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Canadian music companies successfully settle legal action against isoHunt

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FOR IMMEDIATE RELEASE

Vancouver, 25 July 2016:  Canadian and international music companies have settled litigation against isoHunt Web Technologies Inc. (“isoHunt”) and its founder Gary Fung (“Fung”) with the entering of orders by consent against isoHunt and Fung.  The settlement ends a lawsuit filed in 2010 alleging substantial copyright infringement of music on the isoHunt site, as well as an opposing action filed by isoHunt and Fung.

isoHunt and Fung agreed to a court order finding them liable for infringing the music companies’ rights in their recordings, which were made available for BitTorrent file-sharing through isoHunt’s websites. Fung and isoHunt further agreed not to be associated with any service that makes the music companies’ recordings available without authorization, including by BitTorrent or any other file-sharing technology.

“Music companies in Canada stand shoulder-to-shoulder in the fight against illegitimate sites that distribute massive volumes of creative works without compensation to creators,” said Graham Henderson, President & CEO of Music Canada. “Thousands of Canadian creators, our creative industries, and their employees are directly harmed by these activities. This settlement is a step forward towards providing consumers with a marketplace in which legitimate online music services can thrive.”

isoHunt was one of the largest unauthorized BitTorrent sites in the world, offering access to a vast array of music and films for instant download by millions of users. It operated out of Vancouver with worldwide reach.

“Courts all over the world have confirmed that websites such as isoHunt infringe rights”, said Frances Moore, Chief Executive Officer of IFPI. “Artists, creators and record companies pay a heavy price for that infringement, in lost revenues, lost jobs and lost investment. This settlement sends a strong message that anyone who builds a business by encouraging and enabling copyright infringement faces legal consequences for these actions.”

A timeline of legal activities involving isoHunt:

  • 2008 – isoHunt files a petition in British Columbia Supreme Court against Canadian music companies, seeking to have its BitTorrent file-sharing site declared legal under the Canadian Copyright Act;
  • 2009 – The British Columbia Supreme Court rejects isoHunt’s application, and grants the Canadian music companies’ application to have the petition proceed by way of an action or full trial. isoHunt files such an action;
  • 2009 – A US federal district court finds isoHunt liable for copyright infringement in a case brought by the Motion Picture Association of America (MPAA), citing unchallenged evidence that 95% of the files traded through isoHunt’s sites were likely infringing;
  • 2010 – Two dozen Canadian and international music companies file a lawsuit against isoHunt and Fung in British Columbia Supreme Court, alleging massive copyright infringement and seeking damages;
  • 2012 – The Canadian government passes The Copyright Modernization Act (Bill C-11), which ensures that businesses that enable infringement can be held liable for the activities they facilitate. In public statements, government representatives identify isoHunt as the type of “enabler” that the law is intended to target;
  • 2013 – A US federal court of appeals unanimously upholds the US district court’s decision;
  • 2013 – isoHunt and Fung agree to halt all operations worldwide and are deemed liable for a judgment of US$110 million in the US proceedings;
  • 2016 – by way of a consent order filed in the Canadian proceedings in British Columbia Supreme Court, isoHunt and Fung are liable for CAD$55 million in damages and an additional CAD$10 million in punitive damages.  isoHunt and Fung further agree not to be associated with any service that makes the music companies’ recordings available without authorization.

Despite these successful legal actions, piracy remains a significant problem for the music industry. IFPI estimates that 20 per cent of all fixed line internet users worldwide regularly access services offering infringing music. A recent report by the Digital Citizens Alliance demonstrates that one in three piracy sites contains malware, which could result in identity theft, stolen banking information, or exposure to hackers.

̶   Ends  ̶

For more information:

Quentin Burgess, Music Canada

qburgess@musiccanada.com

+1 (416) 967-7272 x106

 

Adrian Strain, Director of Communications, IFPI

adrian.strain@ifpi.org

+44 (0)20 7878 7935

 

 

Notes for editors:

About Music Canada

Music Canada is a non-profit trade organization that represents the major record companies in Canada, namely Sony Music Entertainment Canada, Universal Music Canada and Warner Music Canada. Music Canada also works with some of the leading independent record labels and distributors, recording studios, live music venues, concert promoters, managers and artists in the promotion and development of the music cluster.

