Music Canada

Gold & Platinum

Join Mailing List

Music Canada

Gold & Platinum

 Music Canada

Industry News (303)

view

Music is back on Parliament Hill as Scott Helman, Vincent Vallières take the stage at Capital Beat with special guest speaker The Honourable Mélanie Joly, Minister of Canadian Heritage

OTTAWA, May 16, 2017:  Music Canada and Quebecor, as presenting sponsors, are excited to bring an intimate celebration of some of Canada’s best music and artists back to Parliament Hill on Tuesday, May 16, 2017. Also sponsored by TD Bank Group and Stingray Digital, Capital Beat will bring together parliamentarians, Hill staff and media for a non-partisan evening designed to celebrate Canadian music among Ottawa’s most important decision-makers. Capital Beat’s previous incarnation, Minister’s Music Night, was named by Maclean’s Magazine as one of the five events that matter most to Ottawa’s power brokers.

The event will take place in The Studio at the National Arts Centre (1 Elgin Street) and will include performances by Scott Helman and Vincent Vallières, as well as special guest speaker The Honourable Mélanie Joly, Minister of Canadian Heritage.

Following the breakout success of his debut Augusta EP in 2014, which includes the Platinum Single “Bungalow,” Scott Helman has just released his first full-length album Hôtel de Ville on Warner Music Canada and is currently on tour supporting his first single “Kinda Complicated.”

Sherbrooke’s own Vincent Vallières is a staple of the Quebec music scene. His 2009 album Le Monde tourne fort earned a Platinum certification, on the strength of his hit single On va s’aimer encore, which became an instant classic. Three years after Fabriquer l’aube, which earned a Gold certification, Vincent Vallières came out with his seventh album in March of this year, Le temps des vivants, whose first single “Bad Luck” is currently sitting atop the radio charts.

The two headliners will perform 45 minute sets followed by an afterparty at the National Arts Centre with music curated by DJ del Pilar.

“I’m so pleased that we are able to bring this intimate celebration of music back to Parliament Hill with a brand-new look,” said Amy Terrill, Executive Vice President of Music Canada. “Music is an essential part of Canada’s national identity and a significant economic contributor. Capital Beat is an incredible way to emphasize the value of music and the importance of Canada’s music creators.”

“It is both a pleasure and an honour for Québecor to help foster an exchange between artists, politicians and industry people but, most of all, we are happy to bring these remarkable musical talents to the attention of our nation’s parliamentarians,” said J.Serge Sasseville, Québecor’s Senior Vice President, Corporate and Institutional Affairs.

Capital Beat is an invitation only event. For more information or to RSVP, visit www.capitalbeat.ca.

̶   Ends  ̶

For more information:

Corey Poole, Music Canada
cpoole@musiccanada.com
+1 (647) 808-7359

Hugo Delaney, Québecor
hugo.delaney@quebecor.com
+1 (514) 463-5880

 

About Music Canada

Music Canada is a non-profit trade organization that represents the major record companies in Canada, namely Sony Music Entertainment Canada, Universal Music Canada and Warner Music Canada.  Music Canada also works with some of the leading independent record labels and distributors, recording studios, live music venues, concert promoters, managers and artists in the promotion and development of the music cluster.

About Quebecor

Quebecor, a Canadian leader in telecommunications, entertainment, news media and culture, is one of the best-performing integrated communications companies in the industry. Driven by their determination to deliver the best possible customer experience, all of Quebecor’s subsidiaries and brands are differentiated by their high-quality, multiplatform, convergent products and services.

Quebecor (TSX: QBR.A, QBR.B) is headquartered in Québec. It holds an 81.07% interest in Quebecor Media, which employs more than 10,000 people in Canada.

A family business founded in 1950, Quebecor is strongly committed to the community. Every year, it actively supports more than 400 organizations working in the vital fields of culture, health, education, the environment and entrepreneurship.

Comments
view

Music Canada Newsletter: May 11, 2017

The first May edition of our bi-weekly newsletter is now in your inbox!

