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Twenty One Pilots presented with Platinum award plaques in Toronto

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Amidst an extensive world tour that will find them on the road through 2017, alternative hip hop duo Twenty One Pilots were in Toronto, ON last week for a sold-out show at the Molson Canadian Amphitheater. Prior to their performance, the band was presented with custom award plaques by Warner Music Canada signifying the Triple Platinum certification of their single “Stressed Out,” and the Platinum certification of the 2015 album Blurryface. The album also features the Gold single “Tear In My Heart.”

Earlier this Spring, the band toured through Canada beginning with two nights at Montreal, QC’s Metropolis, and wrapping up with two nights at Vancouver, BC’s Queen Elizabeth Theatre. The band will return to Canada in September for appearances at Edmonton, AB’s Sonic Boom Festival, and Calgary, AB’s X-Fest.

The video for the breakout Triple Platinum track “Stressed Out” can be viewed below.

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The Ministry of Tourism, Culture and Sport unveils Ontario’s Tourism Action Plan

Roots at Luminato

A crowd enjoying The Roots at Toronto’s Luminato Festival, via Ontario’s Tourism Action Plan

One of the final announcements made by Michael Coteau as Minister of Tourism, Culture and Sport was the release of Ontario’s Tourism Action Plan. Since the release, Eleanor McMahon has been appointed Minister of Tourism Culture and Sport, and Michael Coteau is now Minister of Children and Youth Services. In the Plan, the province’s tourism industry is said to generate over $28.5 billion annually, which represents 4% of the GDP.

According to the press release, sector wide engagement across the diverse tourism industry produced an agreement amongst leaders – the need for immediate action. The Plan identifies five priority areas the Government will focus on: Indigenous-led tourism, Francophone tourism, the sharing economy, culture and sport linkages, and events and celebrations.

Music Canada has found that live music events and celebrations contribute significantly to Ontario’s economy. In our report, Live Music Measures Up: An Economic Impact Analysis of Live Music in Ontario, we determined that in 2013, the total impact of music tourism in Ontario was 9,530 jobs, $405.1 million in labour income, and $609.1 million in gross domestic product.

The Action Plan’s five priority areas are further broken down into twelve action items.  Several of them provide clear opportunities for the live music, and music tourism sectors:

  • An Investment Approach for Economic Growth recognizes that investment from the private sector is critical to increasing visitation and creating jobs.
  • A New Approach to Data Collection to Improve Data Quality and Availability could allow for data relating to music events, whether it’s live or recorded music, to be collected in its own independent category.
  • Working Together to Improve the Business Climate for Tourism – Reduce Regulatory Burdens. The Government has expressed a commitment to improving the regulatory environment for the tourism industry, and plans to hold discussions with industry partners to prioritize regulatory challenges faced by the sector. In Live Music Measures Up, Music Canada found that the legal and regulatory environment was the only factor live music companies in Ontario identified as having a net negative impact on their success.

We encourage our partners involved in live music and events to continue to engage in discussions, and provide feedback to the Ministry of Tourism, Culture and Sport as more detailed plans are developed.

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Does Toronto need a night mayor? Music Canada’s Amy Terrill asks the question in Huffington Post article

Music Cities banner

Amsterdam was the first city to appoint a night mayor, and since then the concept has grown in popularity as cities attempt to foster vibrant nightlife economies, while balancing the needs of residents. Is this concept a good fit for Toronto? In a new Huffington Post Canada article, Music Canada’s Amy Terrill asks; Does Toronto Need A Night Mayor?  This piece follows Music Canada’s previous Huffington Post submission Making Music History Work For The Present.

For further information on the topic of Music Cities, you can download Music Canada and IFPI’s 2015 report The Mastering Of A Music City.

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Creative BC announces Advisory Committee to support BC Music Fund

Creative BC has announced the appointment of a new Advisory Committee that will provide input in the administration of the BC Music Fund, which was announced earlier this year by Premier Christy Clark and the Government of British Columbia. The $15 million grant, which will be administered by Creative BC, aims to “support and promote various aspects of the industry, such as direct investment in BC’s music industry, enhancing live music opportunities, stimulating the creation and retention of jobs and promoting BC’s music on the national and global stage,” said the release.

The Advisory Committee will be chaired by Creative BC CEO Prem Gill, and is comprised of artists and representatives of various areas of the music sector.