About IFPI

IFPI is the organisation that promotes the interests of the international recording industry worldwide. Its membership comprises some 1,300 major and independent companies in 61 countries. It also has affiliated industry associations in 57 countries.  IFPI’s mission is to promote the value of recorded music, campaign for record producer rights and expand the commercial uses of recorded music in all its member markets.

 

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London City Council to consider two motions aimed at making the Forest City more music-friendly

Next week, City Council in London, Ontario, will consider two motions aimed at encouraging more music in the downtown core. The motions support the development of the London Music Strategy, which was unanimously supported by Council in 2014 with the goal of building London as a live music city and music tourist attraction. The Strategy has made major strides in recent years with the hiring of Cory Crossman, London’s first Music Industry Development Officer, and the subsequent launch of the London Music Office. The Office recently launched the London Music Census, which will assess London’s music assets as well as barriers to growth.

The first music motion before council would allow a temporary exemption of a by-law contained in the City of London Special Events and Procedures – Section 13, which states that amplified music cannot go later than 11pm, with a 15 minute grace period. The motion, put forward by Tourism London, asks Council to allow shows on September 8, 9, and 10, to go later than 11pm but no later than 1am. This would permit outdoor events during Country Music Week and the Canadian Country Music Association Awards, which London will host for the first time this fall. The pair of events are expected to directly benefit the local economy with the booking of approximately 2,000 hotel room nights and an anticipated economic impact of $6-8 million dollars. The motion was supported by London’s Community and Protective Services Committee on July 18th.

The second music motion before council is File Z-8625, a pilot project which temporarily amends Zoning By-law Z-1 to permit amplified music and dancing on existing patios in the Downtown Business Improvement Area and the Old East Village. The temporary amendment would run from August 1 to September 30, 2016. The motion was brought forward by the London Music Office, via the Culture Office, and was supported by the London Planning and Environment Committee last month.

“London is a diverse and eclectic music community that houses many great venues. Current by-law restricts amplified entertainment on commercial patios whether that is a radio, TV or musician singing,” said Cory Crossman, London’s Music Industry Development Officer. “To best serve the community, the Music Office wishes to launch a pilot project focused on establishing best practices to work forward from. This project is temporary and focused on creating practical solutions for amplified music on patios at restaurants, bars and dedicated venues.”

Music Canada research has shown that seemingly minor adjustments to municipal policies can paid major dividends in the growth of a city’s music scene. The Mastering of a Music City, which identifies best practices for growing a city’s music scene, cites an example from the State of New South Wales, which eliminated a special license needed by venues to host live music in 2009. Music-friendly policies allow music and culture to flourish in downtown areas. Creating a vibrant music scene not only brings economic benefits in the form of business activity and tourism, it adds a ‘cool’ factor to a city that can accelerate other benefits such as attracting and retaining investment and talent. For example, Montreal has invested heavily in its cultural district, the Quartier des Spectacles, which hosts over 30 venues and even more festivals, which, according to officials with the city of Montreal’s cultural office, has increased the quality of life for those living and working there.

The two motions before Council are indicative of the continued growth of the London Music Strategy, and a sign that the London Music Office, Tourism London, and the London Arts Council are committed ensuring the Forest City is a music-friendly city.

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Polaris Prize reveals 2016 Short List nominees

This morning, the Polaris Music Prize, which honours the year’s best Canadian album, revealed the 2016 Short List nominees. The list includes:

Black Mountain – IV

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Basia Bulat – Good Advice

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Grimes – Art Angels

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Carly Rae Jepsen – E•MO•TION

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Kaytranada – 99.9%

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Jessy Lanza – Oh No

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PUP – The Dream Is Over

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Andy Shauf – The Party

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U.S. Girls – Half Free

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White Lung – Paradise

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The winner will be determined at the Polaris Gala, happening September 19, 2016 at The Carlu in Toronto. The gala, which will be livestreamed via CBC Music’s Facebook page and YouTube channel, will be hosted by Tom Power, CBC Radio 2 Morning host and Polaris jurist, and Amanda Parris, host of CBC Radio 2’s Marvin’s Room and CBC’s Exhibitionists.