This week’s update begins with the launch of “Striking A New A-Chord,” our new Atlantic Canada music report, released at the 2017 ECMAs. We’ll also preview artist Miranda Mulholland’s upcoming speech at the Economic Club of Canada, and include information on Ottawa’s meet & greet with the new OMIC General Manager. As always, we will provide a list of music job opportunities, and a run down the latest Gold/Platinum certifications. The update will conclude with a recommended reading from Canadian Musician Magazine on the Value Gap, which features an interview with Music Canada President & CEO Graham Henderson.

Click here to access the May 11, 2017 edition of our newsletter. Not subscribed? Sign up to get Music Canada’s industry updates straight to your inbox every second Thursday.

Comments
view

Recommended Reading: Canadian Musician – “YouTube: Friend or Foe of the Music Industry?”

In the May/June 2017 issue of Canadian Musician magazine, journalist Michael Raine spoke with leaders in the Canadian music industry, including Music Canada’s President and CEO Graham Henderson, about the Value Gap and the industry’s complex relationship with the streaming giant.

Regarding YouTube’s assertion that the music community should be satisfied with the payments it receives from the service, Henderson said “it’s ludicrous because if they were on the same footing [as other streaming services], it wouldn’t be $2 billion, it would be $20 billion or $30 billion that they would be paying out and I can tell you we would live in a very, very different world. They would restore the old balance where there was enough money in the hands of independent and major labels so that they could actually invest in artists.”

Stuart Johnston, President of the Canadian Independent Music Association (CIMA), expressed similar concerns. “If YouTube were to pay rights holders even what Spotify pays for their free tier, it would be a significant and positive step forward for the independent community, but they don’t,” said Johnston. “So that business model – and I am going to say it over and over again – it devalues music. It is an unfortunate situation.”

Safwan Javed, an entertainment lawyer, songwriter and drummer, and VP of the Songwriters Association of Canada, spoke to the problems resulting from the safe harbour provisions. “Imagine the labels’ move with YouTube is to say, ‘We need to renegotiate our agreement,’ and YouTube says ‘no.’ So what’s the labels’ next move? If they want to go to a contentious and aggressive posture and say, ‘OK, we’re going to pull our catalog,’ well that’s all fine and the videos they’re making are not uploading, but other people are probably going to still be uploading stuff,” said Javed. “The general public will still be able to upload stuff, and sure you can try to police that, but policing that is exceedingly difficult and you’re spending a lot of resources on something that is essentially like a whack-a-mole that doesn’t stop.”

Raine highlights the growing chorus of artists that are speaking out and calling for reforms, specifically the artists petitioning the US Copyright Office to reform the Digital Millennium Copyright Act (DMCA), and the Focus On Creators initiative in Canada, which has sent a letter to to Minister of Canadian Heritage Mélanie Joly, which urges her to put creators at the heart of future policy.

The article is available online at http://canadianmusician.com/features/archives/214.

Comments
view

Miranda Mulholland to address the Economic Club of Canada on ‘Redefining Success in a Digital Marketplace’

On Wednesday, May 24, singer, songwriter, violinist, label owner and music festival organizer Miranda Mulholland will address the Economic Club of Canada on the reality for music entrepreneurs in the digital age.

Below is the event description:

Music unites us, bridges linguistic, cultural and income divides. Music heals. It connects. It provides a soundtrack to our greatest struggles and our highest triumphs.

Since the arrival of the digital age, music is more readily created, released and shared. It is available at our fingertips and it’s reaching more people than ever before.

With music’s intrinsic value in our lives and this new accessibility, one would expect that the people who create this unifying force would be thriving.

There is a widely held perception that the advent of the digital revolution has enhanced how music is created, money is made and creators’ lives are lived. There is a perception of a level playing field.

But it’s time for a reality check.

Join Artist and Entrepreneur, Miranda Mulholland as she talks about the creative process, reveals actual numbers, discusses how creators are faring in this new landscape and suggests a way forward.

The event runs from 11:30am – 1:30pm at the Toronto Marriott Eaton Centre (525 Bay Street). Lunch will be served. Tickets are available for purchase on the Economic Club of Canada’s website.

