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CONNECT announces increased royalties for Canadian music labels

CONNECT Music Licensing has announced that an efficiency project undertaken with Re:Sound Music Licensing has resulted in increased royalty payments for Canadian rights holders.

Data improvement and other efficiencies have led to an increase of CAD$1.2 million annually for CONNECT’s members, who range in size from major record labels to artist-owned imprints.

Improvements in data streams provided by CONNECT’s members, and the creation of a single repertoire database have also freed up an additional CAD$1 million in accelerated royalty payments for labels and another CAD$1 million to the performers on recordings through Re:Sound’s member organizations ACTRA RACS, MROC and ARTISTI.

“The increased royalties are particularly notable as they result from our drive to improve royalty collection in line with international best practices, as opposed to adding revenues from a new music service or higher tariff award from the Copyright Board,” said Graham Henderson, President of CONNECT Music Licensing, in the release. “Organizations like CONNECT and Re:Sound exist only to serve rights holders, and today we have delivered on that promise.”

Royalty distributions, as a result of this project, will also happen faster on ongoing basis. Depending on the tariff, payout timelines have been accelerated by 1-6 months, a CONNECT rep told Billboard.

Reaction from Canada’s major labels acknowledged their contribution through data stream improvements:

Members of Canada’s music industry also shared the positive news:

Coverage of the increase in royalties for Canadian rights holders has also been featured in Canadian Musician and FYI Music News.

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Ontario study shows arts and culture attract top talent

Business for the Arts has released the results of a new study that details the extent to which arts and culture attract both skilled workers and the businesses that seek them. Culture for Competitiveness: How Vibrant Culture Attracts Top Talent was created with support from the Ontario Arts Council, with research conducted by Nanos Research.

The study shows that a vibrant arts and culture scene, including live music events, can be a major driver in attracting and retaining employees, and is based on a survey of 500 skilled workers, and 508 businesses in Ontario. While businesses recognize the magnetic nature of arts and culture to skilled workers, the study concludes that they can do more to support local arts communities. According to the study, only 25% of businesses in Ontario make financial contributions to arts and/or cultural organizations in their community.

“The study’s bottom line is that businesses need to make arts and culture more of a priority,” said Nichole Anderson, President & CEO of Business for the Arts. “Our culture for competitiveness study confirms that skilled workers seek out vibrant arts and culture hubs when making job decisions, but businesses who could benefit from the magnetic effect of culture are not investing in their arts and culture ecosystem.”

The study includes the following findings:

  • 60 per cent of businesses said that there are usually more qualified and attractive potential employees in communities with a thriving arts scene
  • 64 per cent of businesses said that a thriving arts and culture scene is something that would make it easier to attract top talent to their community
  • 49 per cent of skilled workers go to arts and cultural festivals two to four times per year
  • Just over half of skilled workers said that a healthy vibrant arts and culture community has influenced their choice regarding which city they would want to work in
  • Skilled workers in Toronto tend to value arts and culture more than those living elsewhere (85 per cent compared to 73 per cent)
  • 75 per cent of skilled workers agreed that government support for the arts makes a more livable community

Thriving Arts Scene Image

The results of this new study echo parts of Music Canada and IFPI’s Mastering of a Music City report. One finding in the report was that music branding undertaken by a city adds a “cool” factor, that can attract and retain investment and talent. In Berlin, the intermingling of music and tech businesses has demonstrated that a successful music economy can attract and retain talent in other industries as well.

The Mastering of a Music City looks to global cities where an understanding exists that arts, culture, and music specifically, help to attract talent and business. Fredrik Sandsten, Event Manager Music at the public tourism agency in Sweden says of Gothenburg, “We have a very industrial city with huge industrial companies. They want culture and music to flourish because they see the link to attracting young workers to their companies.”

Ontario is home to many communities with vibrant arts scenes, where music, in addition to attracting businesses and talent, contributes directly to the economy. Music Canada’s report Live Music Measures Up: An Economic Impact Analysis of Live Music in Ontario identified that live music companies generated $628 million from live music activities in 2013, and brought a total impact of 10,500 jobs to the province.

Music Canada welcomes the results of Business for the Arts’ new study, and encourages Canadian businesses to support their local arts communities, including local music scenes, so that those communities and businesses continue to flourish together.

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Brett Kissel presented with Gold plaque at epic ‘Hometown Homecoming’ show

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On Saturday, June 18, 2016, Canadian country star Brett Kissel returned to his hometown of St. Paul, Alberta, for a special sold out concert at Jaycee Ballpark. Dubbed the Hometown Homecoming, Kissel performed for over 3,000 fans in attendance, and thousands of more listeners across the province through a live broadcast on 840 & 910 CFCW.

‘It’s hard to put into words,” said Kissel of the special evening, “I’m blown away by the excitement and atmosphere. It really was surreal and so, so special to be performing for so many fans, family, friends, and people I grew up with who’ve supported me since the beginning, in my hometown. It was an awesome night.’

