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Posts by Quentin Burgess (203)

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OMDC announces key dates for Ontario Music Fund 2016-17

The Ontario Media Development Corporation (OMDC) has announced the key dates for the Ontario Music Fund’s 2016-17 period.

Timelines and deadlines for the four streams of the Ontario Music Fund (OMF) are as follows. The OMDC noted that the key dates for each stream vary, and all dates may be subject to change.

OMF Music Company Development Stream

  • Guidelines and Application Launch: Early March 2016
  • Deadline: May 17, 2016 (by 5 p.m.)
  • Activity Period: August 1, 2016 – July 31, 2017

 

OMF Music Futures Stream
NEW Important 2016-17 Program Update
Note: Two separate deadlines for specific types of applicants:

For eligible Domestic Artist-Entrepreneurs, Music Managers, Music Publishers and Record Labels:

  • Guidelines and Application Launch: Early March 2016
  • Deadline: May 18, 2016 (by 5 p.m.)
  • Activity Period: August 1, 2016 – July 31, 2017

For eligible Domestic Booking Agents and Music Promoters/Presenters:

  • Guidelines Launch: Early March 2016
  • Application Launch: Early June 2016
  • Deadline: October 4, 2016 (by 5 p.m.)
  • Activity Period: June 1, 2016 – December 31, 2017

 

OMF Music Industry Development Stream

  • Guidelines and Application Launch: Late March 2016
  • Rolling Deadline: Application evaluations occur throughout the year, from launch through to October 28, 2016
  • Activity Period: June 1, 2016 – July 31, 2017

Applicants are strongly encouraged to submit applications in advance of the program deadline date.

 

OMF Live Music Stream
NEW Important 2016-17 Program Update
Note: Application deadline has moved to Fall 2016

  • Guidelines and Application Launch: early June 2016
  • Deadline: October 4, 2016 (by 5 p.m.)
  • Activity Period: June 1, 2016 – December 31, 2017

 

The OMDC also announced that information and webinar sessions on the OMF will be held between April to September 2016. Details and registration will be posted on the OMDC website in the near future.

For further information on the Ontario Music Fund, visit the OMDC’s website at http://www.omdc.on.ca/music/the_ontario_music_fund.htm.

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Music Canada’s Graham Henderson remarks on ‘BC’s Music Sector – From Adversity to Opportunity’ report

Yesterday, Music Canada President and CEO Graham Henderson unveiled our latest report, BC’s Music Sector – From Adversity to Opportunity, at an event at the historic Warehouse Studios in Vancouver. At the event, Premier Christy Clark announced a $15 million grant towards the creation of a BC Music Fund, which will be administered by Creative BC. The event also included remarks from Jon Garson, President and CEO of the BC Chamber of Commerce, Diamond-certified artist Michael Bublé, and Scott Johnson, Chair of Music BC.

Supporting BC Music

Henderson’s remarks on the BC Music Sector report are available below:

“My name is Graham Henderson, President of Music Canada.

The social media hashtag for this event is #musiccanhelp.

Welcome to the official launch of Music Canada’s study of the music industry in BC which we have titled “From Adversity to Opportunity.” A study perhaps long overdue given the importance of the BC music scene to Canada’s national and international identity.

Now, obviously, based on who is up here on this stage with me, we are here to do more than talk about the realm of possibility…about what could or might happen.

I think we are here to talk about action, about what IS going to happen. But we will need to wait a moment longer to hear about THAT.

Music Canada is a national organization that aspires to be a trusted source, a respected forum and an inspirational advocate for all things music. Our members, Sony, Warner and Universal are the folks who stand behind and funded this research. And we all owe them a debt of thanks for what is a very significant investment.

But it is the music community of BC who supplied the impetus, the motivation and the passion upon which our work was based.

