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Music Canada hosts Ontario live music study launch

On Tuesday afternoon, Music Canada hosted the launch of our new report Live Music Measures Up: An Economic Impact Analysis of Live Music in Ontario, which is the first comprehensive study of Ontario’s live music industry completed with the assistance of Nordicity and funding from the Ontario Media Development Corporation. The report provides critical data and information that will help guide decision-making within the sector, in all levels of government, and with other allied stakeholders.

Music Canada President Graham Henderson providing opening remarks at the intimate event, proclaiming, “Today marks the result of what turned out to be a herculean effort and the first-ever true measurement of live music’s impact on Ontario.”

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Henderson continued to provide facts gained from the report, adding that in 2013, live music companies and the tourism activity generated by music festivals alone contributed just under $1.2 billion to Ontario’s GDP and just over $430 million dollars in combined tax revenue for all levels of government.

“In total the live music industry accounted for approximately 20,000 full time equivalent jobs in Ontario’s economy that year,” Henderson added, “almost three times what Stats Canada reported in 2010 for the entire country.”

Henderson concluded his remarks stating, “Live Music Measures Up is just a starting point. For the first time we have actual benchmarks for the industry in Ontario against which, future studies can measure. For the first time, we have a model that can be used to accurately measure live music’s impacts across the country.”

Music Canada Live Executive Director Erin Benjamin also spoke at the event, relating this day to the excitement of Christmas morning.

“30% of the known universe of Ontario’s live music industry contributed to this report,” Benjamin revealed. “83% of those say they project their revenues to increase over the next 2 years. That spells progress, growth and opportunity.”

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“This report will position the live music industry as critical to every economic, social and cultural policy discussion at every level of government in the country,” Benjamin concluded, “and it paves the way for new conversations, and opportunity, for all of us.”

Toronto and Whitehorse-based singer/songwriter Sarah MacDougall performed at the event, mesmerizing the attendees with her personal song lyrics and unique acoustic guitar playing. MacDougall’s performance was a reminder that Ontario’s live music industry cannot continue to grow without our underlying commitment to the artists and their creative output.

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For full details of the new report, check out our Resources section.

Photos by Sarah Rix, OntarioLiveMusic.ca

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First-ever study of live music in Ontario is released

Live - Newsletter Banner - 800x457 for Mailchimp - RGBToday, Music Canada releases the first comprehensive study of the live music industry in Ontario. Live Music Measures Up: An Economic Impact Analysis of Live Music in Ontario provides critical data and information that will help guide decision-making within the sector, in government and other allied stakeholders.

“This report provides a comprehensive picture of the benefits live music brings to Ontario. In fact, it only enhances our understanding of data collected in our 2012 economic impact study, and cements what we know about Ontario as a powerhouse for the music industry. It shows that a vibrant music scene drives value in many important ways, including job creation, tourism development, brand building and artistic growth. With the new data from this study, we now have the necessary benchmarks to measure and support its growth. Live Music Measures Up allows us to look at live music through a new lens, and to better understand how critical it is to the entire music ecosystem.” says Graham Henderson, President of Music Canada.

Erin Benjamin, Executive Director of Music Canada Live, participated in today’s launch. “Measuring Live Music represents an historic, timely and monumental opportunity; one which will enable us to entrench the true value of the live music economy in the minds of our stakeholders, government and audiences alike. It’s inspiring to see the sector organize, work together and build on the momentum we can all feel – here in the Province and around the world – the kind that will help guarantee live music takes its rightful place as one of Ontario’s greatest natural resources,” says Benjamin.

Prior to this study, there existed no comprehensive data set on Ontario’s live music industry. Music Canada engaged Nordicity to complete the profile, which they did after conducting interviews and surveys of artist managers, promoters, agents, music venues, and festivals in the province. The study was completed in partnership with Ontario’s Ministry of Tourism, Culture and Sport, and with the financial support of the Ontario Media Development Corporation through the Ontario Music Fund.

In 2012, Music Canada studied the economic impact of the sound recording industry in Canada utilizing 2010 Statistics Canada data. The new data collected for Live Music Measures Up provides a more fulsome and detailed look at the live music sector in Ontario. A more comprehensive data set is necessary to understanding where the live music sector is, has been, and will be in the future. This report will provide necessary benchmarks to understand and support the sector’s future growth.

