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Lukas Graham presented with Gold/Platinum award plaques in Toronto

Lukas Graham recieving their Gold/Platinum awards in Toronto. (Photo courtesy of Warner Music Canada)

Grammy-nominated Danish group Lukas Graham were in Toronto Wednesday amidst their North American tour for a highly anticipated show at REBEL (formerly Sound Academy). As the band pointed out during their performance, the show was the second largest in North America during this tour.

Prior to taking the stage, the group, fronted by lead songwriter Lukas Graham Forchhammer, were presented with a 6X Platinum plaque by Warner Music Canada for their breakout hit “7 Years.” The group was also presented with a Gold plaque for “Mama Said.” Both tracks can be found on Lukas Graham’s self-titled 2015 sophomore album.

The video for “Mama Said” can be viewed below.

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Buffy Sainte-Marie announced as 2017 Allan Waters Humanitarian Award recipient

The Canadian Academy of Recording Arts and Sciences (CARAS) has announced iconic singer-songwriter, multi-instrumentalist, social activist, educator, philanthropist and visual artist Buffy Sainte-Marie as the recipient of the 2017 Allan Waters Humanitarian Award, presented by Bell Media. The award, which began in 2006 with recipient Bruce Cockburn, recognizes an outstanding Canadian artist whose humanitarian contributions have positively enhanced the social fabric of Canada and/or whose impact can be felt worldwide.

“It’s our privilege to present the legendary Buffy Sainte-Marie with the 2017 Allan Waters Humanitarian Award,” said Randy Lennox, President, Broadcasting and Content, Bell Media. “Her dedication to improving the lives of Indigenous people is truly humbling. We look forward to celebrating this iconic artist and her inspiring philanthropic work at this year’s JUNO Awards.”

Born on the Piapot Plains Cree First Nation Reserve in the Qu’Appelle Valley in Saskatchewan, Sainte-Marie is celebrated for her thought provoking lyrics and her passion for supporting Aboriginal people. In 1964, she became well known for her anti-war peace anthem “Universal Soldier,” and was one of the first people to merge pop and Aboriginal music with her 1976 hit “Starwalker.” Sainte-Marie’s 2015 album Power in the Blood won the 2016 JUNO Awards for Aboriginal Album of the Year sponsored by Aboriginal Peoples Television Network and Contemporary Roots Album of the Year, as well as the Polaris Music Prize.

“I’ve had some great partners in mobilizing my ideas in art, education and technology, especially the W.K. Kellogg Foundation who taught me that there’s a difference between an administrator and a visionary. Both are important but visionaries are seldom pushy in that business way that administrators learn; and visionaries don’t think in corporate pecking order terms so often get squashed out in normal business systems,” said Sainte-Marie. “I’ve been lucky enough to work in both worlds, and although my timing has sometimes been off and gotten my big mouth into trouble, other times, with the help of other people, I’ve been effective beyond my expectations. So I thank all my colleagues in and out of the music business for helping put my songs to work.”

This year’s award will be presented at the JUNO Gala Dinner & Awards presented by SOCAN on Saturday, April 1, 2017 at the Shaw Centre in Ottawa, Ontario.

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National Music Centre reveals programming for Bell Let’s Talk Day at Studio Bell

On January 25, 2017, Canadian musicians, including noted ambassadors Serena Ryder and Stefie Shock, will join millions of Canadians across the country in recognizing the 7th annual national Bell Let’s Talk Day, which aims to end the stigma surrounding mental illness. For every text, call, tweet, Instagram post, Facebook video view and Snapchat geofilter,  Bell will donate 5¢ more towards mental health initiatives in Canada.

In Calgary, AB, the National Music Centre will host a full day of programming focusing on mental health and music at Studio Bell. Singer-songwriter Séan McCann, a passionate advocate for mental health awareness, will play an evening concert following the day of free programming, which includes a mental health exhibition featuring regional community partners, and a lunchtime music therapy presentation with celebrated music therapist Jennifer Buchanan.

“The power of music to explore, treat and combat stigma around mental health is undeniable, and the National Music Centre is proud to partner with Bell Let’s Talk and a host of community partners to become part of this important national discussion,” said Andrew Mosker, President and CEO for NMC. “We’re also delighted to host Séan McCann as an artist in residence and look forward to him sharing some of his inspiring stories and music with us on January 25.”

