Music Canada

Gold & Platinum

Join Mailing List

Music Canada

Gold & Platinum

 Music Canada

Industry News (303)

view

London City Council to consider two motions aimed at making the Forest City more music-friendly

Next week, City Council in London, Ontario, will consider two motions aimed at encouraging more music in the downtown core. The motions support the development of the London Music Strategy, which was unanimously supported by Council in 2014 with the goal of building London as a live music city and music tourist attraction. The Strategy has made major strides in recent years with the hiring of Cory Crossman, London’s first Music Industry Development Officer, and the subsequent launch of the London Music Office. The Office recently launched the London Music Census, which will assess London’s music assets as well as barriers to growth.

The first music motion before council would allow a temporary exemption of a by-law contained in the City of London Special Events and Procedures – Section 13, which states that amplified music cannot go later than 11pm, with a 15 minute grace period. The motion, put forward by Tourism London, asks Council to allow shows on September 8, 9, and 10, to go later than 11pm but no later than 1am. This would permit outdoor events during Country Music Week and the Canadian Country Music Association Awards, which London will host for the first time this fall. The pair of events are expected to directly benefit the local economy with the booking of approximately 2,000 hotel room nights and an anticipated economic impact of $6-8 million dollars. The motion was supported by London’s Community and Protective Services Committee on July 18th.

The second music motion before council is File Z-8625, a pilot project which temporarily amends Zoning By-law Z-1 to permit amplified music and dancing on existing patios in the Downtown Business Improvement Area and the Old East Village. The temporary amendment would run from August 1 to September 30, 2016. The motion was brought forward by the London Music Office, via the Culture Office, and was supported by the London Planning and Environment Committee last month.

“London is a diverse and eclectic music community that houses many great venues. Current by-law restricts amplified entertainment on commercial patios whether that is a radio, TV or musician singing,” said Cory Crossman, London’s Music Industry Development Officer. “To best serve the community, the Music Office wishes to launch a pilot project focused on establishing best practices to work forward from. This project is temporary and focused on creating practical solutions for amplified music on patios at restaurants, bars and dedicated venues.”

Music Canada research has shown that seemingly minor adjustments to municipal policies can paid major dividends in the growth of a city’s music scene. The Mastering of a Music City, which identifies best practices for growing a city’s music scene, cites an example from the State of New South Wales, which eliminated a special license needed by venues to host live music in 2009. Music-friendly policies allow music and culture to flourish in downtown areas. Creating a vibrant music scene not only brings economic benefits in the form of business activity and tourism, it adds a ‘cool’ factor to a city that can accelerate other benefits such as attracting and retaining investment and talent. For example, Montreal has invested heavily in its cultural district, the Quartier des Spectacles, which hosts over 30 venues and even more festivals, which, according to officials with the city of Montreal’s cultural office, has increased the quality of life for those living and working there.

The two motions before Council are indicative of the continued growth of the London Music Strategy, and a sign that the London Music Office, Tourism London, and the London Arts Council are committed ensuring the Forest City is a music-friendly city.

Comments
view

Polaris Prize reveals 2016 Short List nominees

This morning, the Polaris Music Prize, which honours the year’s best Canadian album, revealed the 2016 Short List nominees. The list includes:

Black Mountain – IV

bm
Basia Bulat – Good Advice

Basia_Bulat_Good_Advice_Pack_Shot
Grimes – Art Angels

grimes-art-angels

Carly Rae Jepsen – E•MO•TION

carly-rae-jepsen-emotion-1024x1024
Kaytranada – 99.9%

kaytranada
Jessy Lanza – Oh No

jessy-lanza-oh-no-album
PUP – The Dream Is Over

pup
Andy Shauf – The Party

andy-shauf
U.S. Girls – Half Free

usgirls3
White Lung – Paradise

whitelungparadise

The winner will be determined at the Polaris Gala, happening September 19, 2016 at The Carlu in Toronto. The gala, which will be livestreamed via CBC Music’s Facebook page and YouTube channel, will be hosted by Tom Power, CBC Radio 2 Morning host and Polaris jurist, and Amanda Parris, host of CBC Radio 2’s Marvin’s Room and CBC’s Exhibitionists.

The winning artist will receive a $50,000 cash prize, while the nine other Short List artists will receive $3,000 courtesy of Slaight Music.

The Polaris jury consists of journalists, broadcasters, bloggers and programmers from across Canada, and the winning album is based solely on artistic merit, without consideration of genre or record sales. The prize’s past winners are Buffy Sainte-Marie (2015), Tanya Tagaq (2014), Godspeed You! Black Emperor (2013), Feist (2012), Arcade Fire (2011), Karkwa (2010), Fucked Up (2009), Caribou (2008), Patrick Watson (2007), and Final Fantasy / Owen Pallett (2006).