And while the instigators are many, a few do stand out. My dear friend Garth Richardson who literally berated me on FB to stand up for the BC music scene. Bob Deith and Scott Johnson, Rick Baker, Patrick Aldous and the entire team at Music BC who laid so much of the groundwork and who supplied us with local wisdom and know how. Nick Blasko whose advice and connections were indispensable. And, of course Bruce Allen – what can I say – when Bruce Allen starts demanding your attention….well…I think we all know where that leads – ACTION!

So why are we here? We are here because BC has one of the world’s great music scenes. We are here because the people of BC – and its government – care passionately about their music and their artists. But we are also here because this great natural resource is imperiled.

We heard this message loud and clear from the over 100 music community leaders that we interviewed. Their opinions and recommendations form the basis of our report.

The genesis of the idea was simple yet daunting. Why not imagine, why not implement, a provincial programme which would take into account the vast changes that have swept through music’s ecosystem.

To do this requires us to change the way we think about music. In international surveys people repeatedly rank music as one of life’s supreme sources of pleasure and emotional power, says a recent NYT article. But a new MIT study goes further — apparently our brain gives more a specialized treatment to music than it does to speech itself. This clearly underscores the absolutely crucial importance of music education to the growth and development of young minds. Music also has a cohesive, healing potential – a subject which will be celebrated by Music Canada at our upcoming Global Music Forum at CMW in May where we will celebrate the pioneering work of Laura Hasler and Musicians Without Borders.

Musicians without Borders is a global network of musicians and music lovers based in the Netherlands that uses music to heal the wounds of war. They design community music projects around the world that help people deal with trauma, fear, isolation and the effects of conflict.

Music in a very real and meaningful sense can be said to be who we are as a species.

Studies undertaken by Music Canada demonstrate the importance of music to tourism, to education, to the diversification of municipal, provincial and federal economies. Music, as it turns out drives not just our culture, but our economy. We now understand that thriving music scenes attract and retain young, talented workers and the businesses that employ them. Music, in effect, can be the glue that holds communities together.

It is this aspect which is attracting the attention of Chambers of Commerce across the country, including our friends at the BC Chamber of Commerce, the “Voice of Business” in BC. We are so thankful to have the endorsement and support of the BC Chamber and it is a sign of the importance of music to the economy that Jon Garson is here and that the Chamber has partnered with us in this launch.

Our report has collected a wealth of wisdom from the people of BC. From those inside the music industry and in government itself. The report was in effect a collaborative effort with the government of BC. They were excited by what we were telling them and we were urged to press on and come up with recommendations.

Embracing our recommendations would help BC to:

  • Create and retain jobs
  • Grow and diversify the economy
  • Attract foreign direct investment
  • Build more vibrant music scenes
  • Boost tourism development
  • Attract talent to other sectors like the digital arts
  • And contribute to cultural and artistic growth

We argue that BC does not just need a fund, BC needs a Music Strategy. BC needs to brand itself nationally and internationally as the music mecca that it is. BC needs to provide the policy framework to offer a turbo boost to that which it already has.

Our recommendations in this report are tailored to the specific needs of BC and are designed to position the province to compete in an increasingly global marketplace while also creating more opportunities for emerging BC artists to succeed and earn a living from their music.

We suggest in this report that a $15 million investment will produce an estimated total GDP impact of $73 million for BC’s economy.

Additionally, further red tape reductions would boost music activity relating to venues and festivals throughout the province.

Importantly, we believe more focus and funding on music education is a linchpin to this strategy. And in this regard our discussions with Minister Bernier have been fantastically encouraging.

Surely all of this suggests that music deserves special attention from policy makers. Surely you would think governments should respond to these new ways of understanding the importance of music. Surely governments should act! But, oh! People will tell you that governments do not move at the speed of business. That they are incapable of nimbly responding to the rapidly changing environment. That the bureaucracy of government is impenetrable – change takes years.