At 7:00 pm, McCann, a founding member of Newfoundland’s multi-platinum selling group Great Big Sea, will perform a 90-minute concert featuring the stories behind his songs, a look into his recent artist residency, and incredible music. “I believe that music is strong medicine and that a song can save your life,” said Séan, who left the band in 2013 to deal with both alcohol addiction and coming to terms with the sexual abuse he suffered as a young man. Since then, Séan has been using his words and music to bring healing into his life and the lives of others.

“Bell Let’s Talk is proud to partner with the National Music Centre and Séan McCann to celebrate Bell Let’s Talk Day in Calgary,” said Mary Deacon, Chair of Bell Let’s Talk. “Featuring the therapeutic and healing powers of music for those living with mental illness is a wonderful way to participate in the conversation about mental health on Bell Let’s Talk Day.”

While tickets to McCann’s performance are sold out, you can still pop by on January 25 from 10 am to 5 pm for more mental health programming, courtesy of Bell.

Programming Schedule for Bell Let’s Talk Day at Studio Bell

10:00 am – 5:00 pm     Open to the public and community booths in Canada Music Square

12:00 pm – 1:00 pm     Session with leading music therapist Jennifer Buchanan

2:00 pm – 3:00 pm      NMC President’s Tour highlighting the healing and restorative power of music

3:00 pm – 3:30 pm       Kimball Theatre presentation “Why does Music make us feel emotions?”

7:00 pm – 8:30 pm       NMC and Bell Let’s Talk present Séan McCann (doors open at 6:30 pm)

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Music Monday to celebrate Canada’s 150th Anniversary with new anthem in support of music education

On Monday, May 1, 2017, the Coalition for Music Education will celebrate Music Monday with a cross-country sing-along to raise awareness for music education. The annual event celebrates the unifying power of music as thousands of Canadians join in singing and performing the Music Monday anthem at their schools and other community centres.

This year, inspired by Canada’s 150th anniversary, the Music Monday sing-along will be led by a live-streamed showcase from the nation’s capital. In recognition of the sesquicentennial year, the 2017 Music Monday anthem will celebrate Canada’s musical heritage in its lyrics and instrumentation. The anthem, titled Sing It Together, focuses on the power of voices, and “asks us to sing for joy, for truth, for healing, and for freedom,” explains the event press release. The recording features Inuit throat singing, Métis fiddling, Indigenous drumming, and children’s choirs in celebration of Canadian musical heritages.

Sing It Together was co-written by JUNO Award winners Marc Jordan and Ian Thomas, and was recorded at Canterbury Music in Toronto, with additional layers recorded at Ottawa’s Audio Valley Recording Studio, and Hamilton’s St. James Anglican Church.

“Music is the landscape of Canada,” said Marc Jordan. “We hope it will be a song that illuminates the mosaic of music and cultures that thrive in every corner of the country.”

To join the Canada-wide chorus of students and community groups in singing and performing the song on Music Monday, visit the Get Involved section of the Music Monday website.  Arrangements, audio-visual learning tools, and lyrics in several languages will be made available on the website ahead of the event.

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Nominations are open for the 2nd annual Live Music Industry Awards

Music Canada Live and Canadian Music Week (CMW) have announced the second annual Live Music Industry Awards, presented by El Mocambo, will be taking place Wednesday, April 19, 2017, from 4-6pm at the Sheraton Centre Toronto Hotel. The Awards will be held during CMW 2017 and will recognize and celebrate the best of the live music business sector.

Nominations are now open until January 27, 2017. Live Music Industry Awards are presented in the following categories:

Festival

  • Family Program of the Year
  • Small Festival of the Year (6,000 and under)
  • Medium Festival of the Year (6,001 – 15,000)
  • Major Festival of the Year (15,001+)
  • Not-For-Profit Festival of the Year
  • Green Operations Festival of the Year

Venues

  • Best Teamwork in an Arena
  • Best Teamwork in a Soft Seat Theatre / Performing Arts Centre
  • Best Teamwork in a Major Club (1,000+ Capacity)
  • Best Teamwork in a Medium Club (300 to 999 Capacity)
  • Best Teamwork in a Small Club (less than 300 Capacity)

General Live Music Awards

  • Agent of the Year (Canada)
  • Agent of the Year (International)
  • Manager of the Year
  • Road Warrior of the Year (Tour Manager)
  • Production Manager of the Year (Festival/Concert)
  • Concert/Club Talent Buyer of the Year
  • Festival Buyer of the Year
  • A/V Production Company of the Year
  • Brand/Music Program of the Year
  • Sponsorship Activation of the Year
  • New Touring Artist of the Year
  • Legends of Live

