Music Canada

Gold & Platinum

Join Mailing List

Music Canada

Gold & Platinum

 Music Canada

Music Cities (82)

view

London City Council to consider two motions aimed at making the Forest City more music-friendly

Next week, City Council in London, Ontario, will consider two motions aimed at encouraging more music in the downtown core. The motions support the development of the London Music Strategy, which was unanimously supported by Council in 2014 with the goal of building London as a live music city and music tourist attraction. The Strategy has made major strides in recent years with the hiring of Cory Crossman, London’s first Music Industry Development Officer, and the subsequent launch of the London Music Office. The Office recently launched the London Music Census, which will assess London’s music assets as well as barriers to growth.

The first music motion before council would allow a temporary exemption of a by-law contained in the City of London Special Events and Procedures – Section 13, which states that amplified music cannot go later than 11pm, with a 15 minute grace period. The motion, put forward by Tourism London, asks Council to allow shows on September 8, 9, and 10, to go later than 11pm but no later than 1am. This would permit outdoor events during Country Music Week and the Canadian Country Music Association Awards, which London will host for the first time this fall. The pair of events are expected to directly benefit the local economy with the booking of approximately 2,000 hotel room nights and an anticipated economic impact of $6-8 million dollars. The motion was supported by London’s Community and Protective Services Committee on July 18th.

The second music motion before council is File Z-8625, a pilot project which temporarily amends Zoning By-law Z-1 to permit amplified music and dancing on existing patios in the Downtown Business Improvement Area and the Old East Village. The temporary amendment would run from August 1 to September 30, 2016. The motion was brought forward by the London Music Office, via the Culture Office, and was supported by the London Planning and Environment Committee last month.

“London is a diverse and eclectic music community that houses many great venues. Current by-law restricts amplified entertainment on commercial patios whether that is a radio, TV or musician singing,” said Cory Crossman, London’s Music Industry Development Officer. “To best serve the community, the Music Office wishes to launch a pilot project focused on establishing best practices to work forward from. This project is temporary and focused on creating practical solutions for amplified music on patios at restaurants, bars and dedicated venues.”

Music Canada research has shown that seemingly minor adjustments to municipal policies can paid major dividends in the growth of a city’s music scene. The Mastering of a Music City, which identifies best practices for growing a city’s music scene, cites an example from the State of New South Wales, which eliminated a special license needed by venues to host live music in 2009. Music-friendly policies allow music and culture to flourish in downtown areas. Creating a vibrant music scene not only brings economic benefits in the form of business activity and tourism, it adds a ‘cool’ factor to a city that can accelerate other benefits such as attracting and retaining investment and talent. For example, Montreal has invested heavily in its cultural district, the Quartier des Spectacles, which hosts over 30 venues and even more festivals, which, according to officials with the city of Montreal’s cultural office, has increased the quality of life for those living and working there.

The two motions before Council are indicative of the continued growth of the London Music Strategy, and a sign that the London Music Office, Tourism London, and the London Arts Council are committed ensuring the Forest City is a music-friendly city.

Comments
view

Ontario study shows arts and culture attract top talent

Business for the Arts has released the results of a new study that details the extent to which arts and culture attract both skilled workers and the businesses that seek them. Culture for Competitiveness: How Vibrant Culture Attracts Top Talent was created with support from the Ontario Arts Council, with research conducted by Nanos Research.

The study shows that a vibrant arts and culture scene, including live music events, can be a major driver in attracting and retaining employees, and is based on a survey of 500 skilled workers, and 508 businesses in Ontario. While businesses recognize the magnetic nature of arts and culture to skilled workers, the study concludes that they can do more to support local arts communities. According to the study, only 25% of businesses in Ontario make financial contributions to arts and/or cultural organizations in their community.

“The study’s bottom line is that businesses need to make arts and culture more of a priority,” said Nichole Anderson, President & CEO of Business for the Arts. “Our culture for competitiveness study confirms that skilled workers seek out vibrant arts and culture hubs when making job decisions, but businesses who could benefit from the magnetic effect of culture are not investing in their arts and culture ecosystem.”

The study includes the following findings:

  • 60 per cent of businesses said that there are usually more qualified and attractive potential employees in communities with a thriving arts scene
  • 64 per cent of businesses said that a thriving arts and culture scene is something that would make it easier to attract top talent to their community
  • 49 per cent of skilled workers go to arts and cultural festivals two to four times per year
  • Just over half of skilled workers said that a healthy vibrant arts and culture community has influenced their choice regarding which city they would want to work in
  • Skilled workers in Toronto tend to value arts and culture more than those living elsewhere (85 per cent compared to 73 per cent)
  • 75 per cent of skilled workers agreed that government support for the arts makes a more livable community

Thriving Arts Scene Image

The results of this new study echo parts of Music Canada and IFPI’s Mastering of a Music City report. One finding in the report was that music branding undertaken by a city adds a “cool” factor, that can attract and retain investment and talent. In Berlin, the intermingling of music and tech businesses has demonstrated that a successful music economy can attract and retain talent in other industries as well.