The economic profile is organized into four key areas: revenue, audience, economic impact, and future outlook. The key takeaways are as follows:

  • Revenue: Live music companies in Ontario generated $628 million in revenue from live music activities in 2013 as well as profits of $144 million. Artist management revenue from Canadian artists totalled $34 million in 2013, 54 percent of all artist management revenue, and Canadian artists generated $75 million in ticket sales.
  • Audience: In 2013, 558 festivals across Ontario sold a total of 15.7 million tickets, representing 7 million unique visitors. Ontario’s 616 venues have a combined capacity of 3.6 million. The 775 promoters operating in the province in 2013 promoted 81,600 shows, which sold a combined total of 5.4 million tickets.
  • Economic Impact: The total economic impact of live music in Ontario’s economy is $1.2 billion. Live music companies in Ontario were responsible for $484 million in total expenditure in 2013 and contributed $432.4 million in taxes to all levels of government combined. The economic impact of live music companies includes 10,500 full-time equivalent jobs, and tourism activity accounts for an additional 9,520.
  • Future Outlook: Survey respondents reported that access to tax credits and other forms of government funding, along with the availability of local Canadian talent, were the factors that most positively impacted their company growth. And 83 percent of live music companies in the province expect revenue growth within the next two years.

“Live music is a powerful force, and we thank Music Canada for their leadership in helping to quantify the extraordinary work of the sector,” adds Benjamin.

Download the full report here.

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Nathaniel Rateliff & The Night Sweats presented with first Gold plaque in Toronto

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Prior to their sold out show at Toronto’s Pheonix Concert Theatre Wednesday night, soulful rock group Nathaniel Rateliff & The Night Sweats were presented with a Canadian Gold award plaque for their breakthrough hit “S.O.B.” by Universal Music Canada.

This is the first award plaque for the band, as Canada is the first territory to certify the track. The band shared their appreciation for their Canadian support with a photo on their Twitter account.

The band will return to Canada in mid-January for shows in Edmonton, Calgary and Vancouver. You can watch the video for “S.O.B.” off their 2015 self-titled album below:

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First-ever study of live music in Ontario to be released on Tuesday, December 8, 2015

Ontario’s live music industry is thriving, and for the first time, we have measured and recorded data that captures just how large of an impact it’s having in the province.

As some of our long-time readers may remember, in 2014 Music Canada – with the support of the Government of Ontario’s Ontario Music Fund – asked Nordicity to develop a profile and conduct an economic impact analysis of the live music industry in Ontario. Through this survey, we have been able to create a profile that identifies the strengths, weaknesses, opportunities and threats facing this community, while also providing it with a critical tool that will assist individual and cooperative efforts to grow the industry.

On December 8th, 2015, we will release a study that is the first of its kind in the province. Live Music Measures Up: An Economic Impact Analysis of Live Music In Ontario is a comprehensive look at Ontario’s live music sector. We asked the music community to stand up and be counted. Through a partnership with Nordicity, they have conducted research and interviews with artist managers, promoters, agents, music venues, and festivals from across the province to explore and better understand the revenue, audience, and economic impact of the sector.

The economic profile is organized into four key areas: revenue, audience, economic impact, and future outlook.

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Stay tuned via Twitter by following #MeasuringLiveMusic, or visit www.musiccanada.com for the report’s release on December 8.

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Canadian artists top Spotify 2015 Year in Music lists

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On Monday, streaming service Spotify revealed their 2015 Year in Music top lists, which find Canadian artists Drake, The Weeknd, Justin Bieber, Alessia Cara and Francesco Yates as some of 2015’s most listened to artists in the world.

Proud Toronto-native Drake was announced as the most streamed artist of 2015 with over 1.8 billion streams this year and 46 million listeners. He takes the title from 2014’s most streamed artist Ed Sheeran, who in 2015 was announced as the most streamed artist of all time.

Drake’s 2015 mixtape If You’re Reading This It’s Too Late was the second most-streamed album globally behind Canadian The Weeknd‘s Beauty Behind The Madness. In the US, the order is flipped, with Drake’s album being the most streamed this year. Based on sales numbers, both albums have been certified Platinum in Canada.

On November 13, Justin Bieber released his highly-anticipated album Purpose, which helped the artist set the record for most streams in a single day of all time with 36 million streams.

The #1 most viral track globally belongs to German DJ Robin Schulz for his track “Sugar” which features Canadian labelmate Francesco Yates. Canadians claimed 3 more spots in the top 5 of this list, with Drake’s “Hotline Bling” at #2, The Weeknd’s “Can’t Feel My Face” at #4 and Alessia Cara’s “Here” at #5.

The full Year in Music top lists can be viewed on Spotify’s blog.

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Music Canada Applauds Supreme Court of Canada’s Decision in CBC v. SODRAC

Music Canada welcomes the Supreme Court’s decision today in the CBC v. SODRAC case which reaffirms that a copy of a recording has value for which creators must be fairly compensated.

The Supreme Court has determined that broadcasters must pay royalties on reproductions of audiovisual works – in this case known as incidental or ephemeral copies, which are used in the preparation of broadcasts – because they add value to the final product. The decision also ensures that Canada meets its international treaty obligations in this area. The Court further determined that rights holders are free to license their rights as they see fit, in this case, separately licensing television producers and broadcasters. And the Court noted that the principle of “technological neutrality” entitles copyright holders to larger royalties where the use of technology enables greater value to be obtained from use of a copyrighted work.