“BC has a real opportunity to be an industry leader with the administration of the BC Music Fund,” said Gill in a release. “Creative BC has reviewed areas that are in most need of funding and is ready to work with the Committee to ensure we maximize the potential of this sector.”

Members of the Advisory Committee include:

  • Alex Cuba, Artist
  • Amy Terrill, Music Canada
  • Asha Bhat, Ministry of Jobs, Tourism and Skills Training
  • Bruce Allen, Bruce Allen Talent
  • Bryan Adams, Artist
  • Catherine Runnals, Brand Live
  • Nick Blasko, Amelia Artists Inc., Atomique Productions Ltd.
  • Patrick Aldous, Music BC
  • Prem Gill, Creative BC (Chair)
  • Sarah Fenton, Watchdog Management

“Seeing our Province make such a significant investment really speaks to the value of music to our economy and culture,” says Blasko, who manages JUNO winners Tegan and Sara. “The BC Music Fund will help the province compete on a national and international level.”

The BC Music Fund will allocated through four main streams:

  • Music company development;
  • Live music performance;
  • Tour support for BC artists travelling within and outside Canada; and
  • Industry development.

The release notes that Creative BC will launch a funding program in support of the sound recording sector over the next few weeks as a pilot. Additional grant programs aligned with the Fund’s objectives will be developed over the summer and fall of 2016.

“This advisory committee will give insight to Creative BC on how to develop and administer the BC Music Fund, and continue to produce, promote, and support some of the world’s top musical talent,” said Premier Clark. “The success people like Bryan Adams and Nick Blasko have enjoyed is a major asset for BC, and the artists who will benefit from their experience.”

For more information on the BC Music Fund, visit CreativeBC.com and join their email newsletter for updates on the program.

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Canadian Heritage Minister Mélanie Joly announces lineup for Canada Day celebrations in Ottawa

The Honourable Mélanie Joly, Minister of Canadian Heritage, has announced plans for a truly Canadian musical celebration on Canada Day in 2016. On July 1st, an eclectic collection of artists from across the country will perform on Parliament Hill for Canada’s 149th birthday.

The show will be hosted by music journalist Rebecca Makonnen and Toronto rapper Kardinal Offishall. The artists performing reflect Canada’s proud history of diversity, and the show promises to be a rocking fun time for Canadians and visitors of all ages.

The Canada Day Noon Show will take place from 12:00pm to 1:30pm. The show will be broadcast on many CBC platforms live, and will include performances by:

Our music is a major part of our national identity, so it’s very fitting to honour Canada’s birthday with some of our most interesting artists. Coleman Hell, from Thunder Bay, Ontario, was a 2016 JUNO Award nominee for “Breakthrough Artist of the Year.” His music is an infectious blend of electronic and folk-country. Winnipeg’s Indian City is an Indigenous pop band, and their Parliament Hill performance will feature guest vocals from JUNO Award-winning singer Jay Bodner of Eagle and Hawk. Béatrice Martin, better known by her stage name Cœur de Pirate, hails from Outremont, Québec. She sings in both French and English, and while she’s best known for her solo singer-songwriter work, she has also played keyboard and collaborated on multiple projects. Also performing are Canada’s pop-rock darlings Metric, who have won multiple JUNO and CASBY awards.

There will be a second Evening Show from 7:00pm to 10:45pm in Major’s Hill Park, which is located in the heart of downtown Ottawa, close to the National Gallery of Canada. This performance will feature Shawn Hook of British Columbia, Andie Duquette of Québec, and DJ Ilon of Ontario.

There are other events and activities taking place all over Ottawa and Gatineau throughout the day. A full guide of events is available on the Government of Canada’s Canada Day website.

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Submissions now open for 2017 Allan Slaight JUNO Master Class

Following a successful inaugural year, the JUNO Awards and Slaight Music have announced the return of the Allan Slaight JUNO Master Class leading up to the 2017 JUNO Awards in Ottawa, ON. The unique artist development program aims to provide three Canadian artists or groups with essential tools, opportunities, and connections to amplify their careers.

The top three artists will be selected by the Super Jury consisting of JUNO Award winners Kardinal Offishall, Max Kerman of Arkells, Lights, and producer Gavin Brown, as well as A&R representative Ali Slaight of Slaight Music, and President/CEO of CARAS and MusiCounts, Allan Reid.

“Looking back on the early years of the band, I was pretty frazzled about 98% of the time. If I can offer some advice to a young artist to get that number down to 95%, then this is a job worth doing,” said 2016/17 Super Jury member Max Kerman. “The Master Class provides very practical utilities for artists hoping to get their foot in the door. I’m happy to be involved again this year.”