The Mastering of a Music City looks to global cities where an understanding exists that arts, culture, and music specifically, help to attract talent and business. Fredrik Sandsten, Event Manager Music at the public tourism agency in Sweden says of Gothenburg, “We have a very industrial city with huge industrial companies. They want culture and music to flourish because they see the link to attracting young workers to their companies.”

Ontario is home to many communities with vibrant arts scenes, where music, in addition to attracting businesses and talent, contributes directly to the economy. Music Canada’s report Live Music Measures Up: An Economic Impact Analysis of Live Music in Ontario identified that live music companies generated $628 million from live music activities in 2013, and brought a total impact of 10,500 jobs to the province.

Music Canada welcomes the results of Business for the Arts’ new study, and encourages Canadian businesses to support their local arts communities, including local music scenes, so that those communities and businesses continue to flourish together.

Comments
view

CMW announces 2017 dates and the first Austin-Toronto showcase

Canadian Music Week 2017 will take over Toronto from April 18 – 22. The four-night festival will host over 800 showcasing bands at more than 40 venues in the city’s downtown. 2017’s convention will be held at the Sheraton Centre Toronto Hotel, 123 Queen Street West.

CMW 2017

At CMW 2016, global city planners and the music industry met for The Mastering Of A Music City, a one-day international creative economy summit, which was inspired by Music Canada’s report of the same name. Austin was a focal point of the conference, and the report, because of its incredible music economy, where music tourism accounts for almost half of their US$1.6 billion economic output.

Neill Dixon (right), CEO Canadian Music Week and Don Pitts (left), Music & Entertainment Division Manager - ATX Music & Entertainment Division, City of Austin. Photo via CMW.

Neill Dixon (right), CEO Canadian Music Week and Don Pitts (left), Music & Entertainment Division Manager – ATX Music & Entertainment Division, City of Austin. Photo via CMW.

CMW 2017 will present the first Austin-Toronto showcase, featuring premier talent from both cities. The showcase is an outcome of the recent Austin-Toronto Alliance Summit, where industry leaders met in Toronto in June of 2016. The Music City Alliance between Toronto and Austin was formed in 2013 to promote mutual growth opportunities between governments and industry.

For more information on CMW 2017, head over to their website at www.cmw.net

Comments
view

Does Toronto need a night mayor? Music Canada’s Amy Terrill asks the question in Huffington Post article

Music Cities banner

Amsterdam was the first city to appoint a night mayor, and since then the concept has grown in popularity as cities attempt to foster vibrant nightlife economies, while balancing the needs of residents. Is this concept a good fit for Toronto? In a new Huffington Post Canada article, Music Canada’s Amy Terrill asks; Does Toronto Need A Night Mayor?  This piece follows Music Canada’s previous Huffington Post submission Making Music History Work For The Present.

For further information on the topic of Music Cities, you can download Music Canada and IFPI’s 2015 report The Mastering Of A Music City.

Comments
view

Ben Purkiss Design wins Gold at 2016 Muse Creative Awards for ‘Mastering of a Music City’ report

Congratulations to Ben Purkiss Design, who won Gold in the Muse Creative Awards’ Annual Report category for his design of Music Canada & IFPI’s The Mastering of a Music City report. The announcement was made this past weekend by the Muse Creative Awards, which is an international competition for creative professionals who “inspire through concept, writing or design, whether through traditional or electronic media.” The 2016 Awards featured more than 1,200 submissions from 33 countries around the world.Gold Award Site Big

Purkiss designed the cover art, layout, and infographics for The Mastering of a Music City from scratch, creating a cohesive look for the 100+ page report. The report presents a roadmap to help local authorities, businesses, community groups, and the creative sector capitalize on the potential of music to build, grow and strengthen their cities.

“I had the incredible opportunity to work with IFPI and Music Canada on their publication Mastering of a Music City: Key Elements, Effective Strategies and Why It’s Worth Pursuing,” said Purkiss. “IFPI and Music Canada are those clients every designer dreams about; they EXPECT you to push your creative boundaries. It’s a very challenging, yet incredible experience that I am very grateful to have had.

“When I started the initial research ‘phase’ of this project, I looked for inspiration wherever I could find it; from movie intros, online ads and the far reaching depths of online portfolios,” he continued. “I wanted to create a visual masterpiece that challenged who I was as a designer and my abilities to use the software I work with every day. It certainly did not disappoint.