Miranda’s speech will be followed by a question and answer discussion with Kate Taylor, author, film critic and arts columnist at The Globe and Mail.

On November 1, 2016, Miranda shared her incredibly pertinent experiences as an artist entrepreneur operating in the digital age during her closing remarks at a speech delivered by Music Canada’s President and CEO, Graham Henderson, titled The Broken Promise of a Golden Age: How creators underwrote a tech revolution and were betrayed. Miranda’s remarks were so powerful they inspired the Economic Club of Canada to invite her back to headline her own event.

Be sure to get your tickets early, as this is sure to be a timely and impactful event!

VIDEO: Miranda Mulholland’s closing remarks at Graham Henderson’s speech to the Economic Club of Canada on Nov. 1, 2016

Comments
view

New report calls for development of an Atlantic Canada Music Strategy

A new report unveiled during the 2017 East Coast Music Awards: Festival and Conference today calls for the need to develop an Atlantic Canadian Music Strategy in an effort to strengthen the future of the region’s music sector.

Striking A New A-Chord, a report spearheaded by the East Coast Music Association (ECMA), Music Canada, and Music Canada Live, emphasizes that concentrated investment in the music industry is beneficial not only for those who work in the sector, but ultimately for the region as a whole.

“Music is fundamentally linked to Atlantic Canadian culture,” says Andy McLean, Executive Director of the ECMA. “This report clearly shows that – in addition to bolstering that identity – supporting this sector means helping small businesses, creating opportunities to attract and retain youth employment, and developing our artists to compete at an international level. The first step to harnessing these opportunities is creating a pan-Atlantic strategy.”

Delivered during a presentation at the Saint John Trade & Convention Centre this afternoon titled Stronger Together, the report also marks a landmark partnership between all five music industry associations – Musique/Music NB, Music Nova Scotia, Music NL, Music PEI, and the Cape Breton Music Industry Cooperative – who have committed to working with the ECMA, Music Canada, and Music Canada Live to establish this regional strategy.

“Atlantic Canada has one of the richest, most important – but fragile – music scenes in the country. Creating and executing a region-wide strategy will ensure the true economic, social and cultural potential of the industry, and its countless benefits for cities and towns, can be realized,” says Erin Benjamin, Executive Director of Music Canada Live. “This is an historic moment in the timeline of East Coast music, and huge milestone for all of the associations involved. Congratulations, Music Canada Live looks forward to supporting the hard work ahead.”

The report, which was officially commissioned at last year’s ECMAs in Sydney, NS, underscores a number of challenges facing musicians and industry professionals in Atlantic Canada including stringent liquor laws, changing business models in the industry, restrictions on live venues, and lack of industry infrastructure. The latter is a key focus for the proposed strategy, calling the shortage of music publishing companies, agents, publicists, bookers, and artist managers in the region “alarming.”

Among other recommendations, Striking A New A-Chord also calls for the development of an Atlantic Canadian Music Fund that would seek to provide resources to complement existing programs, attract investment, and develop and incentivize musicians and music related businesses to reinvest in Atlantic Canada.

“Targeted investments in other parts of Canada have strengthened those music communities and stimulated additional private spending as well, leading to increased activity in the sector,” says Amy Terrill, Executive Vice President of Music Canada. “We look forward to working with government and industry stakeholders to find ways to complement the existing programs available to the music community in Atlantic Canada in order to create a stronger, more sustainable Atlantic music sector.”

The entire Striking A New A-Chord report is available to read HERE.

Comments
view

Music Canada Newsletter: April 27 2017

The second April 2017 edition of our bi-weekly newsletter is now in your inbox!

This week’s update begins with IFPI’s Global Music Report 2017, news on Universal Music Canada’s future headquarters, and an update from the Ontario Music Fund. We also include a recap of the 2017 Music Cities Summit at Canadian Music Week, and preview the 13th Annual Music Monday coming up next week. As always, we provide a list of industry job opportunities, and recap the latest Gold/Platinum certifications and award presentations since our last update.

