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Universal Music Canada donates EMI Music Canada archive to University of Calgary

Tom Hickerson, vice-provost (Libraries and Cultural Resources) at the University of Calgary

Tom Hickerson, vice-provost (Libraries and Cultural Resources) at the University of Calgary

As the city prepares for this weekend’s JUNO Awards festivities, the University of Calgary revealed today that Universal Music Canada (UMC) has donated EMI Music Canada’s complete archives to the university’s Libraries and Cultural Resources, which were acquired by the label in 2012 when Universal Music Group purchased EMI Music.

The University of Calgary has also partnered with the National Music Centre, which played a leading role in bringing the EMI archive to Calgary by connecting UMC with the university. The partnership will allow for collaboration on opportunities for the public to celebrate music in Canada through educational programming and exhibitions that highlight the archive.

“Plans for an educational component around music and the ambitions for this archive are tremendously exciting,” said Jeffrey Remedios, President and CEO of UMC, who spoke at Thursday’s announcement along with Deane Cameron, former President and CEO of EMI Music Canada, and celebrated Canadian artist Tom Cochrane. “EMI Music Canada became the source of the music many Canadians grew up listening to. It’s such a rich and treasured history and it’s terrific that generations to come will have the opportunity to explore that.”

In addition to the gift of the EMI Music Canada Archive, Universal Music Canada will provide substantial funding over several years to support the preservation and management of the collection.

“We are eager to work with Universal Music Canada and the University of Calgary to explore programming and exhibition opportunities that bring the wealth of this collection to Canadians,” said Andrew Mosker, President and CEO for the National Music Centre. “From our burgeoning music scene, the opening of Studio Bell this summer and this incredible archive, it is safe to say that Calgary is becoming a serious music city.”

Spanning from 1949 to 2012, the EMI Music Canada Archive collection consists of 5,500 boxes containing more than 18,000 video recordings, 21,000 audio recordings and more than two million documents and photographs. Over 2,500 Canadian and international artists are represented in the archive, which includes master recordings, publicity photos, demo tapes, album cover art, creative outlines for music videos, marketing plans, awards, drafts of song lyrics and correspondence between artists, producers, engineers and EMI Music Canada executives.

Established in 1949, EMI Music Canada included Capitol Records Canada and was the recording company for a range of Canadian artists, including Anne Murray, Tom Cochrane, Sarah McLachlan, Nickelback, Glass Tiger, Kim Mitchell, Helix and the Rankin Family. The company was also the Canadian distributor for major international acts such as the Beatles, Rolling Stones, David Bowie, Duran Duran, Frank Sinatra, the Beach Boys, Heart, Smashing Pumpkins, Garth Brooks, Pink Floyd, Queen and Iron Maiden.

Visit the University of Calgary’s website for more information on the archive acquisition and view the video below for a sample of what the collection has to offer.

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Canada’s Walk of Fame announces 2016 Emerging Artist Mentorship Program

Canada’s Walk of Fame has announced that their Emerging Artist Music Mentorship Program, supported by RBC, has returned for a fourth year. The program invites aspiring Canadian musicians, aged 15-35, to submit a video or audio performance for a chance to win a Grand Prize consisting of industry mentorship opportunities, private studio recording time, and a $25,000 cash prize.

Six additional winners will be chose for finalist prizes, including cash prizes, mentorship opportunities, and a performance opportunity at the Canada’s Walk of Fame event.CWOF Program

“This program has proven that, by bringing together our music industry connections and offering aspiring Canadian musicians opportunities for mentorship, exposure and funding, we can make a considerable difference to their careers and further influence our cultural landscape for generations to come,” said Melanie Hurley, CEO, Canada’s Walk of Fame, in a release. “We are proud that this program continues to help musicians flourish.”

Applications for the program are open now. The deadline for submission is April 30, 2016, at 11:59 PM ET.

To enter, or to view full contest details, visit www.canadaswalkoffame.com/programs/emerging-artist-music-mentorship-program.

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Chris Taylor named President of Entertainment One Music

Entertainment One (eOne) has announced the appointment of Last Gang Records founder and music industry attorney Chris Taylor to the role of President, Entertainment One Music. Taylor will bring his independent recording, publishing and artist management company Last Gang to eOne, whose roster includes record label clients Death From Above 1979, Chromeo and Ryan Hemsworth, and management clients Lights and Arkells. Last Gang will continue to operate under Taylor as a label of eOne.