During the show, the JUNO Award winning artist was presented with a Gold plaque for his 2013 debut single “Started With A Song,” certified earlier this year. Kissel has previously received a Gold plaque for his single “3-2-1,” and posed with his latest plaque backstage following his monumental performance.

The event also raised over $60,000 for local charities and non-profit organizations, including a $10,000 donation from Kissel and event producers. $5,000 was donated to local cancer-support society Haying In The 30s, and another $5,000 was directed to Fort Murray fire-relief efforts.

The video for “Started With A Song” can be viewed below.

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Artists presented with Gold/Platinum awards at 2016 iHeartRadio MMVAs

Earlier this month, some of the biggest Canadian and international names in music gathered by Queen and John St. in Toronto, ON for the 2016 iHeartRadio Much Music Video Awards. During the festivities, many of the nominees and performers were presented with award plaques commemorating their recent Canadian Gold and Platinum certifications.

Universal Music Canada shared their plaque presentations through Twitter and Instagram, with Universal Music Canada President and CEO Jeffrey Remedios presenting Platinum awards to Hailee Steinfeld for “Love Myself,” Desiigner for “Panda,” and Nelson, BC’s Shawn Hook for “Sound Of Your Heart.”

James Bay was presented with a custom Gold plaque for his 2015 debut album Chaos And The Calm, as well as the Gold single “Hold Back The River.” The English singer/songwriter’s Platinum hit “Let It Go,” which he performed on the broadcast, is also represented on the plaque.

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Canadian superstar Shawn Mendes was presented with a custom Platinum plaque for his album Handwritten. The plaque also represents the 2X Platinum certifications for “Life Of The Party” and “Something Big,” the Platinum certification for “Stitches,” and the Gold certification for “I Know What You Did Last Summer,” which won Best Pop and Fan Fave video.

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Edmonton, AB singer/songwriter Ruth B, seen below with manager Mark Cunningham, received her first Platinum award plaque from Sony Music Canada for her breakthrough hit “Lost Boy.” The 2016 Fan Fave Vine Musician nominee performed the song during the pre-show broadcast.

Photo courtesy of Sony Music Canada

Sony Music Canada also presented Fave International and Most Buzzworthy Group winners Fifth Harmony with a Platinum award plaque for “Work From Home.” Later in the evening, group member Dinah Jane Hansen shared a photo with the plaque through Twitter. Fifth Harmony closed out the 2016 iHeartRadio MMVAs with a performance of the Platinum hit.

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CMW announces 2017 dates and the first Austin-Toronto showcase

Canadian Music Week 2017 will take over Toronto from April 18 – 22. The four-night festival will host over 800 showcasing bands at more than 40 venues in the city’s downtown. 2017’s convention will be held at the Sheraton Centre Toronto Hotel, 123 Queen Street West.

CMW 2017

At CMW 2016, global city planners and the music industry met for The Mastering Of A Music City, a one-day international creative economy summit, which was inspired by Music Canada’s report of the same name. Austin was a focal point of the conference, and the report, because of its incredible music economy, where music tourism accounts for almost half of their US$1.6 billion economic output.

Neill Dixon (right), CEO Canadian Music Week and Don Pitts (left), Music & Entertainment Division Manager - ATX Music & Entertainment Division, City of Austin. Photo via CMW.

Neill Dixon (right), CEO Canadian Music Week and Don Pitts (left), Music & Entertainment Division Manager – ATX Music & Entertainment Division, City of Austin. Photo via CMW.

CMW 2017 will present the first Austin-Toronto showcase, featuring premier talent from both cities. The showcase is an outcome of the recent Austin-Toronto Alliance Summit, where industry leaders met in Toronto in June of 2016. The Music City Alliance between Toronto and Austin was formed in 2013 to promote mutual growth opportunities between governments and industry.

For more information on CMW 2017, head over to their website at www.cmw.net

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CONNECT Music Licensing achieves efficiency in royalty distribution

CONNECT Music Licensing has announced their decision to have their nearly 2,700 members receive public performance and private copying royalties directly from Re:Sound. The move marks a new level of efficiency in royalty distribution, making the distribution process simpler and more effective. Going forward, CONNECT’s members will receive public performance and private copying royalties directly from Re:Sound, eliminating duplication in the royalty distribution process and making it simpler and more cost effective. Per the release, the change will cut overall distribution costs by about one-third.

“CONNECT continuously strives to work as efficiently as possible. To this end, we saw a way to save time and money for our nearly 2,700 rights holders by having Re:Sound, a trusted partner of CONNECT, pay public performance and private copying royalties directly to our members. This will allow CONNECT to focus on reproduction royalties and will mean greater royalty payments to record labels and artists, faster,” said Graham Henderson, President of CONNECT Music Licensing.

“At Re:Sound, we are committed to maximizing public performance royalties for artists and record labels and ensuring that royalties are distributed as efficiently, and at as low cost, as possible. CONNECT’s move to bring their member labels to Re:Sound directly means more of every dollar will get into the hands of the labels themselves,” said Ian MacKay, President of Re:Sound.