Click here to access the April 27, 2017 edition of our newsletter. Not subscribed? Sign up to get Music Canada’s industry updates straight to your inbox every second Thursday.

Comments
view

Canadians will sing together for 13 Annual Music Monday in support of music education

Students perform outside at Toronto’s Nathan Phillips Square for Music Monday 2016 (Photo: Bram Gonshor)

Thousands of students, musicians, parents, and community members from Charlottetown to Vancouver will come together next Monday to celebrate the 13th Annual Music Monday to raise awareness for music education. Created by the Coalition for Music Education, Music Monday will bring the nation together for the simultaneous singing of the Music Monday anthem, Sing It Together, 12:30pm EST on Monday, May 1, 2017.

Honouring Canada 150, this year’s National Showcase Concert will take place in Ottawa with a free concert at the National Arts Centre hosted by MP Seamus O’Regan and opera singer Measha Brueggergosman. The event will be live-streamed at MusicMonday.ca from 12-1pm EST.

Showcase Concert performances include a mass children’s choir, the Métis Fiddle Quartet, singer-songwriter Mimi O’Bonsawin, a harp and soprano duo, youth jazz and strings ensembles, and the Ottawa Junior Youth Orchestra. Songwriter Marc Jordan, musicians from the official Music Monday video, and the children’s choir will also lead the nationwide sing-along of Sing It Together.

Sing It Together was commissioned by the Coalition for Music Education and features Inuit throat singing, Métis fiddling, Indigenous drumming, and children’s choirs in celebration of Canadian diverse and vibrant musical heritage.

Events are scheduled in communities across Canada, and participants are encouraged to join the conversation using the hashtag #MMC2C2C.

Comments
view

Canada climbs to sixth largest global recorded music market in IFPI’s Global Music Report 2017

Toronto, ON – April 25, 2017:   Today the International Federation for the Phonographic Industry (IFPI) released its Global Music Report 2017, which shows Canada is now the sixth largest recorded music market on the planet, surpassing Australia.

The annual Global Music Report compiles revenues from physical and digital sales, streaming, synchronization and performance rights, to provide a ‘state of the industry’ snapshot while highlighting innovation and investment within the industry as it progresses further into the digital age.

Highlights of Canada’s 2016 music revenues:

  • Overall recorded music revenues rose 12.8% in 2016 and totalled CAD $489.4 million
  • Digital music revenues accounted for 63% of recorded music revenues in 2016
  • Total streaming revenues, including subscription and ad-supported streaming, more than doubled in 2016, rising from USD $49.82 million to an impressive USD $127.8 million
  • Subscription audio streaming generated the majority of all streaming revenues in 2016 at USD $94.45 million, compared to USD $15.72 million from ad-supported audio streaming and USD $17.59 million from video streams
  • Digital revenues grew to USD $233 million in 2016, up from USD $170 million in 2015
  • Revenues from physical sales continue to decline, falling to USD $99 million in 2016 from USD $114.4 million in 2015

Though music consumption around the world continues to rise to never-before-seen levels, the “value gap” remains a significant problem, as the revenues returned to music creators have not kept pace with music consumption.

“I am happy to see Canada regain its position as the sixth largest recorded music market in the world,” said Amy Terrill, Executive Vice President of Music Canada. “While the growth in overall revenues, driven by a huge increase in subscription audio streams is very encouraging, the music community must remain united and vigilant in fixing the value gap. I urge the Canadian federal government to put creators first in any future policy decisions, such as the upcoming Copyright Act review in 2017, so that creators can be properly compensated for the record levels of music consumption we’re witnessing.”

“The whole music community is uniting in its effort to campaign for a legislative fix to the value gap and we are calling on policymakers to do this,” said Frances Moore, chief executive of IFPI, in the report release. “For music to thrive in a digital world, there must be a fair digital marketplace.”

Key figures from global recorded music revenues:

  • Global revenue growth: +5.9%
  • Digital share of global revenues: 50%
  • Digital revenue growth: +17.7%
  • Growth in streaming revenues +60.4%
  • Physical revenues: -7.6%
  • Download revenue: -20.5%

Canada’s ascension to the sixth largest market follows IFPI’s announcement in February that Drake was named Global Recording Artist of 2016. Justin Bieber and The Weeknd took the number five and number ten spots, respectively, as Canadians occupied three of the top 10 positions.

