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Tag archive: JUNOS 2018 (9)

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Amy Terrill’s remarks from the JUNOs 2018 Chairman’s Reception

Minister Joly, Ministers Beare and James, Mayor Robertson, Mark, Allan, industry colleagues and friends, it is my pleasure to speak to you this evening on behalf of Music Canada.

Before I go any further I also want to thank the BC government for its confidence in the music sector and continued investment.  The excitement is palpable.  Amplify BC will produce great dividends for BC communities, artists and the broader ecosystem.  Thank you.

Tonight I’d like to focus my remarks on the idea of challenging the status quo.

And to underline the importance of action – both individual and organizational.

Music Canada is proud to have made a commitment to leadership in our industry by among other things – refusing to do things one way simply because it’s the way it has always been done.

Our board – Shane, Steve and Jeffrey – and our staff team led by Graham are proud of our efforts to embrace and encourage new ideas with a bias towards action.

But don’t just take my word for it.  Let me give you a few examples.

It’s why we did something no one had done before in taking on the issue of Music Cities.

Why in 2011 we began to examine the way municipalities interact with their music communities and how they can grow the music economy for the benefit of the entire city but also specifically for artists and the larger music ecosystem.

Challenging the status quo is why our work resonated and is used on every continent.  It has led a dozen cities in Canada alone to begin the process of developing music strategies – most recently reflected in the exciting announcement yesterday by Mayor Robertson.

 

Our commitment to challenge the status quo also led us to broaden the conversation with provincial governments, stressing the importance of music as a regional economic driver, in addition to a cultural powerhouse.

Our commitment to challenge the status quo is why we won’t give up on our advocacy for quality music education for all young people – no matter where they live, or their family’s income.  There are simply too many benefits.  The focus on STEM – Science – technology- engineering and math – is deficient.  Arts and humanities must be on equal footing.  STEAM should be our goal.

Our commitment to challenge the status quo has also led us to help artists voice their concerns and solutions. It’s why we champion the work of the brilliant artist advocate Miranda Mulholland and encourage creators to get involved in the current copyright review.

And it’s why the theme of our JUNOs participation this weekend is our advocacy support for artists at every stage of their career.

One of the biggest challenges for music creators is the Value Gap. In an era of unprecedented music access and consumption, creators are receiving a fraction of what they should be paid for the use of their music, and a middle class of musicians – the JUNO nominees of today and tomorrow – is in serious jeopardy.

But we don’t have to simply accept the outdated laws that contribute to the Value Gap.

The status quo.

No.  We should all call upon the federal government to address safe harbours and industry cross-subsidies that undermine a viable marketplace.  And we – our friends at SOCAN and other partners – are doing just that.

And finally challenging the status quo is why we’ve begun an organizational review to ensure that we are ready to tackle current issues facing our community and to prioritize the values of inclusion and diversity.  It’s why we have led conversations on these vital topics –  including last year at CMW’s global forum when we focused on indigenous communities – and at our fall meeting – on gender inequality.  We’ll continue the conversation on inclusion and accountability in May at CMW.

Change will not happen naturally. If it did, we wouldn’t be where we are today.  In our industry. Or in society.  We would not be faced with inequality.

We can’t wait for a natural evolution to occur.

Sometimes change needs to be forced even if it’s uncomfortable and each one of us – as individuals – and as organizations have a responsibility to do our share.

So, to all our partners in the room who are also challenging the status quo, whether by diversifying your boards, mentoring and empowering women or other underrepresented groups to have a greater presence in music production or management, or across nominations categories right here at the JUNOs, we stand with you and we support you. To all who understand the contribution of Canadian artists and believe in the power of music to our economy, our culture and our educational system, let’s continue to work together to create the change we all believe in. Thank you.

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Mayor Gregor Robertson shares new details on the Vancouver Music Strategy during JUNOs Week in Vancouver

Vancouver’s Mayor, Gregor Robertson, announced this morning at the JUNO Host Committee’s Music Cities Forum that the Vancouver Music Strategy will be presented to council in summer of 2018. The strategy has been in development since mid-2016, led by the Vancouver Music City Steering Committee with input from an Advisory Committee.