Well…..they are WRONG!! At least in the case of BC. At every point, our message has been embraced with enthusiasm by the government of BC and in particular by the Premier. We have received valuable guidance and advice. All of which has led to to where we are right now. Trembling in anticipation of what the Premier is about to tell us!

Now, before I turn the podium over to Jon Garson, President of the BC Chamber of Commerce who will introduce the person everyone REALLY wants to hear from, there is someone else I must acknowledge. And he is not here today only because he is performing a sold out show tonight in New York. And that is Bryan Adams.

From the first moment that Bruce Allen put me in touch with Bryan, it was clear that this was a cause he would embrace wholeheartedly. He has been a passionate supporter of our work and I can say without a hint of exaggeration that his involvement was pivotal. Bryan flew in especially to attend our reception at the Museum in Victoria. In addition to speaking, folks who were there will recall that he doubled as Jesse Roper’s guitar tech when a microphone failed. But what he said there I think reflects what this all about.

This is not about preserving the past, or even the now. This is about the future. Young musicians, he said, face a very different reality. There was a system, a “ladder”, if you will, that yesterday’s aspiring young musicians were able to ascend. Well that world has vanished and businesses, governments, and yes fans, need to think about how we can all work together to create a more congenial, and yes, PROFITABLE environment for our musicians. They must be able to earn a decent living as professionals. If music is one of life’s supreme sources of pleasure and emotional power, then we should all honour and support those who create it.

And with that said I will turn the podium over to Jon Garson who will introduce the premier.”

 

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London’s Music City Initiative Highlighted in 2016 State of the City Address

Yesterday, London Mayor Matt Brown delivered his 2016 State of the City address to the London Chamber of Commerce, which outlined a number of initiatives aimed at moving London forward.

Among the initiatives aimed at benefiting London’s culture and tourism sector, Mayor Brown cited the City of London’s Music Strategy.

“We set a goal to become a Music City and this began to take shape in a big way this year,” said Brown. “To lead the way, the City of London developed a Music Strategy that will make London a Music City and a music attraction.”

The event kicked off with a performance from Canadian country music artists Autumn Hill, a nod to Country Music Week and the Canadian Country Music Association Awards, which London will host for the first time this fall. The pair of events are expected to directly benefit the local economy with the booking of approximately 2,000 hotel room nights and an anticipated economic impact of $6-8 million dollars. The CCMA & JUNO nominated duo performed acoustic versions of their hits ‘Anything At All’ and ‘Blame’, which were a highlight for many in attendance.

 

https://twitter.com/allysoneckel/status/691994938884636672

Mayor Brown also referenced live music in regard to plans to reinvigorate London’s downtown core. The Downtown Plan builds on the success of previous investments in Budweiser Gardens, the Covent Garden Market, and Central Library, and looks to make downtown London “an irresistible destination and an exciting place to live,” said Brown.

“It’s time for Dundas Street to become Dundas Place – a transformational project that will see the creation of a flexible street between Wellington Street and the Thames River,” said Brown. “A space for cars during the day and a people-first space on evenings and weekends; a place to stroll, shop, or visit with friends. A place to be entertained, a place where services spill out onto the street and we can enjoy live music, culture and great food.”

With the execution of the London Music Strategy, including the hiring of a Music Industry Development Officer, the launch of the London Music Division incubator, and creation of the Music Industry Development Task Force, London is showing that a targeted music strategy and coordinated efforts can pay dividends for a city looking to draw tourists, create jobs, and enhance local quality of life.

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Calgary kicks off Year of Music

2016 is now, officially, the Year of Music in Calgary. Mayor Naheed Nenshi issued a proclamation outlining the multitude of music events taking place in Calgary this year, as well as recognizing the talents of Calgary musicians and the economic benefits of the music sector, at an event in the observation deck of the Calgary Tower yesterday.