Today’s Global Music Report 2017 shows that albums by Canadian artists performed very well at home in 2016, with six of the top ten album spots occupied by Canadian artists, including Drake’s Views at number one. Other Canadians in the top albums chart include Céline Dion, Leonard Cohen, Justin Bieber, The Weeknd, and The Tragically Hip.

Comments
view

Universal Music Canada to open new office, recording studio, and live music venue in Downtown Toronto

It’s official; Universal Music Canada will move to downtown Toronto in 2018.

In an announcement Tuesday outside their future location at 80 Atlantic Ave., Universal Music Canada President and CEO Jeffrey Remedios revealed the company’s plans to move the from their North York office to the Toronto tech hub located in the city’s west end.

“80 Atlantic will be the next phase of the growth and evolution of our city’s music community as we build greater resources and support for artists, enabling them to fully refine their craft at home,” said Remedios outside the new location across from Lamport Stadium.

The new facility will be “so much more than a record label’s office,” as Remedios revealed plans for recording, live performance, content creation, and fan-focused spaces, which will be open to independent artists.

Toronto Mayor John Tory was also on hand for the announcement, praising Universal’s move, Remedios’ initiative, and the impact this will have on Toronto’s music scene.

“Universal is on the edge of innovation and digitization that continues to transform music and every aspect of our lives,” said Tory. “This is the kind of creativity and innovation that I want to see in every corner of Toronto.”

“Musicians attract other musicians,” Tory added, “and that is good for the soul of the city.”

The afternoon announcement featured a performance by Universal recording artists The Beaches, named after their east-end Toronto neighbourhood. The full announcement was live-streamed by Universal Music Canada, and is available to watch below.

Comments
view

Minister McMahon announces 2017 Ontario Music Fund recipients at Canadian Music Week

Today at the opening to the Music Summit at Canadian Music Week, the Hon. Eleanor McMahon, Minister of Tourism, Culture and Sport, announced the 2017 Ontario Music Fund grant recipients. The province is investing $15 million through 190 new grants that will help music businesses and artists across the province increase music production and attract new audiences.

The release highlights that the Ontario Music Fund has supported the sale of over 5.6 million recordings domestically and more than seven million recordings internationally since the program was created in 2013 and made permanent two years later. Almost four million people have attended live music events supported by the fund, featuring more than 4,000 performances by Ontario artists.

“Ontario is home to a diverse music industry that draws people from all over to take advantage of our world class recording facilities and to experience our vibrant live music scene,” said McMahon in the release. “Ontario is the best place to record and perform music in Canada, and through the Ontario Music Fund our government continues to invest in this dynamic sector.”

McMahon made the announcement during Canadian Music Week, which receives funding from the OMF that supports its many initiatives, including summits, an international marketplace, industry awards, and live music events. The Canadian Music Week Festival will showcase over 800 artists at more than 40 venues over five nights in downtown Toronto.

 

Joining McMahon on stage was Karen Thorne-Stone, President & CEO of the Ontario Media Development Corporation (OMDC), the organization that administers the fund.

“Ontario’s music is enjoyed across Canada and on the world stage,” said Thorne-Stone in the release. “Through the Ontario Music Fund, OMDC is proud to support the growth of this vibrant industry where strong companies and emerging artists alike contribute to Ontario’s employment, economy and quality of life.”

“As a recipient, Canadian Music Week can attest to the effectiveness of the Ontario Music Fund,” added Neill Dixon, President of Canadian Music Week. “The investment we’ve received bolsters our ability to attract international companies and our status as ‘ground zero’ for global interest in Ontario artists. The Government of Ontario can rightfully take a bow for amping up interest in Canadian artists around the world with this initiative. And we applaud them for it.”

The full list of 2017 Ontario Music Fund recipients is now available on the OMDC website.

Comments

This website made possible with the support of the Ontario Media Development Corporation.