In his new role, Taylor will oversee music operations globally and will lead strategic growth initiatives across music licensing, publishing, label and distribution. Taylor brings over 25 years of music industry experience to eOne through his work with Last Gang and representing recording artists like Drake, Nelly Furtado and Avril Lavigne with his legal practice.

“I’ve known Chris for many years and I am delighted that he has come on board to steer our music business into the future,” said Darren Throop, President & Chief Executive Officer, Entertainment One, in a release. “In addition to being a musician and songwriter himself, Chris’ business-acumen, strategic management expertise and far-reaching relationships will support the diversification of eOne Music. There has been a seismic shift in the music industry over the last decade and it is important that we continue to find innovative ways to build and bolster the business. With Chris and the Last Gang family of artists, we are well-positioned to do just that.”

Taylor, whose label is credited for launching the careers of Metric, Crystal Castles, Death From Above 1979, and MSTKRFT, will lead teams in Toronto, Los Angeles, New York and Nashville.

“This is an exciting opportunity to join one of the world’s leading entertainment companies, and combine my team and clients with a strong world-class brand that has global reach and proximity to world-class television and film producers,” said Taylor in a release. “I’m looking forward to working with Darren and the whole eOne team as we welcome new artists, broaden the opportunities for our current roster and reinforce eOne as the leading indie.”

 

 

 

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Quoted: BC Music Fund Announcement

Last month, at an event at the historic Warehouse Studios in Vancouver, Premier Christy Clark announced a $15 million grant towards the creation of a BC Music Fund, which will be administered by Creative BC. The event also included remarks from Music Canada President and CEO Graham Henderson, Jon Garson, President and CEO of the BC Chamber of Commerce, Diamond-certified artist Michael Bublé, and Scott Johnson, Chair of Music BC. A selection of quotes and video from the event are available below:

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“Music, as it turns out, doesn’t just drive our culture, but our economy. We now understand that thriving music scenes attract and retain young talented workers and the businesses that employ them. Music, in effect, can be the glue that holds our communities together.” – Graham Henderson, President & CEO, Music Canada

 

“No matter who you are, no matter how young, how old, no matter how esoteric your art may be, we want you to have a chance to succeed in British Columbia. And we want you to know that our province supports and is passionate about what you are doing in the way that you are changing the place that we live.” - Premier Christy Clark

“No matter who you are, no matter how young, how old, no matter how esoteric your art may be, we want you to have a chance to succeed in British Columbia. And we want you to know that our province supports and is passionate about what you are doing in the way that you are changing the place that we live.” – Premier Christy Clark

 

“Thanks to you Premier, people who want to pursue a music career here will be able to do so and not have to leave home, which is pretty incredible. I mean, for a long time, people have had to go to Ontario if they want to be able to afford to make the record…Truly, it’s never been tougher to develop a career as an artist. The 15 million dollars that Premier Clark has committed to this industry, is going to help that BC does everything it takes to make a thriving and strong music scene.” - Micheal Bublé

“Thanks to you Premier, people who want to pursue a music career here will be able to do so and not have to leave home, which is pretty incredible. I mean, for a long time, people have had to go to Ontario if they want to be able to afford to make the record…Truly, it’s never been tougher to develop a career as an artist. The 15 million dollars that Premier Clark has committed to this industry, is going to help that BC does everything it takes to make a thriving and strong music scene.” – Micheal Bublé

 

“All children need the opportunity to express themselves through music as part of their education, and know that this is a viable career path for them.” - Jon Garson, President & CEO, BC Chamber of Commerce

“All children need the opportunity to express themselves through music as part of their education, and know that this is a viable career path for them.” – Jon Garson, President & CEO, BC Chamber of Commerce

 

“I’ve often thought, this is the Nashville of the North…it’s time we stand up and represent ourselves as such.” - Scott Johnson, President, Music BC

“I’ve often thought, this is the Nashville of the North…it’s time we stand up and represent ourselves as such.” – Scott Johnson, President, Music BC

 

Mother Mother performs.

Mother Mother performs.

 

 

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OMDC announces key dates for Ontario Music Fund 2016-17

The Ontario Media Development Corporation (OMDC) has announced the key dates for the Ontario Music Fund’s 2016-17 period.

Timelines and deadlines for the four streams of the Ontario Music Fund (OMF) are as follows. The OMDC noted that the key dates for each stream vary, and all dates may be subject to change.