“I quickly discovered what was to be my main source of inspiration – clouds. Clouds are ever changing and evolving – they can hide something beautiful, or in this case, elements within a design. I took that idea to create layer upon layer of design elements – mixing colours and objects to create the overall visual cues. This was unbelievably challenging yet incredibly rewarding.”

The stunning design is a big part of the reason that the report has been so well received around the world, said Amy Terrill, Music Canada’s Executive Vice President, and lead author of the report. Since its release in June 2015, The Mastering of a Music City has been cited by an array of cities around the globe, including Sheffield, United Kingdom, Sydney, Australia, and Bogota, Columbia. To date, more than 800 printed reports have been distributed at more than thirty presentations to conferences and business association meetings in locations such as Pemberton, British Columbia, Columbus, Ohio, Aarhus, Denmark, and Brighton, United Kingdom.

“Winning a Muse Award was completely unexpected for me,” said Purkiss. “I don’t think it has fully sunk in yet, but it’s a gratifying experience knowing my work is truly recognized and rewarded.  I’ve never given myself much credit (let’s face it, most people are their own worst critics) but this is really showing that hard work can, and does, pay off – especially when you are given creative liberties from clients like IFPI and Music Canada who value the work of all artists.”

The Muse Creative Awards is administered by International Awards Associate Inc., and judged by a panel of internationally-recognized creative professionals. The panelists identified “the most innovative and creative concepts, the strongest executions, and the highest quality in messaging,” said an MCA release.

Photos of Ben’s design are available on his Behance page, and the full report is available for download in our Resources section.

Comments
view

MEGAPHONO 2016 – ‘In Search of the Music City’ panel video posted

Ottawa-based music organization MEGAPHONO has posted a video of their In Search Of The Music City: What Does Local Business Have To Gain? panel, which it co-presented in February 2016 alongside the Ontario Music Industry Coalition (OMIC).

The discussion was moderated by Music Canada Live‘s Erin Benjamin and featured panelists Mark Garner (Downtown Yonge BIA), Councillor Jeff Leiper (City of Ottawa), Amy Terrill (Music Canada) and Tim Potocic (Sonic Unyon / Supercrawl). The panelists shared how music has changed their communities, and how they are working businesses to foster a better environment for artists and artist entrepreneurs.

The full video is available at https://vimeo.com/164892912, and is embedded below.

Comments
view

East Coast Music Association announces new partnership with Music Canada and Music Canada Live

Last week, over 600 performing artists and 8,000 fans gathered in Cape Breton for East Coast Music Week (ECMW). Amidst the performances music professionals and representatives from music associations from across Canada met and began an initiative to make the music industry stronger in Atlantic Canada.

As ECMW came to a close, Andy McLean, of the East Coast Music Association, announced the beginning of a process to study the east coast’s music industry. In partnership with Music Canada and Music Canada Live, this initiative will eventually lead to the production of an industry profile of Atlantic Canada which will identify its strengths, weaknesses and opportunities for growth and development.

The ultimate goal of the initiative is to ensure that East Coast musicians can have a sustainable career without having to leave the region.

“The amount of talent in the Atlantic region is undeniable, and large events and festivals like the ECMA, bring outstanding cultural and economic benefits to the region,” says Amy Terrill, Executive Vice President of Music Canada.  “We look forward to learning more about the things that are working well in the Atlantic region and generating some new ideas that would help build a stronger, more successful music community.”

The initial report, which is expected by September 2016, has the support of all five regions and the local music industry associations (Music Nova Scotia, Music PEI, Music New Brunswick, Music Newfoundland & Labrador and the Cape Breton Music Industry Cooperative) who will participate in the study.

Amy Terrill spoke to the East Coast Music Week Industry Conference about Music Canada’s research—the BC Music Sector report which led to the Government of British Columbia’s recent $15 million investment in the music industry, and The Mastering of a Music City report which continues to generate discussion about how cities can make themselves more music and musician-friendly.

“It’s exciting to see the music city conversations blossoming in the Atlantic provinces,” added Terrill.  “Music has an incredible impact on community vitality and quality of life, which is critical for attracting and retaining young workers from every sector.  Working with the music community to ensure a friendly environment for the presentation of music is a win-win approach.”

Comments
view

Guelph Chamber of Commerce to host ‘Guelph as Music City’ Summit

Next week, the Guelph Chamber of Commerce will host ‘Guelph as Music City’: What Successful Tourism Sounds Like, a half-day summit where key stakeholders will discuss the state of local music tourism and its potential as an economic driver in the Guelph region. The event takes place on Wednesday, April 27 from noon to 3:30pm at the Delta Guelph Hotel & Conference Centre (50 Stone Road West) in Guelph, ON.