“Today’s decision by our highest Court is an affirmation for Canada’s creative middle class,” says Graham Henderson, President & CEO of Music Canada. “The creative community should have access to a fair and functioning market that rewards them based on demand for their work. This is critical for Canadian artists whose livelihoods depend on earning fair compensation from their profession and for the companies that invest in them and their careers.”

Today’s Supreme Court decision confirms years of precedents that support the growth and development of the music industry. The ruling rejects the argument that when a rights holder exercises one right, all other rights disappear. While the Supreme Court has decided to remit the matter to the Copyright Board to revalue SODRAC’s tariff, the Supreme Court has made it very clear that the judicial system will not be used to subvert clear statutory rights.

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Music NB releases Sound IMPACT, a profile and economic impact assessment of New Brunswick’s music industry

Music NB has released an economic impact study of the New Brunswick music industry, including a sector profile and strategic recommendations for the industry going forward. The study, completed by Nordicity, builds upon a 2004 report and provides up to date information on the industry which has experienced significant changes over the last decade.

The study highlights the economic aspect of New Brunswick’s music industry which accounts for $65.2 million in GDP and contributes $19.6 million in tax revenues to all levels of government. The province’s music industry has also experienced an estimated 284 percent increase in revenues over the last decade, increasing from $19.9 million in 2003 to $76.5 million in 2013.

“This study will help us as an organization to better see the needs of our industry,” said Jean Surette, executive director of Music NB, in an interview with The Aquinian. “The music industry can be an economic engine to development.”

The findings of the report suggest that there are opportunities going forward for the music community and policy makers in New Brunswick to build links and work more closely. It is recommended that music industry education, identified as one of the province’s strengths, continue to be supported.

The full report is now available for download at http://www.musicnb.org/sound-impact-industry-study.

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Brigitte Boisjoli receives first Gold record on live TV

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During an interview on the popular late night talk show En mode Salvail with Éric Salvail, Drummondville, QC, native Brigitte Boisjoli was presented with her first Canadian Gold award plaque for her 2015 album Hommage a Patsy Cline (Musicor). The artist posted photos of the exciting evening on her Facebook page and thanked her fans for helping achieve her dream of owning her own Gold record.

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Posted by Brigitte Boisjoli on Thursday, November 19, 2015

 

Brigitte Boisjoli has released 3 albums since being a participant on Star Académie in 2009. Her now Gold-certified Patsy Cline tribute album was recorded in Nashville, TN, with musicians who had worked alongside the late Cline, who passed away at the age of 30 in a plane crash.

View the video below to see Brigitte Boisjoli’s take on Patsy Cline’s “Crazy.”

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Music City Focus comes to Melbourne

The first ever Melbourne Music Symposium, which takes place later this week, will feature a presentation by Music Canada’s Amy Terrill on The Mastering of a Music City report.

Terrill is one of three keynote speakers during a sold-out full-day symposium that will gather key elected officials, staff and music community leaders, as well as some of the preeminent thinkers on music strategy from around Australia.  The day will include four workshops designed to produce tangible outcomes for Melbourne as it continues to set a gold standard when it comes to engaging the local music community in the development of comprehensive music strategies.

The day will begin with an address by The Right Honourable Lord Mayor Robert Doyle and end with closing comments by Councillor Rohan Leppert, Chair of Arts and Culture Portfolio.

In addition to the symposium, Terrill will participate in the Face the Music conference which immediately follows in Melbourne, as well as meetings in Sydney.

For more information on Melbourne’s Music Symposium, read here.

For more information about Sydney’s Face the Music, read here.

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Canadians heat up Top 10 of Billboard’s U.S. Hot 100

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Billboard’s U.S. Hot 100 chart was dominated by Canadian artists this week (November 14, 2015), with 6 of the top 10 spots being claimed by some of Canada’s biggest names in 2015.

Current Billboard Magazine cover star Justin Bieber, whose Double Platinum track “What Do You Mean” landed at #5, debuted at #2 this week behind Adele’s “Hello” with “Sorry”.

Toronto-based R&B superstar The Weeknd also has two songs in the Top 10 with “The Hills” at #4 and his summer smash “Can’t Feel My Face” at #10.

Drake‘s “Hotline Bling” came in at #3, while Shawn Mendes‘ “Stitches” is at #6 above tourmate Taylor Swift’s “Wildest Dreams”.

All four of these Universal Music Canada labelmates made headlines last week when they occupied the top 4 spots on the Hot 100.

The Billboard Hot 100 is ranked by radio airplay audience impressions as measured by Nielsen Music, sales data as compiled by Nielsen Music and streaming activity data provided by online music sources.

With Alessia Cara‘s “Here” rising to #15 this week, it’s safe to say we are witnessing one of the most exciting times in Canadian pop music history.

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