Music Canada

Gold & Platinum

Join Mailing List

Music Canada

Gold & Platinum

 Music Canada

News

view

The Chainsmokers presented with Double Platinum awards at VELD Music Festival

chainsmokers

American DJ duo The Chainsmokers were presented with Canadian award plaques this weekend prior to their massive set at Toronto’s VELD Music Festival. The unique custom plaques commemorate the Double Platinum certifications of the summer anthems “Roses (ft. Rozes),” and “Don’t Let Me Down (ft. Daya).”

The duo shared the news with their fans via Twitter, thanking Sony Music Canada for their efforts. The duo also thanked their Canadian fans for their energy during their performance with a unique video that provides a glimpse at their view from the VELD main stage.

The Chainsmokers will return to Canada this weekend for a performance at Montreal’s ÎleSoniq festival on Friday, August 5, before continuing on an international tour for the remainder of 2016.

Comments
view

Music Canada voted onto IFPI’s Main Board

Graham_headphones3

Graham Henderson, President & CEO of Music Canada

Graham Henderson, President & CEO of Music Canada, has been voted onto the Main Board of IFPI, the organization that represents the recording industry worldwide. This marks the first time a representative from Canada has held a position on the Main Board. In addition, Music Canada now has a seat on IFPI’s ILC (International Legal Committee), a group of leading legal experts from IFPI and its member organizations.

IFPI (International Federation for the Phonographic Industry) represents the interests of the recording industry worldwide. IFPI’s mission is to promote the value of recorded music, campaign for record producer rights and expand the commercial uses of recorded music in all its member markets. Its membership comprises around 1,300 major and independent music companies in 62 countries.

The Main Board provides direction and guidance from leading global organizations, markets and music companies to steer IFPI’s priorities. Currently, the Main Board is comprised of representatives from major and independent labels, as well as regional and national trade associations.

“I am honoured that Music Canada will have the opportunity to represent Canada’s music labels on an international level,” says Graham Henderson. “As the music industry continues to adapt alongside new technology, I am proud that Music Canada will be able to collaborate with international colleagues on issues of crucial importance to artists and rights holders worldwide.”

According to Canada’s Department of Heritage, Canada is the third largest exporter of musical talent in the world.

Comments
view

Creative BC launches Sound Recording Pilot Program

The first program of the $15 million, provincially supported, BC Music Fund, has officially launched. The Sound Recording Pilot Program is designed to support long term sustainability of British Columbia’s sound recording industry, and to help support BC studios in attracting Canadian and international business.

Administration of the BC Music Fund is being carried out by Creative BC, who will announce additional programs on October 18, 2016, to compliment the four streams the Fund aims to support and promote. Those streams are music company development, live music performance, distant location tour/export market development, and industry development. To date, no grants have been distributed.

“British Columbia has become a hub for creation and innovation, and we are proud of the musical talent and technical expertise we have in our province,” said Shirley Bond, Minister of Jobs, Tourism and Skills Training in a release. “Creative BC’s Sound Recording Pilot Program, funded as part of the BC Music Fund, will help increase sound recording activity in our province, and encourage more artists to produce their work here in British Columbia.”

The sound recording program will aid record labels, or other eligible applicants, by allowing them to recuperate 50% of expenditures associated with recording activities up to a maximum of $75,000. Eligible sound recording projects must have a budget of $3,000 or higher.

The Sound Recording Pilot Program has a total budget of $500,000, and applications will be evaluated on a first come, first served basis until the budget is fully committed, or until November 30, 2016. At that point, Creative BC will reassess the structure of the program.

Creative BC is holding information sessions on the program on August 10 and August 11. Interested applicants are invited to attend the sessions in Vancouver to learn more about the application process and the BC Music Fund. Transcripts of the sessions will be made available on Creative BC’s website for those unable to attend.

Interested parties are also invited to provide feedback though the BC Music Fund Pilot Program Survey. The survey will help Creative BC assess the program’s overall benefit to the community, and provide insights for the development of additional future programs to support the BC music sector.

Creative BC has also set up a BC Music Fund mailing list to keep the industry informed with news about the fund’s progress and additional programs.

The BC Music Fund was announced by Premier Christy Clark last February, during a release event for Music Canada’s report BC’s Music Sector – From Adversity to Opportunity. The report encouraged decisive action from the provincial government, municipalities and stakeholders to put BC’s music sector firmly back on the map and secure the benefits it can generate, and it is very encouraging to see that action take shape with the launch of the Sound Recording Pilot Program.