 

Comments
view

Canadian Country Music Association announces 2016 CCMA Award nominees

CCMA_2016awards_1200x630fin

Today, the Canadian Country Music Association revealed the nominees for the 2016 CCMA Awards, taking place in London, Ontario. 34 CCMA Award categories were revealed, with 8 of the categories being presented during the live CBC broadcast on Sunday, September 11, 2016, hosted by Jessi Cruickshank.

The nominees for the 2016 CCMA Fans’ Choice Award were revealed last night on ET Canada, featuring artists Dean Broady, Brett Kissel, Johnny Reid, Dallas Smith, and Yoan. Fans can vote beginning today, and have until 5 PM on September 11 to cast their vote.

2016 also marks the 40th anniversary of the Canadian Country Music Association bringing Country Music Week across the country. Along with the CCMA Awards, London will also host an industry conference and music festival, which includes a Songwriters’ Series, talent showcases, FanFest, and Legends Show that pays tribute to Canada’s most cherished country artists.

Country Music Week and the 2016 CCMA Awards are expected to generate an economic impact of $6-$8 million dollars for London. In 2015, Halifax, NS, exceeded economic impact estimates, generating $11.8 million in economic activity for the province, and $5.5 million in new money (GDP).

Performers for the broadcast will be announced throughout August. For more information, visit the full CCMA release.

Comments
view

CONNECT announces increased royalties for Canadian music labels

CONNECT Music Licensing has announced that an efficiency project undertaken with Re:Sound Music Licensing has resulted in increased royalty payments for Canadian rights holders.

Data improvement and other efficiencies have led to an increase of CAD$1.2 million annually for CONNECT’s members, who range in size from major record labels to artist-owned imprints.

Improvements in data streams provided by CONNECT’s members, and the creation of a single repertoire database have also freed up an additional CAD$1 million in accelerated royalty payments for labels and another CAD$1 million to the performers on recordings through Re:Sound’s member organizations ACTRA RACS, MROC and ARTISTI.

“The increased royalties are particularly notable as they result from our drive to improve royalty collection in line with international best practices, as opposed to adding revenues from a new music service or higher tariff award from the Copyright Board,” said Graham Henderson, President of CONNECT Music Licensing, in the release. “Organizations like CONNECT and Re:Sound exist only to serve rights holders, and today we have delivered on that promise.”

Royalty distributions, as a result of this project, will also happen faster on ongoing basis. Depending on the tariff, payout timelines have been accelerated by 1-6 months, a CONNECT rep told Billboard.

Reaction from Canada’s major labels acknowledged their contribution through data stream improvements:

Members of Canada’s music industry also shared the positive news:

Coverage of the increase in royalties for Canadian rights holders has also been featured in Canadian Musician and FYI Music News.

Comments
view

Ontario study shows arts and culture attract top talent

Business for the Arts has released the results of a new study that details the extent to which arts and culture attract both skilled workers and the businesses that seek them. Culture for Competitiveness: How Vibrant Culture Attracts Top Talent was created with support from the Ontario Arts Council, with research conducted by Nanos Research.

The study shows that a vibrant arts and culture scene, including live music events, can be a major driver in attracting and retaining employees, and is based on a survey of 500 skilled workers, and 508 businesses in Ontario. While businesses recognize the magnetic nature of arts and culture to skilled workers, the study concludes that they can do more to support local arts communities. According to the study, only 25% of businesses in Ontario make financial contributions to arts and/or cultural organizations in their community.

“The study’s bottom line is that businesses need to make arts and culture more of a priority,” said Nichole Anderson, President & CEO of Business for the Arts. “Our culture for competitiveness study confirms that skilled workers seek out vibrant arts and culture hubs when making job decisions, but businesses who could benefit from the magnetic effect of culture are not investing in their arts and culture ecosystem.”

The study includes the following findings:

  • 60 per cent of businesses said that there are usually more qualified and attractive potential employees in communities with a thriving arts scene
  • 64 per cent of businesses said that a thriving arts and culture scene is something that would make it easier to attract top talent to their community
  • 49 per cent of skilled workers go to arts and cultural festivals two to four times per year
  • Just over half of skilled workers said that a healthy vibrant arts and culture community has influenced their choice regarding which city they would want to work in
  • Skilled workers in Toronto tend to value arts and culture more than those living elsewhere (85 per cent compared to 73 per cent)
  • 75 per cent of skilled workers agreed that government support for the arts makes a more livable community

Thriving Arts Scene Image

The results of this new study echo parts of Music Canada and IFPI’s Mastering of a Music City report. One finding in the report was that music branding undertaken by a city adds a “cool” factor, that can attract and retain investment and talent. In Berlin, the intermingling of music and tech businesses has demonstrated that a successful music economy can attract and retain talent in other industries as well.