“Calgary is home to a vibrant music scene. Each year our city produces hundreds of festivals, events, concerts, shows and performances in venues ranging from elegant concert halls to local parks to vintage clubs filled with character,” the proclamation reads. “This year we celebrate the extraordinary talents of musicians who make their living here, the burgeoning music economy and all those whose efforts contribute to the musical vitality of our community.”

Cited among the reasons that 2016 will be such a remarkable year for music in Calgary are:

  • The 45th annual JUNO Awards, taking place April 3rd at the Scotiabank Saddledome
  • The launch of Studio Bell, home of Canada’s National Music Centre, opening in East Village this summer
  • The 60th Anniversary of the Calgary Philharmonic Orchestra
  • The 50th Anniversary of the Alberta Ballet
  • The 30-plus musical festivals that take place in Calgary annually and enrich the city’s cultural environment

The announcement coincided with the launch of this year’s One Yellow Rabbit High Performance Rodeo, Calgary’s International Festival of the Arts, which is celebrating its 30th anniversary in 2016. The event runs from January 7th through 31st, at 14 venues across Calgary.

The event also revealed the songs that make up the Calgary Songs Project, which compiles 30 songs released by Calgary artists over the past 30 years, in celebration of the High Performance Rodeo’s 30th anniversary. The list, compiled by the High Performance Rodeo, songwriter Kenna Burima, and the Calgary Cassette Preservation Society, can be heard in a variety of ways during the Rodeo:

As part of the Year of Music celebrations, Tourism Calgary has launched a new website, www.pushplaycalgary.com, which features live music listings and markets Calgary as a destination for music tourists. The Year of Music could bring an economic boost to Calgary’s tourism economy, said Tourism Calgary’s Jeff Hessel in MetroNews.

“What makes next year special is that we have the Junos, and the opening of the National Music Centre definitely makes it a very special year,” said Hessel. “We’re here to increase the economic impact of tourism for Calgary. If we can do anything that increases incremental visitation and spending for Calgary, then we’ll do that.”

Mayor Nenshi also touted the economic and city-branding benefits of music in an address at the Calgary City of Commerce last month.

“At a time when the Canadian dollar is low, it’s an opportunity to attract tourism right now. I love music, but it’s also a marketing opportunity to rebrand ourselves to a national and international audience about the culture, the vitality and the life here in the city,” the mayor is quoted as saying in MetroNews.

In the same article, the National Music Centre’s Andrew Mosker backs up the mayor’s statements on music’s economic impact, pointing to the Alberta Music Cities Initiative’s Fertile Ground report, which outlines a strategy for a stronger provincial music sector. Music Canada authored the report in 2014 after being commissioned by the NMC to take a critical look at Alberta’s music landscape.

The Year of Music celebrations continue tonight, with the launch of Music Mile, which recognizes the stretch of Calgary’s 9th Avenue from the Blues Can in Inglewood to Studio Bell in East Village as a music mecca. Home to live music venues such as Ironwood Stage & Grill, The Lantern Church, Festival Hall, and Vagabond Calgary, Music Mile brands the area as a formal music district where fans can find live music any day of the week.

Invoking the success of music districts such as Nashville’s Broadway and New Orleans’ French Quarter, Music Mile organizers spoke of the value of branding the location of Calgary’s music scene in an interview with Global Calgary.

“All over the world there’s this notion of a place where you go for music, not just a venue,” said Bob Chartier.

”Everybody sees this as a place-making project – having a district, rather than just a club to go to,” added Meg Van Rosendaal.

With all of the action happening in Calgary in 2016, it’s clear that Year of Music is more than a slogan. It’s a reflection of Calgary’s rise as a cultural hotspot and live music destination. For more on all the events happening in Calgary this year, see the video below, and visit www.pushplaycalgary.com.

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Music Canada’s submission to the Ontario Cultural Strategy Consultation

As part of the Ontario government’s first Cultural Strategy consultation, Music Canada was pleased to submit the following letter, as well as two of our recent reports, Live Music Measures Up: An Economic Impact Analysis of Live Music in Ontario, and The Mastering of a Music City.

