music.  The report concludes that free video streaming is mainly being used as an alternative to paying for music, as 49% of music video streamers do so mainly “because it’s free.”

“Copyright infringement remains a significant problem: more than one-third (35 per cent) of internet users access unlicensed music content. Infringement is changing, with half (49 per cent) of 16-24 year olds using stream ripping services to download music.”

Access to piracy continues to evolve in Canada as well with more consumers choosing stream ripping over downloading (cyberlocker/peer to peer).  Almost one third of all consumers (27%) continue to access unlicensed content.  Half of all 16-24 year old consumers report stream ripping.

“Young people are highly engaged with music, with 82 per cent of 13-15 year-olds listening to licensed music and the majority willing to pay for music.”

In Canada, 13-15s are far more likely to access licensed audio services (55%) and one quarter of them (25%) choose paid streaming.  Half of all 13-15s access pirated music (49%) with downloading (40%) and stream ripping (44%) receiving close to equal attention.

“Smartphones are moving towards replacing computers as the most used device for music consumption, especially in developing countries. Users of paid audio streaming services are particularly likely to listen to music on a smartphone.”

Complete results can be found in this IFPI report.

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CIMA seeks industry input for Music in Motion export activities study

 

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The Canadian Independent Music Association (CIMA) is seeking input from Canadian music companies, such as labels, management, and publishers, as well as entrepreneurial artists, for a new study on music export activities. The study is designed to gather comprehensive evidence on the costs for Canadian artists touring internationally, as well as the costs of launching an artist, song, or brand in foreign markets. The study also aims to clarify the return on investment in terms of jobs, economic impact, and other relevant measures, from the successful export of Canadian artists and music products.

CIMA hopes to gain a better understanding of:

  1. What export activities are undertaken by Canadian music companies;
  2. The strategies behind those export activities;
  3. Key international markets for Canadian music; and.
  4. How much these activities cost.

The timing of this study coincides with the Canadian government’s nation-wide consultation, Canadian content in a digital world, on how it can best support Canada’s cultural industries in the modern era. CIMA is hoping that Canadian independent music is strongly represented in the consultation, with the end goal of increased funding for music companies and their artists to support export activities.

The survey takes approximately 20-30 minutes to complete, and closes September 16. Each completed survey will also be entered to win a VIP pass to Canadian Music Week 2017 in Toronto. The results of the survey will be published in fall of 2016.

To fill out the survey, head over to the Music in Motion website.

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Ian MacKay re-appointed as President of Re:Sound

MacKayIan MacKay has been unanimously re-appointed as President by Re:Sound’s Board of Directors, extending his term to 2020.

Ian’s work at Re:Sound has been invaluable in ensuring music creators in Canada are compensated for the use of their recordings. According to a Re:Sound release, core revenues have more than doubled under Ian’s tenure as President. Recently, Re:Sound’s Project Revelation, undertaken with CONNECT Music Licensing, led to an increase of $1.2 million annually for CONNECT’s rights holder members, among other benefits.

“I am honoured and excited to be leading Re:Sound into the next chapter” said MacKay in a press release. “We have a truly great team here – people who live and breathe that everything we do must be for the music creators we represent. With the strong support of the Board, I look forward to working with the Re:Sound team to continue to build an even stronger organization – championing music creators rights and combining an entrepreneurial spirit with a passion for efficiency and transparency. In today’s changing music industry, standing still is not an option. We must always move forward.”

Music Canada would like to congratulate Ian on his re-appointment, and wish him success as he continues to represent rights holders with the passion, energy and commitment for which he has become known.

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Music Canada’s Graham Henderson will discuss Music Cities at Amped Up in San Antonio

Amped UpOn September 6, Music Canada’s President & CEO, Graham Henderson, will be discussing Music Cities at Amped Up, presented by Centro San Antonio. The music-focused event will dig into what makes San Antonio’s musical landscape unique, and in addition to Graham’s keynote address, will feature music leaders from local venues, non-profits and, of course, musicians, breaking down San Antonio’s music economy and community. There will also be live performances, including a collaboration between city leaders and artists. Amped Up is happening at the Juarez Plaza, La Villita from 6-9pm.