OMF Music Company Development Stream

  • Guidelines and Application Launch: Early March 2016
  • Deadline: May 17, 2016 (by 5 p.m.)
  • Activity Period: August 1, 2016 – July 31, 2017

 

OMF Music Futures Stream
NEW Important 2016-17 Program Update
Note: Two separate deadlines for specific types of applicants:

For eligible Domestic Artist-Entrepreneurs, Music Managers, Music Publishers and Record Labels:

  • Guidelines and Application Launch: Early March 2016
  • Deadline: May 18, 2016 (by 5 p.m.)
  • Activity Period: August 1, 2016 – July 31, 2017

For eligible Domestic Booking Agents and Music Promoters/Presenters:

  • Guidelines Launch: Early March 2016
  • Application Launch: Early June 2016
  • Deadline: October 4, 2016 (by 5 p.m.)
  • Activity Period: June 1, 2016 – December 31, 2017

 

OMF Music Industry Development Stream

  • Guidelines and Application Launch: Late March 2016
  • Rolling Deadline: Application evaluations occur throughout the year, from launch through to October 28, 2016
  • Activity Period: June 1, 2016 – July 31, 2017

Applicants are strongly encouraged to submit applications in advance of the program deadline date.

 

OMF Live Music Stream
NEW Important 2016-17 Program Update
Note: Application deadline has moved to Fall 2016

  • Guidelines and Application Launch: early June 2016
  • Deadline: October 4, 2016 (by 5 p.m.)
  • Activity Period: June 1, 2016 – December 31, 2017

 

The OMDC also announced that information and webinar sessions on the OMF will be held between April to September 2016. Details and registration will be posted on the OMDC website in the near future.

For further information on the Ontario Music Fund, visit the OMDC’s website at http://www.omdc.on.ca/music/the_ontario_music_fund.htm.

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MapleMusic rebrands as Cadence Music Group

 

logo-cmg

Coinciding with their 15th anniversary, leading independent music company MapleMusic has officially rebranded as Cadence Music Group. The announcement was revealed at an industry gathering Tuesday evening at Toronto’s newly renovated music venue The Velvet Underground.

“Today, as we mark our 15th anniversary, we are celebrating the reinvention of a great legacy,” said Iain Taylor, CEO of Cadence Music Group, in a release. “Cadence Music is the new face of a re-energized music company that is reaffirming its place in the indie music scene. With our deep well of expertise, infrastructure and business relationships, we are uniquely positioned to maximize opportunities for artists and labels not only in Canada, but also on the global stage.”

Among the attendees Tuesday night were the Hon. Michael Coteau, Ontario Minister of Tourism, Culture and Sport, Toronto Mayor John Tory, and a cross-section of over 250 guests from Canada’s music sector, government, and other music industry stakeholders.

CadenceMusicGroup

“Huge congrats to our Canadian family on the launch of Cadence Music,” remarked Alabama Shakes, who are on the Cadence Music label in Canada. “We thank them for all their hard work in helping us reach Gold status on our albums Boys & Girls and Sound & Color. Looking forward to our new adventures together!”

Cadence Music will continue to provide a full range of services that marry music and commerce under a single umbrella, which include:

  • Cadence Music – label imprint for artist signings
  • Fontana North – domestic and international label distribution company
  • Fan Experience – North American fan engagement company
  • Cadence Management – new division representing Cadence’s collective of artist managers
  • Open Road Recordings – Canadian country music label
  • Pheromone Recordings – boutique artist label
  • Cadence Songs – music publishing group

“Maple has been a pioneer in our business, showing us all that independence and success need not be mutually exclusive,” says Cadence shareholder and key strategic partner Jeffrey Remedios, President and CEO of Universal Music Canada. “Cadence is the future. Iain and his team have already made important new strides and I’m excited for what will come next.”

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Vancouver City Council to Consider Music Friendly Policies

The Commodore Ballroom
Earlier this week, a motion to explore options for increasing city support for music and musicians was brought before Vancouver’s City Council. The motion was raised by Councillor Heather Deal and was referred to the City’s Standing Committee on Policy and Strategic Priorities.

“Vancouver is home to a vibrant, multicultural music ecology,” the motion reads, calling attention to the numerous musicians, live music venues, independent music producers, and recording studios which call the city home. It also recognizes the recent announcement by the Government of BC which will see $15 million in funding towards the creation of a BC Music Fund.