“There’s no doubt we have enormous potential in music and sound, particularly given the scale of our creative industries,” Robertson told the Music Cities Forum crowd.

In a City of Vancouver release, Robertson expanded on the Strategy’s goals: “Vancouver is home to a growing number of world-class artists who are building a vibrant and diverse music scene in our city. The Vancouver Music Strategy will help our artists to thrive—not just survive—by boosting our creative economy and seizing opportunities to grow our local music industry.”

The Strategy will be informed by two concurrent studies that received support from the BC Music Fund’s Research Program: Music BC’s City of Vancouver Music Ecosystem study, also funded by FACTOR and conducted by Sound Diplomacy, and Music Canada Live’s Economic Impact Assessment of Live Music in BC, facilitated by Nordicity. Both studies are expected to be completed in spring of 2018.

“This is a pivotal time for the City of Vancouver and British Columbia as we look to safeguard the long-term viability of the music sector within the creative economy. Music BC and the [Vancouver] Music City Steering Committee are committed to ensuring that these findings are used to reach our common goals of a vibrant and sustainable industry that will allow our artists and music industry professionals to thrive on the global stage,” said Alex Grigg, Executive Director of Music BC and Co-chair of the Vancouver Music City Steering Committee, in the City release. “This will be a benchmark for Music BC to work with other cities and municipalities across the province to implement like-minded strategies.  Music BC would like to thank the City of Vancouver, the Province of BC, FACTOR and all of our stakeholders for your continued support.”

It is a thrilling day for music in Vancouver and the province of British Columbia, as the Government of BC also announced a new music fund this morning called AMPLIFY BC. The excitement over the two announcements was palpable at the Music Cites Forum.

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British Columbia music community celebrates new music fund, AMPLIFY BC

Vancouver, March 22, 2018: Music BC and Music Canada today applaud the Government of British Columbia’s announcement of a new music fund for the province called AMPLIFY BC. Administered through Creative BC, the new Fund will provide much-needed support for the development of BC artists and musicians, music companies, skills development and live music production, stimulating economic growth and activity in the sector.

“Music Canada would like to applaud the Government of BC and Minister Beare for this important investment which demonstrates their confidence in the music sector,” says Amy Terrill, Executive Vice President of Music Canada. “The intense interest in the former BC Music Fund’s suite of programs underscores that BC is home to a vibrant, diverse and engaged music community ready to take their songs and businesses to the next level. With this new investment BC will continue to benefit from leveraged private and other government dollars, and ensure the BC music sector remains competitive with other jurisdictions.”

The announcement was made during JUNOs Week, as the Canadian music industry was congregated in Vancouver for the 47th annual JUNO Awards, celebrating excellence in Canadian music while also showcasing Vancouver, and the province’s music sector to the rest of the country.

“This is a great day for the province’s music scene allowing us to build on the momentum of the last two years,” says Alex Grigg, Executive Director of Music BC. “In this time, our industry has focused on helping BC artists develop their careers and showcase their talent around the world, boost business in BC studios, create greater opportunities for live music performances that bolster activity in our communities, and facilitate professional development so that we can build a stronger, more sustainable industry. On behalf of the staff, board of directors and the BC music industry we extend our gratitude to the Government of BC and Minister Beare for their continued support and investment into the BC Music sector.”

Music BC and Music Canada would also like to thank all members of the BC music community who participated in the effort to secure provincial funding and shared their insights, experiences and success stories. The one-year investment of $7.5 million will contribute to BC’s strong and vibrant communities and also benefit BC tourism, arts and creative industries, and small business development.