Comments
view

Music Canada’s Amy Terrill discusses the recent isoHunt settlement on Roundhouse radio

Music Canada’s Executive Vice President, Amy Terrill, appeared on Vancouver’s Roundhouse radio 98.3 to discuss the recent settlement reached between isoHunt and Canadian and international music companies. This settlement ends litigation originally filed in 2010, and isoHunt has agreed to a court order finding them liable for infringing the rights of music companies in their recordings.

The discussion begins at the 31:25 mark. Listen here: http://cirh.streamon.fm/listen-pl-4015

For music fans and consumers, this settlement is a step forward towards a thriving legitimate online music marketplace. For those who build businesses by enabling copyright infringement, this settlement sends a message that they will face legal consequences for their actions.

Amy affirmed that the industry must remain vigilant on the legal side, but she stressed the need to work very closely with all of the legal services that are providing fantastic options for consumers. Canada is home to a vast array of legal digital services that support artists and labels.

In addition to the isoHunt settlement, Amy discussed the evolving forms of music piracy like stream-ripping, and how internet service providers can help combat copyright infringement. She also touched on copyright modernization, and the upcoming review of Canadian copyright laws in 2017.

Comments
view

Canadian music companies successfully settle legal action against isoHunt

MC smallIFPI Small

FOR IMMEDIATE RELEASE

Vancouver, 25 July 2016:  Canadian and international music companies have settled litigation against isoHunt Web Technologies Inc. (“isoHunt”) and its founder Gary Fung (“Fung”) with the entering of orders by consent against isoHunt and Fung.  The settlement ends a lawsuit filed in 2010 alleging substantial copyright infringement of music on the isoHunt site, as well as an opposing action filed by isoHunt and Fung.

isoHunt and Fung agreed to a court order finding them liable for infringing the music companies’ rights in their recordings, which were made available for BitTorrent file-sharing through isoHunt’s websites. Fung and isoHunt further agreed not to be associated with any service that makes the music companies’ recordings available without authorization, including by BitTorrent or any other file-sharing technology.

“Music companies in Canada stand shoulder-to-shoulder in the fight against illegitimate sites that distribute massive volumes of creative works without compensation to creators,” said Graham Henderson, President & CEO of Music Canada. “Thousands of Canadian creators, our creative industries, and their employees are directly harmed by these activities. This settlement is a step forward towards providing consumers with a marketplace in which legitimate online music services can thrive.”

isoHunt was one of the largest unauthorized BitTorrent sites in the world, offering access to a vast array of music and films for instant download by millions of users. It operated out of Vancouver with worldwide reach.

“Courts all over the world have confirmed that websites such as isoHunt infringe rights”, said Frances Moore, Chief Executive Officer of IFPI. “Artists, creators and record companies pay a heavy price for that infringement, in lost revenues, lost jobs and lost investment. This settlement sends a strong message that anyone who builds a business by encouraging and enabling copyright infringement faces legal consequences for these actions.”

A timeline of legal activities involving isoHunt:

  • 2008 – isoHunt files a petition in British Columbia Supreme Court against Canadian music companies, seeking to have its BitTorrent file-sharing site declared legal under the Canadian Copyright Act;
  • 2009 – The British Columbia Supreme Court rejects isoHunt’s application, and grants the Canadian music companies’ application to have the petition proceed by way of an action or full trial. isoHunt files such an action;
  • 2009 – A US federal district court finds isoHunt liable for copyright infringement in a case brought by the Motion Picture Association of America (MPAA), citing unchallenged evidence that 95% of the files traded through isoHunt’s sites were likely infringing;
  • 2010 – Two dozen Canadian and international music companies file a lawsuit against isoHunt and Fung in British Columbia Supreme Court, alleging massive copyright infringement and seeking damages;
  • 2012 – The Canadian government passes The Copyright Modernization Act (Bill C-11), which ensures that businesses that enable infringement can be held liable for the activities they facilitate. In public statements, government representatives identify isoHunt as the type of “enabler” that the law is intended to target;
  • 2013 – A US federal court of appeals unanimously upholds the US district court’s decision;
  • 2013 – isoHunt and Fung agree to halt all operations worldwide and are deemed liable for a judgment of US$110 million in the US proceedings;
  • 2016 – by way of a consent order filed in the Canadian proceedings in British Columbia Supreme Court, isoHunt and Fung are liable for CAD$55 million in damages and an additional CAD$10 million in punitive damages.  isoHunt and Fung further agree not to be associated with any service that makes the music companies’ recordings available without authorization.

Despite these successful legal actions, piracy remains a significant problem for the music industry. IFPI estimates that 20 per cent of all fixed line internet users worldwide regularly access services offering infringing music. A recent report by the Digital Citizens Alliance demonstrates that one in three piracy sites contains malware, which could result in identity theft, stolen banking information, or exposure to hackers.