The motion proposes that city staff explore options which would make the city more music and musician-friendly. These include:

  • creating a working group focused on music,
  • advocating for and supporting music education,
  • exploring a multi-city music alliance with other cities with a strong music community,
  • working with Tourism Vancouver and Business Improvement Areas to identify and support tourism opportunities,
  • seeking further opportunities to leverage city-owned properties for use by artists, including musicians,
  • continuing to reduce unnecessary processes and regulations which affect music production and performance.

The Downtown Vancouver BIA was instrumental in sparking the conversation regarding city music policies, by bringing together Vancouver’s business and music community, as well as City staff and Councillors Elizabeth Ball, Heather Deal, and Adriane Carr, for a discussion on music cities earlier this month. Music Canada’s Graham Henderson spoke at the event regarding the role cities can play in incubating music scenes, and presented findings from Music Canada’s The Mastering of a Music City report, which outlines a roadmap that communities of all sizes can follow to realize the full potential of their music economy, as well as our new report, BC’s Music Sector: From Adversity to Opportunity, which highlights British Columbia’s wealth of talented artists and music assets and the factors that have put these assets at risk.

The report, citing in-depth interviews with more than 100 individuals in BC’s music sector, details the numerous benefits that a vibrant music economy, alongside supportive city policy, can bring. These benefits are not limited to quality of life and cultural development, but include economic diversification, the attraction and retention of talent in other industries, and music tourism.

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Re:Sound to take Tariff 8 ruling to Federal Court of Appeal

Paying artists a fraction of what their music is worth is not okay.

On Wednesday, February 24 our colleagues from Re:Sound will take the Copyright Board’s Tariff 8 ruling to the Federal Court of Appeal as they continue to fight against low streaming royalty rates. The court is judicially reviewing the Copyright Board’s decision from May 2014 that gave artists the incredibly low rate of 0.000102 per play on some digital streaming services.

Tariff 8 is disastrous for two important reasons:

  • The Copyright Board threw out commercially negotiated rates – where the marketplace of ‘willing seller and willing buyer’ decided what was
  • The Copyright Board set a rate approximately 10% of what was freely negotiated in the marketplace and a rate that is less than 10% of comparable US rates.

What does this mean in practical terms?

t8-07 t8-05

Said another way, it means that real people can’t make a living.  The musicians and artists who work every day to make music in Canada are going to be even more impoverished and not paid fairly for the use of their work. According to a study by CIMA, the average income of a Canadian musician is only $7,228 per year from music-related activities.

The reality in the market is that sales of CDs and even downloads are declining, while music streaming is on the rise. That’s why it is so important that artists are fairly compensated for their work in the context of web-based services.

Streaming services demonstrate innovation in the music industry. The music industry is going into new spaces and doing things differently in light of a rapidly changing marketplace. But innovation only goes so far. The Board is at the heart of the problem for music creators.  It continues to set rates based on antiquated ideas that have no place in the current music landscape.

It took them six years to set Tariff 8 and they continue to move at a glacial pace on issues of critical importance to Canada’s economy.  Urgent action is needed to change the Copyright Board.

Tariff 8 sets the standard for streaming rates going forward.  So, while some may argue that services such as CBC Music, Stingray, and Slacker aren’t an artist’s only source of income or that this is only for some streaming services, the rates are appallingly low.

Artists deserve to be fairly compensated for their music. The Tariff 8 decision sends a message that music is not properly valued as a profession here, and this message is completely inconsistent with Canadian values.

The people whom we elect to solve these problems know all about the issues at the Copyright Board.  In 2014, right after the Tariff 8 decision was released, the Standing Committee on Canadian Heritage released a report on the Canadian Music Industry.  In fact, their #1 recommendation in their study was figure out how to make changes to it.

Minister Dion, at the time was so frustrated with the issues at the Copyright Board that he said that there is an urgent need for action and that, “the government and the Board would be perfectly able to fix things in the coming months if they only started now.”

We agree, Minister Dion.  We are supporting Re:Sound this week as they fight the Copyright Board’s Tariff 8 decision which has disastrous implications for the future of music in Canada.

We remain committed to this important issue, and to working with government on fixing the problems at the Copyright Board so this doesn’t happen again.

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Music Canada’s Graham Henderson remarks on ‘BC’s Music Sector – From Adversity to Opportunity’ report

Yesterday, Music Canada President and CEO Graham Henderson unveiled our latest report, BC’s Music Sector – From Adversity to Opportunity, at an event at the historic Warehouse Studios in Vancouver. At the event, Premier Christy Clark announced a $15 million grant towards the creation of a BC Music Fund, which will be administered by Creative BC. The event also included remarks from Jon Garson, President and CEO of the BC Chamber of Commerce, Diamond-certified artist Michael Bublé, and Scott Johnson, Chair of Music BC.