The winning artist will receive a $50,000 cash prize, while the nine other Short List artists will receive $3,000 courtesy of Slaight Music.

The Polaris jury consists of journalists, broadcasters, bloggers and programmers from across Canada, and the winning album is based solely on artistic merit, without consideration of genre or record sales. The prize’s past winners are Buffy Sainte-Marie (2015), Tanya Tagaq (2014), Godspeed You! Black Emperor (2013), Feist (2012), Arcade Fire (2011), Karkwa (2010), Fucked Up (2009), Caribou (2008), Patrick Watson (2007), and Final Fantasy / Owen Pallett (2006).

 

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Canadian Country Music Association announces 2016 CCMA Award nominees

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Today, the Canadian Country Music Association revealed the nominees for the 2016 CCMA Awards, taking place in London, Ontario. 34 CCMA Award categories were revealed, with 8 of the categories being presented during the live CBC broadcast on Sunday, September 11, 2016, hosted by Jessi Cruickshank.

The nominees for the 2016 CCMA Fans’ Choice Award were revealed last night on ET Canada, featuring artists Dean Broady, Brett Kissel, Johnny Reid, Dallas Smith, and Yoan. Fans can vote beginning today, and have until 5 PM on September 11 to cast their vote.

2016 also marks the 40th anniversary of the Canadian Country Music Association bringing Country Music Week across the country. Along with the CCMA Awards, London will also host an industry conference and music festival, which includes a Songwriters’ Series, talent showcases, FanFest, and Legends Show that pays tribute to Canada’s most cherished country artists.

Country Music Week and the 2016 CCMA Awards are expected to generate an economic impact of $6-$8 million dollars for London. In 2015, Halifax, NS, exceeded economic impact estimates, generating $11.8 million in economic activity for the province, and $5.5 million in new money (GDP).

Performers for the broadcast will be announced throughout August. For more information, visit the full CCMA release.

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Keith Urban and Brett Eldredge presented with Gold plaques in Toronto

Country superstar Keith Urban’s 2016 album Ripcord has been officially certified Gold in Canada, which the singer announced last Saturday during the second night of shows at Toronto’s Molson Canadian Amphitheatre. Midway through his set, Urban took a moment to announce the news and show his award plaque to his fans, thanking them for their continued support.

“All I can say is the record only came out a little while ago and you all already did this,” said Urban, as seen in a video of the special moment posted to his YouTube account. ”I love you Canada, thank you so much.”

The plaque also represents the certifications of Ripcord singles “Wasted Time,” certified Gold, and “John Cougar, John Deere, John 3:16,” certified Platinum.

Brett Eldredge, who’s supporting Urban for the remainder of his summer North American tour, was also presented with a Gold award plaque during the Toronto tour stop. Eldredge was presented with a plaque backstage by Warner Music Canada for the track “Lose My Mind,” which is his first Canadian Gold single since “Don’t Ya,” certified in 2013.

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CONNECT announces increased royalties for Canadian music labels

CONNECT Music Licensing has announced that an efficiency project undertaken with Re:Sound Music Licensing has resulted in increased royalty payments for Canadian rights holders.

Data improvement and other efficiencies have led to an increase of CAD$1.2 million annually for CONNECT’s members, who range in size from major record labels to artist-owned imprints.

Improvements in data streams provided by CONNECT’s members, and the creation of a single repertoire database have also freed up an additional CAD$1 million in accelerated royalty payments for labels and another CAD$1 million to the performers on recordings through Re:Sound’s member organizations ACTRA RACS, MROC and ARTISTI.