Music Cities

  • Music City of the Year Canadian

“Last year the first-ever LMIA’s proved beyond a doubt that we have much to celebrate, by acknowledging lives’ incredible contributions to the industry.  This year, we continue to shine a spotlight on this passionate and dedicated community – one that works tirelessly to put artists and fans together. This effort is at the heart of what Music Canada Live is about, and we are thrilled to co-present the second annual LMIA’s in 2017 with CMW on behalf of our members and Canada’s live music industry,” said Erin Benjamin, Executive Director of Music Canada Live.

In addition to the Live Music Industry Awards, Canada’s live sector will be in greater focus during CMW 2017 with an expanded, 2-day Live Music Summit, running from April 19-20.

Visit the Live Music Industry Awards website for more information, including criteria and previous winners, or to submit nominations for 2017’s awards.

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Creative BC and Province announce four new BC Music Fund programs

In two separate announcements this month, Creative BC has detailed the allocation of $8.21 million from the BC Music Fund, which will support four new programs, as well as a funding boost for Music BC.

On December 1, Ministers Shirley Bond and Peter Fassbender, along with Creative BC CEO Prem Gill, announced $4.41 million in funding allocations, $1.41 million of which will support the expansion of Music BC’s activities in the areas of export & professional development, and touring & expanded showcase opportunities.

“As the voice of British Columbia’s music industry, we continue to provide funding to support the growth and sustainability of the province’s music community — artists, music professionals, and other creators,” said Music BC’s Executive Director, Alex Grigg in a press release. “This additional $1.41 million will allow us to provide greater support for our industry partners and expand our own network to reach more of the province’s artists and industry professionals. We applaud and thank the support from Creative BC and the Province for this opportunity and partnership.”

A further $3 million has been allocated to the Sound Recording Program. This program follows the Sound Recording Pilot Program, which distributed $500,000 for sound recording projects in its first stage. Following industry feedback from the pilot program, the expanded criteria for the Sound Recording Program allows for increased access for unincorporated studios and artists. More information on the Sound Recording Program, including eligibility guidelines and the application process, is available on Creative BC’s website.

On December 15, Creative BC and the Province of British Columbia held an announcement at 604 Records on the allocation of $3.8 million more from the BC Music Fund. The announcement featured a performance by celebrated BC songwriter Frazey Ford.

The $3.8 million will support three brand new funding programs:

The Live Music program will receive $2.5 million in dedicated support, available to BC-based festivals, venues, live music presenters and event producers. The program is intended to increase the number of live music performances within the province.

$1 million has been earmarked for Industry Initiatives, which according to Creative BC’s release will “support industry events and export activities, including industry conferences, trade missions, and collaborative export marketing, to further grow and showcase BC’s music industry.”

The Research program devotes $300,000 to projects that inform the growth, evolution and innovation of BC’s music sector.

“British Columbia’s music sector has seen immense growth and success, thanks to the contributions of our many talented artists,” said Shirley Bond, BC’s Minister of Jobs, Tourism and Skills Training and Responsible for Labour. “The funding announced today (December 15) from the BC Music Fund will serve to further support artists and live music related businesses including festivals, venues, and event producers, ensuring a strong sector for years to come.”

Below is the full video of the December 15 announcement.

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2016 Gold/Platinum Year-End Review

2016 was an exciting year for Music Canada’s Gold/Platinum Certification Program. On September 12, we unveiled the new Single Award, which accepts on-demand subscription service streams for the first time in the program’s history. The award replaces the Digital Download and CD Single awards, combining the digital and physical track sales with on-demand streams at a rate of 150:1. Brett Kissel was presented with the first Single Award at the 2016 CCMA Awards in London, ON, when he was surprised on stage with a plaque for “Airwaves.”

Click here for a full list of the 2016 album and track certifications.

We also unveiled new logos and branding for the program, which can be found on our award plaques and in our certification announcements on Twitter, Instagram, and Facebook. The new branding has allowed us to further interact with artists and their fans, who often share our announcement banners to to their followers. A new online certification portal was also introduced for our member labels, and we expect to reveal non-member certifications and award plaque orders through this portal in early 2017.