The Mastering of a Music City looks to global cities where an understanding exists that arts, culture, and music specifically, help to attract talent and business. Fredrik Sandsten, Event Manager Music at the public tourism agency in Sweden says of Gothenburg, “We have a very industrial city with huge industrial companies. They want culture and music to flourish because they see the link to attracting young workers to their companies.”

Ontario is home to many communities with vibrant arts scenes, where music, in addition to attracting businesses and talent, contributes directly to the economy. Music Canada’s report Live Music Measures Up: An Economic Impact Analysis of Live Music in Ontario identified that live music companies generated $628 million from live music activities in 2013, and brought a total impact of 10,500 jobs to the province.

Music Canada welcomes the results of Business for the Arts’ new study, and encourages Canadian businesses to support their local arts communities, including local music scenes, so that those communities and businesses continue to flourish together.

Comments
view

CONNECT Music Licensing achieves efficiency in royalty distribution

CONNECT Music Licensing has announced their decision to have their nearly 2,700 members receive public performance and private copying royalties directly from Re:Sound. The move marks a new level of efficiency in royalty distribution, making the distribution process simpler and more effective. Going forward, CONNECT’s members will receive public performance and private copying royalties directly from Re:Sound, eliminating duplication in the royalty distribution process and making it simpler and more cost effective. Per the release, the change will cut overall distribution costs by about one-third.

“CONNECT continuously strives to work as efficiently as possible. To this end, we saw a way to save time and money for our nearly 2,700 rights holders by having Re:Sound, a trusted partner of CONNECT, pay public performance and private copying royalties directly to our members. This will allow CONNECT to focus on reproduction royalties and will mean greater royalty payments to record labels and artists, faster,” said Graham Henderson, President of CONNECT Music Licensing.

“At Re:Sound, we are committed to maximizing public performance royalties for artists and record labels and ensuring that royalties are distributed as efficiently, and at as low cost, as possible. CONNECT’s move to bring their member labels to Re:Sound directly means more of every dollar will get into the hands of the labels themselves,” said Ian MacKay, President of Re:Sound.

The move was also applauded in CONNECT’s release by Mathieu Drouin, CONNECT Board Member and President of Crystal Math Music Group, Stuart Johnston, President of the Canadian Independent Music Association (CIMA), Shauna de Cartier, President of Six Shooter Records and Chair of CIMA, and Frances Moore, CEO, the International Federation of the Phonographic Industry (IFPI).

Comments
view

27th annual SOCAN Awards to be presented June 20

On Monday, June 20, Canadian songwriters, performers, and industry executives will be honoured at the 27th annual SOCAN Awards. This year’s event will be held at the Sheraton Hotel in Toronto, ON, and will be hosted by Dave Bidini of Rheostatics.

In celebration of Canada’s favourite pastime, composer Dolores Claman will be presented with the Cultural Impact Award for “The Hockey Theme,” which has been heard nationwide for nearly 50 years during Hockey Night In Canada broadcasts. The first few notes of “The Hockey Theme” will also be tuned into “The SOCAN” trophies, the world’s first and only music industry trophy that’s also a playable musical instrument.

2016 SOCAN Awards honourees will also include 2015 hit-makers The Weeknd (International Achievement Award), Alessia Cara (Breakout Award), Belly (Songwriter Of The Year), and Johnny Reid (National Achievement Award), as well as industry veteran Gary Slaight (Special Achievement Award).

Music Canada is proud to be a bronze sponsor for the 2016 SOCAN Awards, and wish to congratulate all of this year’s recipients.

View the full press release for more information on this year’s awards.

Comments
view

Creative BC announces Advisory Committee to support BC Music Fund

Creative BC has announced the appointment of a new Advisory Committee that will provide input in the administration of the BC Music Fund, which was announced earlier this year by Premier Christy Clark and the Government of British Columbia. The $15 million grant, which will be administered by Creative BC, aims to “support and promote various aspects of the industry, such as direct investment in BC’s music industry, enhancing live music opportunities, stimulating the creation and retention of jobs and promoting BC’s music on the national and global stage,” said the release.

The Advisory Committee will be chaired by Creative BC CEO Prem Gill, and is comprised of artists and representatives of various areas of the music sector.