The submission highlights the benefits of a vibrant music economy to Ontario communities, including job creation, talent retention, economic growth and diversification, tourism development, brand building and artistic growth, as well as music’s role in connecting communities and building a bridge across cultures, languages, and income levels.

Drawing from the results of our research, the submission identifies opportunities to strengthen the cultural sector, including:

  1. Provincial and municipal coordination
  2. Music tourism promotion
  3. Preservation of cultural heritage
  4. Investment in music education

We look forward to seeing the Ontario Cultural Strategy build on the creation of the Ontario Music Fund and the Ontario Music Tourism Strategy which were both launched in 2013.

View the submission

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Napster’s subscription service launches in Canada

Napster, the digital music service featuring more than 35 million licensed songs, has officially launched in Canada. The service launched yesterday, offering on-demand access to the service’s catalogue for $9.99 per month. The service is available in both French and English, and is available on a wide array of devices, including iOS, Android, Windows Phone, Web, Sonos, Chromecast, and several auto manufacturers.

While many will recognize the Napster name from the turn-of-the-millennium P2P service that became synonymous with music piracy, the brand is now owned by Rhapsody and operates as a fully licensed subscription service.

Napster features curated playlists as well as personalization algorithms, and offers tailored music recommendations through the service’s Music Inbox feature. The service offers offline playback feature to allow subscribers to download music to their phone to save on data fees or to listen in areas without a connection.

“With a deep catalogue of local artists, hand-curated playlists, and the first music experience for kids, Napster is customized specifically for Canadian music fans,” said Ethan Rudin, Napster’s chief financial officer, in a release. “It was important to us that we enter Canada with a personalized music experience that has a complete catalogue of local, national and international artists.”

The service also offers Napster KIDS, a streaming music experience specifically designed for children. The KIDS feature allows children to safely explore age-appropriate songs and playlists designed for a younger audience.

As part of their launch, Napster is offering an introductory subscription for Canadians, priced at $1 for the first three months. For more information, see the announcement on Napster’s blog.

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Video: BC’s Music Industry Gathers to Identify Opportunities for Support

Last week, we recapped a recent event in Victoria, BC, in which a collection of British Columbia artists, including Bryan Adams, Jesse Roper, and members of Current Swell, Cowboy Junkies, Chilliwack, and Spirit of the West, as well as members of the province’s music industry, came together to express the need for provincial support for music in the form of regulatory reform and reduced red tape, as well as financial support.

Video of the event is now available, including speeches from Graham Henderson, President and CEO of Music Canada; the Honourable Peter Fassbender, Minister of Community, Sport and Cultural Development; Bryan Adams on the importance of music in British Columbia; and a performance by Jesse Roper.

 

 

 

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2016 JUNO Award Submissions Now Open

The Canadian Academy of Recording Arts and Sciences (CARAS) has announced that submissions for the 2016 JUNO Awards are open today, October 1st. Applicants can now submit their package at http://junosubmissions.ca/ for consideration. The JUNO Awards will be presented during JUNO Week, held in Calgary, Alberta, March 28th through April 3rd, 2016.

The eligibility period for the 2016 JUNO Awards is between September 1st, 2014 and November 13th, 2015. Other important dates to remember:

  • October 23, 2015, 5:00 pm (EST): Early-bird deadline to receive discounted submission rates
  • November 13, 2015, 5:00 pm (EST): Final submission deadline for ALL categories (except International Album of the Year and Album of the Year)
  • January 6, 2016, 5:00 pm (EST): Final submission deadline for International Album of the Year and Album of the Year

Applicants can save up to 40% on the submission fee by becoming a member of CARAS at https://carasonline.ca/academy-delegate/.

The JUNOs have also announced that for the first time, streaming data will now be considered in determining nominees in the sales based categories. This change allows the JUNO Awards to better reflect how fans are consuming music. The streaming data will be provided by Nielsen Media Research Ltd.