What can a business development association do to help local music businesses and musicians? What can the community do to help the music economy flourish? These are the questions Graham will explore as he speaks to findings from Music Canada and IFPI’s report The Mastering of a Music City, an award-winning roadmap for communities of all sizes who are trying to realize the full potential of their music economy.

Centro San Antonio is committed to fostering a vibrant and prosperous downtown that benefits the entire San Antonio community. Their mission is “to be an advocate for downtown businesses and property owners, a catalyst for economic improvement in the inner core and a thought leader on important community issues.”

Tickets can be purchased here.

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Toronto music industry raises over $2000 for Gord Downie Fund for Brain Cancer Research

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On Thursday night, members of Toronto’s music industry came together for a fundraiser in support of the Gord Downie Fund for Brain Cancer Research. The group attended a Toronto Blue Jays game and gathered beforehand at Steam Whistle Brewery for a pre-game social.

Through beer, snack, and ticket sales, as well as a silent auction, attendees raised $2,100 for the Sunnybrook charity, surpassing the $1,000 goal leading up to the event.

More than 170 tickets were sold to the Blue Jays game, which included a donation to the Downie Fund with purchase. The event was organized by Jon Box of Universal Music Canada, who hopes the event can continue again next year and surpass 200 ticket sales.

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CBC will broadcast The Tragically Hip’s final Man Machine Poem Tour performance on August 20

tragically-hip-screening-on-cbcThe Tragically Hip, one of Canada’s most beloved bands, and recipients of multiple Diamond, Platinum and Gold certifications, conclude their Man Machine Poem Tour this Saturday in the band’s hometown of Kingston, ON. The CBC has announced that it will be broadcasting the August 20 show live from the Rogers K-Rock Centre (located at 1 The Tragically Hip Way) across its television, radio and digital platforms.

A listing of CBC’s broadcast channels showing the concert is available here. The broadcast starts with a pre-show at 8pm EST and The Tragically Hip will begin promptly at 8:30pm EST.

Communities and businesses across Canada, as well as the US and UK, have organized viewing events for Saturday’s show. The CBC has compiled a list of places where fans can watch the live broadcast. Many viewing events are encouraging attendees to donate to cancer research foundations, including the Gord Downie Fund for Brain Cancer Research at Sunnybrook Health Sciences Centre in Toronto.

In a touching tribute, staff from Sunnybrook filmed a performance of The Hip classic “Courage” as a thank you to Gord, the band, and everyone who has donated to the Gord Downie Fund for Brain Cancer Research.

In an interview with the CBC, Gord Downie’s chief oncologist, Dr. James Perry, thanked fans for all of their fundraising efforts following Downie’s decision to make his diagnosis public. “I’m really thankful to all of the folks from all of the cities on the tour so far that have held fundraising events outside the venues — you know, house parties, all kinds of things have been going on.” He reportedly likened the response to the Ice Bucket Challenge of 2014 supporting ALS research.

Donations can be made to the Gord Downie Fund for Brain Cancer Research by following this linkhttps://donate.sunnybrook.ca/braincancerresearch

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BreakOut West 2016 festival lineup announced

On August 9, BreakOut West held a press conference at The Exchange in Regina, SK, to announce the 2016 festival lineup. Saskatchewan recording artist Blake Berglund was on hand for the announcement, and performed a few songs for the crowd and those watching via live-stream.

This year’s festival runs from October 13-16 in eleven venues in Regina, and features emerging talent from western Canada from multiple genres. The festival kicks off with the Western Canadian Music Awards show on October 13 at Casino Regina. This year, many Western Canadian Music Awards will also be presented at the festival showcases, extending the excitement of the awards show throughout the weekend.

Music Canada is a proud sponsor of this year’s festival. See the festival flyer below for more BreakOut West 2016 info. A full list of performers can be found here.

Festival wristbands grant access to all festival events, pending venue capacity, and can be purchased in Regina at X-Ray Records, Rebellion Brewing, and Coda Clothing. Tickets for the awards show must be purchased separately, and are available here.

Watch for keynote speakers, conference info, and additional announcements from BreakOut West in the coming weeks. The latest information will be available on www.BreakOutWest.ca

BreakOut West Poster

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