The move was also applauded in CONNECT’s release by Mathieu Drouin, CONNECT Board Member and President of Crystal Math Music Group, Stuart Johnston, President of the Canadian Independent Music Association (CIMA), Shauna de Cartier, President of Six Shooter Records and Chair of CIMA, and Frances Moore, CEO, the International Federation of the Phonographic Industry (IFPI).

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27th annual SOCAN Awards to be presented June 20

On Monday, June 20, Canadian songwriters, performers, and industry executives will be honoured at the 27th annual SOCAN Awards. This year’s event will be held at the Sheraton Hotel in Toronto, ON, and will be hosted by Dave Bidini of Rheostatics.

In celebration of Canada’s favourite pastime, composer Dolores Claman will be presented with the Cultural Impact Award for “The Hockey Theme,” which has been heard nationwide for nearly 50 years during Hockey Night In Canada broadcasts. The first few notes of “The Hockey Theme” will also be tuned into “The SOCAN” trophies, the world’s first and only music industry trophy that’s also a playable musical instrument.

2016 SOCAN Awards honourees will also include 2015 hit-makers The Weeknd (International Achievement Award), Alessia Cara (Breakout Award), Belly (Songwriter Of The Year), and Johnny Reid (National Achievement Award), as well as industry veteran Gary Slaight (Special Achievement Award).

Music Canada is proud to be a bronze sponsor for the 2016 SOCAN Awards, and wish to congratulate all of this year’s recipients.

View the full press release for more information on this year’s awards.

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Twenty One Pilots presented with Platinum award plaques in Toronto

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Amidst an extensive world tour that will find them on the road through 2017, alternative hip hop duo Twenty One Pilots were in Toronto, ON last week for a sold-out show at the Molson Canadian Amphitheater. Prior to their performance, the band was presented with custom award plaques by Warner Music Canada signifying the Triple Platinum certification of their single “Stressed Out,” and the Platinum certification of the 2015 album Blurryface. The album also features the Gold single “Tear In My Heart.”

Earlier this Spring, the band toured through Canada beginning with two nights at Montreal, QC’s Metropolis, and wrapping up with two nights at Vancouver, BC’s Queen Elizabeth Theatre. The band will return to Canada in September for appearances at Edmonton, AB’s Sonic Boom Festival, and Calgary, AB’s X-Fest.

The video for the breakout Triple Platinum track “Stressed Out” can be viewed below.

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The Ministry of Tourism, Culture and Sport unveils Ontario’s Tourism Action Plan

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A crowd enjoying The Roots at Toronto’s Luminato Festival, via Ontario’s Tourism Action Plan

One of the final announcements made by Michael Coteau as Minister of Tourism, Culture and Sport was the release of Ontario’s Tourism Action Plan. Since the release, Eleanor McMahon has been appointed Minister of Tourism Culture and Sport, and Michael Coteau is now Minister of Children and Youth Services. In the Plan, the province’s tourism industry is said to generate over $28.5 billion annually, which represents 4% of the GDP.

According to the press release, sector wide engagement across the diverse tourism industry produced an agreement amongst leaders – the need for immediate action. The Plan identifies five priority areas the Government will focus on: Indigenous-led tourism, Francophone tourism, the sharing economy, culture and sport linkages, and events and celebrations.

Music Canada has found that live music events and celebrations contribute significantly to Ontario’s economy. In our report, Live Music Measures Up: An Economic Impact Analysis of Live Music in Ontario, we determined that in 2013, the total impact of music tourism in Ontario was 9,530 jobs, $405.1 million in labour income, and $609.1 million in gross domestic product.

The Action Plan’s five priority areas are further broken down into twelve action items.  Several of them provide clear opportunities for the live music, and music tourism sectors:

  • An Investment Approach for Economic Growth recognizes that investment from the private sector is critical to increasing visitation and creating jobs.
  • A New Approach to Data Collection to Improve Data Quality and Availability could allow for data relating to music events, whether it’s live or recorded music, to be collected in its own independent category.
  • Working Together to Improve the Business Climate for Tourism – Reduce Regulatory Burdens. The Government has expressed a commitment to improving the regulatory environment for the tourism industry, and plans to hold discussions with industry partners to prioritize regulatory challenges faced by the sector. In Live Music Measures Up, Music Canada found that the legal and regulatory environment was the only factor live music companies in Ontario identified as having a net negative impact on their success.

We encourage our partners involved in live music and events to continue to engage in discussions, and provide feedback to the Ministry of Tourism, Culture and Sport as more detailed plans are developed.

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Does Toronto need a night mayor? Music Canada’s Amy Terrill asks the question in Huffington Post article

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Amsterdam was the first city to appoint a night mayor, and since then the concept has grown in popularity as cities attempt to foster vibrant nightlife economies, while balancing the needs of residents. Is this concept a good fit for Toronto? In a new Huffington Post Canada article, Music Canada’s Amy Terrill asks; Does Toronto Need A Night Mayor?  This piece follows Music Canada’s previous Huffington Post submission Making Music History Work For The Present.

For further information on the topic of Music Cities, you can download Music Canada and IFPI’s 2015 report The Mastering Of A Music City.

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