As a result of the new guidelines, we experienced a drastic increase in the total number of track certifications from 2015. Combining 2016’s Digital Download and Single awards, there were 495 track certifications in 2016 – a 75% increase from the 283 track certifications in 2015. 119 track certifications were from Canadian artists, a 72% increase from the 69 Canadian track certifications in 2015.

As well, we witnessed a new generation of artists receive their first Canadian certifications, including A Thousand Horses, Alan Walker, Alx Veliz, Andy Grammer, Chris Lane, D.R.A.M., Dan + Shay, Flume, Frenship, Gnash, Jon Pardi, Jonas Blue, Kelsea Ballerini, Kiiara, Klingande, Maren Morris, Miike Snow, Mike Perry, Niall Horan, Snakehips, Sonreal, Tinashe, Tory Lanez, Zara Larsson, Zay Hilfigerrr & Zayion Mccall, and Zeds Dead.

Mark Ronson had the highest certified track of 2016 with the Diamond certification of his Bruno Mars collaboration “Uptown Funk.” Adele‘s track “Someone Like You,” along with Pharell Williams‘ “Happy” and Hozier‘s “Take Me To Church” received the second highest certifications at 8X Platinum. The highest Canadian track certifications belonged to Justin Bieber with his tracks “Love Yourself” and “Sorry” reaching 7X Platinum.

The highest certification for a track released in 2016 belongs to Sia for “Cheap Thrills.” The Chainsmokers landed two Six Times Platinum certifications for their 2016 tracks “Closer” and “Don’t Let Me Down”. Country singer Blake Shelton earned seven Gold certifications, the most of any artist in 2016.

 

There were 75 album certifications in 2016, down from 133 in 2015. 26 of these album certifications were from Canadian artists, down from 51 in 2015.

Adele had the highest certified album with the Diamond certification of 25, while Justin Bieber‘s Purpose was the highest certified Canadian album at Quadruple Platinum. Celine Dion‘s Double Platinum certification for Encore un soir was the highest certification for an album, both international and Canadian, released in 2016. Drake‘s Views, 2 Freres’ Nouse autres, and Michael Buble’Nobody But Me were the second highest Canadian album certifications, each earning Platinum status.

Canadian artist Danny Fernandes received the final Physical Single certification for his “Dear Life” CD single. 5000 physical CD singles were sold across National Basketball League of Canada arenas benefiting World Vision Canada/Artist Collective. Francophone artist Yoan‘s live concert DVD Live Au Centre Videotron was the only video released in 2016 to be certified, and it earned a Platinum certification.

Some of 2016’s Canadian Gold/Platinum certified artists were presented with awards plaques and a collection of photos of these artists can be viewed below:

 

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Music Canada’s Graham Henderson discusses his Economic Club speech and Focus On Creators on Canadian Musician Radio

Music Canada’s President and CEO, Graham Henderson, was recently interviewed by Canadian Musician’s Michael Raine for the Canadian Musician Radio podcast. Graham and Michael began by discussing Graham’s November 1 speech to the Economic Club of Canada, in which he gave an impassioned defence of creators’ rights. The conversation then flowed to the Focus On Creators initiative, which launched on November 29 with a joint letter to Canadian Heritage Minister Mélanie Joly signed by nearly 1,100 musicians, authors, playwrights, poets, songwriters and other creators, urging the government to put creators at the heart of future policy.

A common theme of both Graham’s speech and Focus On Creators is that our government must act to restore a fair and balanced working environment for creators before full-time creativity becomes a thing of the past.

“We are out of our enabling phase. We’ve enabled this new digital marketplace,” said Graham. “Very clearly, we created market distortions we didn’t intend, and now we are going to play the role, the government, will play the role of a leveler. We are going to restore balance.”

Graham spoke of the widespread support behind Focus On Creators from high profile Canadian artists and creators, but stressed the significance of the younger generation of artists who have added their names to the joint letter.

“What is just as important is the young artists. They’re signing up in droves because they’re the ones for whom this promise evaporated,” said Graham. “Our new generations of musicians are digital natives. There’s almost nothing about that environment they don’t know and they don’t understand…The problem is, they do it all, and they don’t get paid properly. They can’t afford rent. Prominent musicians who’ve had their music on 75 records, who have JUNOs, JUNO nominations, can’t afford rent. Ridiculous!”

The full interview is available on Canadian Musician Radio’s website. Graham’s interview begins at the 22:50 mark.