“BC has a real opportunity to be an industry leader with the administration of the BC Music Fund,” said Gill in a release. “Creative BC has reviewed areas that are in most need of funding and is ready to work with the Committee to ensure we maximize the potential of this sector.”

Members of the Advisory Committee include:

  • Alex Cuba, Artist
  • Amy Terrill, Music Canada
  • Asha Bhat, Ministry of Jobs, Tourism and Skills Training
  • Bruce Allen, Bruce Allen Talent
  • Bryan Adams, Artist
  • Catherine Runnals, Brand Live
  • Nick Blasko, Amelia Artists Inc., Atomique Productions Ltd.
  • Patrick Aldous, Music BC
  • Prem Gill, Creative BC (Chair)
  • Sarah Fenton, Watchdog Management

“Seeing our Province make such a significant investment really speaks to the value of music to our economy and culture,” says Blasko, who manages JUNO winners Tegan and Sara. “The BC Music Fund will help the province compete on a national and international level.”

The BC Music Fund will allocated through four main streams:

  • Music company development;
  • Live music performance;
  • Tour support for BC artists travelling within and outside Canada; and
  • Industry development.

The release notes that Creative BC will launch a funding program in support of the sound recording sector over the next few weeks as a pilot. Additional grant programs aligned with the Fund’s objectives will be developed over the summer and fall of 2016.

“This advisory committee will give insight to Creative BC on how to develop and administer the BC Music Fund, and continue to produce, promote, and support some of the world’s top musical talent,” said Premier Clark. “The success people like Bryan Adams and Nick Blasko have enjoyed is a major asset for BC, and the artists who will benefit from their experience.”

For more information on the BC Music Fund, visit CreativeBC.com and join their email newsletter for updates on the program.

Comments
view

Canadian Heritage Minister Mélanie Joly announces lineup for Canada Day celebrations in Ottawa

The Honourable Mélanie Joly, Minister of Canadian Heritage, has announced plans for a truly Canadian musical celebration on Canada Day in 2016. On July 1st, an eclectic collection of artists from across the country will perform on Parliament Hill for Canada’s 149th birthday.

The show will be hosted by music journalist Rebecca Makonnen and Toronto rapper Kardinal Offishall. The artists performing reflect Canada’s proud history of diversity, and the show promises to be a rocking fun time for Canadians and visitors of all ages.

The Canada Day Noon Show will take place from 12:00pm to 1:30pm. The show will be broadcast on many CBC platforms live, and will include performances by:

Our music is a major part of our national identity, so it’s very fitting to honour Canada’s birthday with some of our most interesting artists. Coleman Hell, from Thunder Bay, Ontario, was a 2016 JUNO Award nominee for “Breakthrough Artist of the Year.” His music is an infectious blend of electronic and folk-country. Winnipeg’s Indian City is an Indigenous pop band, and their Parliament Hill performance will feature guest vocals from JUNO Award-winning singer Jay Bodner of Eagle and Hawk. Béatrice Martin, better known by her stage name Cœur de Pirate, hails from Outremont, Québec. She sings in both French and English, and while she’s best known for her solo singer-songwriter work, she has also played keyboard and collaborated on multiple projects. Also performing are Canada’s pop-rock darlings Metric, who have won multiple JUNO and CASBY awards.

There will be a second Evening Show from 7:00pm to 10:45pm in Major’s Hill Park, which is located in the heart of downtown Ottawa, close to the National Gallery of Canada. This performance will feature Shawn Hook of British Columbia, Andie Duquette of Québec, and DJ Ilon of Ontario.

There are other events and activities taking place all over Ottawa and Gatineau throughout the day. A full guide of events is available on the Government of Canada’s Canada Day website.

Comments
view

Discoverability Summit examines ‘Content in the Age of Abundance’

The Discoverability Summit, presented by the Canadian Radio-television and Telecommunications Commission (CRTC) and the National Film Board of Canada, kicks off today in Toronto. The Summit examines “Content in the Age of Abundance,” as participants discuss strategies, tools and ways to improve the discoverability of content in various fields.

Discoverability Summit logoViewers can tune into the livestream in English or French, and the recording and transcripts of the event will be available in the weeks following the Summit.

Tomorrow at 10:35 AM, the Summit will discuss ‘Music and the New Accepted Normal’, with panelists:

The description of the panel reads: “The record label structure has drastically changed over the last 20 years. From its sole purpose of selling albums, what is the new structure and formulation of music in 2016? How are writers, artists and producers succeeding and making money through new techniques of business and placement of their music? Do streaming services actually provide a sustainable structure?”

Comments

This website made possible with the support of the Ontario Media Development Corporation.