̶   Ends  ̶

For more information:

Quentin Burgess, Music Canada

qburgess@musiccanada.com

+1 (416) 967-7272 x106

 

Adrian Strain, Director of Communications, IFPI

adrian.strain@ifpi.org

+44 (0)20 7878 7935

 

 

Notes for editors:

About Music Canada

Music Canada is a non-profit trade organization that represents the major record companies in Canada, namely Sony Music Entertainment Canada, Universal Music Canada and Warner Music Canada. Music Canada also works with some of the leading independent record labels and distributors, recording studios, live music venues, concert promoters, managers and artists in the promotion and development of the music cluster.

About IFPI

IFPI is the organisation that promotes the interests of the international recording industry worldwide. Its membership comprises some 1,300 major and independent companies in 61 countries. It also has affiliated industry associations in 57 countries.  IFPI’s mission is to promote the value of recorded music, campaign for record producer rights and expand the commercial uses of recorded music in all its member markets.

 

Comments
view

London City Council to consider two motions aimed at making the Forest City more music-friendly

Next week, City Council in London, Ontario, will consider two motions aimed at encouraging more music in the downtown core. The motions support the development of the London Music Strategy, which was unanimously supported by Council in 2014 with the goal of building London as a live music city and music tourist attraction. The Strategy has made major strides in recent years with the hiring of Cory Crossman, London’s first Music Industry Development Officer, and the subsequent launch of the London Music Office. The Office recently launched the London Music Census, which will assess London’s music assets as well as barriers to growth.

The first music motion before council would allow a temporary exemption of a by-law contained in the City of London Special Events and Procedures – Section 13, which states that amplified music cannot go later than 11pm, with a 15 minute grace period. The motion, put forward by Tourism London, asks Council to allow shows on September 8, 9, and 10, to go later than 11pm but no later than 1am. This would permit outdoor events during Country Music Week and the Canadian Country Music Association Awards, which London will host for the first time this fall. The pair of events are expected to directly benefit the local economy with the booking of approximately 2,000 hotel room nights and an anticipated economic impact of $6-8 million dollars. The motion was supported by London’s Community and Protective Services Committee on July 18th.

The second music motion before council is File Z-8625, a pilot project which temporarily amends Zoning By-law Z-1 to permit amplified music and dancing on existing patios in the Downtown Business Improvement Area and the Old East Village. The temporary amendment would run from August 1 to September 30, 2016. The motion was brought forward by the London Music Office, via the Culture Office, and was supported by the London Planning and Environment Committee last month.

“London is a diverse and eclectic music community that houses many great venues. Current by-law restricts amplified entertainment on commercial patios whether that is a radio, TV or musician singing,” said Cory Crossman, London’s Music Industry Development Officer. “To best serve the community, the Music Office wishes to launch a pilot project focused on establishing best practices to work forward from. This project is temporary and focused on creating practical solutions for amplified music on patios at restaurants, bars and dedicated venues.”

Music Canada research has shown that seemingly minor adjustments to municipal policies can paid major dividends in the growth of a city’s music scene. The Mastering of a Music City, which identifies best practices for growing a city’s music scene, cites an example from the State of New South Wales, which eliminated a special license needed by venues to host live music in 2009. Music-friendly policies allow music and culture to flourish in downtown areas. Creating a vibrant music scene not only brings economic benefits in the form of business activity and tourism, it adds a ‘cool’ factor to a city that can accelerate other benefits such as attracting and retaining investment and talent. For example, Montreal has invested heavily in its cultural district, the Quartier des Spectacles, which hosts over 30 venues and even more festivals, which, according to officials with the city of Montreal’s cultural office, has increased the quality of life for those living and working there.

The two motions before Council are indicative of the continued growth of the London Music Strategy, and a sign that the London Music Office, Tourism London, and the London Arts Council are committed ensuring the Forest City is a music-friendly city.

Comments
view

Polaris Prize reveals 2016 Short List nominees

This morning, the Polaris Music Prize, which honours the year’s best Canadian album, revealed the 2016 Short List nominees. The list includes:

Black Mountain – IV

bm
Basia Bulat – Good Advice

Basia_Bulat_Good_Advice_Pack_Shot
Grimes – Art Angels

grimes-art-angels

Carly Rae Jepsen – E•MO•TION

carly-rae-jepsen-emotion-1024x1024
Kaytranada – 99.9%

kaytranada
Jessy Lanza – Oh No

jessy-lanza-oh-no-album
PUP – The Dream Is Over

pup
Andy Shauf – The Party

andy-shauf
U.S. Girls – Half Free

usgirls3
White Lung – Paradise

whitelungparadise

The winner will be determined at the Polaris Gala, happening September 19, 2016 at The Carlu in Toronto. The gala, which will be livestreamed via CBC Music’s Facebook page and YouTube channel, will be hosted by Tom Power, CBC Radio 2 Morning host and Polaris jurist, and Amanda Parris, host of CBC Radio 2’s Marvin’s Room and CBC’s Exhibitionists.