The JUNOs also announced that the nominees for the JUNO Fan Choice will now be determined by an equal weight of single sales, streams, and Next Big Sound data, rather than album sales and Next Big Sound data in years past.

Additionally, the JUNOs announced a change to the criteria for album submissions. Going forward, a project that is 20 minutes or has 6 unique songs will be considered a full album. In this context, ‘unique’ means no remixes, acoustic versions, or added accompaniment versions, etc.

The JUNOs also announced that The Roots & Traditional Album of the Year: Solo and Roots & Traditional Album of the Year: Group categories have been changed to Contemporary Roots Album of the Year and Traditional Roots Album of the Year, which will ensure two genres of music are not competing against each other in the same category.

The nominees will be announced on February 2nd, 2016 at the JUNO Nominee Press Conference. For full submission details, visit http://junosubmissions.ca/.

Good luck to all applicants!

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Ontario Seeking Input in Developing Province’s First Culture Strategy

Ontario’s Ministry of Tourism, Culture and Sport has announced plans for a province-wide consultation to help develop Ontario’s Culture Strategy, which will outline a vision for arts and culture in the province for years to come.

Ontario is seeking input from across the province, and inviting Ontarians to share their feedback by:

“Ontario’s cultural landscape has evolved and it is important that government priorities reflect this. That’s why I am proud that our government is developing the province’s first-ever culture strategy,” said Michael Coteau, Minister of Tourism, Culture and Sport. “I look forward to hearing from Ontarians about what they value about arts and culture in their lives and what culture means to them. This is an opportunity for the province to take a fresh look at how it invests in arts and culture, to build our vibrant sectors and to enrich our diverse communities.”

Minister Coteau - Cultural Strategy Announcement

The cultural strategy will reflect what is important to all Ontarians and will be guided by the following principles:

  • Creativity and innovation
  • Quality of life and economic development
  • Diversity and inclusiveness
  • Respect for First Nations, Métis, and Inuit peoples
  • Public value and accountability

The province’s release notes that culture is one of Ontario’s fastest growing economic sectors, generating approximately $22 billion of Ontario’s GDP, and supporting more than 280,000 jobs. The release states that Ontario is home to more than 58,000 artists; nearly twice as many as any other province. The release also notes that the province’s film and television production supported more than 44,000 direct and indirect jobs, and that Ontario’s music industry is the largest in Canada. .

The province also announced the creation of the Culture Strategy Advisory Group, comprised of seventeen members of Ontario’s cultural industries, from various backgrounds including music, dance, theatre, fine arts, documentary film, museums, literature, and more.

Music Canada encourages the music community in Ontario to share their perspective by taking part in the province’s consultation. To add your voice to the discussion, visit the province’s Culture Talks website, where you can sign up and share your ideas, see what others are saying and vote on ideas, or send your suggestions via private message.

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Music Canada’s 2015 Annual General Meeting

Music Canada was thrilled to welcome many of our members, friends, and industry partners to our 2015 Annual General Meeting, held on September 24, 2015, at the Lula Lounge in Toronto.

Among the program highlights, the AGM featured a conversation with Toronto Mayor John Tory and Music Canada President & CEO Graham Henderson. Entitled ‘Toronto’s Music City – View from the Top’, the discussion centred on Toronto’s role and reputation as a Music City, and how the City, community, and local music industry can continue to foster this reputation.

John Tory - Graham Henderson

Video: Toronto’s Music City – View from the Top: in conversation with Mayor John Tory

For more on Tory’s remarks, visit our blog.

Next, Henderson delivered the Year-In-Review, which underlined the importance of collaboration and partnership within our industry.