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Nominations open for Canada’s Volunteer Awards

Header 625x190Nominations are now open for Canada’s Volunteer Awards, which recognizes a not-for-profit organization, an individual, a group, or a business who is making a positive impact in their community. As Canada prepares to celebrate its 150th anniversary in 2017, it is important to acknowledge the tireless efforts volunteers put in to improve lives in our communities and country.

Awards will be presented in the following categories:

  • One (1) national award – Thérèse Casgrain Lifelong Achievement Award;
  • Five (5) regional awards – Emerging Leader, for young volunteers aged 18 to 30;
  • Five (5) regional awards – Community Leader, for individuals or groups of volunteers;
  • Five (5) regional awards – Business Leader, to recognize businesses that demonstrate social responsibility; and
  • Five (5) regional awards – Social Innovator, to recognize the contributions of not-for-profit organizations.

Nominees will be assessed according to six criteria: role, impact, reach, engagement, challenges, and inspiration. Award recipients will be recognized at a ceremony and will be able to choose a not-for-profit organization to receive a grant of $5,000 (regional awards) or $10,000 (national award).

The nomination period closes Friday, February 3, 2016.

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What was said: Senators Call for Urgent Review of Canada’s Copyright Board

Today at a press conference in Ottawa, members from the Standing Senate Committee on Banking, Trade and Commerce (Deputy Chair Joseph A. Day and Douglas Black) announced the release of their report on the operations and practices of the Copyright Board of Canada.

The press conference was live-streamed on Periscope, and an archive of the video is embedded below.

A selection of quotes from the event are included below.

Senator Joseph A. Day:
“Simply put: uncertain royalties mean uncertain paychecks. In our investigation, we found the Copyright Board to be slow and its practice very dated.
As the committee reviewed the Board, the most common comment from witnesses, and we heard from several witnesses, was that the board lacks timely decision making when it comes to establishing royalties. These tariffs are the bread and butter of Canadian artists who work in this community’s cultural sector, because they determine how much money businesses must pay in order to use the copyrighted material of the artist.”

“After reviewing the Board’s operations and practices, our committee’s sole recommendation is to call for a thorough, in-depth examination of the Copyright Board of Canada’s mandate, practice, and resources.  And examination of the Copyright Board of Canada’s mandate, practice, and resources should take place next year as part as the statutory, mandated review of the Copyright Act, the law that governs the Board. The Act is scheduled to have its statutory, five-year review of the Board next year, 2017, which is coming real fast. That is the opportune time not only to review the Act, but to delve deeper into the problems of the board.”

“So today, we are raising awareness about what we found when we talked to people who are intimately familiar with the Board’s work, and who are directly affected by that work of the Board. The one inescapable conclusion that the Copyright Board is not serving the Canadian copyright sector to the best of its ability, nor is it helping Canadian business.”

 

Senator Doug Black:
“As we all can agree in this room, and those who are listening, the cultural industries in Canada are a key component, not only to quality of life, but also to economics. And it is part of our review to ensure that impediments to the economics of Canada are dealt with.
And as Senator Day has so clearly identified, it was our observation that the Copyright Board, despite its best intentions, there is no maleficence here at all, but despite best intentions, the Board is not only not assisting the cultural industries, it is a block to the cultural industries. And we are recommending, as Senator Day indicates, that this needs to have a thorough examination.
We viewed ourselves like a G.P. – the patient came in, we analyzed the patient, and we said ‘my Goodness me’ – this requires the attention of some specialists. So we will over 2017, or the Government over 2017, will have a comprehensive review to understand what needs to be done to ensure the Copyright Board is working.”

“We also learned that the majority of members are part-time – so it’s unfair to expect that the job can get done. We learned of problems with files, we learned of problems with tariffs, we learned of process problems. So what we need to do is figure out what needs to get done, make some strong recommendations to correct it, and I think we also need to look at how its dealt with in our partner countries – how they deal with copyright in the U.K., in the U.S., in Japan. And I don’t know, but we need to look at that, because there will be some best practices and some models that we can utilize, and we’re going to ask the government to do this.
It’s very straightforward – the Copyright Board today is an impediment to the cultural industries in Canada. And there is no Senators that I know – and I would know them all – there is no Senator that would stand in support of any block to cultural industries in this country – it’s important to the quality of our life, and it’s important to our economics.”

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