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For more information:

Corey Poole, Music Canada
cpoole@musiccanada.com
(647) 808-7359

Neesha Hothi, Music BC
nh@neeshcommunications.ca
(604) 715-6057

 

About Music Canada
Music Canada is a non-profit trade organization that represents the major record companies in Canada: Sony Music Entertainment Canada, Universal Music Canada and Warner Music Canada. Music Canada also works with some of the leading independent record labels and distributors, recording studios, live music venues, concert promoters, managers and artists in the promotion and development of the music cluster. For more on Music Canada, please visit www.musiccanada.com

About Music BC
Music BC Industry Association is a not for profit association serving the for profit and non-profit music industry, including artists from all genres, industry professionals, service providers, studios, promoters, venues, festivals, producers, agents, managers and educational institutions. For more on Music BC, please visit www.musicbc.org

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Music Canada launches #EveryStage campaign, focusing first on music education

Music Canada is proud to return as a Platinum Partner of the 47th annual JUNO Awards in 2018, sponsoring both the Album of the Year category as well as the Welcome Reception, which is the official kickoff party to JUNOs weekend happening Friday, March 23rd in Vancouver.

Leading up to this year’s annual celebration of Canada’s brightest stars in music, Music Canada will be highlighting the ways in which our advocacy supports Canadian artists at every stage of their career. In the coming weeks, we’ll be publishing a series of blogs detailing our research and advocacy efforts in four defined areas: music education, music cities, copyright, and celebrating success. To kick it off, we’ll start where most Canadians learn the fundamentals with music education.

One of the key recommendations in Music Canada’s Next Big Bang report, which identifies programs and policies designed to stimulate the development of Canada’s commercial music sector and to drive growth and job creation in the economy at large, is to enhance and invest in music education. The recommendation states:

Given the strong evidence that music education prepares workers who are more creative, better problem-solvers, and possess soft skills that are critical in the digital economy, as well as the correlation between music scenes and tech clusters, governments should invest more in music education and should consider music scenes as a tool for economic development.

This recommendation drives much of the advocacy undertaken by Music Canada to secure equitable access to quality music education for all young Canadians.

We are currently working with multiple provincial governments on various initiatives and strategies to meet this goal, and have been a long-time supporter of groups like MusiCounts and their efforts put more instruments into the hands of Canadian kids, as well as the Coalition for Music Education, promoting their efforts to improve the state of music education in Canada.

From a curriculum standpoint, music education falls under the mandate of provincial ministries, but municipalities also have a role to play in ensuring equitable access to music education for all Canadians. And the relationship is reciprocal, as music education also plays a role in the development of vibrant Music Cities.

As our 2015 landmark report, The Mastering of a Music City notes:

Music education is present in successful Music Cities. Generally, it is understood to include formal music training in the education system, as well as specialized programs at colleges and universities. Not only do these programs help develop future musicians, but they develop appreciation for music at a young age, seeding future audiences. The many other benefits of learning and playing music are well documented and wide-ranging. These include enhancing children’s neural activity, language development, test scores, IQ and learning abilities.

One way that municipalities can promote music education is through a phenomenal program that has been popping up in cities across Canada – music instrument lending libraries. Public library branches in Barrie, Kitchener, Vancouver, Calgary, Toronto and other cities now allow Canadians of any age to experiment with and learn new instruments free of charge.

We look forward to sharing more news in the near future on our work to promote and strengthen music education. Next in our series of blogs about how our advocacy supports artists at every stage of their career, we’ll dive deeper into Music Cities and how musicians can benefit from vibrant, actively promoted local music economies.

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Music Canada proud to return as sponsor of Album of the Year category at the 2018 JUNO Awards

Earlier today the nominees for the 2018 JUNO Awards were revealed at a press conference at Toronto’s Great Hall. Music Canada is proud to return as sponsor of the Album of the Year category for the 47th annual JUNO Awards. The 2018 Album of the Year nominees are:

  • Everything Now – Arcade Fire (Sony)
  • Revival – Johnny Reid (Halo*Universal)
  • Nobody But Me – Michael Bublé (Warner)
  • Safe Haven – Ruth B (Sony)
  • Now – Shania Twain (Mercury*Universal)

“Congratulations to everyone involved in the making of these fantastic albums. We at Music Canada are incredibly proud to help recognize Canadian artists, their record label teams, and other individuals who have helped them reach the pinnacle of celebration and achievement in Canadian music,” says Graham Henderson, President and CEO of Music Canada.