“The increased royalties are particularly notable as they result from our drive to improve royalty collection in line with international best practices, as opposed to adding revenues from a new music service or higher tariff award from the Copyright Board,” said Graham Henderson, President of CONNECT Music Licensing, in the release. “Organizations like CONNECT and Re:Sound exist only to serve rights holders, and today we have delivered on that promise.”

Royalty distributions, as a result of this project, will also happen faster on ongoing basis. Depending on the tariff, payout timelines have been accelerated by 1-6 months, a CONNECT rep told Billboard.

Reaction from Canada’s major labels acknowledged their contribution through data stream improvements:

Members of Canada’s music industry also shared the positive news:

Coverage of the increase in royalties for Canadian rights holders has also been featured in Canadian Musician and FYI Music News.

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Ontario study shows arts and culture attract top talent

Business for the Arts has released the results of a new study that details the extent to which arts and culture attract both skilled workers and the businesses that seek them. Culture for Competitiveness: How Vibrant Culture Attracts Top Talent was created with support from the Ontario Arts Council, with research conducted by Nanos Research.

The study shows that a vibrant arts and culture scene, including live music events, can be a major driver in attracting and retaining employees, and is based on a survey of 500 skilled workers, and 508 businesses in Ontario. While businesses recognize the magnetic nature of arts and culture to skilled workers, the study concludes that they can do more to support local arts communities. According to the study, only 25% of businesses in Ontario make financial contributions to arts and/or cultural organizations in their community.

“The study’s bottom line is that businesses need to make arts and culture more of a priority,” said Nichole Anderson, President & CEO of Business for the Arts. “Our culture for competitiveness study confirms that skilled workers seek out vibrant arts and culture hubs when making job decisions, but businesses who could benefit from the magnetic effect of culture are not investing in their arts and culture ecosystem.”

The study includes the following findings:

  • 60 per cent of businesses said that there are usually more qualified and attractive potential employees in communities with a thriving arts scene
  • 64 per cent of businesses said that a thriving arts and culture scene is something that would make it easier to attract top talent to their community
  • 49 per cent of skilled workers go to arts and cultural festivals two to four times per year
  • Just over half of skilled workers said that a healthy vibrant arts and culture community has influenced their choice regarding which city they would want to work in
  • Skilled workers in Toronto tend to value arts and culture more than those living elsewhere (85 per cent compared to 73 per cent)
  • 75 per cent of skilled workers agreed that government support for the arts makes a more livable community

Thriving Arts Scene Image

The results of this new study echo parts of Music Canada and IFPI’s Mastering of a Music City report. One finding in the report was that music branding undertaken by a city adds a “cool” factor, that can attract and retain investment and talent. In Berlin, the intermingling of music and tech businesses has demonstrated that a successful music economy can attract and retain talent in other industries as well.

The Mastering of a Music City looks to global cities where an understanding exists that arts, culture, and music specifically, help to attract talent and business. Fredrik Sandsten, Event Manager Music at the public tourism agency in Sweden says of Gothenburg, “We have a very industrial city with huge industrial companies. They want culture and music to flourish because they see the link to attracting young workers to their companies.”

Ontario is home to many communities with vibrant arts scenes, where music, in addition to attracting businesses and talent, contributes directly to the economy. Music Canada’s report Live Music Measures Up: An Economic Impact Analysis of Live Music in Ontario identified that live music companies generated $628 million from live music activities in 2013, and brought a total impact of 10,500 jobs to the province.

Music Canada welcomes the results of Business for the Arts’ new study, and encourages Canadian businesses to support their local arts communities, including local music scenes, so that those communities and businesses continue to flourish together.

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Brett Kissel presented with Gold plaque at epic ‘Hometown Homecoming’ show

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On Saturday, June 18, 2016, Canadian country star Brett Kissel returned to his hometown of St. Paul, Alberta, for a special sold out concert at Jaycee Ballpark. Dubbed the Hometown Homecoming, Kissel performed for over 3,000 fans in attendance, and thousands of more listeners across the province through a live broadcast on 840 & 910 CFCW.