The three finalists will receive an all-inclusive trip to Toronto for an intensive mentorship week with Canada’s Music Incubator at Coalition Music, culminating with a music industry showcase night. The finalists will also receive an all-inclusive trip to the 2017 JUNOS in Ottawa, ON, showcase opportunities during JUNOfest, a mini-doc on JUNOTV.ca, studio time at Slaight Music Recording Studios, and a $10,000 MuchFACT Online Music Video Award.

Submissions for 2017 are open and will close on June 30, 2016 at 5:00 PM ET. The top 10 finalists, selected by representatives from major and independent music labels, publishers, agents, managers and media partners, will be announced August 3 at www.junomasterclass.ca. The three winners will be revealed on September 13.

“We are excited to continue our support of the Allan Slaight JUNO Master Class program,” said Gary Slaight, CEO/President Slaight Communications, in a press release. “Slaight Music is dedicated to initiatives that provide unique opportunities for Canadian music artists to succeed.  Last year’s winners were a great example of the rising talent we have in Canada and we look forward to carrying on my father Allan’s passion for Canadian talent.”

2016 winners Fortunate Ones, Derrival, and Slow Leaves discussed their experiences since completing the program and attending The 2016 JUNO Awards in Calgary, AB, in the following video:

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Selena Gomez receives Gold award plaque for 2015 album Revival in Toronto

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Since early May, American pop sensation Selena Gomez has been touring across North America on the first leg of her 2016 Revival Tour, which included a Canadian stretch beginning in Vancouver, BC, through to Montreal, QC.

During her tour stop in Toronto, ON, Wednesday night, Gomez was surprised with a custom award plaque by Universal Music Canada commemorating the Gold certification of her 2015 album Revival. The plaque also highlights the Platinum certification of her hit “Hands To Myself,” and Double Platinum certifications of “Good For You,” and “Same Old Love.”

Gomez was initially scheduled to play Toronto over the weekend, however an unprecedented playoff run by the Toronto Raptors caused the singer to reschedule her sold-out Air Canada Centre concert. Gomez made light of the situation by sporting a Raptors sweater during her dazzling 20+ song set, which included her multi-Platinum hits and covers of Hillsong United and The Eurythmics.

Gomez will return to Canada later this summer when she headlines Québec City’s Le Festival d’été de Québec July 7, and AtlanticFest 2016, happening September 3 in Paradise, NL, and September 4 in Moncton, NB.

@selenagomez is a Toronto girl. I'm dying. This girl KILLED it. #revivaltour #revivaltourtoronto #selenagomez

A video posted by k|rkpellet|er (@kirkpelletier) on

 

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Ben Purkiss Design wins Gold at 2016 Muse Creative Awards for ‘Mastering of a Music City’ report

Congratulations to Ben Purkiss Design, who won Gold in the Muse Creative Awards’ Annual Report category for his design of Music Canada & IFPI’s The Mastering of a Music City report. The announcement was made this past weekend by the Muse Creative Awards, which is an international competition for creative professionals who “inspire through concept, writing or design, whether through traditional or electronic media.” The 2016 Awards featured more than 1,200 submissions from 33 countries around the world.Gold Award Site Big

Purkiss designed the cover art, layout, and infographics for The Mastering of a Music City from scratch, creating a cohesive look for the 100+ page report. The report presents a roadmap to help local authorities, businesses, community groups, and the creative sector capitalize on the potential of music to build, grow and strengthen their cities.

“I had the incredible opportunity to work with IFPI and Music Canada on their publication Mastering of a Music City: Key Elements, Effective Strategies and Why It’s Worth Pursuing,” said Purkiss. “IFPI and Music Canada are those clients every designer dreams about; they EXPECT you to push your creative boundaries. It’s a very challenging, yet incredible experience that I am very grateful to have had.

“When I started the initial research ‘phase’ of this project, I looked for inspiration wherever I could find it; from movie intros, online ads and the far reaching depths of online portfolios,” he continued. “I wanted to create a visual masterpiece that challenged who I was as a designer and my abilities to use the software I work with every day. It certainly did not disappoint.

“I quickly discovered what was to be my main source of inspiration – clouds. Clouds are ever changing and evolving – they can hide something beautiful, or in this case, elements within a design. I took that idea to create layer upon layer of design elements – mixing colours and objects to create the overall visual cues. This was unbelievably challenging yet incredibly rewarding.”