The event will feature two panel discussions, a keynote presentation by Music Canada’s Graham Henderson, a Q & A session, as well as a pair of performances: an opening performance by Alanna Gurr, and intermission performance by NEFE.

The opening panel, Setting the Stage, will be emceed by Hayley Kellett of The Making Box, and includes panelists:

  • Kithio Mwanzia – President & CEO, Guelph Chamber of Commerce
  • Marie Zimmerman – Executive Director, Hillside Festival
  • His Worship Mayor Cam Guthrie – Mayor of the City of Guelph
  • Kathryn McGarry – MPP for Cambridge on behalf of the Ontario Minister for Tourism, Culture & Sport

Following lunch, Music Canada President & CEO will present Music Meets Municipality: Key learning’s from The Mastering of a Music City. The keynote will cite best practices gleaned from The Mastering of a Music City, the 2015 report by Music Canada and IFPI that sets out how cities worldwide can take simple steps to help develop their music economies.

Following NEFE’s performance is the Leadership Panel, with moderator Rob McLean of Kazolu , and panelists:

  • Erin Benjamin – Music Canada Live
  • Brian Heatherman – Music Ontario
  • Robert Leader – JAM School

The full agenda is available on the Chamber website. To register, or for more information, visit http://www.guelphchamber.com/attend/event_calendar/#id=1557&cid=119&wid=701.

Comments
view

Town of Aurora Approves Music Strategy

Earlier this week, the Town of Aurora, ON, approved of a music strategy which will guide local policy and support the needs of existing music businesses as the Town continues in its plans for development. The strategy will support Aurora musicians, create easier access to music programs, and support music programs for disadvantaged communities.

The music strategy acknowledges the significant role of music in providing employment, attracting tourism, and generating spending in other sectors of the local economy. Further, the strategy shows that the Town of Aurora understands how much a vibrant music sector can contribute to the social and cultural fabric of a community.

The five areas of focus in the strategy include:

  1. Supporting an environment friendly to music creators;
  2. Encouraging the business of music in Aurora;
  3. Promoting Aurora’s music sector locally;
  4. Fostering alliances with other music cites; and,
  5. Implementing a process for monitoring progress and measuring success.

Aurora’s music strategy follows the key recommendations of Music Canada’s The Mastering of a Music City report, which is a roadmap for communities of all sizes can follow to realize the full potential of their music economy. The global report is the result of more than forty interviews with music community experts, government officials, and community leaders. Nearly a year since its release, the report continues to drive policy discussions around music in cities around the world.

Comments
view

Lockouts a Losing Strategy in Sydney, New Report Finds

ROXY MUSIC LIVE ENTERTAINMENT CENTRE SYDNEY

A new report released by the Live Music Office of Australia and APRA-AMCOS (the Australian organization who collects and distributes royalties to creators) has proven that the lockout laws that were implemented in Sydney by the New South Wales (NSW) state government in February 2014 have proven to be very costly to the live music community and artists in the city.

These laws prevent people from entering a venue in the Central Business District (CBD) after 1:30 am and mandate a 3 am “last call”. The laws have been blamed for the closure of many venues, and called a blight on the reputation of Sydney’s live music scene.

The report provides strong evidence of the negative impacts the lockouts have had on the local music community:

  • Ticket sales by live performance venues in the CBD have fallen 40% since the laws were implemented;
  • Venues spent 15% less on live performers in the same period.

The lockouts were a major topic of discussion at a round table meeting held in Sydney last fall in which I was asked to present the findings of The Mastering of a Music City.

Members of the music community, including venue owners and promoters, as well as representatives of both state and local governments gathered at Sydney Town Hall to hear about our research, the best practice from around the world, and to come up with a local action plan.

John Wardle of the Live Music Office in Australia has called on the NSW government to establish a regulatory roundtable, as has been done effectively in the states of Victoria and South Australia. Certainly, our global research shows that music industry advisory groups make it easier for governments to engage with the music community – they can act as a “focus group” that can provide comment on existing and proposed regulations and build consensus. They also provide a forum for the music community to raise concerns. Ultimately, these advisory groups create an opportunity for two-way dialogue between cities and their music communities.

Meanwhile, the NSW Government has announced a review of the lockout laws which, from an outsider’s view, seems like a good sign.

John Wardle of the Live Music Office is one of the speakers who will be coming to Toronto for The Mastering of a Music City Music Cities Summit at Canadian Music Week. John will talk about the various policy options available to cities and states that are looking to improve the viability and sustainability of their live music scenes. We look forward to learning more about the challenges and opportunities in Sydney as well as other cities in Australia.

Comments

This website made possible with the support of the Ontario Media Development Corporation.