After noting the growth in Canada’s digital music market, helped by the launch of new streaming entrants in the market, Henderson highlighted the Ontario Music Fund, which was made permanent in Ontario’s most recent budget bill. “Thank you Premier Wynne and Minister Coteau for seeing the economic value in Ontario’s booming music sector,” said Henderson. The success of the Ontario Music Fund has sparked interest across the country, explained Henderson, pointing to the Fertile Ground report commissioned by the National Music Centre and completed by Music Canada last fall, which provides recommendations for leveraging the potential of Alberta’s music sector. Henderson then announced that Music Canada is undertaking a study on British Columbia to make similar recommendations to their provincial government.

At the federal level, Henderson noted a major win in the budget bill with term extension for sound recordings. Noting that these recordings would otherwise fall into the public domain during the artists’ lifetime, the unprecedented success on term extension brought Canada in line with international standards.

Henderson also congratulated the Unison Benevolent Fund on reaching their $1 million fundraising target this year, making the fund operational. Music Canada is proud as an organization, along with our label members, for the role we played in investing $250,000 for the fund. Henderson then recognized our matching partner, Slaight Music.

Graham Speaking

Video: 2015 Year In Review

Continuing on the Music Cities theme, the AGM featured a panel entitled ‘Music City Strategies from the Ground Up’ with three panelists from across Canada who shared insight to the strategies and programs they are using to grow the music sector in their home regions.

Moderated by Amy Terrill, Music Canada’s VP of Public Affairs, the panel featured:

  • Andrew Vincent, a singer-songwriter, researcher, and creative consultant from Ottawa, ON. He is the co-author of Connecting Ottawa Music, an Ontario Music Fund-supported project profiling Ottawa’s music industries that was released in Spring 2015. He is currently serving as the interim Executive Director of the newly formed Ottawa Music Industry Coalition, a not-for-profit dedicated to promoting growth in the city’s music industries.
  • Mark Garner, Executive Director for the Downtown Yonge Business Improvement Area in downtown Toronto. Over the past decade he has increasingly focused on the revitalization and development of urban downtowns, playing an integral role in catalyzing on economics, neighbourhoods, social innovation and incubators. The DYBIA boasts a Music Strategy that looks at the deep history of music in downtown Toronto, programming His ideas and approach have been acknowledged by numerous awards and by being emulated in other communities.
  • Thom Bennett, a professional musician/producer/recordist/instructor based in Edmonton.  He performs regularly around Western Canada and beyond with a plethora of artists including A/B trio, MIXTAPE, Ann Vriend, Jesse Peters and dozens of other artists. When not maintaining his busy gigging schedule he splits his time between producing and engineering records for local artists at Sanctuary Studios, session studio work, accompaniment work, teaching and composing music.  Thom has created the ELM (Edmonton Live Music) Initiative involving with the support and help of key stakeholders in government and the music industry in Edmonton.  Its aim is to reinvigorate Edmonton’s live music scene through an innovative economic stimulus plan that involves the Alberta Gaming and Liquor Commission.

Music Cities panel

Video: ‘Music City Strategies from the Ground Up’ panel

Following the panel, Henderson introduced a new tradition at the Music Canada AGM with the creation of the President’s Award, which recognizes an organization or individual outside the music industry that has had a significant impact on the music industry. The inaugural recipient of the award was Mark Garner of the Downtown Yonge BIA, which has created an action plan to stimulate music performance, creation, education and celebration in the downtown core of the city. Their music strategy builds on the rich music history in downtown Yonge in order to create an environment where music can succeed now and in the future.

For more on the President’s Award, visit our blog.

To close out the day, Warner Music Canada President Steve Kane introduced Modern Space, a five-piece Toronto-based band that recently signed with Warner Music Canada. The band delivered a high energy performance of songs from their upcoming debut EP.

Modern Space

For more photos from the Annual General Meeting, visit our photo album on Facebook.

We were thrilled to welcome many of Music Canada’s members, friends, and industry partners to our 2015 Annual General…

Posted by Music Canada on Thursday, September 24, 2015

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