The stunning design is a big part of the reason that the report has been so well received around the world, said Amy Terrill, Music Canada’s Executive Vice President, and lead author of the report. Since its release in June 2015, The Mastering of a Music City has been cited by an array of cities around the globe, including Sheffield, United Kingdom, Sydney, Australia, and Bogota, Columbia. To date, more than 800 printed reports have been distributed at more than thirty presentations to conferences and business association meetings in locations such as Pemberton, British Columbia, Columbus, Ohio, Aarhus, Denmark, and Brighton, United Kingdom.

“Winning a Muse Award was completely unexpected for me,” said Purkiss. “I don’t think it has fully sunk in yet, but it’s a gratifying experience knowing my work is truly recognized and rewarded.  I’ve never given myself much credit (let’s face it, most people are their own worst critics) but this is really showing that hard work can, and does, pay off – especially when you are given creative liberties from clients like IFPI and Music Canada who value the work of all artists.”

The Muse Creative Awards is administered by International Awards Associate Inc., and judged by a panel of internationally-recognized creative professionals. The panelists identified “the most innovative and creative concepts, the strongest executions, and the highest quality in messaging,” said an MCA release.

Photos of Ben’s design are available on his Behance page, and the full report is available for download in our Resources section.

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Notes from the Road: A Secret Habit in the Music Industry

BelleStarr - bioCanadian singer and fiddler Miranda Mulholland has just completed a tour with Belle Starr, with stops across Canada and the US. She’ll be sharing her experiences in our Notes from the Road tour blog series.

Notes from the Road is Music Canada’s artist tour diary. Canadian artists on tour around the world will share their stories of fans, gigs and the “good, bad and the ugly” of touring!

There are some people in the music industry who have a secret habit. All of us musicians know about it though, we talk about it, we discuss these people in hushed tones. We really wish they would come forward and get it out in the open, to make this habit known. To be made an example of!

What is this secret habit? These industry people pay to see live music. Even though they work with musicians, even though they are friends with lots of musicians, even though we ALWAYS put them on the guest list because they are champions of our work, they pay anyway.

In this Brave New World – A world in which the digital age and its promise of “eliminating the middle man” has actually only eliminated the creative middle class, musicians are really struggling to find a sustainable business model.

What about streaming, you say? Well, streaming income is risible (785 plays = 12 cents!!) and actual sales are down because “why buy when you can stream for almost free?”

I get it. I really do – I am a consumer as well. There are benefits to having your music made readily available all over the world, I see that too.

Okay then, we are told touring is the way to make a living so we leave our families and hit the road. Expenses are high, however, guarantees are low and budgets get very tight. Every dollar matters. Every ticket matters.

So here’s the thing, music industry. We are glad to have you there at shows supporting us, we do understand that you go to a lot of concerts for work and it’s sweet when you buy us or all your colleagues drinks, but it would be even sweeter if you showed us you value our work by paying a cover. It really does make a difference.

Allow me to point out for a second that musicians pay YOU for the work YOU do. We pay you in commissions, in percentages and in flat out invoiced fees. We value your work. If YOU don’t value musicians and the work we do what kind of example does this set to the rest of the world at a time when we are all are trying to combat the notion that music should be free?

To the people who I see at every gig, who, on the list or not, hand over money to see a band, I want to thank you! We musicians know who you are, we talk about you with a lot of love and respect. We value YOU. THANK YOU!

Of all the secret habits to have in the music industry, this is a good one!

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Discoverability Summit examines ‘Content in the Age of Abundance’

The Discoverability Summit, presented by the Canadian Radio-television and Telecommunications Commission (CRTC) and the National Film Board of Canada, kicks off today in Toronto. The Summit examines “Content in the Age of Abundance,” as participants discuss strategies, tools and ways to improve the discoverability of content in various fields.

Discoverability Summit logoViewers can tune into the livestream in English or French, and the recording and transcripts of the event will be available in the weeks following the Summit.

Tomorrow at 10:35 AM, the Summit will discuss ‘Music and the New Accepted Normal’, with panelists:

The description of the panel reads: “The record label structure has drastically changed over the last 20 years. From its sole purpose of selling albums, what is the new structure and formulation of music in 2016? How are writers, artists and producers succeeding and making money through new techniques of business and placement of their music? Do streaming services actually provide a sustainable structure?”

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