The winning artist will receive a $50,000 cash prize, while the nine other Short List artists will receive $3,000 courtesy of Slaight Music.

The Polaris jury consists of journalists, broadcasters, bloggers and programmers from across Canada, and the winning album is based solely on artistic merit, without consideration of genre or record sales. The prize’s past winners are Buffy Sainte-Marie (2015), Tanya Tagaq (2014), Godspeed You! Black Emperor (2013), Feist (2012), Arcade Fire (2011), Karkwa (2010), Fucked Up (2009), Caribou (2008), Patrick Watson (2007), and Final Fantasy / Owen Pallett (2006).

 

Comments
view

Canadian Country Music Association announces 2016 CCMA Award nominees

CCMA_2016awards_1200x630fin

Today, the Canadian Country Music Association revealed the nominees for the 2016 CCMA Awards, taking place in London, Ontario. 34 CCMA Award categories were revealed, with 8 of the categories being presented during the live CBC broadcast on Sunday, September 11, 2016, hosted by Jessi Cruickshank.

The nominees for the 2016 CCMA Fans’ Choice Award were revealed last night on ET Canada, featuring artists Dean Broady, Brett Kissel, Johnny Reid, Dallas Smith, and Yoan. Fans can vote beginning today, and have until 5 PM on September 11 to cast their vote.

2016 also marks the 40th anniversary of the Canadian Country Music Association bringing Country Music Week across the country. Along with the CCMA Awards, London will also host an industry conference and music festival, which includes a Songwriters’ Series, talent showcases, FanFest, and Legends Show that pays tribute to Canada’s most cherished country artists.

Country Music Week and the 2016 CCMA Awards are expected to generate an economic impact of $6-$8 million dollars for London. In 2015, Halifax, NS, exceeded economic impact estimates, generating $11.8 million in economic activity for the province, and $5.5 million in new money (GDP).

Performers for the broadcast will be announced throughout August. For more information, visit the full CCMA release.

Comments
view

Keith Urban and Brett Eldredge presented with Gold plaques in Toronto

Country superstar Keith Urban’s 2016 album Ripcord has been officially certified Gold in Canada, which the singer announced last Saturday during the second night of shows at Toronto’s Molson Canadian Amphitheatre. Midway through his set, Urban took a moment to announce the news and show his award plaque to his fans, thanking them for their continued support.

“All I can say is the record only came out a little while ago and you all already did this,” said Urban, as seen in a video of the special moment posted to his YouTube account. ”I love you Canada, thank you so much.”

The plaque also represents the certifications of Ripcord singles “Wasted Time,” certified Gold, and “John Cougar, John Deere, John 3:16,” certified Platinum.

Brett Eldredge, who’s supporting Urban for the remainder of his summer North American tour, was also presented with a Gold award plaque during the Toronto tour stop. Eldredge was presented with a plaque backstage by Warner Music Canada for the track “Lose My Mind,” which is his first Canadian Gold single since “Don’t Ya,” certified in 2013.

bretteldredgegold

Comments
view

CONNECT announces increased royalties for Canadian music labels

CONNECT Music Licensing has announced that an efficiency project undertaken with Re:Sound Music Licensing has resulted in increased royalty payments for Canadian rights holders.

Data improvement and other efficiencies have led to an increase of CAD$1.2 million annually for CONNECT’s members, who range in size from major record labels to artist-owned imprints.

Improvements in data streams provided by CONNECT’s members, and the creation of a single repertoire database have also freed up an additional CAD$1 million in accelerated royalty payments for labels and another CAD$1 million to the performers on recordings through Re:Sound’s member organizations ACTRA RACS, MROC and ARTISTI.

“The increased royalties are particularly notable as they result from our drive to improve royalty collection in line with international best practices, as opposed to adding revenues from a new music service or higher tariff award from the Copyright Board,” said Graham Henderson, President of CONNECT Music Licensing, in the release. “Organizations like CONNECT and Re:Sound exist only to serve rights holders, and today we have delivered on that promise.”

Royalty distributions, as a result of this project, will also happen faster on ongoing basis. Depending on the tariff, payout timelines have been accelerated by 1-6 months, a CONNECT rep told Billboard.

Reaction from Canada’s major labels acknowledged their contribution through data stream improvements:

Members of Canada’s music industry also shared the positive news:

Coverage of the increase in royalties for Canadian rights holders has also been featured in Canadian Musician and FYI Music News.

Comments

This website made possible with the support of the Ontario Media Development Corporation.