“Whether celebrating success at the highest level through our support for institutions like the JUNO Awards and our Gold/Platinum program or fostering the next generation of artists through music education in Canadian schools, Music Canada’s advocacy supports artists at every stage of their career,” says Henderson. “Our Music Cities work aims to make cities more music and musician friendly, promoting sustainability and growth of music ecosystems at the municipal level. And through our federal copyright advocacy, we strive to ensure music creators are properly compensated whenever their work is commercialized by others.”

In addition to the Album of the Year, Music Canada will return as sponsor of the 2018 Welcome Reception for JUNOs weekend, happening Saturday, March 23 in Vancouver. The 47th annual JUNO Awards will be broadcast live on CBC beginning at 5pm PT and 8pm EST on Sunday, March 25. You can also watch the live steam on CBC Music’s Facebook page.

Ticket information for the 2018 JUNO Awards broadcast and other 2018 JUNO Awards events is available on the JUNOs website.

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Gary Slaight announced as 2018 Humanitarian Award recipient

The Canadian Academy of Recording Arts and Sciences (CARAS) has announced broadcasting executive, music industry leader, and philanthropist Gary Slaight as the recipient of the 2018 Humanitarian Award. The award, formally known as the Allan Waters Humanitarian Award, recognizes an outstanding individual in the music community whose humanitarian contributions have positively enhanced the social fabric of Canada and/or whose impact can be felt worldwide.

“We are honoured to present Gary Slaight with the Humanitarian Award,” said Allan Reid, President & CEO, CARAS/The JUNO Awards and MusiCounts. “His commitment to helping others and continued selflessness places him in a category of his own. Gary’s dedication to making the world a better place is truly inspiring; from The Slaight Family Foundation’s work with charities to his support for emerging artists, and music industry organizations like MusiCounts and Unison Benevolent fund, Gary has dedicated his time and resources to providing others with the opportunity to grow. We look forward to commemorating Gary’s philanthropic work at the 2018 JUNO Awards.”

Slaight was born in Edmonton, AB, and began his career with McLaren Advertising before serving as General Manager of Toronto rock station Q107. As President of Standard Broadcasting, Gary developed a successful growth expansion strategy, which led to the sale of the company to Astral Media. With the proceeds of the sale, Gary, along with his father Allan, made the decision to fund philanthropic initiatives with the establishment of the Slaight Family Foundation and to support the Canadian music industry and emerging artists through Slaight Music.

“I am truly honoured to be this year’s recipient of the Humanitarian Award,” said Slaight. ”Our family has had a tradition of giving back to the community that transcends from my parents Allan and Ada Slaight. The Slaight Family Foundation, created as a result of the sale of Standard Broadcasting, is a tribute to my parents commitment to community and of which I am proud to lead. Whether it is supporting a local music program for children or helping to advance key health care priorities, our goal is to make a positive difference on the lives of those around us and those needing our support globally. We truly want to make an impact and help those who need it the most.”

Slaight’s ongoing efforts within the Canadian music industry have led to the development of the Polaris Music Prize via The Slaight Family Heritage Prize, The Slaight Family Music Lab at the Canadian Film Centre, The Allan Slaight Stage at Massey Hall, The Allan Slaight JUNO Master Class, Canadian Music Week Allan Slaight Humanitarian Spirit Award, The Canadian Songwriters Hall of Fame via The Slaight Music Emerging Songwriter Award, and Slaight Music’s It’s Your Shot competition.

This year’s award will be presented at the 2018 JUNO Gala Dinner & Awards Presented by SOCAN on Saturday, March 24, 2018 in Vancouver, British Columbia.

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2018 JUNO Host Committee releases BC education program resources

The 2018 JUNO Awards in Vancouver are just around the corner, and communities across British Columbia are invited to be part of Canada’s biggest annual celebration of music and musicians.

Let’s Hear It BC, the 2018 JUNO Host Committee, recently unveiled learning resources designed by BC music educators Jilaine Orton, Carol Dirianni, Adam J. Con, and Mark Reid for use in classrooms across the province and developed using BC’s redesigned curriculum. Teachers can use the resources to improve students’ awareness of the music industry, and outline the importance of investing in Canada’s growing music economy.