Supporting BC Music

Henderson’s remarks on the BC Music Sector report are available below:

“My name is Graham Henderson, President of Music Canada.

The social media hashtag for this event is #musiccanhelp.

Welcome to the official launch of Music Canada’s study of the music industry in BC which we have titled “From Adversity to Opportunity.” A study perhaps long overdue given the importance of the BC music scene to Canada’s national and international identity.

Now, obviously, based on who is up here on this stage with me, we are here to do more than talk about the realm of possibility…about what could or might happen.

I think we are here to talk about action, about what IS going to happen. But we will need to wait a moment longer to hear about THAT.

Music Canada is a national organization that aspires to be a trusted source, a respected forum and an inspirational advocate for all things music. Our members, Sony, Warner and Universal are the folks who stand behind and funded this research. And we all owe them a debt of thanks for what is a very significant investment.

But it is the music community of BC who supplied the impetus, the motivation and the passion upon which our work was based.

And while the instigators are many, a few do stand out. My dear friend Garth Richardson who literally berated me on FB to stand up for the BC music scene. Bob Deith and Scott Johnson, Rick Baker, Patrick Aldous and the entire team at Music BC who laid so much of the groundwork and who supplied us with local wisdom and know how. Nick Blasko whose advice and connections were indispensable. And, of course Bruce Allen – what can I say – when Bruce Allen starts demanding your attention….well…I think we all know where that leads – ACTION!

So why are we here? We are here because BC has one of the world’s great music scenes. We are here because the people of BC – and its government – care passionately about their music and their artists. But we are also here because this great natural resource is imperiled.

We heard this message loud and clear from the over 100 music community leaders that we interviewed. Their opinions and recommendations form the basis of our report.

The genesis of the idea was simple yet daunting. Why not imagine, why not implement, a provincial programme which would take into account the vast changes that have swept through music’s ecosystem.

To do this requires us to change the way we think about music. In international surveys people repeatedly rank music as one of life’s supreme sources of pleasure and emotional power, says a recent NYT article. But a new MIT study goes further — apparently our brain gives more a specialized treatment to music than it does to speech itself. This clearly underscores the absolutely crucial importance of music education to the growth and development of young minds. Music also has a cohesive, healing potential – a subject which will be celebrated by Music Canada at our upcoming Global Music Forum at CMW in May where we will celebrate the pioneering work of Laura Hasler and Musicians Without Borders.

Musicians without Borders is a global network of musicians and music lovers based in the Netherlands that uses music to heal the wounds of war. They design community music projects around the world that help people deal with trauma, fear, isolation and the effects of conflict.

Music in a very real and meaningful sense can be said to be who we are as a species.

Studies undertaken by Music Canada demonstrate the importance of music to tourism, to education, to the diversification of municipal, provincial and federal economies. Music, as it turns out drives not just our culture, but our economy. We now understand that thriving music scenes attract and retain young, talented workers and the businesses that employ them. Music, in effect, can be the glue that holds communities together.

It is this aspect which is attracting the attention of Chambers of Commerce across the country, including our friends at the BC Chamber of Commerce, the “Voice of Business” in BC. We are so thankful to have the endorsement and support of the BC Chamber and it is a sign of the importance of music to the economy that Jon Garson is here and that the Chamber has partnered with us in this launch.

Our report has collected a wealth of wisdom from the people of BC. From those inside the music industry and in government itself. The report was in effect a collaborative effort with the government of BC. They were excited by what we were telling them and we were urged to press on and come up with recommendations.

Embracing our recommendations would help BC to:

  • Create and retain jobs
  • Grow and diversify the economy
  • Attract foreign direct investment
  • Build more vibrant music scenes
  • Boost tourism development
  • Attract talent to other sectors like the digital arts
  • And contribute to cultural and artistic growth

We argue that BC does not just need a fund, BC needs a Music Strategy. BC needs to brand itself nationally and internationally as the music mecca that it is. BC needs to provide the policy framework to offer a turbo boost to that which it already has.

Our recommendations in this report are tailored to the specific needs of BC and are designed to position the province to compete in an increasingly global marketplace while also creating more opportunities for emerging BC artists to succeed and earn a living from their music.

We suggest in this report that a $15 million investment will produce an estimated total GDP impact of $73 million for BC’s economy.

Additionally, further red tape reductions would boost music activity relating to venues and festivals throughout the province.