‘It’s hard to put into words,” said Kissel of the special evening, “I’m blown away by the excitement and atmosphere. It really was surreal and so, so special to be performing for so many fans, family, friends, and people I grew up with who’ve supported me since the beginning, in my hometown. It was an awesome night.’

During the show, the JUNO Award winning artist was presented with a Gold plaque for his 2013 debut single “Started With A Song,” certified earlier this year. Kissel has previously received a Gold plaque for his single “3-2-1,” and posed with his latest plaque backstage following his monumental performance.

The event also raised over $60,000 for local charities and non-profit organizations, including a $10,000 donation from Kissel and event producers. $5,000 was donated to local cancer-support society Haying In The 30s, and another $5,000 was directed to Fort Murray fire-relief efforts.

The video for “Started With A Song” can be viewed below.

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Artists presented with Gold/Platinum awards at 2016 iHeartRadio MMVAs

Earlier this month, some of the biggest Canadian and international names in music gathered by Queen and John St. in Toronto, ON for the 2016 iHeartRadio Much Music Video Awards. During the festivities, many of the nominees and performers were presented with award plaques commemorating their recent Canadian Gold and Platinum certifications.

Universal Music Canada shared their plaque presentations through Twitter and Instagram, with Universal Music Canada President and CEO Jeffrey Remedios presenting Platinum awards to Hailee Steinfeld for “Love Myself,” Desiigner for “Panda,” and Nelson, BC’s Shawn Hook for “Sound Of Your Heart.”

James Bay was presented with a custom Gold plaque for his 2015 debut album Chaos And The Calm, as well as the Gold single “Hold Back The River.” The English singer/songwriter’s Platinum hit “Let It Go,” which he performed on the broadcast, is also represented on the plaque.

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Canadian superstar Shawn Mendes was presented with a custom Platinum plaque for his album Handwritten. The plaque also represents the 2X Platinum certifications for “Life Of The Party” and “Something Big,” the Platinum certification for “Stitches,” and the Gold certification for “I Know What You Did Last Summer,” which won Best Pop and Fan Fave video.

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Edmonton, AB singer/songwriter Ruth B, seen below with manager Mark Cunningham, received her first Platinum award plaque from Sony Music Canada for her breakthrough hit “Lost Boy.” The 2016 Fan Fave Vine Musician nominee performed the song during the pre-show broadcast.

Photo courtesy of Sony Music Canada

Sony Music Canada also presented Fave International and Most Buzzworthy Group winners Fifth Harmony with a Platinum award plaque for “Work From Home.” Later in the evening, group member Dinah Jane Hansen shared a photo with the plaque through Twitter. Fifth Harmony closed out the 2016 iHeartRadio MMVAs with a performance of the Platinum hit.

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CMW announces 2017 dates and the first Austin-Toronto showcase

Canadian Music Week 2017 will take over Toronto from April 18 – 22. The four-night festival will host over 800 showcasing bands at more than 40 venues in the city’s downtown. 2017’s convention will be held at the Sheraton Centre Toronto Hotel, 123 Queen Street West.

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At CMW 2016, global city planners and the music industry met for The Mastering Of A Music City, a one-day international creative economy summit, which was inspired by Music Canada’s report of the same name. Austin was a focal point of the conference, and the report, because of its incredible music economy, where music tourism accounts for almost half of their US$1.6 billion economic output.

Neill Dixon (right), CEO Canadian Music Week and Don Pitts (left), Music & Entertainment Division Manager - ATX Music & Entertainment Division, City of Austin. Photo via CMW.

Neill Dixon (right), CEO Canadian Music Week and Don Pitts (left), Music & Entertainment Division Manager – ATX Music & Entertainment Division, City of Austin. Photo via CMW.

CMW 2017 will present the first Austin-Toronto showcase, featuring premier talent from both cities. The showcase is an outcome of the recent Austin-Toronto Alliance Summit, where industry leaders met in Toronto in June of 2016. The Music City Alliance between Toronto and Austin was formed in 2013 to promote mutual growth opportunities between governments and industry.

For more information on CMW 2017, head over to their website at www.cmw.net

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