For grades 4 through 7, students are encouraged to study recipients of the Allan Waters Humanitarian Award, analyzing their major contributions to both local and international communities through social activism and humanitarian work. For high school students grades 10 through 12, the program outlines ways to improve students’ awareness of the music industry and career opportunities through examining emerging and evolving trends in music.

Students and teachers are invited and encouraged to share their expertise and experience through social media with the hashtag #JUNOLearning.

The resources can be viewed here:

Grade 4 to 7 classrooms

Grade 10 to 12 classrooms

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JUNO Awards announces Michael Bublé as 2018 host in Vancouver

Diamond-certified crooner Michael Bublé has been announced as the host for the 47th annual JUNO Awards, which will broadcast live on CBC from the Rogers Arena in Vancouver, BC, on Sunday, March 25, 2018.

“I’m so grateful for the opportunity to host such an iconic night in Canadian music,” said Bublé, a 12-time JUNO Award winner. “To be able to host the JUNO Awards in my hometown is both an honour and a privilege.”

The JUNO Awards broadcast will be the grand finale of JUNO Week in Vancouver, which kicks off March 19. This will be the first time Vancouver has hosted the JUNO celebrations since 2009, which resulted in an economic impact of over $12 million. Additional details regarding JUNO Week and The JUNO Awards broadcast will be announced in the coming months.

Through a continued partnership with Plus 1, $1 from every JUNOs ticket will be donated to MusiCounts, helping to ensure that children and youth across Canada have access to musical instruments. The JUNO Awards also announced a renewed collaboration with TD Bank Group, who will be increasing their support to MusiCounts with a contribution of $1.875 million over the next three years.

Tickets for The 2018 JUNO Awards will go on sale Friday, November 24 at 10 a.m. PT.

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Top 10 Finalists for 2018 Allan Slaight JUNO Master Class Announced

On Thursday, the JUNO Awards and Slaight Music announced the 10 emerging acts that will continue to a final round of judging in the 2018 Allan Slaight JUNO Master Class.  This year’s three winners will be the third group to participate in Canada’s premier artist development program, which aims to equip artists with the tools, training, and guidance needed to further their careers, build their own sustainable businesses, and become ‘JUNO ready.’

The top 10 acts were selected by a panel made up of representatives from major and independent music labels, publishers, agents, managers, and media partners. The 2018 list includes:

  1. A.Y.E.: Calgary, AB
  2. Caveboy: Montreal, QC
  3. Elise LeGrow: Toronto, ON
  4. FEATURETTE: Toronto, ON
  5. Ivory Hours: London, ON
  6. Nice Horse: Calgary, AB
  7. Nuela Charles: Edmonton, AB
  8. Quake Matthews: Halifax, NS
  9. The Katherines: Vancouver, BC
  10. The Treble: Winnipeg, MB

The Master Class combines music education through MusiCounts and the recognition and support of music excellence through the JUNO Awards.  Allan Reid of CARAS/The JUNO Awards and MusiCounts will be featured on the 2018 Super Jury tasked with selecting the winners.  The Super Jury will also feature JUNO alumni Lights, Kardinal Offishall, Max Kerman (Arkells), and Gavin Brown, in addition to Ali Slaight of Slaight Music.  The acts selected by the Jury will receive a prize valued at over $100,000, including studio time at Slaight Music Recording Studios, an all-inclusive trip to Toronto for a week of mentorship hosted by Canada’s Music Incubator at Coalition Music, a trip to the 2018 JUNO Awards in Vancouver, BC, a performance slot at JUNOfest, and a chance to perform at the exclusive JUNO Gala Dinner & Awards.

Past winners of the Allan Slaight JUNO Master Class include Neon Dreams, The Lytics, Youngblood, Derrival, Slow Leaves, and The Fortunate Ones.  Like this year’s group of finalists, their hometowns are spread across the country, and include Halifax, NS, Winnipeg, MB, Vancouver, BC, and St. John’s, NL.

Visit the Allan Slaight JUNO Master Class website to learn more about the program and this year’s selected emerging talents.

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