Importantly, we believe more focus and funding on music education is a linchpin to this strategy. And in this regard our discussions with Minister Bernier have been fantastically encouraging.

Surely all of this suggests that music deserves special attention from policy makers. Surely you would think governments should respond to these new ways of understanding the importance of music. Surely governments should act! But, oh! People will tell you that governments do not move at the speed of business. That they are incapable of nimbly responding to the rapidly changing environment. That the bureaucracy of government is impenetrable – change takes years.

Well…..they are WRONG!! At least in the case of BC. At every point, our message has been embraced with enthusiasm by the government of BC and in particular by the Premier. We have received valuable guidance and advice. All of which has led to to where we are right now. Trembling in anticipation of what the Premier is about to tell us!

Now, before I turn the podium over to Jon Garson, President of the BC Chamber of Commerce who will introduce the person everyone REALLY wants to hear from, there is someone else I must acknowledge. And he is not here today only because he is performing a sold out show tonight in New York. And that is Bryan Adams.

From the first moment that Bruce Allen put me in touch with Bryan, it was clear that this was a cause he would embrace wholeheartedly. He has been a passionate supporter of our work and I can say without a hint of exaggeration that his involvement was pivotal. Bryan flew in especially to attend our reception at the Museum in Victoria. In addition to speaking, folks who were there will recall that he doubled as Jesse Roper’s guitar tech when a microphone failed. But what he said there I think reflects what this all about.

This is not about preserving the past, or even the now. This is about the future. Young musicians, he said, face a very different reality. There was a system, a “ladder”, if you will, that yesterday’s aspiring young musicians were able to ascend. Well that world has vanished and businesses, governments, and yes fans, need to think about how we can all work together to create a more congenial, and yes, PROFITABLE environment for our musicians. They must be able to earn a decent living as professionals. If music is one of life’s supreme sources of pleasure and emotional power, then we should all honour and support those who create it.

And with that said I will turn the podium over to Jon Garson who will introduce the premier.”

 

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Premier Clark announces new $15M BC Music Fund

Today we thank Premier Clark and the Government of British Columbia on their announcement to dedicate a $15 million grant to support the creation of a BC Music Fund as part of a comprehensive strategy to protect and promote the province’s music industry.

“This is an historic day for the province,” says Graham Henderson, President & CEO of Music Canada. “The creation of a BC Music Fund as part of a fulsome strategy to strengthen the province’s music industry, will enhance BC’s competitiveness as a location for the production and presentation of music. The BC Music Fund will help music businesses produce, distribute, promote, and stage the province’s emerging and well-known artists. It will allow the province to retain its deep inventory of talented music professionals, and create new opportunities for jobs and investment, contributing to a more diversified economy.”

Premier Christy Clark announced the $15 million grant as part of the launch of Music Canada’s report, BC’s Music Sector: From Adversity to Opportunity, at Vancouver’s Warehouse Studios. The event also included remarks by Michael Bublé, Jon Garson, President & CEO of the BC Chamber of Commerce and Scott Johnson, Chair of Music BC.

“B.C. is one of Canada’s leading centres for music with talented musicians in every corner of the province,” says Premier Clark. “Our record labels, recording studios, concert venues and music festivals draw people from all over the province, the country and the world. Music develops culture, promotes talent and diversifies our strong and growing economy.”

BC’s Music Sector: From Adversity to Opportunity was prepared by Music Canada after interviews and consultations with more than 100 individuals in BC’s music sector, the broader business community, municipal and provincial governments, provincial agencies, and community leaders.

The report highlights British Columbia’s wealth of music talent and the factors that have put these assets at risk. The report encourages decisive action on the part of the provincial government, municipalities, and music stakeholders to put BC’s music sector firmly back on the map and secure the benefits it can generate.

“The landscape and culture in BC has always been a huge catalyst in my creative process,” says Ryan Guldemond of Mother Mother who performed at the event. “It’s where we came together as a band, and where we’ve cultivated our creative community. There is an incredible wealth of talent here, and until now, the resources and infrastructure haven’t been able to properly support and elevate the art that is constantly being created. It’s incredibly heartening to see the powers that be sit up and take notice of the cultural and economic benefit the BC music industry provides for our province. Dedicating more resources to this sector will have a lasting positive impact on our cultural landscape.”

BC’s Music Sector: From Adversity to Opportunity is available at https://musiccanada.com/resources/research/bcs-music-sector-from-adversity-to-opportunity.

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